Category Archives: Creative Nonfiction

Rebecca Yoo

Mother’s Hands

Shoved with a xenophobic passion, my mother toppled to all fours like a creature. She was an object or something to be objectified. He spat at her like she deserved a punishment, like she was a puppy who couldn’t meow for this disgruntled man. The chalky cement gnawed at her fragile knees, as did her safeguard to leave the house. The bruises on her knees and the scratches on her hands demanded that she shed the yellow undertones of her skin. If she didn’t pull out her silky black hair, the cement might make another abrupt visit. What if another man decides that she’s also worthless and deserves to be reprimanded? My mother pleads with me, “베키 같이 코스트코 와 줄래? 그 아저씨 Q66버스 타 거든.”1

As a teenager, my mother, then called Jae, journeyed the globe and finally arrived in the United States. Her father, a brave South Korean ex-marine, would look back toward the sea and reflect, “I don’t trust the Korean government.” America set the stage for a new venture, a new life, and unexpectedly, a new name. Jae’s name was met with ridicule and shame for being a boy’s name. She desperately yearned to be respected highly wherever she went, as did Queen Elizabeth. Thus, Elizabeth prided in her new name. She may not have exactly lived out the privileged royal lifestyle though, her body instead laboring at physically demanding jobs. For if she did not have the wisdom of the English language, her physicality had to make up for it. Her broken English worked her hands tirelessly until they swelled. Holding her hands was a testament to sixty years worth of sacrifice, to a single mother who only knew the life of survival. Still to this day, Elizabeth continues to stand on her feet to go to work.

Her pride was taken away from her decades ago. She knew the moment she stepped foot in the “land of opportunity” that her language, her culture, her entire essence was no longer accepted. She was expected to fully accommodate to the new master’s rules. America gawks at her, saying, “As long as you’re in my house, you follow my rules.” The same power play motive that shoved Elizabeth to her knees also lunged a piece of chalk across the room at her. Elizabeth’s first American high school teacher scowls, “Answer me! Why don’t you know English?” The face of a supposed caregiver, a guide to the American dreamer, was staring dead straight through her worth. As a puppy expected to howl like a wolf already, Elizabeth was innocently punished. For as long as she can’t pronounce her W’s and add an unnecessary syllable to each word, she will always be the victim. If her verbs come grammatically last in a sentence, then so will her acknowledgment in America. English is her crutch, while all at the same time, English is her savior. English is a capable bird that sweeps the skies and calls out to an open terrain. But like a puppy on a leash, drooping eyes and a tucked tail, so did Elizabeth’s wrinkles on the edges of her lips. The sparse gray in her hair creeps from the thinning of the shadows. She hides away her apple cheekbones, which used to be lifted to the heavens by a set of smiling eyes. The sad crease of her eyelids blankly stares back at the cash register, the bank accountant, the bus driver, anyone and their mothers. She whispers, “영어 잘 못해요.”2

Home is where my mother prepares kimchi stew, the only kimchi stew that I trust. From time to time, I see in my peripheral vision her peering over at me while she waits for the stew to simmer. The daylight peers into the dainty condo, along with two bamboo lamps sitting in opposite corners of our living room, altogether radiating a warm hue of security. We name our Wi-Fi “Woori Gip,” a romanized-Korean translation of “Our Home.” If only the Wi-Fi provider allowed “foreign” characters, then my mother wouldn’t be so confused to acknowledge “Our Home.” But regardless, home is the cocoon in which the silky webs nurture. A filled refrigerator, dishes still yet to dry, as the water rumbles in our tea kettle, Woori Gip has a living heart beat. We made sure to breathe life within each and every crevice. As the pigeons rest right outside our fire escape, the seven train whizzes by, reminding us that a space of belongingness must be created, despite the pushback of the world that pursues to reject it. It is curated and loved on, a space that invites you in, upon entry of that “Welcome Home” mat.

From the opposite corner of the kitchen, I sit crouched over my desk to retain my news article for my class presentation. My mother always preached the importance of an education. Practicing my speech over and over again until I make sure I reach the ten minute mark. No less, no more. But then I get a whiff of the red pepper powder dancing into a sweet and salty tango: my mother’s kimchi stew. The same smell that pervades the hallways of my building to hug me back home. Only this time, I’m already home. My nose perks towards the lead of the smell, and I see my mother already gazing over at me. She holds her evidently worked hands in front of her stomach. Her pursed lips lift her rosy cheekbones as her eyesight blurs and gleams in the light. My mother softly whispers, “영어 잘한다.”3


1. “Becky, please come with me to go grocery shopping. That man takes the Q66 bus.”

2. “I don’t know English very well.”

3. “Her English is perfect.”


Rebecca Yoo, the daughter of Korean immigrants, currently attends the Fashion Institute of Technology for her Bachelor’s in international trade and marketing, with minors in English and international politics. She plans to one day work as an editor for fashion, art, and/or culture topics, to ultimately spread awareness of the Asian American identity and inevitably build a space for her Asian American community to share their stories and creative genius.

Comments Off on Rebecca Yoo

Filed under Creative Nonfiction

Mollie McMullan

On Bruised Knees

You’re four and sitting on the white bedsheets as a nurse cleans out your mom’s c-section incision that refuses to heal. He’s all smiles as he sterilizes the open wound, making jokes to your mother, whose eyes are shut tight. His assistant appears a little more sensitive, trying to hide the bloodied gauze from your prying gaze. Curiosity triumphs over any sense of self-preservation, so you stick around. The scene is reminiscent of Hemingway’s “Indian Camp,” just a little less bloody and a little more contemporary. Your mom turns her head away from you but can’t manage to stifle the occasional hiss of pain. You’re still perched next to her like a loyal little bird, but can’t seem to leave your post to comfort her. She’s been reduced to an open wound. These sessions are where you learn what sepsis is and just how lethal it can be.

You’re five when you decide you don’t want to be a mother. You own baby dolls who won’t die from SIDS, the mysterious phenomenon that you had heard about on some TLC show, so they’ll have to do. You tell your mother that you’ll never have children, even when you’re thirty, which seems like centuries away. But, again, you’re five and haven’t quite figured out the difference between minutes and hours. With a laugh, she tells you that she felt the same when she was your age. This is the first time you remember feeling fear. It is all too familiar now.

When you’re six, you tell your mom that she’s like Cinderella, your current favorite princess, because she’s “always cleaning on her hands and knees.” Being a mother means cracked palms and sweat, and you’ve pledged yourself to being clean and whole, like Cinderella post-fairy godmother. Every time you look your mother in the eyes, you hear her wistfully recount sitting in the back of her high school boyfriend’s truck and drinking grape soda. Your mom loses pieces of the woman she used to be each time she bends down to pick up a rogue Cheerio that strayed from your little brother’s highchair. Where is her fairy godmother? Where is her grape soda?

You first start going to church at eight as per your father’s requests. You supposed he wanted to put your baptism to good use. Every Sunday, you would panic upon waking up, dreading the large cold room and the monotonous hymns. You try to bury these mornings, but memory prevails. The most memorable service was about Mother’s Day. Towards the end of the service, the pastor asks all the mothers in the room to stand up to be appreciated and applauded. Your father misunderstands the request. He thinks the pastor wants all future mothers to stand. He tries to pull you and your sister up into standing positions despite the ache in your knees from coming up from a kneel too fast. With his hands around your wrists, he grits into your ear, “If you don’t stand up right now, you won’t have technology for a week.” This threat scares you. You’re eight and addicted to Minecraft. How else are you supposed to spend your time without the game? You and your sister stand for the longest three seconds of your lives before slamming down into the pew, heads down, cheeks ablaze. Shame has coiled itself in between each individual rib, snaking up into the cavity your heart lies in. You do not repeat this story for another five years before it hurts less. Your mother doesn’t even remember it. For eleven years, you do not know exactly why you were so ashamed. But now you do. You were being groomed to be a mother. And that was terrifying. You saw the ferocity of your father’s desire to be a future grandfather, as though your worth was aligned with your status as a prospective bearer of menstrual cramps and children. You do not want to be Mary, who was forced to carry a child because of the will of the Holy Spirit. You think you deserve more autonomy.

Your father and his absurdity is stained on you like red wine. You know how tough that shit is to get out from your seventh grade stint with Mrs. Ristau, your unforgettable home economics teacher. Every other day, in between sewing tutorials and laundry dos and don’ts, you listen to her tales of being a tireless wife and mother. You wonder how she’s still standing. She laughs when recalling how she got rug burn from scrubbing the carpet on her hands and knees while her husband shouted at the TV, watching a particularly rough tackle. You and your female classmates are baffled. There is nothing funny about existing just for your usefulness. Hearing this story makes you, for the first time in your life, want to fail a class. If you learn nothing, you will not have to take care of men. Your napkin folds get sloppier, and suddenly you forget how to fold ingredients into your batter mixtures. The guys in your class elbow each other and grin. You’re certain they have the same smiles as their fathers. Every night, you see your mother tend to your father’s every need. She doesn’t even eat dinner with you anymore, not even her favorite meals. The man she married is too demanding. This is motherhood. This is wifehood. You don’t want either.

In tenth grade, when your best friend walks into a church next to her mother’s coffin, you don’t let your tears escape from the confines of your waterline. No tears of yours can resurrect the mother she lost. There is no use trying to water a flower that has already started to smell of the sickly sweetness of rot. The bagpipes outside the church walls wail into the gray sky. They sound as shrill as a hungry newborn. Three hours later, after her mother has been buried, you sit next to your friend in a local diner across from her father, who is now a gutless willow tree, which is how you’d describe her mom, too. His suit is too big, cheeks too gaunt. He is hollow. You almost write “fuck” in cursive on a napkin, because man this fucking sucks. Your best friend stops you. Since then, her house has felt empty. There is a stillness that her mother used to occupy. She was the glue that kept the seam of your best friend’s life together, and now she is gone. This understanding allows you to reinforce your anti-motherhood sentiment. You will not permit yourself to be depended on so heavily that your loss disturbs the very foundation that your children had been growing up on.

The next thing you know, it is the summer of 2020 and you are cleaning out your hoarder father’s garage. Quarantine had left you stir-crazy and anxious to remove all traces of him from your life. You come across a mysterious jug labeled “poisen.” The man can’t spell. You think it’s funny. It is then that your mom laughs. With a smile, she speaks of how antifreeze cannot be detected when testing for drugs, something she picked up from one of her Forensic Files binges. Her eyes harden into obsidian despite the glare of the sun. Here’s the important part: when she gives you her bank account information in case your father kills her with the sweetness of antifreeze, do not freak out. You are allowed five seconds to silently panic before she starts to furrow her eyebrows and worry that she should not have told her seventeen year old, who can’t go to the dentist without taking Xanax, that she feels her end is near. You have spent your entire life trying to calm the waters your mother has to sail on. You cannot do anything this time. You are not Poseidon. You are Medusa. It is better to look away.

You grow up thinking that motherhood means being torn in half from your center, going hungry, being on your hands and knees like you’re praying. Being a mother often means engaging in the affairs of dangerous men. Men who don’t nibble. Men who sharpen their teeth with pocket knives and devour. Motherhood is perilous and sacrificial, and you cannot afford to lose more pieces of yourself. You are aware that there are mothers who happily choose the lives they live, who smile when stirring in ingredients for a meal meant for five people. But that is not you. You were not meant to be soft and pliant. You were born with thorns.

Logically, you also know that not all mothers are wounded creatures or broken women. But you were a pink, fleshy child who grew up being nestled against the breastbone of a skeleton. Your mother was a woman slaughtered by motherhood and its expectations, who unconsciously led her daughters into the house of a butcher. You were a pitiful “for just seventy-nine cents a day…” child who grew up to be incapable of caring for your beloved fuzzy cactus, Frank. You were a shelter dog to your friends’ mothers who wanted to nurture you, to feed the starving dog that you were. You don’t know anything else. You are a victim of motherhood, a redness that metastasizes. You want no part in it.


Mollie McMullan is a student at SUNY Geneseo. When she’s not playing with her dog somewhere in Long Island, she’s lip-synching to the longest songs possible and illustrating birthday cards.

Comments Off on Mollie McMullan

Filed under Creative Nonfiction

10.2 | Creative Nonfiction

Mother’s Hands

Rebecca Yoo


Stony Brook Girl

Emma Rowan


On Bruised Knees

Mollie McMullan

Comments Off on 10.2 | Creative Nonfiction

Filed under Creative Nonfiction

Jenna Barth

Tunnel Slide

Deep breath. One foot in front of the other. I stepped into the McDonald’s PlayPlace behind my older brother Devin. Before I knew it, he had already taken off his shoes and put them in the cubby. I desperately unvelcroed my light-up Disney Princess sneakers and threw them off, teetering after him. At eight years old, Devin’s legs were way longer than mine, and he was a lot stronger and faster, too.

“Wait for me!” I cried, crawling into the play tunnel.

“No, catch up!” Devin’s voice echoed back to me.

Smoke danced around my head in my friend’s basement one weekend during my sophomore year in high school. She was already high and she passed me her wax pen after taking two hits. Pulling the smoke into my lungs once, twice, three times, I thought that nothing was working. Everyone else was high except me. After the seventh or eighth hit, my body went chillingly numb. The sounds of my friends’ voices became distant and muffled. All I could hear was the beating of my heart getting louder and louder. I felt the blood drain all the color out of my face, leaving me like a white sheet of paper—a ghost. I couldn’t feel my limbs and I couldn’t move. I was panicking.

My tiny six-year-old hands reached before me, climbing up the yellow tunnel. My heart raced with anxiety. What happens if Devin gets too far away and I get lost in here? What if I get stuck in here forever? Suddenly, when I looked up ahead of me, all I saw was the tail end of Devin, his feet disappearing into another tunnel. I sped up, gripping each step up the yellow tunnel as tightly as I could to propel myself further, faster. I yelled for my brother but he was gone. I turned left, down the green tunnel, bumping my knees against the bottom. Dead end. I turned around, going faster, tripping over my own hands and knees.

“Gotcha!” he yelled with a laugh, popping out behind a corner.

I screamed, fearing for my life. Tears ran down my cheeks.

“I wasn’t gonna leave you. Don’t be such a baby.” Devin guided me further into the labyrinth of the McDonald’s PlayPlace tunnels until we reached the top of the slide—the way to freedom. He picked me up and put me in front of him, hugging me from behind. We pushed off and down we went, out of the darkness and into the light waiting for us at the bottom.

Deep breath. One foot in front of the other. I try to get up out of my chair. I don’t like this feeling. I was stuck in a thought loop, and I couldn’t get out of it. You’re dying. You’re having a heart attack. Do you feel how fast your heart is beating? It’s going to explode inside your chest and there’s nothing you can do about it. This is it; this is the end. I couldn’t tell what was racing faster—my heartbeat or my thoughts. Deep breath. One foot in front of the other. My panic gave me tunnel vision, darkness hugging my eyes. I took the stairs up one at a time, slowly, until I finally reached the top, leaving the basement. I needed to leave; I wanted to go home.

“I’m sorry my parents are making everyone leave so early. It’s just because we have to wake up early. You sure you can find a ride, Jenna?”

“Yeah, don’t worry.” I forced the words out of my mouth, stumbling slowly, delayed. I walked out of my friend’s house into the rain. I dug my phone out of my pocket and dialed Devin’s number.

“Devin? It’s me.” I choked on emotion, trying to hold back my tears. “I need you to come pick me up.”

There were voices in the background, telling me that he was definitely with his friends. “I don’t know, Jenna, you can’t just ask someone else?”

“Please, I’m bugging out. I need to get home.”

“No,” he said and hung up.

I sat on the curb just outside my friend’s house, looking up towards the night sky, letting my face get wet with the mixture of rain and tears, waiting for Devin to pop out from behind a corner, waiting for him to remind me that he wasn’t going to leave me—waiting for the light at the end of the tunnel slide that never came.


Jenna Barth is a junior psychology major at SUNY Geneseo from Long Island, New York. She is currently a teaching assistant for ENGL 201: Foundations of Creative Writing and has found that one of her true passions is creative nonfiction.

Comments Off on Jenna Barth

Filed under Creative Nonfiction

Andrew Buyea

A Party

You’re not a party guy. You never have been. It’s probably because no one has ever invited you to one. You’re probably alone too much. But here you are. You’re starting college and trying to change that. You have a fresh start and no one knows how terrible you are yet. You can be whoever you want. You can adopt any facade you think people will like. You have a chance to make a connection with others. But you’re scared you’re going to fuck it up.

You’re outside. The campus dorms and buildings light up the night. Some people you met at freshman orientation walk with you to a party they heard about. You walk with them to pretend you have friends for a second. You carry the beers you bought in an attempt to feel different from how you usually feel.

You arrive at the party house. The outside is completely dark and you question if it’s the right house. You hesitantly walk up to the porch and peer along the edge of a closed curtain. You see multi-colored lights and a crowd of people, which confirm you’re in the right place. But you’re nervous. Part of you knows you shouldn’t be there. Your parents definitely wouldn’t want you to be there. But what do they know? They just raised you, fed you, and supported your decision to attend an expensive college for a degree you don’t care about. Screw them. You walk into the house.

It’s filled with seizure-inducing strobe lights and overbearing music. The people there are wearing flannels and crop tops. The air feels cramped. There’s a living room and kitchen littered with red Solo cups. The new sights and sounds fill you with anxiety. All the surfaces inside the house are sticky with beer.

The people who you came with immediately scatter and leave you. You stroll around awkwardly trying to gain the courage to talk to someone. But you can’t. You sit on the couch and contemplate why you don’t have the balls to talk to people.

You crack open the beers you brought. You drink them all as quickly as you can because you hate the taste of them. One beer, two, three, four; you drink them to distract yourself from how uncomfortable you feel. After a while, you feel a lot better. The lights and music no longer seem that bad, and there’s a pleasant warmth in your body. The insecurities you were feeling shrink; you feel numb to what’s happening around you.

You start to feel more confident in yourself. Taking your new liquid courage, you decide to wander around the party and see what others are doing. You walk up to a group of guys talking and laughing in a semicircle. One of the guys is talking in detail about a girl he slept with the weekend before. He talks about how he performed oral on her. You look at the guy and ask why he’s not worried about catching STDs from that. In response, he says, “Well, you can’t get an STD from oral unless they cum.” You laugh because you think he’s joking. He looks at you confused and you realize he’s not joking.

You hear some commotion upstairs, and it makes you curious. After journeying up the steps, you see ten people standing in a white, glowing bathroom. Everyone looks excited as they stare at two guys with their heads down by the sink. You stroll closer and see a line of white powder in front of each faucet. You immediately realize that the powder is cocaine. You’ve only seen cocaine in movies. You saw people snort sugar or crushed up Smarties as a joke back in high school, but now you’re seeing the real thing. You’re immobilized by curiosity as you see each line of white powder vanish up a nasal cavity. The bathroom crowd cheers like they’ve just seen an Olympic record being made.

You descend back downstairs. The room seems to spin a bit and you feel more numb than you did before. You sit back down on the couch in an attempt to make the spinning stop. After a few minutes, a girl sits a couple feet away from you and looks at her phone. She’s cute. You consider talking to her for a moment. You’ve never been good at talking to girls, but your artificial confidence is there egging you on. Like ripping off a Band-Aid, you turn to the girl and casually say, “Hi.” She looks up from her phone and smiles. “Hi,” she says.

You ask her how she is enjoying the party, and she tells you that she’s a little bored. You exchange basic information with each other like hometowns and majors. You ask about the things she likes and it turns out she likes the same kind of music as you. She scoots closer to hear you better over the sounds of the party. You get a better look at the green hue of her eyes. She smells like lavender.

The two of you talk for a while, and you make her laugh a few times. You’ve never been an open person, but the alcohol frees up your tongue. There’s an awkward moment where the conversation dies, and you don’t know what to say next. Her face gets a couple inches closer to you and then retreats. Did she almost kiss you?

You become nervous again and weigh your options. You don’t want to seem like a creep, so you decide not to kiss her. The conversation starts to feel way more forced than it did before. You grasp at straws to regain her interest in you, but you have nothing. Some friends of hers come over and ask her if she’s ready to leave with them. She tells you she has to go and waves goodbye. Did she actually have to go or was she just trying to get away from you? Either way, you don’t blame her.

Now you’re alone again. But you’re used to that. Eventually, the party winds down and you leave. You had some fun, and it was definitely more exciting than sitting in your dorm room alone, so you go to a different party the next weekend. You repeat this cycle over and over again.

Later, you see the girl you talked to at that first party walking across campus. You’re happy to see her so you wave and smile. She sees you but doesn’t wave back. She looks down and keeps walking. What did you do?

You keep going to parties to feel something, but the excitement quickly leaves you. Months pass and you’re sitting on a couch staring at all the other people at the party. You think, No one cares if I’m here or not. Why do I bother? Then you get up and leave. You stop showing up to parties altogether because you don’t really see a point in them. Some people say life is a party. To you, it certainly feels like one sometimes. And sometimes, you wonder if you want to keep showing up to it.


Andrew Buyea is a creative writing major at SUNY Oswego. He can often be found drowning in all the responsibilities he foolishly decided to take on.

Comments Off on Andrew Buyea

Filed under Creative Nonfiction

Connor Keihl

Rookie

I’ve always loved animals: the scaly slither-ers, the bumpy-backed ribbiters, the hippity-hoppin-escapees that my older sister intentionally set free; the stick imitators, the slow-moving-quick-biting snappers, the sun-bellied swimmers. When I was four, my mother bought me my first bug catching kit. I spent hours stalking and pouncing around our yard. My first “pet” was a wooly bear named Bob. He was a fuzzy black and brown noodle in my palm. I’d wake up each morning and rush to his little wire cage to see the new munch marks he’d made in the leaves I poked through the wooden slot.

I grew up imitating Steve Irwin and Jeff Corwin. As I’d walk around the yard, I’d talk over my shoulder to an invisible camera crew, breaking down and dramatizing each catch. By the time I turned eight, I was more interested in reptiles and amphibians than bugs. I had no fear of snake bites. I was more seduced than Eve.

They were quicker and more dangerous than bugs. They would coil up and put on their mean mug when my hands entered their personal bubble. They would taste the air, my lingering particles. They would flatten or puff up their speckled bodies, like they were trying to impress the prettiest girl in their grade. They would open their mouths and reveal the pale pink danger of their fangs.

And I would think, the game is on.

They would strike at my left hand and miss. My right hand either pinned down the back of their head, or if I was feeling particularly cocky, I’d just go straight for the tail and lift them up in front of my face before dropping them into a five-gallon bucket. I’d give them grass to hide under or sometimes even try to feed them a frog. I was fascinated by their unfused jaws and winding, malleable bodies.

When I wasn’t holding a butterfly net or plunging my hands into muddy pond scum after frog legs or a meandering water snake, I was casting out my worm and bobber. Some of my earliest memories are of fishing. I can remember receiving the “As seen on TV” Rocket Rod for one of my birthdays and being thoroughly disappointed, as I spent most of the day trying to untangle the bird’s nest of fishing line blocking the barrel of the rocket.

When I was about nine years old, my mom’s side of the family all decided to rent a cottage on Conesus Lake for a week in the summer. It was only about fifteen minutes away from our actual house, but we spent the nights there anyway. I spent the whole week fishing off the dock. I must’ve gone through five dozen worms, and I’m sure their black bile guts were stuck under my nubby fingernails the entire week. My cousin Mitchell, who was about twelve at the time, and I hauled up sunfish after sunfish. I think we kept count, something like fifty rings a bell (though I’m sure we padded our numbers a smidge).

But a boy can only be satisfied with sunfish until he wants something with a little more oomph to swallow up the nightcrawler dangling off his hook. About halfway through the week, my mom’s best friend Tim came to stay at the cottage, too. They had been friends since college when they both attended Mansfield. Tim came from a long line of Marines—Pennsylvanian thoroughbreds. To me, he’s always looked more like a woodsman than a military man.

He was a mound. He stood at about five foot seven, but the width of his shoulders must have verged on three feet. His shoulders seemed to constantly be encroaching upon his neck. His beard was white, which matched the traces of hair that grew on his mostly bald head. His face was round and bore a vague resemblance to Santa Claus. His cheeks were plump with pronounced ridges of smile lines leading up to his straight and full nose. His eyes were downturned and humbly brown. You’d be hard pressed to find him in an outfit that didn’t feature some camo garment.

When he arrived at the cottage, he found me fishing off the dock. He grew up flipping Smallmouth out of the Susquehanna, or fly fishing for trout in mountain fed streams. He asked me what I’d been catching.

“Mostly sunnies,” I told him in a high-pitched voice I can no longer recall. “They keep taking my worm, though.” He knelt on the dock and stuck his index finger into the white Styrofoam cup of worms. He dug out one of the translucent brown strings and kept it pinched between his thumb and index finger. He put out his other hand, beckoning for my pole. He grabbed the line and then the hook.

“Look here. You take one end of the worm and insert the hook into it, then you run the hook straight through its body, up its guts.” He shoved the hook into the crown of the worm’s head, or tail; I didn’t know. Then, he dragged the hook through half the length of the worm, so that the worm rode all the way up to where the hook was tied to the fishing line.

“Then you put the hook through the worm three or four more times and keep wrapping it around the hook. This way, the sunfish can only pick at it, but they won’t be able to take the whole thing. Here, give that a try.” I watched as the inky guts coated his fingernails too.

It worked like a charm, but I still couldn’t hook into anything bigger than a sunfish or a bluegill. I came close to catching a catfish, who sat lazily at the bottom of the water column brushing his belly against the sand, but he wouldn’t bite. By Sunday, I’d had a great week at the cottage, but I couldn’t help but feel disappointed that I didn’t catch a single bass. As my family spent the morning cleaning and packing up, I ran out to the dock to try one more time.

After a few more small bites, Tim ventured out to meet me on the dock. “Any bites, Connor?” I told him just a few, as I gawked longingly into waters that have always felt ethereal, mysterious, and dangerous to me. It was then that I felt a tug on my line. My body felt an excited jolt for a moment, but when I saw the sunfish dangling from my hook, my shoulders slumped. I was so disappointed that I didn’t even finish reeling the little sucker in.

I let him tug my line one way, and then another, as he desperately tried to shake me off. He tired himself out after a while though, and he eventually just hung suspended in the water column, slightly sideways, perhaps with a cramp.

It was then that a dark green, football shaped shadow lurched out from the protection of the dock’s underbelly. It seemed to scream towards my tuckered-out sunfish, opening his mouth into a massive O. The football inhaled the sunfish in one lunge. My body froze, but Tim was right there yelling, “Set the hook!”

I jerked the rod up towards the sky suddenly, feeling a new weight taking out my line. I didn’t really know how I was supposed to “set the hook,” but I suppose I had seen people do this on TV before. I also didn’t really understand how I was supposed to hook the bass if my hook was already in the lips of a sunfish. But, I felt his weight on the line and I knew: the game was on.

He bucked like a bull. He drove his head downwards, shaking it side to side. He jumped like a dolphin into the humid air, then splashed back into his dominion. I reeled him in, all the way to the dock’s edge, before the line went slack and he spit out my sunny. My shoulders too went slack as the tension of the moment evaporated amidst the July heat.

“Awh! You had ‘em!” Tim yelled, as he clapped me on the shoulder and laughed with his belly. “He must’ve been close to a five-pounder!” The game was over. I had lost my big bass, as he once again turned to a dark shadow and disappeared into the green shade of seaweed. I reeled in the sunfish, popped the hook from his puckered cheek, and tossed him back.

I stared at the ever-shifting, shimmering water, possessed by the secrets of a submersed world.

As I entered my teenage years, I was less preoccupied with bugs, reptiles, and fish. I spent most of my leisurely time on video games. None of my best friends were into fishing, so I lost touch with it as I got older. I no longer possessed my prepubescent energy and wading through skunky pond water just to catch a snake became rather unappealing to me as my body inched through my chrysalis years.

Of course, I loved video games, but they were ultimately used for escapism. I sunk hundreds of hours into the yearly installments of Call of Duty. I donned the cowl in the Batman: Arkham series. I leaped from crashing trains, planes, and sinking ships in the Uncharted series. I protected a little girl named Ellie from fungus-faced clickers in The Last of Us. I was evading myself in these digital worlds, even if I was having fun all the while.

As a late bloomer, my body remained skinny and muscle-less throughout high school. My body was nothing like Batman’s. I began to lose interest in sports because my body refused to grow. I gave up on having a first kiss, or a first girlfriend, because I thought I was too skinny to be attractive to any girl, even as girls in my grade asked me to the prom. In the mirror, I saw Connor the way nobody else did. My self-hatred trumped my desperation for romantic or sexual relationships.

When I graduated from high school, I hoped college would solve my problems. I hoped that my roommates would like video games too, or maybe they’d listen to Eminem or Kendrick Lamar, or maybe they’d love baseball, or maybe they’d teach me how to be loved.

But I hid me. I never tried to talk about video games, or hip-hop music, or sports with my roommates or classmates. The social exposure of college pushed me further inward. It became new fuel for the recluse. After one year of roommates at a little community college, I decided to transfer to SUNY Geneseo and move back in with my family.

But there were times when I would try to make a break from myself. Most of these early attempts included excessive consumption of alcohol for a one-hundred and forty-pound nineteen-year-old.

I didn’t have my first kiss until I was nineteen. She was a friend of a friend, who I met at a college party. Someone had told her that I hadn’t had my first kiss yet. This intrigued her. She was so curious as to why I hadn’t kissed anyone. She treated me like an alien, like she was going to be the first human girl to kiss this new exotic species. Of course, her inquiries only made my heart race faster and, in turn, exacerbated my thirst for gin. But still, I was too nervous to kiss her. With the music blasting, she’d talk so close to my lips that I could smell her perfume, her hair, and it all made me want to drink myself to sleep.

She wore tight jeans. She had bold blue eyes and dirty blonde hair. Her name was Sam. I wanted to kiss her, but it was impossible. There was no part of me that could risk the acceptance of pleasure. Eventually, when we were both drunk enough, she just pushed me against the wall, pressed her lips to mine. “You did good!” she told me.

When she ghosted me the next week, I decided to take up drinking alone in my bedroom late at night, once I was certain my family had all gone to bed. As my relationship with alcohol became more intimate, my relationship with myself became more violent.

I had long ignored my despondency until it slashed me across the forearm. Then, I began hunting a new game: pain.

It was an idea long before it was blood on bathroom tiles; I had listened to Eminem talk about it on “Stan,” with furious intrigue: “Sometimes I even cut myself to see how much it bleeds. It’s like adrenaline, the pain is such a sudden rush for me.” When I first heard this song at eight years old, I wondered how pain could be a rush. I didn’t understand this idea right away. It happened gradually. As my teenage years slowly passed and my body seemed to experience puberty latency, I began weaving my cocoon not out of silk, but thorns. I kept shrouding myself in memories that hurt keenly: my grandpa’s dilapidated rib cage being hugged too tightly by his skin; my older sister being tossed into a stack of firewood by my father when she was twelve; my cousin speaking at his own mother’s funeral when he was just twenty-four; my baseball coach belittling me on the field: “You’re ninety pounds soaking wet!”

I saw no reason to take it easy on myself.

When I couldn’t love myself, I hurt myself. I would dig out the bottle of gin or vodka I kept stuffed in a backpack under my bed. I took shots from the bottle until I felt my head get a little too heavy for my neck. Then, I’d stuff my pocket knife into my hoodie and wobble to the bathroom with my headphones in. I sat on the toilet with my knife in my right hand and my phone in my left. I’d drafted a playlist for those moments. I wanted immersion.

It was a rush. I hated how alive it made me feel. Every cut felt like waking up from hibernation. I could see my life outside myself. I could touch the lukewarm slickness that kept my life living. I wanted my outsides to match my insides. I wanted to be scarred and I wanted people to think of me as scarred. I was gnawing at my chrysalis, cutting my gums on the barbed fibers holding me in place.

When I was a boy, if I wanted to catch a snake, I dove headfirst after its fleeing tail. As I entered adolescence, I forgot how to take that dive. I’d unlearned how it felt to pursue even the most fleeting glint of happiness. Once I realized that I wasn’t living for myself, but rather for those who might mourn my death, I knew I either had to figure out how to want more of life or put an end to my own.

I asked for therapy and received it, though my parents had little to say to me about my cutting. For months, I’d drafted suicide letters in my head, but I was too chicken shit to leave any kind of paper trail before I was truly ready for the deed itself.

Instead, I chose therapy and a serotonin reuptake inhibitor.

Within a year, I had stopped cutting and started loving again. Some days, I could hardly go an hour without thinking about suicide. I approached the end of my undergrad degree at Geneseo wanting to enjoy my final semester. I found someone who helped in that regard. She was in my graduating class and wrote short stories. We talked about my cutting and her eating disorder. She told me she’d just left a shitty relationship, and I told her that I was still a virgin. She didn’t treat me like an alien. Instead, she asked me if I wanted a teacher.

So, we raced against the countdown of our final spring semester at Geneseo and tried to give as much of ourselves to the other while we still could. She ran her fingertips over my scars in her twin bed and kindly asked me not to cut myself again. She said it quietly, like I might be offended by her love. I told her I’d try.

When we graduated, she went home to her small town outside of New York City. I stayed in Geneseo. We talked a lot at first. Then less. Then we didn’t. We were together briefly, but fully. Ironically, she taught me much more than I imagine she intended. I learned that I wanted more of life: more hugs in snowfall, more words to taste, more cities to see, more rivers to wade, more awkward goodbyes. More. I was thankful for my scars, but I wanted to keep my promise. I wanted to treat myself with the same kindness she had shown to me.

I hadn’t seen Tim in nearly a decade, but it was during that summer after I graduated that Tim invited my family to stay with him in Pennsylvania for a weekend. I was a little anxious to meet him again. I wondered what he would think of the me I grew up to be. I feared that the Marine would think me weak if he noticed the scars on my arm.

We packed into my dad’s truck on a Friday morning. It was early August, and I was just about to start my graduate degree. I’d bought a fishing pole earlier in the summer and was struggling to recapture the feeling it gave me as a little boy. To be frank, I realized that I sucked at fishing. Tim assured me there’d be plenty of fish to catch at his place, though.

He was retired and lived alone up on a mountain in the Nippenose Valley. After a three-hour drive, we pulled into his gravel driveway. His house was more of an estate than a house. It was long, almost like a warehouse. It was his, but it was also his brothers’ hunting vacation home, too. There were about eight different bedrooms upstairs, and in total, I’m sure the place could sleep thirty people. But it was just us and Tim for the weekend. Well, and his chocolate lab, Bo.

We had a campfire on Friday night, went to bed early, and rose early the next morning too. We drank coffee next to his twenty-foot antique shuffleboard table, underneath the mounted heads of trophy bucks. Tim had an entire trophy room, which featured everything from pheasant, to entire taxidermy bears, to rattlesnake skins—all killed on his property.

“So you ready to fish?” Tim asked me suddenly.

“Yeah, in the stream?” I asked back.

“Sure,” he told me.

“My mom and I walked it this morning, and we didn’t see any fish in there,” I mentioned.

“Oh, they’re in there,” he said, as he beckoned me to follow him into the garage. He handed me a fly rod. I’d never used one before. He grabbed a white container of worms after he put on his vest. Attached to the vest were nail clippers and fishing forceps; clippers he used for cutting the fishing line and the forceps for removing the hooks from the trout’s mouth.

He walked me to the stream’s edge. It was only about sixty-five degrees under the canopies of eastern hemlocks. The stream vibrated louder as we approached its edge. The stream is natural, but Tim designed holes every twenty feet or so, which act as perfect homes for brook trout. Before the trip to Tim’s house, I’d never even heard of a brook trout.

“Some are natives,” he began as he slid the hook through the worm’s guts just as he’d once shown me. “They’ll be most of the smaller ones. They’re usually darker too. Their colors are slightly different. The big ones are stocked. They should be hungry today, though. I haven’t fed them in three or four days.”

He demonstrated the awkward dance of fishing with the fly rod in the stream: with your left hand, you control the line. With your right, you control the rod. However, the rod was about seven and a half feet long. I was constantly snagging my rod tip on branches just out of view above my head. It felt like learning how to use a prosthetic limb.

When I finally made a decent enough cast into a hole, right where the stream dove over a horizontal log and formed a mini-waterfall, I felt my rod tip dip downwards. Tim looked over my shoulder: “Set the hook!” He called from behind me. I yanked my right hand up with a jolt and sent my hook and mutilated worm into a branch. I was a little overexcited.

Tim just chuckled behind me, “What a rookie!” and then he gave me the heartiest of pats on the shoulder, nearly knocking me down the sloped bank of the stream and into the water. I laughed along because I was alive to see myself fail at least one more time. I laughed because I was learning, and failing, and growing to be more alive and more in love with this stream, these trout, myself.

And for a moment, I wished I had fallen into the stream; to be fully submerged in the frigid water, fully submersed in its translucent plasma. My chrysalis would soften, and I would let the trout nibble at the shedding skin peeling off my kneecaps and pinky toes. I would look up at Tim through the ripples, and watch him toss pellets to his pets, and I would be new.


Connor Keihl is a graduate student at SUNY Brockport, working on his thesis in poetry. He will soon attend Roberts Wesleyan to pursue a master’s in education. He’s in love with words and he’s no longer ashamed of it.

Comments Off on Connor Keihl

Filed under Creative Nonfiction

Rosa Valeri

disappearing act of a secret

if you live in an unwell body that bears no visible markers of being unwell, (un)wellness can be an alienating and complex thing to grapple with.  your body mirrors the secret you keep; it sits latent beneath the surface; people might know, but they say little to nothing.

you walk around with a disappearing act of a secret.

your ex-boyfriend might say have you been eating ok? he might follow up with I don’t mean to be annoying like that, sorry.  you’ll want to scream through your iPhone screen please never stop asking; please save me; please tell me I’m not disappearing.  

some days when you look at yourself in the mirror, you feel re-introduced to your collarbone, your ribcage, your hip bones; everywhere there are bones you haven’t known for years.  you feel that you’ve never looked sexier.  you haven’t been this thin since high school; there is pleasure in this.  lurking beneath the pleasure is the threat of disappearance. you feel skeletal, but sexy? you think about scales, tape-measures, counting calories; you consider each avenue of worsening, of further disappearing.

your friends might ask have you eaten? your answer is almost always no.  you find yourself being fed by those around you. you wonder if they see you as incapable, as unwell.  at least they see me.  you realize you cannot eat unless those around you eat.  one night your friends might show up early, or more likely you put off eating for too long, because their foodless arrival means your meal ends.

it is a paradox: eating feels too visible, yet not eating spells your disappearance.  it is everything and nothing at once to you; food becomes all-encompassing yet unimportant,and the hours go by unfed with little attention.

some people might even see your (un)wellness as positive; they don’t recognize the fact that you are unwell.  an acquaintance at the bar where you work might greet you as follows: wow, you look great—so skinny.  when your response is wordless, she’ll re-engage fifteen minutes later, have you been working out? you might shrug, begrudgingly whisper a no. she’ll catch you off guard: what, not eating? you disappear and blend into the bottles behind you, finding refuge at the hurricane machine whose gears scream as they grind ice, tequila, syrup, triple sec: feeding itself with the sustenance of others. despite this noise and ample distraction you will meditate over the comments of a pseudo stranger; you might think about food and what you’ve eaten for the rest of the shift, but you won’t eat.

sometimes your stomach starts to grumble—not as often as it used to—mainly around dinner time, seven or eight oclock.  it is at this point that you might start to wonder—how much have i eaten today? have i even eaten yet? when you really start to fixate on the day’s consumption, winding back the hours of the day to nine when you left your bed first, your vision might start to blur, the room might spin ever so slightly—you go dizzy, you drink some water, fill your stomach with invisible contents, make disappearing easier—snap out of it. walk away, walk toward the kitchen, feel lighter, too light, lifting.

you seek out food in people. you might be texting a good friend when you insert your secret into dialogue, exposing it: should I eat something? you start to realize that the people around you always answer yes, you might start to wonder are they telling other people no; can they see my unwellness; am i visible to them? you might make excuses, oh, but it’s late; it is past 10:00p.m, and they might say so what? you start to think about what 10:00 p.m. means if you’ve eaten nothing yet.

you think you hear the guy you’re fucking say damn baby, you’re so thick while he has his left hand gripping your hip and his right on your throat. you might have misheard him. thick reverberates around your skull while he slams into you before gliding out. you think about moaning, call me thick again; tell me i have a fat ass; assure me that i’m not disappearing. your knees are on your shoulders now and your hands are pinned against either side. he brings himself in from above: deep. he’s in your stomach now; you wonder about what else might be in there. you were good that day: two full meals, and ample snacks. you start to feel yourself get nauseous. think about moaning, you fill me up; i feel full.


Rosa Valeri is a senior double majoring in English literature and women’s and gender studies. When she isn’t working on classwork, she is writing and creating art in her apartment.

Comments Off on Rosa Valeri

Filed under Creative Nonfiction

Jade Pagasa Baconcillo

How Would You Have Him Understand Her?

In the middle of adolescence, at the apex of his foolishness, Carlo thought he knew himself. He thought that his understanding of himself was thorough and complete. To him, the world seemed to make sense; he was so sure of his path, his future, and his sense of self at that time. To that, his future self would like to offer these words with all the love, care, and pity one could offer their past self: Bitch, you ain’t seen nothin’ yet.

It was here that Carlo would find the language for new feelings, such as romantic, sexual, and platonic love. Among the styles of love, Carlo would discover the love of oneself. He would find these monikers of love in Greek terms, such as Philia, deep love in friendship; Pragma, a mature, developed love in long-term reciprocative relationships; and Eros, love affiliated with personal infatuation and physical pleasure. Among them all, he would discover Philautia, either pronounced as fee-lau-tee-a in Romantic terms or more commonly as fee-lau-shuh in modern U.S. English. Philautia is understood as a healthy form of love where you recognize your self-worth and don’t ignore your personal needs. Self-love begins with acknowledging our responsibility for our well-being. No one is going to care more about you than you do, and no one is more responsible for your happiness and wellbeing than you are. Keep this in mind; this will be plot relevant.

Most pertinent to this writing, Carlo would acquire language for discovering and understanding what it means to be born a different gender than what one wishes, hopes, and believes oneself to be at their core. Carlo would come to find out what the term trans meant, and more specifically, he would discover the phrase trans-female. The phrase, as per literal definition, means one who experiences being a woman but was assigned male at birth. Another bit of language that came as a package deal with trans-female was the term gender dysphoria, defined as the distress a person feels due to a mismatch between their gender identity and their sex assigned at birth. These words shook Carlo to his core. He wasn’t sure why these words felt so daunting, so heavy. For a while, and potentially during the present day, he would wonder why these phrases felt right, tasted right when spoken, yet seemed to expose and spotlight an uncomfortably genuine, vulnerable, and unknown piece of himself. These words made him feel more than seen. These phrases and terms made him feel exposed.

Third person pronouns are fun, don’t you think? For example, this assignment could have had the words he, she, and they in equal measure and refer to a single individual. To make good on that idea, it was here, in Carlo’s adolescence, that He would wish. Oh god, he would wish. He wished, over and over, unending to this day, that he would be, and would have always been, She.

It was here that Carlo would wish to be Jade.

But despite this new language, this new understanding of herself, Jade couldn’t understand what being trans meant to her at the time. Hell, she’s still trying to figure it out to this day. How would Carlo understand himself as herself? How would he understand Jade? How would you have Carlo understand the implications of wanting, begging to have been born female, begging to be referred to as a daughter, not as a son? How would you have Jade understand the ways this would inform and influence the way she meets new individuals, inwardly feminine, outwardly presenting as masculine for a multitude of reasons. She wanted to adhere to a status quo, have stability in her household and create existing social life.

She didn’t want to feel like a bother or a new anomaly to those who knew her before she was Her. She was afraid of making an unalterable, potentially dangerous, decision that would shift her norms to their core. With that in mind, can you imagine the sense of freedom and new possibility Jade felt when she left for college and met people who didn’t know her old life and persona? That sense of freedom was intimidating, yet welcomed. She felt the need to get this right, but the idea that she could essentially build herself from the ground up in this new place, in the eyes of new people, felt unreal for a time and still does to some degree.

So, how would you have Him understand Her?

Would you have Him understand Her by the way society understood His wish to become Her? To break this down, even if being trans isn’t a societal norm in many places—or any place—there is a stigma and a standard trans individuals face. Society expects many trans individuals to model themselves after and conform to this expected standard. Some may believe conforming to the societal ideal of the trans individual is the journey of “passing” as their genuine gender through the process of transitioning. Jade would come to find that not all trans individuals go through this process nor should any trans individual be expected to want this process. There are many ways to express one’s self and gender; the societally expected norm is merely one option. Jade found the idea of seeing gender not as something we are but as something we perform to be both cathartic and healing. She likes to fashion herself a good(if not great) pretender—in more ways than one.

Would you have Carlo understand Jade in the way Her parents may never see, by the way she may have to act as He around Her loved ones, by the guilt she felt for throwing away Her name, so lovingly crafted and given by Her mother? Despite their wonderful care for Her upbringing, he could never be the son Mom and Dad wanted nor the child they thought they had this whole time, despite their wonderful care for Her upbringing. After some time, His name, given by loving parents, felt viscerally wrong. Repeating it to herself felt like a lie to her nature, a falsehood, but a necessary one. It felt necessary, so she endures its use from Her loved ones, more afraid of them knowing than being jabbed and stung by Her own name. At least, she could get used to the jabs and stings. She could get used to acting as He. Over time, Jade has come to mind even less, making cognizant changes to Her understanding of its use, not just as a name, but as a title Her loved ones use for Her. If Jade thinks of Carlo as a familiar title, it hurts less when that name is used to address Her.

Would you have Him understand Her by the way she rejected an incredibly healthy male body? Jade wakes up daily, blessed with a body that holds no physiological abnormality, no biological impairments. She’s healthy, hearty, and hale as could be, yet she couldn’t accept this gifted circumstance, for it felt clumsy, clunky, and wrong. There was nothing faulty with Her physiology. In fact, she is fortunate in that regard. She felt guilty for not being able to accept a body so functional and sturdy, a gift many would kill for, when she couldn’t find stability and comfort in one detail that has become so key. Don’t get Her started on Her voice.

Would you have Carlo understand Jade by the way cis-females would see Her? Jade would never have had to experience fundamental parts of being born female or what many female individuals have to face day to day, from birth until death. Jade has the advantage of being assigned male at birth. With that in mind, she is much less likely to be objectified or discriminated against in terms of gender. Jade would never have to experience the menstrual cycle or the ways society makes female struggles invisible and unheard. To this day, Jade feels a certain amount of guilt that she doesn’t deserve the pronoun if she hasn’t gone through any of that same struggle. This is a detrimental mindset and, bluntly, bullshit, as she would come to find out through the support of others. But even with the knowledge that Her experience is real and valid, she would still lament that many of Her sisters would experience what she could not understand in completion.

Would you have Him understand Her by the way she would play video games, read literature, and identify with fictional characters? Jade would, from that point of discovery in adolescence, play almost exclusively female characters if she had the option. In this way, for a few moments, in a reality detached from her own, Jade could feel the experience of these fantasies reflect more closely and clearly the experience she wished she had for her real body. Jade would feel the need to find connection with many female characters she admires, on which she would hope to model herself. Jade’s experience of fiction and literature has been fundamentally changed by this aspect of her existence, as Jade now tries to find ways to relate to, and become more like, female characters she deeply admires. Jade’s procural of language was the first step to her understanding of self, and without it, she may have never found the right word for Trans even if the feeling was still there, nameless, without a word or term to define it.

Would you have Carlo understand Jade by the way Jade uses Dungeons and Dragons, as well as other role-playing mediums, to understand herself more thoroughly? Fun fact: Jade’s Dungeons and Dragons characters have all been named Jade, either as her foremost name and title or in some other capacity. She did this because, for a few hours, every now and then, everyone would refer to her character, and thus her, by her preferred gender and name, when she didn’t have the heart, or trust, to be more authentic about herself to her close friends. At the Table, she could be Her. She could be Jade. No one batted an eye, and every few weeks, for a few precious hours, surrounded by good company, she was called by her preferred name, by her preferred pronouns, even if it did involve some deception and sleight of hand. Through role-play, through being a pretender, she could get a feel for her own sense of gender and identity, often displaying aspects of herself through all her characters.

How would you have Him understand Her?

Amongst all these thoughts, amongst all His discoveries, Her struggles, Jade’s journey, she would come to remember, and be reminded of, another lesson before Her fated words of trans-female. She would remember to take days off from physical training when Her body ached for rest, fatigue clinging to Her marrow, bone dry from more than Her physical needs. She would remember to eat after forgetting to do so in trying to finish up assignments ahead of time to feel deserving of something, the soon-to-be burned out fool. She would remember that, despite Her thoughts of needing to achieve and achieve, to impress via success, to work harder for the sake of better, to earn Her place in this game, to feel like she’s not just here because of too many good chances lined up for Her, to earn this pronoun from some higher knowledge of being, some authority of permission, she was, and will be, enough. As unbelievable as it sounds, as much of a lie as it feels to Her ears, drunk with self-deprecation, she was acknowledged by Her loves as enough. Despite Her nerve deep need to improve, to be better because she can be, to do good by the fortunes that favored Her among so many deserving others, she would remember that, somehow, for many, and for herself, she was enough.

She would remember Philautia. She would remember to understand Her needs and allow herself some glimpse of that forgotten self-worth. Among all, she is fortunate to an ungodly degree to have beloved individuals there to remind Her, beat it into Her head when necessary.

He doesn’t have to worry about understanding this much. He, and so too, She, though rarely, would understand that Jade was enough. At least in this way, He would come to understand Her. Now let’s hope to fuck that she doesn’t forget this lesson anytime soon.


Jade Pagasa Baconcillo is a student attending SUNY Albany, studying psychology, English, and counseling. She hopes to improve her writing on a technical level, while also using her writing as a vehicle for self-reflection and self-understanding. The writing of others has had a positive impact on her, and she hopes her work does some amount of good for others.

Comments Off on Jade Pagasa Baconcillo

Filed under Creative Nonfiction

9.2 | Creative Nonfiction

disappearing act of a secret
Rosa Mesbahi


I am not a “Koreaboo”
Name removed at author’s request


How Would You Have Him Understand Her
Jade Pagasa Basconcillo

Comments Off on 9.2 | Creative Nonfiction

Filed under Creative Nonfiction

Malack Al-Haraizeh

Feast

I always dread the night before Eid. It is always a disaster. 

Picture this: A girl is digging through her closet that is packed with too many clothes she does not claim but must always choose from. There are dresses, blouses, mountains of cardigans, and undershirts littered on the floor. Sometimes the girl is in the closet with her fingers gripping the clothes so tightly she creases the fabric. Sometimes she’ll be standing in front of the mirror, willing herself not to cry in front of her mother. And sometimes you’ll find her sitting on the floor amidst the clothes that don’t ever seem to fit her right, always feeling smaller than they make her look. 

Eid is an Islamic holiday that occurs twice a year. In English it means feast, festival, holiday. We celebrate Eid Al-Fitr, the Festival to Break the Fast, and Eid Al-Adha, Festival of Sacrifice. After a month of fasting, Eid Al-Fitr is always an exciting day where we come together and stuff our faces. 

At its best, it is the most peaceful, joyful day of the year. We wake up at dawn when it’s still dark outside, but we feel energized at the prospect of seeing all of our cousins. Text messages of “Did you leave yet?” and “When are you coming?” are already being exchanged. At the mosque, I sit on the carpeted rug between my female family members and try to find a peace I haven’t felt in a long time. Afterward, the women and I go to find the men, and we all shake hands and kiss each other’s cheeks. This is a big deal for a family where bickering and insults are our only displays of affection. 

Finally, we meet at my aunt’s house and feast. On the small dining room table, there are colorful plates of every Middle-Eastern breakfast dish you can think of. I have a big family, and we all huddle around the table; there are hands everywhere trying to make grabs for the food. The adults get to sit at the table, and the cousins are usually on the floor of the living room, putting on a Marvel movie that no one actually watches. The house is loud with conversation and laughter. We eventually stand to receive our gifts—twenty dollars from each family. Before we head off to see a bunch of distant family members whom we don’t really know, my cousins and I walk two blocks to the 7-Eleven to load up on snacks and slushies. 

This is both my favorite and least favorite day of the year.

At its worst, it is the most stressful, demoralizing day of the year. We wake up at dawn; my brothers throw on their suits and gel their hair, ready for the day in minutes. I wake up an hour before them all, agonizing over my outfit. In the dim lighting of my room, I’m pulling my undershirt down to ensure it won’t add an extra layer to my body. I pull out two kinds of footwear: boots or heels? Heels make my legs look elongated and slimmer, but boots will cover the length of my leg more so I can get away with the tight leggings under my dressbut they make me look stumpy. Heeled boots are definitely on the checklist for next year. I pick up the boots. I can never decide on whether I should wear belts: do they over-emphasize my curves? Or will they make me look thinner in this loose dress? Which crime will they forgive me for? I leave the belt on the floor, and move on to the next decision. 

My thoughts spiral in this way because, when you’re a woman, you need to anticipate every critique, and choose the battles that will be the least damaging to your family’s reputation. There will be scrutinizing eyes, pictures, and judgements. In this culture, women are their bodies and nothing else. An ill-fitting top brings shame upon you and your mother until you can correct this wrong the next Eid—and in most cases, not even then. 

At its worst, I’m sitting on the carpeted floor of the mosque, barely able to breathe in the packed women’s section. The men have the bigger room—all able to freely walk around and take up space. I wasn’t built to take up space. I make myself as small as can be, which is a lot harder  to do when you’re not small. The women never fail to remind me of this. 

At its worst, I eat less food than my male cousins, because I’m afraid of getting bloated in my outfit. Before me lies a long day of posing as my best self, and I did not plan for my outfit to accommodate extra weight. At the 7-Eleven, I buy a water bottle and a Reese’s. I try not to worry about the breakfast or the candy, because there is always a quick fix. 

“That’s all you’re getting?” my cousin asks.

“We have to see a lot of people after this,” I say. 

A look of understanding dawns on her face. “Right.” She’s carrying pretzels and a small package of chocolate donuts in her arms. She puts the donuts back on the shelf. “I’ll just get this.”

The guilt sits heavier in my stomach than the candy. 

Outfit shopping for these big events is a Middle-Eastern girl’s nightmare. I attempt to try shopping at the mall first, even though it usually ends with a wistful sigh about what can never be. We fantasize about wearing the cute, short dresses in the store despite the hard truth that we wouldn’t look like the mannequins anyway. My cousins and I like to joke about this. 

“Sometimes I think Allah didn’t make us skinny because he knew we’d feel confident enough to wear things like that,” my cousin laughs, longingly looking at a revealing black dress on a tall, impossibly skinny plastic woman. Sometimes we forget mannequins aren’t real and that we are.

I wonder what my cousin really believes. Is it that we don’t wear what we want because we don’t feel confident in our bodies, or that we don’t feel confident in our bodies because we’ve been conditioned to hide them? 

In our culture, we must dress “modestly. There is not a clothing store in America with decent dresses that fully cover the following areas: full chest coverage (heightened to at least mid-collar bone), anywhere between half and full arms, and full leg. This article of clothing should not be tightly fitted or accentuate your body. The ideal piece of clothing is one indicating you have no body, but if you did have one, you’d be a petite girl. 

After the inevitable failure of shopping for clothes, we go back to our closets to sift through years’ worth of hidden gems that either provide ample coverage or are easy to adjust (For example, if the material is light enough, it can be worn with undershirts, cardigans, jackets, or long leggings.) I try on outfits for hours, and don’t have a say in what I wear. The party usually consists of me, my body, my mother, occasionally my aunt, and my objectification. 

This routine sucks the life out of me in ways unimaginable. I try on outfits that do not work for one reason or another. My body is presented to my family to be judged. I am screaming internally. My mother pulls and tugs at the fabric. 

“If only this were bigger,” she says through gritted teeth.

“Why can’t you just lose weight?” She pulls the fabric up to my neck with all her might. 

“This would be a lot easier if you cared about your looks more.” She drops the fabric with a heavy sigh to reveal cleavage that won’t disappear. 

“Try the next one.” 

Last year, my fifty-year-old aunt was ridiculed and attacked by my uncle because the pants she wore were “too tight.” Essentially, you could see that she had legs. My uncle spoke to my mom first. “Can you talk to your idiot sister about her clothes? She’s such a moron.”

To this, my mom responded, “Your sister is a hebiela; even Malack knows to wear a long thob over her outfits.” 

I’ll never forget the accusations that came with “your sister,” as if she was too shameful to claim. I’ll also never forget the fleeting pride I felt when my mother mentioned me, and the quiet shame in the wake of that pride. 

Age does not allow us to escape from this. I learned that day that my body will always be monitored by the men in my life. I wonder if I’ll ever have a choice in how I present myself. If I’ll ever be strong enough to walk away. If I’ll ever have the autonomy I have so desperately wished for my entire life. 

This lack of autonomy, this obsession to comply with the rules and look the best, has led to a ten-year struggle with disordered eating.

When you are taught your whole life that your body should be hidden away, you start to believe that your body isn’t worth being seen. When you agonize over your body being seen, you resent it for existing. And when you resent your body for existing, you might will it to disappear entirely. 

This became my ultimate goal: shrinking enough to disappear entirely.

There’s a fine line we have to walk, an impossible balancing act. We have to layer our clothing without looking “too plump.” We have to wear outfits that are fitted enough so that we appear slim, without being fitted to the point where we look promiscuous. Clothing should be loose enough to be modest, but not so loose that it looks like a curtain. 

Here’s the thing: it’s a lot easier to accomplish this if you’re already thin. If you have a slightly protruding stomach, bigger thighs, or a heavier chest, this fine line is not attainable. More precisely, if you have an average growing girl’s body, this is not attainable. I did not understand this as a young girl. My mother made sure of this.

At twelve years old, I was hyper-aware that men and women were going to scrutinize my body, and it was my responsibility to make them approve of what they saw. The first person to do this to me was my favorite person in the world.

It confused me when my mother lectured me on having a full dinner, and then criticized me for eating too much. Often, I desperately wanted to ask her, “where do you think the food goes?” I wanted to ask other questions, too. Ones that seemed to have no answers.

How can I fill myself and empty myself all at once?

How can my body be mine when it is for everyone else’s scrutiny?

Mama, how can I exist here and disappear at the same time? 

Eid Al-Adha: Festival of Sacrifice

An image of me at 20: 

My cousin’s house is glowing; golden hues of the lamps are illuminating a family. The conversation is full of light bickering and passive jabs. The air is euphoric in a way that only a holiday can be. Our voices are loud, loud, loud in the night. I leave to go downstairs, where my cousins are waiting with a movie, and as I do, I pass my uncle. He is staring at my black top, which is designed similar to a corset. It has thin straps, lacing that runs all the way to the top of the fabric, and the shape rounded at the chest. This isn’t noticeable; I wore a black, long-sleeve undershirt and jacket to quieten it. After taking off my jacket, I hoped the volume of that night would overshadow the volume of my clothes.

My uncle’s face morphs into one of disgust and disapproval. In this moment, I don’t care. I am ready to tell him so. Before I can, my mother throws my jacket at me. She effectively silences me, and quickly appeases my uncle in a way I’ll never understand. My mother chose the outfit. She was proud. I am the one who is shamed over a shirt, a body, an existence I have no control over. In this moment, the beauty of the night dies. 

It is said that Allah replaced the Prophet’s son with a ram at the last moment before the sacrifice. I am waiting for that moment in between, the space of time where the son exists and doesn’t. Where he is embraced in safety as he goes to die at the hand of a parent who does not deem him enough. 

Mama, am I the ram, too?

Eid Al-Fitr

Fasting for Ramadan is one of the most important pillars of my religion. We are not to drink or eat anything (no, not even water) from sunrise to sunset, every day for a month. But in the hours between dusk and dawn, we feast to our hearts’ desire. 

Ramadan extinguishes any suspicions of my habits. Everyone is fasting, it’s not just me. It lessens the guilt of it all. I didn’t eat all day, so I can have this. And it sends me into a relapse after it’s all over. I could lose more weight if I keep doing this. 

Ramadan is supposed to make us grateful for what we have. We are to see our privilege compared to those with less. Don’t get me wrong; it does. But it also makes my family more fixated on weight than ever. 

My father walks into the door after ten hours at work. The first thing my mother does is cry out, “Musa, I only lost two pounds. It’s been two weeks!” 

My father, still covered in black oil and dirt that comes with manual labor, brags, “Yesterday, I checked and I’d lost six!” 

“I hate you,” my mother whimpers. “I’m not eating anything at night. I won’t even have dinner—just a bagel.” 

At twelve, I took notes. I gathered that by week two, I should start seeing results. 

This is the mindset that I get stuck in. When Ramadan is over, it’s so easy to fall into a pattern. Do not eat; when you do, binge enough to throw it all up again. 

We are supposed to break our fast on Eid. It signifies the end of Ramadan. It signifies the end of making yourself hungry. But the end of one fast always brings another. It is hard to break a fast that I crave. It is hard to break a habit I was able to justify. 

Eid

There is a group of girls standing together, all dressed up in dresses, pantsuits, and jumpers. They’re laughing loudly, some of them hunched over themselves, red faced, holding their stomachs. They’re glowing. They haven’t seen each other in months, cousins close enough to be sisters who don’t live nearby. Their excited voices echo loudly, and they don’t care. They are in a bubble. Outside the bubble, men and women circle like vultures. They pick apart the girls, from their hairstyles to their shoe choices. They compare them—place them in a competition they did not consent to. So many girls, so many things to say. I didn’t realize she was so short. Why didn’t she tame that hair today? That one’s definitely the prettiest. Did she not even attempt to cover that butt? Wear looser pants. Disgusting. She has definitely gained weight. That dress is not flattering at all. Yeah, but the other one’s dress is way too tight. She’s too skinny–does the girl eat? Sick looking. She’s better off than the other one, you couldn’t cover that stomach if you tried. They feast, and feast, and feast. 

We leave. There is nothing left but chewed up bones. 

I didn’t want people to pay attention to my body. I still don’t. At twenty-two years old, I feel the same way I did at twelve: I am incredibly small in the eyes of others, but somehow still too big. 

The years are a blur of relapse, recovery, relapse, recovery. I have had to define my own sense of worth. I try not to associate the way I look with who I am. I’m trying to keep myself tethered here. I’ve always hungered for freedom to make my own decisions and freedom from the shame I’ve always felt about my body. The more I shed myself of these cultural constraints, the more I feel at home in this body. On my very worst days, I repeat a mantra that helps me breathe a little easier each time:

You are here.

You exist. 

Let yourself be whole. 


Malack Al-Haraizeh is pursuing her last year as an English education major at SUNY Oneonta. When she isn’t writing, she is dancing or awaiting One Direction’s reunion. Malack is from Pine Bush, NY.

Comments Off on Malack Al-Haraizeh

Filed under Creative Nonfiction