Category Archives: Creative Nonfiction

Alex Fisher

Head-On

Copper Wires & the Horseless Carriage

Because                                                                                                                                                           fear.

Because you aren’t grounded—are you.

Because what is your life without making something; leaving something behind to prove a life was lived. Because any
day could send you slip-sliding to Hell; in a split second—

Because tomorrow (a tomorrow) the doctor will deliver a fatal diagnosis—three months, three weeks—and it was under your skin all along;

                                                    festering,

and you ignored it,
(you told you to)

Because you’re a hypocrite, but at least you can see that.

 

Because last September you thought you were in love (but it’s the other ‘L’ word);

          you kissed a silhouette (he was your silhouette) embroiled in shadow; romance forbidden by nothing except the ghosts of your small-town; and your twin-size bed fit two over six feet; and you wrapped your fingers around his and kneaded hair and shut the blinds because you’re on the first floor.
           Because you can name every country by its silhouette; memorized them; and he could name none; missed Mexico,
           missed Germany, but you didn’t poke fun,
           so as to not give an ick?

 

          Because you helped with geology homework (not geography, that’s a lost cause) and because ‘you’re a sweet guy’ and he cracked (you cracked) your concrete-laden titanium shell open and got to the soul language; festering languid inside; because Blue Devil Lounge and because he changed your life with two words—

                                                                   “don’t think

Someone gave Grandpa an old shitbox from the nineties and he (selflessly)

bequeathed it to you. The hubcaps were the biggest you’d ever owned. It ran loyal—that Acura—and you loved its
flaws/quirks (but not your own)

Because the AC worked part-time

Because the exhaust invaded the cabin sometimes and your ‘friends’ noticed before you

Because no forest of yellow pines could kill that ancient smell.

Because you (once afraid to touch a steering wheel), drove yourself to college,

Mom worried sick (Dad hiding it better);

one-handed became one-fingered (don’t think); you called it your ‘straight-shot’,

(sure, straight)

go west down on thirty-nine for an hour,

almost exactly

an hour,

like clockwork,

every time.

 

 

Because you fell so

 

                                   hard

and so fast

you needed (to see) him
that day,
the first day, actually

grass sprawled out beneath tangled hearts; fingertips inches apart; swapping cells; (or that’s what it felt like);
a few dozen stars, and Venus, peering through heavy light pollution
at two maybe star-crossed,
maybe, lovers
he wanted more before it started;

a direct, untethered line to

                                                                                                                                                                                   you.

Because the practice rooms are for music
and you showcased yours;
your half-baked symphonies and four-note soliloquy (you can’t even pronounce that)
And you played Orange Pyramid; but you didn’t tell him the following:

A) You stole the chords
B) You wrote it about your last crush

The lyrics: nonsense;

“Orange pyramid, padlocked in the desert of my thoughts,

“A sarcophagus of broken loves and love-me-nots”

Or maybe not nonsense.

You tell me,

you

                                                                                                                                                                      wrote it.

Because all you could think about while snuggled up in (your) blanket on (his) bed was

“I don’t deserve this” because,

                                                            because,

                                                                              because you couldn’t explain why.

                                                                        then he said it; “don’t think.”

                                                                               A nothing saying

                                                                             changed you.

 

 

Because April 3rd is your brother’s birthday;
Because you drove home for the weekend;
Because you knew the straight shot like the back of your hand
Because freezing rain polishes blacktop
Because thick drops splattered against your windshield
Because you took that turn at fifty-five, don’t think, too late,
           for a second you’d never see fifty-five,
Because your life flashed
(birthdaysfuneralsdinnersbreakfastsgraduationshospitalsbirthspublicationsweddingsvacations)
Because your car veered toward that guard rail, your heart bursting at the seams
Because you practically tore the steering wheel out of the dashboard, turning left
panicking back, but

Your headlight detonated, shrieked of shattered glass, you were flung forward, sternum smashing into the steering wheel, passenger airbag deployed, yours didn’t, cabin filled with smoke; although, not exhaust this time, but the car’s dying breath; you’d hit your chest; hard, felt broken, breathing short, long, the telephone wire watched on, you tried to back up; there would never be another shift to reverse, never another shift to neutral, never another parallel park job and never another Fredonia Parking sticker; never, never, never, at least not with this, this crumpled, desolate, damaged heap,
a wreck.

(It was all so unexpected. This was one of the many dangers of the horseless carriage)

 

 

              Because you nursed (forced) yourself back to health by running; (always running) until your doctor told you running could collapse you(r lung), but you had to do something, be something. So you—

So you what?

 

So you dove headfirst, (brain second); taking a rusted axe to your breaker box as you

pressed your lips so tightly against it (him)

An acceleration,

                                              a static charge;

an emotional              detonation—

high voltage adrenaline
grounded you;

knocked you back                                                                 (i really like you, you’re a sweet guy)

into your rubberized veins
you left so much behind, there (where you can never go again);
there is not an alternative;                                 it’s direct
all concurrent
just

a frayed copper wire                                                                                 without an end cap

Because you never thought that would happen to you.


Alex Fisher is an author, musician, and artist based in Western New York. He’s in his senior year at SUNY Fredonia and serves as president of the College Democrats of New York. His work spans sci-fi satire and deeply personal artwork, such as his short story “Fiftieth Street” published in Fredonia’s Trident and his nonfiction work, “On Toronto.” He’s currently developing his debut novel, Bleach, which takes its inspiration from disinfectants and cleaning equipment… obviously.

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Sean Novak

The Way of the Cone

Ice cream, a summer treat. Hercules had his labors, Troy had its horse, and I have my ice cream. Step aside, heroes of old, for it is time for a new tale to begin: the tale of the five trials needed to become a master of the way of the cone.

Trial one—the making. The first step is often the most crucial in a difficult journey, for once you have begun, you must stay until the end. The cone starts before the cone, with the mix. You must brave the tundra that is the freezer; the mix must be kept cold otherwise it will spoil, and the task will be over before you start! Pour the tidal wave of flavored milk and cream into the hopper, spill not the mix, as it could attract flies and ruin everything.

Trial two—the serving. The early climax, and the easiest to mess up. Journey to the land of the cones and select the most promising candidate to be your serving receptacle. Travel far to the land of the ice cream, fighting crewmates for the illustrious ice cream machine; there is only room for so many. Then, make the cone, struggling to get the perfect swirl with the non-Newtonian solid that is soft ice cream. Quickly, you must get it to the customer, there is not much time until the ice cream melts, and if that happens, the operation will fail. Come, we do not have time to waste, we must move on to trial three—the dreaded customers.

Customers are troubling for some; it depends on the day, the customers, and the time. You cannot prepare for this trial, only fear it. With each oncoming customer, There is no knowing whether they are rude, ordering one hundred things, or speaking in their mother tongue. If lucky, you will get a nice customer: one with simple taste. If the gods are angry, however, you will get a “Karen,” or even worse…children. Not much can be said about trial three, as there is no consistency. Customers are a labyrinth of ill-mannered souls and forgotten orders, so, we shall move on to trial four—the mess.

After the cars leave and the neon “OPEN” sign dims, the one reality is thrown into your face: it’s a mess! From the vomit of a child to a ripped garbage bag, you must harden your resolve and go dignified into the night, fully prepared to be met with the most vile, disgusting smells in the world, all to prepare the shop for tomorrow. It must be done. If it is not you who sacrifices yourself, it will be someone else. Delve into the barren swamps that is the drain, clearing it out for tomorrow’s dishes; heave a sack of rotting sugar cream, bearing the putrid smells of bile, old food, and flies feasting on the remains of your hopes of having an easy task, all so someone else doesn’t have to.

We are the comedic relief to the gods above us. However, we are the ones that have the last laugh. Through these trials, unexpected friendships are formed. We laugh with one another when a joke is cracked, and we cry with one another when they move on to bigger and better things. Ice cream, a simple treat, builds bonds with unlikely friends and ties those together, those who are completely different. It allows us to overcome hardships and understand that it’s imperative to ask for help. These small things, the trials that we overcome, the friends that we make, the laughs that we laugh and the cries that we cry, truly show us that the real cruelty is that so many people will never know the true joy of ice cream.


Sean Novak is a first-year sustainability major at SUNY Geneseo. He considers himself a “casual hobby writer.” Sean enjoys creation in all capacities, such as cooking, writing, and drawing.

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Zoe LaVallee

Inherited Survival

My grandfather should have been shot in a foxhole in Vietnam before my father was born. Before he was even a concept. Before the idea of his life was something to perceive. Before my grandfather met the woman who saw demons long before war gifted him his own and made her into a mother.

The photo created in my memory’s eye is torn at the edges. I heard this story long ago. I remember the ashes but not the flame. For this reason, I will assemble backward.

Four soldiers are positioned in a foxhole, rifles resting on the ground’s lip like a lazy kiss. They are quiet. Solemn. It is so, so dark. There is no wind, no rustling of leaves, no crunch of boots or grind of metal. The men feel the ache of their heels and knees from crouching so low in the hole that stank of earth rot and blood and dried-up shit. They grimace at the pressure forming above their bladders. What little water they have consumed already searching for an escape from their war-torn, toxic bodies.

Two of the soldiers shift. They need to relieve themselves. Begrudgingly, their limbs unfold and they drag themselves up and out of the mouth of the foxhole. The whale spitting out a sanguine leg.

The men prowl quickly to the grove of gnarled trees. One soldier unzips his pants and urinates onto the gray dirt while the other keeps watch. They switch, zip back up, and slide smoothly back to their foxhole.

The stench of death does not hit them. There has not been enough time for the scattered bits of skull and brain to marinate. The two soldiers in the hole are still crouched forward on their knees. On the back of their heads are matching wounds, small and cylindrical and red.

They are not crouched but keeled. Keeled over and dead.

In the five minutes my grandfather took to piss behind a tree, his comrades had been shot. The enemy had spotted two soldiers in a foxhole, teasing its muzzle with their loaded rifles. Swift and silent, the enemy took aim. The bullets did not whistle as they worked through bone, fluid, and flesh. They were deft, straight, cold assassins. They knew how to kill in the quiet folds of war.

I used to think about this story a lot. It is how I first learned about timing. Not punctuality nor scheduling, but the dark mirages and chest-clutching twists of Time’s ebony cloak. How, if my grandfather had not gotten up at that precise moment to empty his bladder behind a tree in Vietnam, he would have been shot in a fetid hole and left for the foxes. How, if he had left earlier or come back later, perhaps he would have had his throat slit from behind. Drowning in blood instead of being drained, drop by drop, through a third eye drilled into his forehead. Sticky rivers trailing between his eyes, soaking over the bridge of his nose, and leaving a final crimson kiss across parted, chapped lips.

My grandfather should have been shot in a foxhole in Vietnam.

My father should not have been born.

I should not have been born.

Where would I be if not here? Someone refuses to tell me. My ball of yarn is continuously knit.

I should have been engulfed in splintered metal and burning rubber before I reached high school.

Before I was ever kissed. Before I learned to swallow pills that took my pain and with it my poetry. Before I grew up and wished I didn’t.

This photo is not charred at the edges. I remember this story.

My mother is driving out of the school parking lot. She flicks on her blinker, signaling right down Market Street instead of left towards home. One of the bus drivers, John, waves at us in his rearview mirror. My mother and I are leaving school late, and he has finished his bus route. He smiles and drives off in his comically small red car. For a man large in both presence and stature, he looks cramped in the bright cherry vehicle. I squint through the snowflakes as he drives down Market. I am reminded of a dot of blood at the tip of an index finger.

I have decided I want to play on an indoor soccer team, or at the very least try it out. Of course, it had nothing to do with the blond boy I was in love with telling me I should come. I unzip my book bag as my mother asks if I have everything I need. Water bottle, check. Shin guards, check. Sneakers…I look down at the brown boots warming my toes. It is February and everything is icy and cold and leached of color. It is barely 4:00 p.m. and the sun is already too cold to stay above her covers.

My mother is annoyed. She pulls the car over and flips around. We head back towards the house; luckily we hadn’t gone too far, and we drive around the corner of Adirondack and John’s Brook.

I rush inside and grab my forgotten sneakers. My brief visit inside offers little reprieve from the biting cold. Heat seeks escape from every corner of the narrow, one-story structure. My little sister’s room becomes so bitter that we huddle together in my room to keep warm at night. Clouds of breath weasel out the door as I open it and bolt back to the car. I am careful not to slip on the icy walkway. I have lived here long enough to know the ice is sneaky, only reflecting its danger when stabbed purposefully with light.

My mother backs out of the driveway and nudges the car carefully down the quickly disappearing road. The snow is coming down hard, concealing the cracked asphalt tucked between blanketed trees. She puts on her headlights and wipers and we fight our way through the encroaching dusk.

We do not get far. My mother’s knuckles on the wheel match the pasty color of the snow she is pushing through. She looks worried. The weather is especially bellicose tonight, threatening to consume anything in its path and bury it under flaky iron.

After about twenty minutes, we come to a slow, slippery halt. A pickup truck is horizontal on the road. On the right side, pushed over the lip of the ivory-painted asphalt, is a car crumpled up like a tin can.

“Is that John’s car?” My mother asks. She puts her hand to her mouth. “Oh my god, that’s John’s car.” Her blue eyes grow even wider than usual. I can hear her thoughts. Please please please please.

I can admit now that I felt a bit excited. I had always imagined tragedy with myself at its center. It made me feel important. I could have a story to tell.

My mother eases our car up to the left of the red car. She gets out of the car and runs over to his window. I watch from mine.

Blood trails from John’s temple. That is the image I remember. I remember crying soundlessly in the passenger seat. I remember my mother talking to John and then to the cops. I remember her calling John’s wife. I remember how she started the conversation with “Everything is okay, but John has been in an accident.” I remember her telling me that you always have to tell someone everything is alright when delivering bad news (unless, of course, it isn’t) so they can listen to what you are saying without panicking. I remember thinking back to that moment a few years later when my grandmother woke me up by telling me my father was in the hospital, and that she seemed to enjoy making me wait to hear if he was okay. I remember that I did not go to my soccer game. I remember turning around and going home. I remember we got a cheese pizza for dinner. I remember it just being my parents and me that night, my little sister was at a sleepover. I remember feeling very grown up to be talking with my parents about what I witnessed; very grown up to have been a part of something people would be talking about the next day. I remember we watched The Parent Trap and my mother played with my hair. I remember that it was warm.

I do not remember when, whether it was a few days later or sometime in the following weeks, my mother realized what could have happened had I not forgotten my sneakers. We were right behind John. I remembered his smile and the wave of his hand in the red car’s mirror. Would we have been hit too? Would my mother and I have been the ones with blood pouring from our temples? Would we have sat paralyzed in our torn seats while first responders disassembled the twisted metal holding us captive?

Wine-colored roses in a cage of thorns.

My grandfather had to pee. I forgot my sneakers.

He did not get shot in the back of the head. I did not crack my skull after getting rammed by a pickup truck sliding across the ice.

Time dances like grinding metal and sings like bullets. We hide but do not escape. We scream in silence.

Our quilts unravel and we are buried in the folds.


Zoe LaVallee is a senior at SUNY Geneseo where she studies adolescent education and English with a concentration in creative writing. She is currently a student teacher attempting to mold teenagers into writers. In her spare time she plays with her cat Bug and thinks about words that refuse to settle on the page.

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Holly Michelsen

 

Twilight

It’s August. The sky hangs over the lake. There is no wind. The evergreens stand at every point along the lake’s shoreline. The surface is wrinkled like the back of an old woman’s papery hand; the color, like the iridescent neck of a pigeon. The clouds look like white jellybeans melting in the blue flame of the sky. The air shimmers. The lake and the sky and the trees and the air and I could all be described as expressionless.

I have to remind myself to look out across the lake rather than stare at my feet on the metal dock. I have to remind myself to look at the lake because I am afraid I will stop remembering it as soon as I leave it. It’s happened many times before—my memory is fickle in that way; I get this from my father—so I take great care to remember now.

My father swishes backward into the lakewater with an audible chill. The expanse of it all makes him appear far away, although he is right in front of me. The evergreens seem to grow taller.

He says that the water tastes the same as it did when he swam here forty years ago. This makes me feel dreadful. I smile.

I’m afraid I will know how he feels—if in forty years I’ll have memories forced upon me like water forced up my nose after jumping into the same lake. Real memories, not just a recitation of facts, not just an amalgam of other family member’s recollections that I’ve poorly stitched together and placed myself in the center of, not just an empty nodding of my head plastered with a phony thoughtful gaze so that the conversation can continue and I can hear more about these memories that are supposed to be mine.

I pick my eyes up from the dock and look out across the lake again.

If the lake were a room it would be caked with dust, musty as all hell, stacked to the ceiling with things that people left here for good keeping but have now rusted and lay unremembered. It would be filled with things that were loved and left there out of love—but abandoned, still—so that new people could find them and love them anew. If you walked into this room you would not feel sad.

A quick sound of splashing water resurfaces me. My father points to an eagle in the sky returning to its nest to feed its hatchlings. “Look,” he says. We watch together. I remind myself to remember this.

All that can be heard is the sound of thousands of insects chittering as one. I know—without knowing—that this is exactly how it sounded when my father was a child here and that it will be exactly how it sounds when I am gone. When I listen for too long I feel like I will be swallowed whole by guilt that I can hardly explain. I see my father swimming in this lake and I am seeing time crushed onto itself like a tin can.

This is real memory—a full-bodied possession of the senses, nostalgia gone sour as soon as it lands on the tongue. It’s one thing to be able to recall the lake, but it’s another thing entirely to taste the water and become rigid with the knowledge of forty years passed.

The eagle leaves its nest once more and once more we watch it fly. I make special note of this so that I may experience the full weight of this gut-punch memory when the time comes.

The sky hangs over the lake. The water looks like a mirror but it’s too murky to reflect my face. He says that the water tastes the same as it did when he swam here forty years ago and I don’t know how he can stand it.

I sat on my heels in the sand with my sister making sand-pies and sand-meatballs. We were young and hidden around a corner from Grandma’s beach house. My mother kneeled with us in the sand to look at our pseudoedible creations and we invited her into our world. We wanted to be praised and she praised us. This was when my mother felt most like my mother. The sun was setting over the ocean, and the sand and she and my sister and I were softly glowing; around this corner, we were three haloed angels. The waves lapped upon the shore in front of us, our backs were to the barnacled wave breaker, and we were pressed tightly together between the sand and the setting sky; these were four walls. Then, there was the sound of splitting wood and a chilling bellow. I remember my mother telling my sister and I to stay there in the instant before she was running through the sand and disappearing around the corner. We were young and hidden and scared, so we stayed for a while before we slowly got up and abandoned our sand pies and sand meatballs to make our way to the beach house deck; twilight, with the tide way out and our feet cold in the damp sand.


Holly Michelsen is a psychology & English double major in her last semester at SUNY Geneseo, where her love of poetry and creative nonfiction has grown immensely. She pulls inspiration from writers such as Alice Fulton, Annie Dillard, Bob Dylan, & anyone who manages to string words together with enviable competency.

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Brianna Gamble

Elderberry Wine

The geese leap into the air in a snow-feather storm, startled by the thunder of my mother’s voice. The lightning of her words will roll between her, and her mother, until we three flee the cabin hoping that the barometric pressure of my mother’s hate will loosen. We walk the shores of Farlington Lake, one of the largest strip pits for which Pittsburg, Kansas is named. We walk along the edge of the pond, its bowels pregnant with black water, blue tar, old coal. The stink of the lake will walk with us, louder than even the queasy silence.

A little shop sits along the shore of Farlington, serving both lakeside and Route-66 customers. A pragmatic sensibility for a midwestern folk. Inside I find a smiling woman, whose years sit on her shoulders comfortably, like a well-worn, well-loved, coat.

She implores me, “Try the honey! It’s local.”

Like a dreamer remembering the waking world, I remember the man who raised me. My grandfather was a beekeeper, a farmer, oft-divorced, and ceaselessly kind. Not far from these poisoned shores, his gentle hands tended to hives, crops, wooly beasts, and the child I was—all with the same tenderness. My aunt said his craggy face smiled when he spoke up and said, “I can take the fella,” when the courtroom said my mother couldn’t. That same craggy smile would beam as he traded sugar water for comb-covered gold from amber-clad queens. He’d hum with the razor in his hands, as he used it to separate sheep from their roasting blankets, just before the summer would turn the dial of the sun so high that all living things trade breathing for baking in the oven of the world. Those same hands would tenderly, tenderly bandage my skin, boiling from the wasp stings an adventurous child tempted.

I wonder if the bees that gave the old shopkeeper her honey were descended from my grandfather’s. After he passed, and the courts passed me back to the cyclone from my past, my mother told me his hives were to be donated. If these bees were in the same line, could they know how noble their lineage?

The shopkeeper clears her throat politely, bringing my mind back to the here, back to the now.

She says, “If you’re a fan of local, the elderberry wine is good too.”

The berries are printed on the bottle in blood black with the ichor of nostalgia. Quickly I will swap cash for memories, and—abandoning mother and grandmother—rush back to the cabin alone, my hands holding treasure. The first taste is harrowingly sweet, more berry syrup than wine. The second is stupefying. I drink and I am sinking, falling, entering a place long ago. There, I watch my grandfather’s bent back as he tends to his own elderberry crop.

A hose is coiled in my hands like an emerald serpent, and the thumbs of my three-year-old self are covering the open maw of the hose. The hose’s mouth is open only a little, the pressure blasting water across the blue horizon. The water flies like a crystal arch across a cerulean sky. My eyes had seen the same shape in the metal arch of St. Louis. Here, now, in the past and the present, this arch of water is landing on my grandfather’s straw hat, splashing onto his work-shirted back.

Soaking, he turns and says to me, “You cut that out.”

Laughter bubbles out of my belly, across the years, to ring the cracked bell of my heart.

And here, now, I am laughing again, and the sun is reaching across two decades of hurt to warm me. I don’t remember the sound of his voice, but I remember the cadence, the rhythm. And I am crying, my tears arching back across the tempestuous years between us to soak his work shirt again.

And he says, “You cut that out. I’m still here ain’t I?

And when he says ‘here,’ he is pointing at my belly, still bubbling with laughter, now thick with the bittersweet of elderberry wine.


Brianna Gamble (She/They) is a student in her final semester at Monroe Community College. She studies creative writing, vampires, and how to make a mean gumbo. She has not previously been published.

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Kendall Cruise

Raise the Dead

Maybe I wasn’t supposed to be there in the first place, but what else is there to do when you are ten and like an older boy, so—there I was. The funny thing is, I don’t even think it was summer, the chill of autumn—maybe even winter—hung in the breeze. To be frank, we were bored, and the boys could only be in the house for so many hours before their mother kicked them out to go play, so Noah suggested we go explore by the creek.

They were my grandmother’s nextdoor neighbors, and the only other kids in the neighborhood; what other choice did we have than to have my two siblings and I, like ducks in a row, cross the threshold between their two yards and give a polite knock upon the door. We’d spend our days over Hulk video games and increasingly more violent games of hide and seek, chasing one another around the house endlessly, too proud to be the only one to wear shoes as we traversed over their rocky patio that poked the arch of the foot. When together, there was no need to ask where their dad was, or why we were only at our grandmother’s every other weekend. In these moments, for once, we were all just kids.

Mason was a year younger than me and an absolute crybaby. While I enjoyed him to an extent, I always found myself paused, waiting to see when he decided that Noah had committed a grievance worth crying over—which I usually perceived as a spilled-milk equivalent. He was a curly mop of a boy, with freckles like a speckled rock and pale as proofed bread. Everything about him was like fine china, which is my kind way of saying he was sensitive, which is my kinder way of correcting my harsh “crybaby” dubbage. He was always sick, always injured, always wanting something else for dinner.

There were times that I would hold my breath, wait to see if—for once—he would decide he felt too sick to play. If the holding of the breath was more than metaphorical, I would have gone blue in the face and passed out on the floor.

Now Noah was as close to what a ten-year-old could conceptualize as a Greek God. I make this comparison for the fact of his nose. It is the one of any Greek statue my mind can remember—beak like, dipped at the top of the bridge with a bony protrusion to mark the start of the slope proper. He was four years older than me, and he was our ringleader.

He had wanted to explore the creek a little bit outside of the cul-de-sac and there was no way we would have been allowed to go over if we asked so—our solution was not to ask. The five of us toddled our way through their backyard and a small field before entering the treeline. Goosebumps coated the skin as the breeze from the rushing water pushed into us.

We walked along the edge over rocks and twigs, sized up branches and bits where the terrain became steep and uncertain. I don’t even remember how it happened. One minute I was up over the water just cresting the beginning of the depression and then I was in it. I must have just plopped, I don’t remember a roaring tumble, any scraped knees, not even wet hair. Just white hot regret.

Noah must have ran to get someone. He seems like the only one who had it in him—a boy scout through and through. The others tried to coax me out of the water, told me to come back to the edge and climb up, or to walk across the creek and get up on the shallower land. All I could seem to do was babble and half cry. The water was too fast, my legs were frozen and shook in fear, I couldn’t catch my breath.

Then, the sound turned all splashing. My father fought against the current, looking nothing short of barbaric in his fear. It is the only time in my working memory that I can think of him lifting me onto his shoulders. He hoisted me up, heavy with water, and carried me back up to the shore.

How was I to know that in this moment, I had allowed a past to be rewritten? A grave to be pulled from the dirt—unlidded.

He died the first night my dad ever drank. Being the oldest of five in an Irish Catholic family inspires a certain degree of rebellion—and there was little else to do at twelve years old in the 80s than cause a little trouble. I imagine he staggered home a little hazy, but cognizant enough to put on a good show.

I only know my Uncle Brian even existed due to tidbits exchanged from my mom’s mouth when Dad wasn’t around to hear. His very existence—some unspoken absence everyone seemed to have agreed upon without my knowing. The events of the night piecemealed together in some panoramic collage, still left unfinished.

I imagine the first thing my father saw were lights. The blue and red flickering across the side of his childhood home. The front door was left open, and the house empty, unsure whether it would be wise to approach the scene still alcohol-ladden.

Brian had fallen into the creek and gone blue in chill and death. You know, it is often said that history has this pesky little habit of repeating itself, maybe as some fucked up test to show it you have learned.

While my father warmed his spirit with spirits alongside some neighborhood boys down the street, his siblings were playing outside—waiting for the call of dinner. They had been exploring by the creek, four of them, missing their fifth, and Brian had slipped. His body cracked through the ice upon impact. I’m not sure what my aunts and uncle might have done. Looked around at one another or the water in shock, called out to Brian, one of them making some daring escape to the side yard where my grandfather spent his afternoons fixing bicycle chains and refurbishing tables? Wished my father was there? Wished the eldest child was there to tell them something, anything was the right thing to do in the way only an eldest can?

The ice had frozen back over before Brian could pull himself back up to the top, his body a dark and squirming shadow growing cold and panicked. I imagine he gulped the first water into his lungs, his instinct a deadly hyperventilation. I imagine his thin arms, his legs—still growing—kicking against the water, against the current his body was in the process of swallowing whole. I try not to picture what it is my aunts and uncle could see, finding my mind pulled back again and again to the view of Brian buried beneath the winter. I try to forget he was seven.

My father received three DUI’s before he was nineteen and lost his commercial driver’s license before he quit drinking. I wonder if he liked the way it combated the creeping cold. If it was the only way he could play through the motions again and again. In one rendition, he does not go to his friends and stays alongside his siblings. From there he poses two possibilities: the one where he dives for Brian and the one where he dives for the house.

In the first, his body would arch gracefully into the Brian-shaped ice fishing hole, pull him to the edge of the bank and wrap his own body around him in an attempt to return the warmth. Brian would cry into his shoulder.

In the second, he goes running for his father, the only man he knew with hands more calloused than his own, and the ice is broken with one of many tools, Brian is retrieved, turned over to his stomach on the bank as his father pounds between Brian’s shoulder blades until all the water has come up and a gasp, as sweet as a baby’s first cry, finds the frost.

He attempts to play through the reality of the night—he is not there. In every rendition of these hypotheticals—Brian dies. This is the way the story goes. This is what he likes to forget.

What do we do, with all that we do not yet know? What do I do with my imagined life, zombie uncle and all? What does my father do with it?

My father dropped out of high school his sophomore year, two years after Brian’s passing. I often imagine my father walking across the stage. Taking graduation photos in the middle of the football field. Maybe he would have picked up a formal trade, like his father. Maybe he would’ve had it in him to stick with it, try out community college. Go into healthcare, like his mother.

I imagine him flipping adamantly through his anatomy textbook, learning every part of the lungs, imagining the contractions of Brian’s, of his throat as he expelled imaginary water onto an imaginary shore inside of this imaginary imagining.

What is it my father felt when Noah told him what had happened? Who did he picture as he trudged into the creek, twenty years sober, and pulled from it a thin-armed body gone cold from the water? When he placed me on the shore was he surprised to see a blonde? Was some part of him pulled from fantasy and back into grief? He finally got his chance to show what he had learned and pulled up—me.

I cannot help but to think he must have paid for my life with his. The price of his life, some butterfly effect’s wager. How do you determine what one child, maintained alive, is worth against that of the figment of one, now realized?

What kind of sick reincarnation tale can be found here? What sort of patient god?


Kendall Cruise is a junior at SUNY Geneseo studying English (creative writing) and adolescence education. They have been previously published in Gandy Dancer and Iris Magazine, and are the current managing editor of their college’s newspaper, The Lamron.

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Anna Lanze

Julia

Your youthful laughter full of innocence fills the air. Julia lies beside you, and together your tiny hands mend the worn-out blanket. You both giggle on the couch as you play an R-rated movie, something you two, once again, are not allowed to do. Within thirty minutes, you’re screaming at a jumpscare. This alarms Julia’s mother, your “Aunt” Erin. Aunt Erin, with her arms flailing in the air and her forehead vein protruding, storms into the living room yelling, “What business do two eight-year-olds have watching this film? You both have no business watching a film filled with blood and gore, but that’s probably why you tried watching it.” The two of you laugh in defiance and rebellion.

And there you both are…

“Three…two…one…MINT!’’ comes out of both your mouths synchronized. In a garden of youth, four tiny hands are suddenly ripping leaves from a mint plant and shoving them into seemingly ravenous mouths. The mint leaves burn, but you disregard it because that is the entire point. Julia, ever determined, is scarfing down many more leaves than you are. You are sweating not because of the scorching sun, but because of the leaves you are determined to consume. As your body temperature rises so does your hand, signaling a forfeit. “I CAN’T!” you exclaim. Julia mimics and mocks you, perpetuating her streak of victories, and leaving a trail of memories in the sun.

And there you both are…

You and Julia are wearing neon colored bathing suits with frills and polka dots, and bright pink burning skin on the apples of your cheeks. You two are blowing air into your swimsuits, causing your tops to inflate, giving the illusion of breasts. “I can’t wait till we get older and actually look like this,” she exclaims, her voice leaving echoes of teenage dreams. In what she thinks is a teenage-sounding voice she blabs, “Look at these boobs! I kiss so many boys with these boobs!” The pool contains more laughter than water. The thought of you two being teenagers together thrills you both, but provokes a dark punch to your gut and you know it punches hers too. You two are thinking the same thing but neither of you dare to mention it.

And there you both are…

You’re fully immersed in the pool’s embrace as Julia stands with her toes on the edge of the diving board, water dripping from her short curly hair. She’s wearing a massive grin paired with goggles far too big for her face. Sunrays beam on your skin; the chlorine and friendship-scented air feels refreshing. “Ready?” she snorts as the goggles press down on her button nose. At once you smile and begin waving your arms, screaming for help in your high-pitched voice. The playful charade prompts Julia to jump in to “rescue” you. The splash from her jump fills the majority of your vision, but out of the corner of your eye is Julia’s grandmother sprinting. Not knowing this was all a part of your game called “lifeguard,” her grandma is in a state of terror. Just about to leap into her pool fully clothed, she recognizes snickers of mischief she knows too well. Yours and Julia’s laughter prevails in the face of her grandmother’s scolding and your friendship is immortalized in the sunlit waters.

And there you both are…

Once again, your parents and Julia’s parents fill the backyard with whiskey breath, music, and obnoxious laughter. The back door slams behind you as the two of you approach your parents, who welcome you with applause and hysterical screams. You get into your not-very-well-thought-out positions, fixing the wigs that cover your eyes and identities. You hear your mother whisper about the old costumes you’re wearing, wondering where the hell you found those. You yell, “HIT IT!” and the two of you begin flailing your tiny limbs in various directions. You two are not dancing to any music other than the melody of true friendship. A dance of sheer delight in a symphony of giggles. Howls of laughter from your parents fade into the background as you lock eyes with Julia. She really is your best friend.

And there you both are…

“JULIA!! Do you think we’re being too mean?” you ask innocently while your fingers slam on your keyboard, typing cruel insults to a virtual penguin. “Who knows? Who cares?” she scoffs with a mischievous twinkle in her eyes. You giggle and rearrange how you are sitting at your dining table. On a cup of water next to your laptop is Julia mischievously smirking through your iPod screen. You look at the screen and notice she has really long hair today; you compliment it because she usually wears bandanas or hats. “NO WAY!” she yells. You do not question her yelp because you know what just happened to you both. “Banned from playing Club Penguin. Are you girls fucking serious?” hisses Julia’s mom over the phone.

And there you both are…

“GRAB THE WATER GUN RIGHT NOW. IT NEEDS TO DIE!” she demands with her eyes fixed on the intruding insect. You’re paralyzed in horror as a massive bug you can’t even name asserts its presence in front of you both. Julia notices your hesitation and catches a glimpse of your fear. Without a moment’s hesitation, she darts out of the pool and swiftly grabs a yellow plastic gun, showcasing her unwavering bravery. Precisely loading it with water as if preparing for battle, she courageously fires it at the bug. She was always the brave one. “BITCH!” she barks after confirming the insect’s death. She turns to you with her hand on her mouth acknowledging her profanity. You both exchange glances, knowing that if Grandma hears that you’ll get in trouble again.

And there you both are…

You and Julia, partners in digital adventures, tap away on your brother’s laptop. With laughter as your guide, you download an endless stream of Minecraft mods. Consequences arise as the laptop’s screen flickers and goes dark. Your brother erupts in frustration at the sight of this, but his frowns and reprimands couldn’t dampen the spirit of two girls caught in the enchantment of their own world.

And there you both are…

Jaws, the shark movie the two of you have been looking forward to watching all day is interrupted as Julia hesitantly blurts,“What do you think happens after we die?”

Her slim finger hits her tablet screen pausing the film. She’s bundled up in her wool blanket, looking cozy and adorable with her doll-like face. But that wool blanket is wrapped around her as if it was armor shielding her from the impending reality. You, her best friend, know what she’s feeling. You gaze into her wise doe eyes and let her dreadful feeling, an impending sense of doom, transfer to you. You do not respond for a moment, letting those words linger and tighten the air in the room.

“I don’t know, Jules. I just hope we see each other again.”

“Please God…Please let her live,” you whisper with a fragile plea, desperately clutching onto the remnants of hope. Your eyes ascend to the ceiling that holds Jesus on the cross. Your quivering index finger presses a tiny brown button that illuminates an electric candle. A deafening silence surrounds you as dark turmoil consumes you.

There is no sun in the sky; there is no light at all for that matter. The lights are on but the room feels exceptionally dark. The carpet is red, the walls are beige, your dress is black, and the air is suffocating. With a somber weight on your shoulders, you take slow and measured steps toward the hushed room full of adults. Your parents follow behind you, helping you carry the weight of your sorrow. You reach the doorway, a gateway to the brutal reality, as your heart reaches your stomach and your hand reaches your mouth. Your feet follow your eyes that beg for your best friend.

And there you both are…

You stand as Julia lies before you. There is a cushion to kneel on, but your knees are locked in place and your eyes are locked on her. Soft copper curls frame her beautiful porcelain skin and her lifeless face. Her white dress is nice, but she would have chosen something with color. Her makeup looks pretty, but cannot mask the absence of her vibrant spirit; she would have chosen red lipstick. You see her bracelets that will forever rest in silence, but you imagine the sound of them clanging together. Her spirit is now stilled and her familiar face is now frozen in a serene repose. Your gaze lingers on her chest, hoping it will suddenly move again, attempt to take in air. Your nine-year-old hand grazes her forever ten-year-old hand. Her hand is cold, and you want to warm her, but you realize a few things: she is cold but she doesn’t know she is cold. You cannot warm her; you will never warm her, laugh with her, get in trouble with her, or be with her ever again. The finality of the moment crashes upon you. You realize this is the end. You weep and wail into the pools of grieving tears that are your palms. Adults approach you with comfort, but only deepen the pit of grief because how come they get to grow up? There is a void in your life that only she could fill.

You feel different. The world feels different. Regardless of sunlight, the world is darker, colder, and infinitely more complex without your companion. The echoes of your shared laughter cease in the ache of her absence, now only resonating as whispers in the wind. In fact, laughter becomes a haunting soundtrack that reminds you of what used to be. Your hands, once seamlessly entwined with Julia’s, now fumble in the shadows of sorrow, desperately trying to hold onto intangible memories slipping through the cracks of time.

Two girls embracing, Anna on left, Julia on right.

Anna (left), Julia (right)

 


Anna Lanze is a freshman at SUNY Suffolk Community College. She wrote this piece in the fall of 2023 when she was studying at SUNY Oswego.

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Mollie McMullan

Sugar

She asks me if I am happy he is gone. I ask her if she remembers me sitting vigil over angel hair spaghetti like a museum exhibit about the nuclear family. Cramming raw, masticated broccoli down my throat in order to be excused from the table. I think of Sunday mornings and large fingers probing beneath the skin of a grapefruit, of Father’s Day when I scrubbed a kiss from my virgin lips with toilet paper after escaping from the oak table. The place where I became an electric fence, untouchable. Where I used to sit across from the man with hungry eyes, who wouldn’t waste anything, even going so far as to lick crumbs from his collared polo. During dinner, as I listened to him scrape his knife against the floral trim of his plate, I used to wonder how far he was willing to go to devour me completely, too.

As a little girl, I would cry at the head of the table, the closest chair to the door, teardrops maiming the pages of my homework packets. He would coil like a snake, teeth bared, poised to strike. I liked to taste the saline tears from my Cupid’s bow and roll eraser shavings between my fingers. He liked to groan at the wet paper and rip my pencil from my cramping hands. If you just stopped crying, this would be over sooner.

Some days, when my mother would come home from work, he would push his mouth onto hers. And I. Would watch. And freeze in tandem with her. In a dream one night, he appeared as a snapping turtle. I woke up feeling a chunk of skin missing. There, at the kitchen table, I learned how to play dead, hiding my face in the rims of ceramic cups, anything to dodge the iron-jawed man. Even the dumbest of mutts can learn a trick or two. This is a skill I haven’t forgotten.

And now he’s gone, nestled in a little house atop sand dunes, which is more than I think he deserves, sometimes. We eat in separate kitchens at separate tables, sharing nothing but the moon. On particularly quiet nights, I trace the grain of the wood table, picking out crumbs with my fingernail. How many times can this surface be scrubbed before I can sit here without fear of filth? How many showers will I have to take until I rid the stickiness of grapefruit juice from my skin? I swear I can still hear him slurping pulp from a spoon, legs spread wide under the kitchen table. I can see the tangy nectar drip from the corner of his mouth and onto his shirt. I feel him nudge my arm, asking for more sugar.

She asks me if I am happy he is gone. I lick toilet paper from my lips. I think about what “yes” will taste like.


Mollie McMullan is a junior at SUNY Geneseo. In her spare time, she enjoys chasing her dog around in circles and cutting up magazines for collages she’ll never complete.

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Griffen LaBianca

Little Eulogies

The funeral service was for my friend.

It lasted for nearly six grueling hours. Twelve if you counted the second day and the small eulogy given by the pastor of the church his family went to. I vaguely remembered him talking about his Sundays at church, as irregular and infrequent as many other middle class North Shore families on Long Island. In my family, church was a thing to laugh about, it was my brother whispering “Ooo hot,” as he dipped his finger in the small bowl of water that sits at the entryway of every Roman Catholic church. It was my father joking about being struck by lightning if any of us walked into a church on Christmas. “Bad Churchgoers,” my mother jokingly called us.

The house had been abandoned for as long as any of us could remember. It sat strangely on the corner of a neighborhood and reminded us of a haunted house from a Stephen King movie. Tall cypress tree with an abandoned tire swing and all. It was the summer of our freshmen year of high school, and the heat felt like you were sitting in a car with the windows up. Stagnant and windless. A pool sat in the backyard, pond scum overflowing the tarp that had slowly rotted away with age and changing seasons. Some of us joked about cleaning it up, skimming out the muck and coming here on our days off from whatever countless summer jobs we worked at. Deli counters, vet offices, pool lifeguards.

The boy who had scoped out the house, a friend of a friend, was a gambler driven by equal parts growing up poor around rich kids and growing up angry around poor kids. Six years later, his Instagram page reveals a man rounded out and softened up by time and work as a real estate agent. He’s married to his high school sweetheart who no doubt had a hand in flattening out the rough edges of his younger self.

Our friend group consisted of a hodgepodge of kids like this, athletes who didn’t take sports seriously enough to make it to college playing, honor students too stupid to stay in class when they could skip and sit in the cafeteria. Smart kids doing dumb stuff because the dumb kids did worse. Troublemakers who never did enough to get more than a wagging finger from a teacher instead of a suspension or a fine.

The kid had found a way into the house through a back glass door, less lockpicking and more jangling an old, rusted door frame until it snapped open. The first thing about the house was the smell: it was fresh, rather than the mold and rot that most of us expected. It was clean, as if it had been robbed rather than thoroughly scrubbed down. Kitchen cabinets and drawers were pulled out, silverware stripped clean from its holsters, the only things left were plastic plates and wooden spatulas. It felt more like the memory of a house than one that anyone had lived in.

The living room, connected to the kitchen, was open and an old leather couch was torn up and tossed over. Some of us marveled at the ceiling where a chandelier dangled high above, and the stairs snaked around the whole of the interior up into the second floor. It looked like a house from a movie, all glowing in the hot summer daylight. There were six of us, and we walked around the house with a tepid worship as if we were in a church, careful not to disturb the cobwebs and broken glass crowding the corners of the rooms. The only one who wasn’t careful was Mike. A broken leg earlier that year left him with a big black boot, so he stomped around the wooden floor of the house. Never mind the fact that he was a giant who had a knack for crowding up open places with all six foot four of himself; a height that is either accurate of how tall he actually was, or one clouded by the reverence of my younger self. It was hard in those days to tell what took up more of the room he was in, his body, or his laugh. Whenever he chose to laugh, it meant shaking the room you were in; it was a call, like those big Viking horns people used to blow through. It ordered everyone else in the room to laugh as well, not in intimidation, but because it felt wrong not to laugh along with him.

The funeral home was the biggest in our hometown, a necessity for the waves of people who came to pay their respects to Mike, and his family. At this time, it seemed to me that it would’ve been unusual for someone we knew not to be there. The line snaked around the halls of the building, people lined up, around tables and chairs, up the winding stairs that some of us joked reminded us of that old house we snuck into.

Anger shadows most of my memories of those two days. Anger at the adults, anger at our school, anger at ourselves, anger at Mike. It was a poison in me—more mist and fog than seething and red as it had been a week earlier. The first day was quiet. Those of us who were close to him had nothing left to say to each other, and those who felt they were close with him had no idea how to talk to us. It was nice in a way; misery was left to itself at the entrance of the big hall doors that lead into the room where his body would be. They were closed for the first hour, things getting set up, appearances getting ready. A part of me wonders now if that hour was more for us than it was for them, to prepare ourselves before we saw him for the first last time.

By the time I realized most of my friends had circled around me, leaving me alone and in the lead of the moshed crowd of people waiting, the doors had already begun to open. The man who opened them, a worker for the funeral home, was dressed in a tight collared penguin suit that looked a few sizes too big for him. At the time, I might’ve thought he was far older than any of us, but time and memory put him no older than any of us had been.

The few seconds before anyone made their way into the room were agony and lasted for an eternity. Everyone was breathing on top of each other, and despite the wilting summer heat of late August and the long sleeved tight buttoned suits we all wore, it somehow felt cold in the parlor. Eyes seemed to flicker between the door, to me, to the door, to me, to the door. Eventually, thought caught up with motion as I had already begun marching through the large double doors. Thoughts bled from me as panic churned in my guts. What came first? Respects to the family? Isn’t there something to sign when you walk in? What about those little cards with the prayer on the back of an old photo of the deceased? It was too late for decision making by the time I realized I was sitting down with the others in a small bisection of the room, in a corner seat, away from his family, their backs turned as they sat on a red and green flowered couch that would’ve matched the interior design of an eighty-year-old woman’s house.

Even as I think back on those grueling hours sitting and staring at the wood casket looming at the center of the room, I can’t remember the face of Mike in that wooden bed.

The next hour or so in the abandoned house was equal parts exploration and graverobbing. Or at least, that was how it felt to us the longer we walked around. The family’s history in the house became apparent, pieces of the inside were littered with the small memories of people who once lived there. As Mike and I were left to walk through the old turned-out bedrooms upstairs, the others looked through cabinets, closets, and the shed outside. Normally he was loud, not in an obnoxious way, but his voice used to carry a weight to it that seemed to absorb my attention.

A lot of us were smart, or at least good students, but Mike was on a whole different level. Academic awards were piled high on tables and on walls in the office he shared with his father, a fact that I and the others learned years later when we visited his family after he passed. The office felt small and cozy, and his computer was still set up next to his father’s. Posters of World of Warcraft and rap album covers were tacked up behind the monitor. It was the place where he spent hours playing Dota 2 with us online and yet in that moment it felt alien, a side of him that had been invisible between monitors and the static mic quality of TeamSpeak and Skype calls that lasted late into the warm hours past midnight on school nights.

In the old empty bedrooms upstairs in the abandoned house, books, toys, or anything not important enough to be carried away were left scattered across the floor or on top of empty open dressers. Mike had been quiet that day, a fact many of us never noticed until weeks later, he had been joking throughout our trip to the house, talking to Peter, a close friend who introduced me to Mike through our shared interest in Melee, a game we both attempted to play at tournaments. Only Mike’s attempt was loose and fast, more a hobby than my own obsession with it. A fact I would learn later about Mike, through Peter, was that if he wanted to master something, it was only if time let him. Whether it was a video game, a sport, or Quantum mechanics; the only thing seemingly inexplicable to Mike was himself.

Mike slowly, and carefully, grazed his fingers over the journals and loose photos that sat on a faded pink nightstand next to a dust covered mattress. Despite his size he was gentle with the memories, a light blue journal or diary, its contents still a mystery now, as Mike refused to let anyone else read it. His jaw clenched tight in the way that said “no” and left no room for rebuttal. He left it to sit alone forever on the windowsill of the room in the sunlight. The photos that were scattered loosely on the floor were of a young girl. I couldn’t place her age, possibly early high school, the same as us, but something about the pictures seemed ageless. The way the sunlight stained and discolored the photos, and the shirts and outfits of the girl and her friends in the photos couldn’t be put to time, memories left scattered behind on the wooden floorboard of an abandoned home.

Little eulogies were spelled out everywhere in that home. In the master bedroom, old copies of Hemingway rested dusted and lonely in a drawer. Old beaten-up sneakers sat mud stained at the front door, laces chewed through, aglets cracked and frayed from what must’ve been a particularly busy dog. Small notches were carved alongside dates and names in the doorway of a bathroom, ages of heights lost to the fading of sharpie ink against time. Posters of Justin Timberlake and Coldplay blanketed shoe boxes full of burned cd’s with “Cassie’s Mix” scribbled across the neon-colored plastic casings.

It was a house both left behind and completely forgotten by time. Only the sun and the rain and the dust left any measure of their age.

It took me nearly an hour to eventually get in line and give my respects to Mike’s family. An hour more of standing in nauseating, gut churning anxiety. And then another hour after sitting alone with my friends in what felt like bleacher chairs near the casket. Teachers who knew us, or knew Mike enough to know us, came up and gave their respects to us. We quietly, or silently gave our thanks and they either left, or stayed long enough to talk to other teachers. Either about how horrible it all was, or how horrible they all felt for us, or how horrible they felt for Mike’s family, or how horrible the ones closest to Mike must be feeling.

It was unique in a disappointing sort of way how people older than us spoke about death. Grief was never admitted, as if acknowledging your own pain was somehow selfish to the suffering of others. Perhaps that was the case, or perhaps the pain in which we felt lonely together was more than what the teachers or administrators or coaches felt. Or perhaps no one was ever really close enough to Mike to admit how upset they were. I didn’t cry at either of the services. Neither did my friends who were close with him. Part of me wonders if it was because we knew how long Mike had been hurting for. Or maybe, it was because none of us felt we had the right to cry for him, as if none of us ever truly knew him.

Eventually we were chased out of the house by a neighbor in a pickup truck. We scattered from the innards of the house like rats from a hole and spread out across the neighborhood, sprinting, the pickup truck spewing black smoke like some beast from hell out to punish us. This was the fervor and panic that could only accompany the thoughts of kids who weren’t really bad but had been bad enough to do something stupid. I ran alongside Mike, his big boot stomping and dragging through the pebbled, potholed street near my house. Eventually we made it to the front stoop of my house, both of our cellphones were dead, so we sat waiting for Mike’s sister to pick him up after he used my home phone to call.

I’ve owed Mike a eulogy for nearly six years now after the pastor asked if anyone had any words they’d like to say, and I stood there silently. Too nervous or too weak to say anything. After a pause that felt too long, and a few words spoken by the Pastor, they played the song “See You Again” on a speaker that had been wheeled out on an old plastic cart. Like the ones we used to have in grade school if we were about to watch a movie in class. In the awkward quiet of the funeral parlor, I laughed, only a chuckle loud enough for Peter to hear. Then he laughed as he felt it too. The tug of an old memory, both of us remembering Mike ranting and joking about how stupid he thought the song was late one night on a skype call.

The laugh felt easy, a little acknowledgment between us about our shared memory with him. It was a little memory, and as I remembered it, I began to remember the many hundreds we had made with him together. Easy memories that made me chuckle into the collar of my too-big dress shirt. quietly enough for no one else to hear. Memories of his laughing, or old jokes he made, or old arguments we had. Little memories that made me feel like a “bad churchgoer,” laughing at my own little eulogies.

My time with Mike was filled with moments like this, moments where we were alone together but not lonely together. Sitting, talking, joking, or even arguing, but rarely ever silent with each other. The sun was going down in the way that late summer makes lovely, all deep orange, pink and lavender. Or maybe it was just going down normally, the sieve of time diluting my memories of Mike into abstractions of beauty that I might’ve wished for quietly to myself. We sat in the silence of a suburban neighborhood in July, young kids squealing and laughing from somewhere unseen, trees shifting in the wind as the heat began to break for the cool comfort of night. Just together, waiting. A part of me puts my hand against his, or rests my head against his shoulders, or just blathers out all the ways I feel about him but can’t tell him.

The real me sits there quietly with him in the twilight before the dark sky rolls in with the night and all its stars scatter out like old memories against the floorboards.


Griffen LaBianca is an English (creative writing), environmental history alumni from SUNY Geneseo. He spent his time at Geneseo playing rugby, getting injured playing rugby, and writing sappy romance stories that, hopefully, will never see the light of day. He is currently working on publishing his first novel.

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Zoe LaVallee

Serenading Flesh

The first time I cut myself was with a mint-green plastic floss pick. The type that the dentist gives you in a small bag after they tell you to floss more. The ones with the sharp pick at the end designed to dig the plaque from the crevices of your teeth. Meant to expel bacteria from your mouth and ensure good oral hygiene.

The second time I cut myself was with a piece of sea glass in the glass bowl that sat on top of the upstairs toilet. I dragged the rough edge over the flesh of my thigh, but didn’t manage to leave much but a small, stinging scratch. I reveled in the sting and for that moment, it was enough.

I tried an old pocket knife my dad had given me. The blade was basically rounded. It didn’t do much. He didn’t know that his gift had been used as a vessel for my own self-hatred.

I soon upgraded to a butter knife. I felt like a thief in the night, sneaking into the kitchen drawer to slip the knife up my sleeve. It only felt like a mission to me; no one would have batted an eye if they saw me grabbing something as insignificant as a butter knife.

I sat in my bedroom and took the butter knife out of my nightstand drawer. I ran my finger over the dull, jagged edge of the blade. I pressed it to my wrist and pushed down, dragging the knife’s small teeth over the tender skin. I pressed down over and over, eventually forming an angry red line. Staring at the knife meant to be dripping with syrup, I instead saw traces of my pain.

Eventually, a mini Exacto knife came into my possession. I have no memory of where it came from, but it was the most effective tool I had used thus far. It danced into my hand and seduced my fingers. The blade was the Sirens and my skin the sailors. The sweet serenade of bare flesh begging to be painted on. Please mark me, it whispered, show me your agony, breathe me your sins. I let the cool metal glide over my skin like my mother skimming the top layer of cream off our milk.

I gathered up my internal pain and forced it to the outside. Please look at me. I wore short sleeves in gym class and nobody looked at me. They didn’t see, or they didn’t want to. Besides, all I had managed to do was make my arm look like I swung it through a bramble patch. There were no deep gouges or trickling wounds. There were only half-committed attempts at pleading with the world to see me.

When I was a child, I often felt a well of guilt bubbling in my stomach. There were times in which I was sad, too sad, and I had no valid reason as to why. Unlike many of my friends, my parents were not divorced. In fact, they loved each other very much and still showed their love to each other in a way that often dissipates in long marriages. They were incredibly supportive of me and my younger sister, telling us they were proud when we brought home good grades or won an award at school. I was extremely close with my little sister, feeling that she was more of my twin rather than two years younger. We would spend hours in imaginary worlds, needing nothing but each other’s company to fill our time.

My family was steadily middle class, sometimes dipping lower, but seldom revealing that fact to me or my sister. We went on vacation to Florida, we got new clothes for the first day of school, and our Christmases were plentiful. We lived in a small, safe town. We were liked by others in our community. On the surface, I had absolutely nothing to complain about.

My friends talked about fathers who left them on the side of the road in a fit of anger, fathers who cheated on mothers and put their children in the middle, mothers who got pulled over for DWIs while their child was in the car. My parents had never yelled at me. They read to me when I was little and stayed in my room until I was ready to go to sleep. They played with me. They parented.

I wanted something to be wrong in my life, so I could have a reason for feeling the way I did. I didn’t yet know about chemical imbalances. I was unaware of the mental illness essentially spilling out of both sides of my family. I was unaware that while I was growing up and feeling lost, my grandmother and uncle were squatting in our old house. That my parents filed a restraining order because my uncle threatened to kidnap my sister and me. That my loving grandparents had made my mother’s adolescent life miserable. That my father’s adopted side of the family saved him. That there was deep-rooted generational trauma overflowing in my veins. That I was the way I was for a reason, though those reasons hadn’t yet revealed themselves to me. I had a sixth sense when I was young that I was on edge for a reason. I knew there was something wrong, I was just too young to be exposed to it all.

Trauma is genetic, and my parents had enough for all of us. They wanted better for my sister and me, and because of this, they tried to be the most exceptional parents there ever were. Trauma can sneak up on you. I think that maybe it snuck up on all of us.

As I got older, the bubbles of guilt turned acidic and ate through my insides. Why was I always so on edge? Why could I never breathe? Every time my parents were late to a soccer game, I was convinced that they were dead on the side of the road with our car burning beside them. Fear came along with the deep sadness emanating from my core. I did not understand myself. Why did I want something to be wrong with me so badly?

This past summer, my mother and sister traveled to Switzerland on a school trip, and brought me back a Swiss army knife with my name engraved on the front; a classic tourist souvenir. I said nothing. I smiled at my sister and thanked her. Why are you giving me this? I wanted to scream, why are you handing me all that taunts me? I had never directly told her about my relationship with knives, but my mother knew. She knew, and she thought it was fine to put it in my hand. The smile on my face felt plastic. I felt sick. Yes, I was doing so much better. Yes, I had been in therapy for three years and was almost one year clean. It felt like a test that my mother was unaware she was giving: Are you better yet?

I told my boyfriend about it. He told me to get rid of it. I said I would. I didn’t.

A month or so later, he asked me if there were any knives in my apartment, and I pulled out a small blade. I kept it hidden like a security blanket. A just-in-case. A last resort. He told me to get rid of it and reminded me that I had promised before that I wouldn’t have knives around me. He told me that if it happened again, we were done. I didn’t let the tears fall. Would he say the same thing to a heroin addict? I watched him inhale sickly sweet-flavored nicotine and blow a cloud around us. We all have our addictions, don’t we?

When I traveled home for a funeral, my mother had laid out the Switzerland souvenirs that I hadn’t taken with me to school. “You forgot these.” No, Mom, I really didn’t. There was a keychain, a small bag with the country’s flower, and the knife. I hadn’t even remembered where I had put it, how had she found it?

I picked up the knife and flipped it open. The current state of my life was dismal. My great-grandmother had died, and while that in and of itself was sad, it was not unexpected. However, the familial chaos that ensued was exhausting, and I was old enough now to hear the conversations and nod along. I edited her eulogy. I stood at the front of the church and read words from the Bible that meant nothing to me. Hardly anyone in the family stepped up, so I did.

I ran my finger over the sharp blade. It was clean, it wasn’t dull, it was perfect. The skin on the back of my wrist was screaming at me, begging me. Caress me, it screeched, let me take your pain.

The blade kissed my flesh but did not bite it. I put it down, shuddering. I wanted someone to tell me they were proud of me. I had to settle for myself, for my unmarked skin.

There are so many stories I could tell. Stories with pages of backstory and context. There are reasons upon reasons that I have dissected in therapy. Observing myself and my actions like a specimen, why am I the way I am? There are times that I am so grateful for the life I have that it is hard to believe I could ever hate it or myself. I see my privilege spell itself out to me, and the guilt from my childhood sneaks back in.

We all hurt. We probably always will. And sometimes it will pull us under and we will fight not to drown. I have days where I remember the darkness, the all-consuming blanket it threw over me. I remember why I serenaded my flesh with violence, and I consider doing it again. I crave the release.

Then I am reminded of how circumstances change, and how quickly. I think about days when I smile so hard it hurts, in the most beautiful of ways, and my side cramps up from laughing too hard. Pain can be lovely. I think about the people who care for me, genuinely, and it shocks me a bit how many faces flash through my mind; the same mind that told me I was worthless, that everyone hated me, that they were better off without the constant drag that bore my name.

I hurt to feel and I feel to survive. I hope you do not understand.

But if you do, try to let the sun sing you a lullaby. Find other ways to scream.


Zoe LaVallee is a junior at SUNY Geneseo, where she studies English (creative writing) and adolescent education. She is a member of Sigma Tau Delta, the International English Honor Society.

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