Author Archives: Gandy Dancer Staff

My Experience Teaching Adolescents to Write Creatively

Posted by Ariana Miller, GD Poetry Co-Section Head for 6.2

Last semester, fall 2018, I was student teaching in a 9th grade English classroom.  Teaching responsibilities were immediately and entirely handed over to me.  My cooperating teacher, or CT, said that if I taught the curriculum she usually did that time of year, I could do whatever I wanted with it.  It just so happened that I would spend four out of the six weeks of my placement teaching George Orwell’s Animal Farm. My CT wanted me to focus on one major theme of the novel—leadership.  Naturally, as a Creative Writing major, I decided I would have my students write a poem about a time when they acted as a leader. My project spanned the four weeks we were reading Animal Farm, and was interspersed with my teaching of literary techniques Orwell used in the novel.

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Improv, Relationships, and Fiction

Posted by Clayton Smith, GD Creative Non-Fiction reader for 6.2

I perform improv comedy on campus, and I’ll be the first to admit that I tend to have trouble not viewing most of the media I consume through the lens of improv. Not that comparing every book you read or movie you watch to the process of grown adults playing make-believe is a foolproof method of gauging quality, but I will argue that some of the parameters of improv are just as helpful when applied to the written word. Continue reading

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Meet our Editors!

Posted by Shannon Marlatt, GD Fiction Reader for 6.2

Writing is a grueling yet beautiful calling. Experiences like writers block and time constraints make the job so hard. The creative spaces of writers everywhere have succumbed to crumpled paper balls haphazardly thrown near trash bins and half-empty coffee cups strewn across worn desks. One thing that may help writers in the mysterious process is gaining an understanding of what kinds of work literary journals, like Gandy Dancer, look for in publication. In order to help our readers and writers understand the people behind the journal, I decided to conduct a mini interview with each of the editors. I asked two questions to each individual, questions which I believe give readers a good insight into who these people are and what they value. I asked “What is your favorite quote?” and “If you could have any superpower, what superpower would you have and why?” Continue reading

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Dandy Gancer Project

Posted by Emily Sterns, GD Public Relations Manager for 6.2 

In the editing and production workshop in which Gandy Dancer is created, we’ve been working on making prototypes or mini literary journals, we’ve been calling Dandy Gancer. This group project got us thinking about the many decisions that go into creating a literary journal. Each group got a slush pile which contained fiction, creative nonfiction, poetry, and visual art. They were then tasked with creating a journal complete with a cover, masthead, table of contents, and a letter to the readers or mission statement. Continue reading

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The Gandy Dancer Ball

Posted by Emily Sterns, GD Public Relations Manager for 6.2

This Valentine’s Day, Gandy Dancer and friends celebrated our love for the literary arts! This event, meant to call attention to our upcoming submission deadline, included readings from both students and faculty. Readings were done by English department faculty, former contributors and current staff members. Our production advisor, Allison Brown read some of her poetry. She has been an immense help to Gandy Dancer through the years as she has helped produce the journal and taught countless students how to use the InDesign program. Dr. Greenfield performed some songs on an acoustic guitar to wrap up the first ever Gandy Dancer Ball! There was also a swag table full of Gandy Dancer merch including beanie’s, T-shirts, past issues, and new additions including coffee mugs and stickers. An assortment of delicious treats was made by numerous students in the Editing and Production classes. Guests especially enjoyed the Valentine’s Day card making station.  Continue reading

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Is it Possible to Separate a Written Work from its Writer?

Posted by Amanda Saladino, CNF Reader for issue 6.1 

Last year, I realized my writing was getting really boring. After two years of creative writing workshops, all the fiction I came out with was starting to sound the same to me. The plots changed, but the main characters were always witty and sarcastic and trying to figure something out about themselves. Basically, they were me. Eventually, I started having the same problem with the music I wrote for my composition major; everything sounded the same. Continue reading

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Beyond Boundaries: Geneseo’s NeuWrite/Edu Program Bridges Fields Often Forced Separate

Posted by Madison Wayland, CNF Reader for issue 6.1

So, uh, what are you going to do with that?”

This is the response I often receive from—well-meaning, and for the most part understandably confused—internship coworkers, peers in a new class, old friNeuWriteends I run into at Wal-Mart, as I answer that standard what-are-you-doing-with-your-life question every college student receives at Christmas dinners. I tell them I’m a double major, biology and creative writing, and watch their faces slowly twist as they try to comprehend the combination. Continue reading

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Reading as a Writer vs. Reading as an Editor: How are They Different?

Posted by Emma Corwin, Fiction Reader for issue 6.1

About a week into reading submissions for the upcoming issue of Gandy Dancer, I noticed how different, and sometimes challenging, it is to think with the mind of an editor. Having taken multiple writing workshops since starting college, I anticipated that reading for Gandy Dancer would be similar. Although there are certainly similarities between the two, there are also a few things about editing that I hadn’t considered. Continue reading

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The Importance of Artists of Color

Posted by Jennifer Liriano, Fiction Reader for issue 6.1
The newest edition of Gandy Dancer will be featuring incredible art. As it turns out, much of the art is by a group of culturally diverse students. It is important to have this sort of representation in a literary journal because if readers from similar backgrounds see their culture represented, it may speak to them personally and perhaps even encourage them to pursue more creative outlets. Continue reading

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“We Write Poems to make the Invisible, Visible.” -Martin Espada, the Mission of the poet

Posted by Meghan Fellows, Managing Editor for issue 6.1
On the way to the 2017 FUSE (Forum for Undergraduate Student Editors) www.fuse-national.com conference this past weekend, myself, and the other passengers in my car were antsy. The conference was based in Pennsylvania, and we had a lot of road left. We were all excited; we would be representing Geneseo in a space where student writers and editors from all over the country were coming together for a weekend of workshops, and literary bonding. The theme for the conference was Resistance, and the keynote speaker was Martin Espada. From the backseat, the DJ of the hour was switching songs, and talking about the Espada. Continue reading

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