Author Archives: Gandy Dancer Staff

The Leslie Pietrzyk Experience

Posted by Shayna Nenni, Fiction Editor for Issue 4.2

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Leslie Pietrzyk, author of This Angel On My Chest. Photo courtesy of John Hopkins University.

Geneseo was incredibly privileged to have writer Leslie Pietrzyk visit our campus, Thursday, February 29th, to give a reading from her book, This Angel on My Chest. Channeling the intimate, personal experience of losing her first husband at the age thirty-seven, Pietrzyk greeted us with humor, sadness, hope, and creativity, reading one of her sixteen short stories. Not only were we lucky enough to hear her read from her marvelous collection, she conducted a workshop (which I was lucky to participate in), and attended classes on campus. I envy students participating in the Converse low residency MFA program where she’s a member of the core fiction faculty, and John Hopkins University’s MA Program in Writing where she teaches because of their chance to learn from and work with her so closely.

Listening to Leslie Pietrzyk’s reading of “A Quiz” from her collection of stories, This Angel on My Chest, was inspiring. She captivated the audience while reading a story about a young widow. The quiz format of her short story is innovative and strangely funny as it reveals how her narrator handled certain social situations after her husband’s death. The repetition of the cause of the husband’s death and his age also convey the obsessive nature of grief. Continue reading

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Why Reading a Book Can Be Better Than a Movie

Posted by Jeanna Foti, Fiction Reader for issue 4.2

My roommate once told me, “I’d rather watch a movie than read a book.” And immediately I thought, really?! A book has so much more to offer than a movie does. But I know mine isn’t the popular opinion. Everyone these days seems to have a cell phone and it’s hard to find a college student who doesn’t own a laptop. In a world where every college student seems to have a Netflix account, literature has been pushed to the side and forgotten.

While Netflix has made it easier to binge watch a TV series, there is still something about literature that, in my opinion, can be even greater than a TV show. When reading a book, you create a little universe inside your mind using just the words on the page. It’s an experience unique to you. You’re using your imagination to picture the story you are reading and taking an active role in creating it. This aspect is one of the things I love about reading; it allows you as the reader to have a say in how you see the story.

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Where Are They Now?: An Interview with Angela Workoff

Posted by Erin Duffy, Public Relations Intern and CNF Reader for Issue 4.2

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Geneseo alum and author of “The Escape Artist,” Angela Workoff

Happy Throwback Thursday! To celebrate, we decided to interview some wonderful writers and artists who contributed to previous issues of Gandy Dancer. We started by chatting with Angela Workoff, author of “The Escape Artist,” our Post Script for Issue 4.1, to learn more about her literary life as a Geneseo alumni.

 

Gandy Dancer: Can you tell us a little bit about life after Geneseo and your MFA candidacy?

Angela Workoff: I always knew that I wanted to be a writer, but it took a long time, almost all of my twenties, to get out of my own way so that I could just sit down and do the work. I graduated from Geneseo in 2006, moved home to Brooklyn, and got an entry level job at an IT company which did tech support for hedge funds. The tech/finance world was miles away from everything I loved in the liberal arts, but I didn’t know what I wanted to write and was too insecure to commit to the stories I’d started. I found a niche in project management. I worked long hours alongside of my computer engineer coworkers and I learned a lot from them—those techs are likely the hardest working people I’ll ever know and they did their jobs often without recognition or thanks from our demanding clients. I traveled. I worked part time for a concert series in Brooklyn. I made friends. Got my heart broken a couple of times. Insecurity static began to settle when I was twenty-five, but I still didn’t feel great about my writing. Kept working, traveling, dipping in and out of writing workshops in the city.

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Introducing Our New 4.2 Editors

Posted by Kate Collis, Creative Nonfiction Reader for Issue 4.2

It’s that time again—the cut-off date for submissions to Gandy Dancer for 4.2 has come and gone and we’re happily reading away. As always, a new semester means a new set of editors who have fresh outlooks. In light of this, I’ve spoken to all four section heads to give readers a chance to get to know them and their ideas about their genre.

Shayna Nenni, Fiction Editor

ShaynaKate Collis: What constitutes a good short story?

Shayna Nenni: A good story will be grounded in a particular place, a place that readers can connect to. Along with that, well-developed characters and compelling situations that illustrate their relationships to each other, to their past, and themselves. I think it’s important to understand where our main character and secondary characters stand with themselves.

KC: What would set a story apart from the rest and make it publishable to you?

SN: I love a good plot. As simple as that sounds, there is nothing more thrilling to me than reading a good piece, skimming ahead because I’m so excited to see what comes next that I literally can’t wait to get to the next line. That, or really connecting with a character. Not necessarily the main character, but any character. To physically feel a connection from reading a piece, that is what sets one apart.

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SUNY Geneseo Launches National Book Review Month

Posted by Nicole Sheldon, Creative Nonfiction Editor and Art Curator for Issue 4.2

With the spring semester in full swing the SUNY Geneseo campus is bustling with students who are finding that each day is busier than the last. It’s more than a week into February, and here at Geneseo Assistant Professor of English Lytton Smith, Editing and Production Manager Allison Brown, and I have launched National Book Review Month, or NaRMo, for the month of February.

get reviewing posterThe literary world celebrates events such as National Poetry Month and National Novel Writing Month, and we’ve set out to add National Book Review Month to the literary calendar. Book reviews are an often-overlooked part of the literary landscape, and many readers fail to recognize the value in reading and writing reviews. Reading a book review may give you that extra nudge to read that book you meant to indulge in over the summer. Or, perhaps reading a book review would have prevented you from abandoning the novel that wasn’t what you initially expected.

That’s the beauty of book reviews—they’re a way for readers to express their opinions about what they’ve read, and share their views with the rest of the literary world. Word of mouth is great when recommending a book—but publishing reviews online for readers all over the world to see is bound to have a greater impact. Continue reading

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Welcome to Our Newest Gandy Dancers!

Gandy Dancer’s newest readers and editors are here and ready to do some reading! We’re all so excited to see everyone’s submissions and can’t wait for work to get started. (Psst: Need a refresher on our submission guidelines? Click here to find out more!)

Check out our new masthead to get to know everyone individually. Here’s to a great new issue!

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What We’re Reading: The Opposite of Loneliness

Posted by Meaghan Johnston, CNF Reader for Issue 4.1

The Opposite of Loneliness is a collection of essays written by Marina Keegan, a writer who died five days after her graduation from Yale, at the young age of twenty-two. I would assume that as a young writer, Keegan didn’t write her essays knowing they would become a New York Times best seller. She wrote for the same reason that many of us do – to attempt to make something of the world around us, to attempt to make something of ourselves. Keegan’s writing speaks of what it means to be a writer, as well as what it means to be human. Continue reading

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Sleep, Dream, Write: The Writer’s Routine

Posted by Oliver Diaz, Former Contributor and Fiction Reader for Issue 4.1

The truth is writers (besides Stephen King) cannot survive on writing alone due to their limited ability to pump out a plethora of valuable literary works, and ultimately, the meager financial compensation. When a writer has another job, another commitment, another pot on the stove, writing takes the back burner. As a student, I rearrange reading, writing papers, and going to class on my stovetop, and writing remains relegated to the back of the stove. Why? Well, my schedule tells me when to show up for class, and when to leave. I have to do my work before class, so although the time frame is not exact, it is narrowed. If writers don’t decide (and yes, the responsibility is on us) on a timeframe to sit down and write, how can we expect ourselves to show up?

The writer’s most feared question is, “Have you been writing lately?” Often the response is, “I will once I find the time,” or “I’m going to find time this weekend.” Well, one day I found myself on the receiving end of this question and took the predicted way out. The inquiring artist looked at me with a knowing stare, and said, “We don’t find time, we make time.” Of course, I thought to myself, time is not hiding around corners, behind bushes, or at the bottom of the laundry basket, I am making time, as in “Sure, I can make time for that.”

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The War on Math

Posted by Melanie Weissman, CNF Reader and Art Curator for Issue 4.1

I’m not a math person.”

It’s a statement we’ve all probably heard, if not spoken, multiple times throughout our lives. The sentiment seems ubiquitous among literary types like me. Why is that?

Numerous sources claim that the idea of some people being more inclined to natural mathematical talent than others is a lie and anyone can be a math person if he would just quit whining and put some effort into his studies already. I’m far from an expert on the workings of the human brain, so I’m in no position to contest that, but I can say that in my personal experience, when I’ve said that I wasn’t a math person, I haven’t merely been stating that I found math harder than other academic subjects (though I certainly do); I’ve also been expressing that I just plain don’t like math.

blog imageI guess that’s not entirely true; I do enjoy math in some capacities. I’m a big fan of Sudoku and those logic puzzles where you have to figure out who drives which car or who saw which movie. Even the less glamorous parts of math, the geometry and trigonometry and calculus, aren’t the absolute worst things in the world. (Algebra is pretty bad, though. Algebra can die in a fiery pit.) I suppose I’d rather find a derivative than clean my room. Rationally speaking, I know I shouldn’t have that much of a problem (if you’ll excuse the pun) with math, so why do I often feel the need to tell people those dreaded five words: “I’m not a math person”?

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New Kids on the Block: Meet Your Managing Editors for 4.2!

Have no fear, your new managing editors are here! As the spring semester murmurs to life and the windy Geneseo weather welcomes us all back it’s time for your new managing editors, Courtney and Christy (C2), to sit down with some coffee and ask each other the questions that matter:

Let’s get this party started:

The Dream Team: Ready for Action!

The Dream Team: Ready for Action!

How did you first get involved with Gandy Dancer?

Courtney: One of my friends recommended the class to me, actually. I was looking at courses for junior year and wanted to know more about it. My friend was in the class at the time and told me about how it was a really hands-on class where you got to put together a literary magazine full of prose, poetry, and visual art from students all across the SUNY system. The publishing industry is so multifaceted and is something that has always intrigued me as well so I decided to give it a go. I’m so glad I did though because I fell in love with everything about Gandy Dancer (GD) and kept coming back to it. As an avid reader and writer, being involved in this class has exposed me to so many fascinating aspects of the literary world that I never knew about before GD.

Christy: In the middle of my junior year I was perusing the course list on KnightWeb in a sleep-deprived-registration-is-tomorrow-morning-frenzy when I happened upon this gem of a class. I, somewhat nervously mostly excitedly, decided to sign up and I’m so glad that I did because it ended up being an incredible experience. At the start of the class I knew virtually nothing about literary magazines, literary magazine culture, or how they functioned and survived. It was, not to quote Aladdin, a whole new world! Not only did it widen my horizons within the creative writing/literary universe but also getting to read through and edit submissions from other young writers really helped me to grow as a writer and as a poet. I’m so excited to be back! Continue reading

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