Category Archives: Fiction

Kaiser Kelly

Clearing

We had spent our lives running, it seemed, to this outstretched clearing in the forest. No birds sang there, inside the trees. Simply crawling beetles burrowed into our socks, bug bites littering our skin. But we could hear them, those bright songs upon slender beaks. So we ran.

When we reached the clearing, it did not feel true. We kept looking for those bugs, yet only the bites persisted. As they faded, we found ourselves watching our skin, searching for that strange old sensation that we had woven into our bones. Nothing came, that fire of disobedience, the fear of taking too long. We were sacrificing ourselves to warnings of the past, to dangers that no longer lurked behind the trunks. We saw all now as it was in these fresh grasses. The shimmering creek, the burbling creasing over smoothed stones. The odd new animals that eyed us from far away, their pelts glistening under the warmth of the sun. The breeze, finally the breeze brushing away days of sorrow. And the bird song, oh the bird song.

How sweet it sounded outside of the forest. For it was everything to be true to our ragged ears, just as it was in our fondest dreams. They sang us to sleep, under the pinpricks of stars dancing into stories. They woke us at the sun’s zenith, time allusion to our whims. They sang to us during our days of dance and storytelling, new memories to be formed, songs to sway alongside them.

The realization of our arrival came sudden, crashing as sheets of summer storms across the soil. We were here, it seemed, unfamiliar in this new soft place. But we were us, finally. We were safe.


Kaiser Kelly is a freshman at SUNY Purchase, where they are studying creative writing with a track in narrative work. They enjoy writing horror and literary fiction.

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Amanda Puchalski

Season’s Grievings

The twins trying to kill each other have crashed into the counter and are taking the garland down with them. I hope my shift ends before the destroyed decorations become my problem. The sister is clearly winning; she has her brother in a headlock and has already pulled off his hat to reveal his matching blonde hair.

Their younger brother, the only brunette of the bunch, is screaming at the top of his lungs while his mother is desperately trying to keep him from slumping onto the slushy floor with her one free hand. The cause of his screaming? We don’t have any green skates. I’ve never heard of an ice rink having anything other than black or white skates, but this kid doesn’t care. He wants green ones and is letting anyone within a mile radius know we don’t have them.

I would be annoyed but his crying is drowning out the same twenty Christmas songs that have been on repeat for the entire month of December, so if anything I should be thanking him.

“Just the six skates for an hour then?” I try to move this along, though I’m not sure if it’s for my sanity or the mom’s.

A giggle comes from a fourth kid who looks a little too old to be strapped to his mother’s chest. I can’t blame her for wanting to keep one contained for as long as possible, though. He stares into my soul with big blue eyes while he chomps on a red toy truck he’s trying to stuff into his chubby cheeks. I decide he’s my favorite of the little monsters until he stuffs the truck a little too far into his mouth and spits up all over himself.

“Oh! Gross, Jojo,” the mom says, using a part of his snowsuit to wipe his mouth. She quickly grabs a couple of bills from her wallet and says, “Just keep the change,” before grabbing some of the skates and walking towards the door.

The change turns out to be seventy-three cents but it all adds up, I guess.

The fight breaks apart briefly while the twins grab the last few skates before the sister chases her brother out the door.

Through the window, I see a man, who I’m assuming is their father, lift his head from his phone long enough to snatch up the little girl and place her on the bench between him and a diaper bag. The twin brother bolts right past them and joins a blur of two more weaving through the crowd in what looks to be an intense game of tag.

I am never having kids.

My phone vibrates as I pull it out to check how much time is left in my shift. Swiping to decline another call from my mom, I see there are ten more minutes. Almost there.

My least favorite regulars reach the front of the line. Mr. and Mrs. Clark—they won’t let me call them by their first names—are an elderly couple who frequent the rink three times a week.

From the many, many stories they’ve told me, I know they’re trying to relive their glory days as a champion figure skating pair. They always come with their own skates and matching, skin-tight outfits. It would be cute, if they weren’t so rude. They’re a constant reminder of why growing old with someone just makes you more miserable.

“Just an hour today, Mary,” Mr. Clark says before I have a chance to get any words out.

My name isn’t Mary, but I plaster on a smile and tell them, “Have a great skate.”

Mrs. Clark heads toward the door, and her husband goes to follow her but not before he adds, “You should smile more, sweetheart. Show some Christmas spirit.” He gives the countertop a tap before following after his wife who almost whacks one of the speedy little monsters with the door on her way out.

I frown as soon as he turns his back and glance at my phone again. Right above nine missed texts from my mom, the time says 6:53 p.m. Seven minutes left.

When I look up, another familiar face greets me.

“Eve?”

She looks up from the young girl and dog next to her, and a wide grin takes over her face at the sight of me. “Macy? Oh my god, I didn’t know you worked here! I feel like I haven’t seen you in forever! Did you cut your hair?”

I tuck my bob behind my ears and nod sheepishly. “Yeah, I cut it a couple of months ago. I tried to dye it too, but it’s hard to tell in this lighting.”

She squints a little. “Oh yeah, I can see a little red throughout the brown. I like it!”

“Thanks!” I beam.

Eve was my best friend at the beginning of high school, but we grew apart since we had fewer classes together as we got older. We’ve only seen each other twice since we started college a couple of years ago. It’s easy to lose touch with someone when you no longer live ten minutes from each other.

“This is my cousin, Hallie.” She gestures to the girl next to her and adds, “The one I was always babysitting.” Hallie looks to be around ten years old and has her dark hair in braided pigtails. She is zipped into a purple puffer jacket. “And this is Angel.” The dog’s white tail wags at the sound of her name, but my smile falters a bit. She’s wearing a pink “service dog in training” vest.

“It’s so nice to meet you both,” I manage.

“You too!” Hallie hands me some crumpled bills. “A size four for an hour please, Macy!” She puts some coins from her pocket in the tip jar.

“You got it,” I reply and select the least smelly pair of skates I can find.

“Have a wonderful time,” I say when I return with the skates.

“Hey, text me! Maybe we can hang out over break,” Eve says.

“I’d love that.” That cheers me up a bit.

“Bye!” Hallie shouts.

I wave to her. I wonder if Eve’s family still does their cookie tradition. They used to bake a different kind every day of the week leading up to Christmas in honor of her dad who used to be a chef. If they still keep the same schedule then tonight they’d be making cutout cookies, my favorite.

My family has never been big on holiday traditions because my parents have been divorced since I was young. I think that’s why I enjoyed going to Eve’s house so much. Her house always felt like Christmas to me. Now, I can barely find the motivation to decorate my own apartment or even buy Christmas cookies. It’s just not the same. Especially after last Christmas.

A pair of black skates slam down in front of me and instantly stink up the counter. They’re not being returned though. They belong to one of the hockey players who frequents the rink, John.

“Do you know if the hot chocolate stand sells alcohol?” he asks. I assume he’s trying to act cool for his date next to him.

“I’m not sure. You could go check the menu.”

His date lightly puts her skates on the counter, and unfortunately they also reek. I quickly grab the spray from under the counter and hold the skates as far away from me as I can.

“Whatever,” John mumbles and drags his date away.

When I stand up from putting the skates back on the shelf, I freeze at the voice I hear.

“Macy?”

“Mom?” Even with gloves, a scarf, a hat, and earmuffs, she’s shivering. “How do you not freeze working here?”

I tug on the white turtleneck I’ve layered under my blue Canalside sweatshirt and ignore her question. “Why are you here?”

“You haven’t been answering my texts, angel.” She raises her eyebrows as if expecting an explanation.

“I’m working,” I say, somehow managing to keep my voice calm.

“Macy, don’t be mean. I came to see if you were coming over for Christmas tomorrow.”

For a minute I wonder if she’s forgotten last Christmas. The memories kept me up for months, the penguin on her mug haunting my sleepless nights. The shards of both our mugs are long gone, shattered on her kitchen floor and swept away.

The next day, she texted me apologizing, but not for the alcohol in her mug. She couldn’t find the same mugs at Big Lots again, she said. I never cared about those mugs; I cared that she relapsed.

I still avoid going to bars with my friends even though I turned twenty-one this past semester. I can’t stand the smell of beer, and I’m afraid the sticky floor will remind me of her kitchen that night.

“Will you actually be sober this time?” I whisper and my voice shakes. I didn’t expect to have this conversation for the first time in public, but if she insists.

She lowers her voice. “I haven’t had a drink since Christmas, angel. I promise. You know my job made it hard for me to get help. I’m so sorry I let you down.”

I make eye contact for the first time since she walked up. “I’m twenty-one. I don’t have to spend Christmas with you anymore.”

She lets out a sharp sigh. “I just want to spend the holidays with my baby girl. Is that too much for a mother to ask? After everything I’ve done for you?”

“I’m not your baby girl.” I hold eye contact until she breaks it.

“You know,” she starts, “you really hurt me when you say things like that. My parents were never there for me like I am for you. I have presents for you, I got stuff to make you breakfast—”

“I’m not coming.”

She takes a breath. “I’m trying so hard to fight this disease. Please just do this one thing for me. I promise I won’t drink.”

“You said that last year.”

She huffs, shaking her head, “Well, have fun at your father’s then. You always like to spend more time with him, anyway.”

“Get out,” I say, my voice cracking, “I’m working.”

She just looks at me with her brows furrowed and her tongue poking her cheek and says, “Merry Christmas. I love you,” before walking out.

I can’t see the customers who are waiting in line behind her because my vision blurs.

Before I even get a chance to wipe a tear, a shriek comes from the wall of windows. “SANTA!”

My manager, Alan, walks up next to me munching on a plate of cookies. His white beard looks exactly like you would imagine Santa’s. It doesn’t help that he is literally dressed as Santa. He told me once that the kids kept mistaking him for Santa so often that he just started dressing up around the holidays.

The siblings from earlier have their faces pressed up against the glass. Their mom looks relieved they’re all frozen in place, even for a second.

Alan ignores them and pats my shoulder. “Sorry I’m late, kid.” Some cookie crumbs fall out of his mouth.

My shift’s over?

“The rascals outside wouldn’t stop jumping on me. You can head out now.” If he notices my tears, he doesn’t give any indication.

I nod in a trance.

I walk to the back, grabbing my coat and bag from their hook. Alan shouts after me asking if I can fix the garland before I go, but I’m already out the door. Christmas is almost over anyway. Those kids probably did him a favor by taking it down early.

The frigid air makes the tears falling down my cheeks feel like icicles on my face. I walk past the porta-potties and the Adirondack chairs to the bridge that overlooks the rink. Beneath the string lights, I glimpse the Clarks spinning slightly out of sync and more hockey players showing off by speeding past little kids.

The Skyway casts shadows overhead as I walk until I’m met with an empty Canalside before me and the sounds of the rink are just distant noise. The Buffalo River is frozen and quiet; the grain elevators reflect green and red on the ice.

I avoid the lawn that’s wet with snow and brush off a bench close to the river. My tears are now just stains on my cheeks that I can’t seem to wipe off, but they return the minute I sit down.

All of the pain and loneliness of the past year pours out of me at once. I was hoping I could just avoid Christmas this year and ignore all the memories that it brings up, but of course, my mother had other plans.

It’s not long before footsteps approach from my right. Eve, Hallie, and Angel come to a halt when they spot me. Eve bends down, whispering something to Hallie. She nods and guides Angel to the rails on the water’s edge, out of earshot. Eve hesitantly sits next to me and offers up a festive tupperware container. “Cookie?”

I shake my head, not in the mood for chocolate chips right now.

For a while, we just sit in silence, but her presence is like a warm blanket after a day of sledding.

“My mom showed up,” I say, sniffling.

Eve was there for me when I first realized my mom was an alcoholic. I didn’t want to complain to her about my mom when she only had one parent left, but she insisted that I could always lean on her.

“How are you feeling?” She places a gentle hand on my knee.

As if my mom can hear us, my phone dings with a text from her.

Everything I’ve kept bottled up in the past year comes rushing out of me at that moment. I tell Eve what happened a year ago and then what my mom did today. I even tell her about the countless times I’ve asked my mom to not contact me this year and how she constantly ignored it

“She’s my mom, you know? I feel like a part of me will always need her, but I also feel like I never really had her.”

Eve turns her body towards mine and grabs my hands, making me look at her, “You can grieve for someone who’s still alive, Macy.”

In a way, she validates all of my feelings in that one sentence.

I start sobbing again, burying my head in Eve’s shoulder as she strokes my hair. Relief and sadness glide down my cheeks.

We stay like that for a minute before I hear a bark and Angel hops up on the bench next to me. She starts licking up my tears and somehow, I find it in me to laugh.

Hallie comes running after her and sighs, catching her breath. “She might not graduate service dog school, but she’d be a great therapy dog one day.”

We all smile and I grab a cookie from Eve, as Angel bounds off into the blanket of snow.


Amanda Puchalski is in her last semester as an English major at the University at Buffalo. In her free time she enjoys reading, spending time with her friends, and attending concerts.

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Amy Nicol

Allure

“I heard that one was good,” said Liz, pointing to the lipstick in Stephanie’s hand. She’d picked up the lipstick mostly to have something to do with her hands. So far she’d picked up an eye shadow palette, a perfume bottle in the shape of a beer can, and a foundation for middle schoolers called Glow Job only to put them back on their shelves.

Stephanie nodded, but ultimately considered this trip a failure. She didn’t know what she was expecting, dragging her younger sister to this asylum-white makeup store. She felt in her bones the purpose was to gain something more than a headache and sweat under her brow.

Stephanie opened the cap of the lipstick she was holding to look at the color. She hadn’t looked at the color before, but now she felt like she couldn’t justify putting it back on its shelf without at least giving it a closer look. Maybe she would even rub the glossy finish on the inside of her wrist to feel the comforting moisture of the product.

The color was clearly red, practically the same red as the three other lipsticks in the row. Yet, when she looked at it closely enough she could see that there was no orange hue; she loathed nothing more than an orange hue. This might’ve been a useless detail to someone else, but it made her more curious so she looked closer. The lipstick was practically out of its tube and pressed against her eyeball at this point. Subconsciously she knew this was not how people picked out lipsticks, but if she didn’t look this closely, how would she be able to detect the shine and almost glittery aspect of the color? Stephanie didn’t like glitter; she couldn’t think of one thing in her drab wardrobe that had glitter in it. Still, she didn’t think she had ever seen something so mesmerizing in her life.

“I guess you like it,” her sister said, laughing.

“Yeah, it’s nice.” Stephanie looked at Liz and found her staring at her. “What?”

“No, it’s just—” She laughed again. “You’re smiling at it like a maniac.”

Stephanie responded by gazing at it once more.

“You know, you could try it on.”

Stephanie looked at her reflection in the mirror with the shade close to her lips. She applied it slowly, enjoying the easy application. She felt as if the pigment was being trapped in the grooves of her skin. As she noticed the transformation, she felt herself smiling. Then she stopped, careful not to crease the artwork she had created.

“Allure,” said Liz.

Stephanie was awoken from her spell and looked over at her sister. She was examining the box that it came in; it was shiny and new, unlike the tube with the peeling Try Me! sticker. “What?” Stephanie asked.

“That’s what the color is called,” Liz said, giving her the brand new box. “Cool right?”

“Yeah,” Stephanie said, curling her fingers around her new favorite toy. “I like that.”

Stephanie marched in the front door without Liz. Liz had dropped Stephanie off at home before driving to her friend’s house for a party. Sometimes this made Stephanie jealous, but tonight she didn’t care. She had plans of her own.

“What’d you buy?” Stephanie’s mother asked from the dinner table, still on her work computer.

“Just lipstick,” she said, shrugging her shoulders.

“Did you use your debit? Because I’m not putting any more money in your account until next month.”

“Liz paid for me,” she murmured.

Her mother closed the computer.

“She offered, I didn’t ask,” Stephanie explained quickly.

“Stephanie, do you think it’s appropriate for a seventeen-year-old girl to buy something for her twenty-year-old sister on a trip to the mall where she drove them?” her mother asked.

“I don’t know. She wasn’t upset about it.”

“Of course not, because this happens all the time. We’ve been having this same conversation for years. I was fine that you didn’t want to go to school. I didn’t understand it, but I accepted it. Now you’ve been sitting in my house doing nothing for two years. Your sister is going away next year. She’s taking her car with her, and her debit card.” Her mother pinched the bridge of her nose and closed her eyes. “Do something; get a job, get a license, go to school, something.” Stephanie’s mother sighed. “You need to get out of this house. I don’t even know what you do all day. I can hear you buzzing around your room. I feel you going stir crazy.”

“Okay,” Stephanie said, her mind far away from this conversation. “I’m going to my room.” She left before her mother could say another word.

Usually, when Stephanie took home any kind of makeup product, it sat in the family bathroom, free for the whole house to use. Eventually, it got used by Liz, which was fine with Stephanie since she didn’t really intend to use it. But this time was going to be different. Allure didn’t deserve the same fate as all the others; she was different. Stephanie would be different for using her.

Stephanie looked in the mirror at her canvas. Even though she had never even thought about it before, all she could see was the hair. The thin blond hair, almost translucent, covered every inch of surface area from her cheeks to her chin; the thick hair in between and encircling her eyebrows, creeping in all different directions because she’d never bothered to do anything about it.

The worst was the hair on her upper lip. At the store, she was too distracted by Allure’s beauty, but now she wondered how she could bear to see such perfection so close to the distractingly dark peach fuzz above her cupid’s bow.

Stephanie wrapped Allure into her favorite tank top with no stains and tucked it into her dresser. “I’ll be back for you,” she promised Allure, “when I’m ready, when I’m good enough for you.”

She crept to the upstairs bathroom across from her room, which wasn’t really necessary since her mother had probably reopened her computer and was grinding away downstairs. Yet it did feel exciting to be doing something secret, just for her. She ventured into the medicine cabinet to find Liz’s waxing strips. Liz had offered to teach her how to do it once. Stephanie told her she was scared of the pain, but now nothing could stop her.

She found a box with a picture of a hairless woman on it next to a pot of thick yellow liquid. Inside, there were at least ten pairs of finger-sized wax papers with honey-colored substance in between them. She rubbed her hands together with the strip in between her palms like the box said. The sound of the wax paper rubbing together and the smell of the wax warming up sent Stephanie’s brain signals of impending doom. As she listened to the sticky sound as the strips peeled apart from each other she started to panic, but this would all be worth it for her.

Stephanie looked in the mirror and tried to align the wax with the unwanted hair above her lips. She placed a strip onto one side of her lip, already feeling the tugging of each individual hair that she’d neglected all her life. She smoothed down the area, warning her skin for the pain it awaited.

“One,” Stephanie whispered, taking a deep breath. “Two.” Why am I doing this? “Three.” For her. She ripped the strip off, feeling every hair struggling to cling onto her skin to no avail. She doubled over and reflexively reached to her upper lip and started to scratch, only to feel the sensitive skin burn under her fingernails. Stephanie looked into the mirror excited for the fresh new face that awaited her, but instead of seeing a smoothed beautiful stretch of skin, she saw a red bumpy upper lip. She went closer to the mirror to make sure all the hair was off, but there were still at least two strands of hair right in the middle of the patch.

“Fuck,” she whispered. She took a deep breath and looked back in the mirror, at the stubborn hair that would ruin perfect Allure.

She knew she had to do another round in the same spot to get the rest of the hairs off. It needed to be just perfect for her. Stephanie picked up the other side of the strip and repeated the same process. She felt her skin sting from putting the wax on. She didn’t feel resistance yet because she didn’t have enough hair to even feel a tug. She ripped it off again and muffled a cry of pain. She leaned over the skin to check her progress and the hairs were removed. All that was left was skin; bright pink and burning to the touch, but she would fix that later. Stephanie smiled; she already felt closer to her.

By the time she finished off all twenty wax papers, her entire upper lip and chin were hairless. The unwanted hair around her eyebrows was also removed. So was the bottom half of her left brow and the tail end of her right brow, but she would fix that. Stephanie would fix it the same way she would fix the red damaged skin the wax left in its wake: with Liz’s makeup bag.

Inside Liz’s bag were two kinds of liquid foundation and one little sponge. One was darker than the other and she decided that the darker one would cover up the redness better while the lighter one could fix the acne on her forehead. She dug deeper for something to fix the eyebrows. She’d seen drawn-on eyebrows; thick luxurious ones and razor-sharp ones and drawn-on peach fuzz. Which one would Allure prefer? She found a tube of mascara and opened it to see a brush that circled the tip of the stick. She vaguely remembered that mascara was usually used for eyelashes, but they were made of the same hair, so what was the difference? She’d start with the liquid foundation. She squirted the darker one onto the sponge and used her finger to spread it around. Then she rubbed the sponge onto the redness caused by the hair removal. She was surprised she couldn’t hear the sizzle from the burning sensation on her skin. She rubbed it in harder, trying to itch the redness while also covering it up. Every time she rubbed it harder it only got more irritated, which made her want to rub harder.

Stephanie thought of her mother telling her not to pick at her mosquito bites. She thought about the painful scabs that appeared on her legs the morning after mutilating the bites in her sleep. She thought of her sister’s smooth legs, which were never being bitten so she didn’t have to resist itching them. She could sleep soundly while Stephanie clawed at her skin during a fitful night’s sleep.

She pounded the foundation in her skin as hard as she could stand. She looked in the mirror. There were fingerprints on her face from rubbing in the foundation with her hands instead of the sponge. The foundation, just a little too dark for her skin, was patchy and haphazard on her face. Not good enough for her.

Good thing there was a whole other bottle of foundation.

Stephanie squeezed out the lighter foundation on the same sponge as the darker one. Instead of the two colors blending to make something more similar to her face, they overlapped and swirled around each other in a pool of liquid complexion. Stephanie looked at the sponge for a moment, mesmerized.

Please make this look good enough for her, she prayed.

She prepared to smooth out the bumps of acne that littered her forehead. The acne was raised and came in all different sizes. What she really needed was something to smooth down her skin so her entire face was level. She could get sandpaper and sand it down, or maybe a knife to cut off all the unwanted texture.

Stephanie looked in the mirror once again. Still not good enough, she thought. The final touch must be the eyebrows. They were the darkest parts of her face, what stood out the most, at least until she put on Allure.

If Stephanie was in an observational mood, she might’ve noticed that the mascara she was planning on using was much darker than the color of her eyebrows, which were dark brown and sticking out in all directions. Since she wasn’t in the mood to focus on that kind of thing, Stephanie decided to proceed without caution and unsheathed the brush from its bottle.

The action of brushing all her eyebrow hairs in one direction was definitely the most soothing of all her makeup endeavors, but was also the least satisfying. Through the night she had learned that the more something makes you burn, itch, or cringe, the more necessary it was. That’s what Allure had taught her; it’s what everyone in the world knew but her. Her whole life Stephanie had chased comfort. She had lived in a state of inertia for twenty years waiting for something to go right. Little did she know that this is what she was supposed to be doing all this time; she was supposed to be changing from the girl she was to the woman she was destined to be. The “girl” version of her was useless, a disappointing waste of space. The “woman” version of her was going to be different. Some people were born knowing how to be a woman—Liz knew, her mother knew—and now it was Stephanie’s turn.

As she brushed the last stroke of the mascara onto her eyebrow, she started to hum. A quiet ladylike hum that would come from a Disney princess, or a female CEO, or an evil queen, one of those.

Stephanie backed away from the mirror. Her face was two different colors, three if you included her neck. The hair that was left on her face was patchy and uneven. Her eyebrows looked greasy and villainous instead of elegant and regal.

It was all wrong.

She felt a loud grunt come out of her throat.

“Stephanie, what is it?”

Allure would hate it, she knew it. Unless this is what she wanted. Stephanie started to laugh.

“Stephanie, are you alright?”

Stephanie ran to her dresser. She slowed down enough to unwrap her. This is exactly what Allure wanted, she wanted to be the star of the show. Stephanie could never look good without Allure. Allure could make Stephanie perfect. Allure could make Stephanie beautiful.

Stephanie uncovered the lipstick. She closed her eyes and smeared as much product onto her lips as possible. After she had already gone over her lips twice, she started circling around her lips until it went up to her nose, almost in the nostril. Stephanie opened her eyes and looked at the mirror.

“Stephanie, should I come up there?”

Wrong. It was all wrong. Her face was wrong? Her hair was wrong? Her smile was wrong? Allure was wrong? No, Allure couldn’t be wrong. Everything else was wrong. Stephanie didn’t deserve Allure, not even a smudge of her. What was Allure to do since no one was worthy of her beauty?

Stephanie took the lipstick tube into her room. Her eyes scanned everything she had ever owned. All of it was ugly, ugly, ugly. Everything needed Allure, nothing was worthy of Allure. She started with her clothes. Each piece of clothing got an undeserved taste of Allure. Stephanie went through each item in her dresser, then turned her attention towards her bed. What better place for Allure to live than Stephanie’s bed? The place where she spent all her time lying down and dreaming of a better life. Allure would help. Stephanie drew swirls onto her comforter, then her pillows, then her sheets.

Stephanie had to twist the lipstick tube more. Stephanie needed more, more than Allure could ever provide. She went over each of her walls and blessed each corner with a smear of Allure’s perfection.

“Stephanie, what the hell are you doing?”

Stephanie turned around and saw her mother standing in her doorway, sneering at the room. She stood there with her uneven wrinkled face, her wicked sneer, her undereye bags, and how she dared to question Allure.

Her mother needed Allure too.

Stephanie lunged at her mother, and knocked her over, so her head hit the wood floor of the hallway. Her mother would thank her later when she was conscious. She needed Allure just as badly as Stephanie did, they all needed Allure.

Stephanie drew Allure onto her mother’s lips; round and round went Allure. It was working, her mother started to transform. Stephanie dipped inside her mother’s mouth to give her tongue some much-needed pigment. Her mother needed more, more, more. It wasn’t enough, not even close. Stephanie shoved the tube of lipstick down her mother’s throat.


Amy Nicol is an up-and-coming writer from Long Island, New York. She is a freshman at SUNY Oswego where she is majoring in creative writing and is an editor for the Great Lakes Review. Her story “Rain” was published in an anthology entitled Road Trip to El Dorado (Free Spirit Publisher). She has also published in great weather for MEDIA.

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Jay Green

Downstream

Wanda likes to dress the dogs in pink and frills, paint their nails fuchsia or lime green, with matching little bows twisted up in their matted ears. Not even Clyde, the swaggering boy dog, is saved. Instead, he waddles through the sandy backyard in his tiny shit-stained tutu and mounts anything that moves while the family watches and laughs, the ugly thrusts, his bottom teeth jutting out sharp and yellow from his lower lip while the tulle at his waist bunches and wilts in tandem.

Andy takes quick gulps of his beer and tries not to watch too long. He’s been drinking since the morning and still isn’t as plastered as Russ, who can’t hold himself up. He’s laughing so hard, hat first in the dirt. Behind him, the sun is sinking easily into a sky like velvet, just approaching the final moment of hereness, the crown of her head like a bald strip interrupting a placid night.

“Andy-boy, oh Andy-boy—” Russ likes to sing when he’s wasted, hands on his brother’s shoulders, trying to cajole him into some kind of jagged waltz in the porchlight. “Baby-brother boy, pouting-like-a-bitch boy, stick in the mud—”

Once he would have shoved him off, kicked for good measure. Tonight, he is tired. His hands are cracked and dry, stained white from the plaster at work. Russ’s wife is standing beneath the veranda with her arms wrapped around her middle, and he doesn’t feel clean enough to argue. He turns and heads for the garage, the laughter sharp at his back.

When he’d moved back in with his mother, he’d been embarrassed. Mostly he’d been relieved. The past twenty years of adulthood had never felt quite right on him, like the church shirts Wanda had bought for him secondhand as a boy—always too short and wide for his lanky frame. His childhood hadn’t fit quite right, either, but he’d known it was his the way unpleasant things usually are, so much more willing to be claimed.

His childhood bedroom still looks the same, the model cars on the windowsill, his signed Cavalier’s basketball half deflated on the corner of his desk. The same nudie poster remains undiscovered on the back of his closet door, three Playboy bunnies in varying degrees of toplessness. The miniskirts he’d fantasized endlessly about slipping his fingers under, feeling the creases in the fabric from beneath. He could have pinched those hems between his fingers with his eyes closed, careful and reverent, like the lid of the cardboard box still buried somewhere under his bed, that hallowed stash passed from Ward brother to Ward brother as a parting gift.

Legend has it the box was once their father’s. It was carefully curated over his own rumored adolescence, and that he’d only bequeathed it to Russ once their mother had finally found it and chucked the forty he’d been sipping straight at his head. This all happened when Russ was four, and so Andy has his doubts; it’s difficult to imagine their father being challenged and not getting his way in the end.

He feels a pull, some ancient and morbid curiosity, but tonight Andy lets the box remain buried. He takes off his clothes and climbs into bed. The way his feet hang over the edge, the same as they had since he was fifteen, is almost enough to make him smile.

Sometimes he dreams of nice things. Pleasant things, like the crisp pop of a beer tab, the unhurried fizz. He sees the creek bed he had laid near as a boy, watching the little current snarl up the weeds and the silt. In his dreams, he can wiggle his toes right into the mess of it, let the water pool around his ankles and then his calves and then his knees. In the best dreams, he gets to his shoulders and then watches as his body dissolves like sand, his sunburnt skin staining the water a fleshy pink, whirling out and away until he is only a pair of eyes floating downstream, taking the world in without the pains, the desires of a body.

Sometimes he dreams of bad things. The things he doesn’t like to look at in the daylight: the bruised cheek, the car alarm. Sometimes he watches in mute horror as a doorknob turns (it isn’t him turning it, it can’t be. He’s outside himself and the world and is watching with the world and God as a doorknob turns) and a doorknob turns again, and again, and it’s only when the dreams are really bad that the door opens. Sometimes the door opens to a child’s bedroom and Andy doesn’t always know what happens after that. Sometimes he doesn’t know when he’s awake either. Sometimes he lives in the creak of that door, its shadow slipping out impossibly behind him, and he curls into that darkness and finds that the sun is coming up and he can’t bring his eyes up to it, they’re still spinning downstream somewhere, as if trying to draw down the light.

Wanda doesn’t just keep dogs. She keeps lizards, and fish, and parakeets, and a fat cockatiel inexplicably named Pluto. The house at all hours of the night is alive with noise, the bubbling of tanks or the whistling birdsong, the growl-bark-whimper of one of the girl dogs sick of Clyde’s shit. Somehow his mother sleeps in the thick of it, in the armchair in the sitting room off the garage with the newspapers plastered all over the windows, the air and gray light thick with cigarette smoke and pet dander.

She snores. Loudly. Sometimes she chokes on the sound, hacking like she’s dying. Only once did Andy rush in to try and save her, frantically shaking her by the shoulders until she shot awake and glared at him.

“Pussy,” was all she said, before turning back over in the chair and settling in.

“Pussy,” Pluto confirmed from the corner.

He went back to bed.

Tammy sometimes asks him about it, only in the room, their strange sacred space where words mean both less and more. Tuesdays during Russ’s bowling meet they drive separately to the motel out in Hampton, on the corner near the liquor store and the adult movie place, a perfect trifecta of a strip. The dirtiness helps him pretend he’s someone else, grimy and greased over. He doesn’t shower before he gets there. Tammy says she likes that, the stale sweat still clinging to his skin.

“Have you tried to call her at all? To see her?”

Once he’d driven halfway to New York, six hours in the middle of the night, the lights on the interstate blurred together and smeared like soft butter. No music, no talk show. Just the rattle of empty beer cans from the back seat, their tinny rumble with the engine’s grinding. His teeth chattered together as he cried and smoked, and cried again. He’d made it to a rest stop just past the state line before he pulled over and called her again for the forty-second time that night, just to say he wasn’t going to leave her, that he’d flatten himself under an eighteen wheeler if she didn’t call him back just the one time. Just to tell him she hated him and that it was over.

“A little,” he tells Tammy. “She doesn’t pick up anymore.”

“Probably for the best.”

She brings his head to her breast and strokes his hair. If he looks her in the eyes he’ll know what he already knows, what this is, the pity so inextricably tied to lust and shame and need. He knows that Tammy, the same as him, can’t pass a mirror without flinching, just a little. The recognition is too forced, too painful to muscle down.

He doesn’t look at her.

Sometimes he dreams of good things, sometimes of bad. When he drinks enough, he doesn’t dream at all. There’s maybe a secret second of warmth, flashes of things: the pull of a sheet, the fleeting sensation of a woman’s hair brushing just under his nose, the sweet clean smell of it. The feelings come over him like heat and then like a mask, and then just like darkness, plain and simple and ordinary, the backs of his eyelids or the beats of his name, the familiar mouth that shaped them, once. It fades and the fog rises and he sleeps like a baby in the dark gray clouds, lost in nothingness, blind and forgiven.

When Andy was sixteen, his father beat the shit out of his mother on the front lawn using a glass bottle and a wooden baseball bat. She’d needed nine stitches and two staples, most of them on her scalp, and surgery on her left hip, which had never really healed and left her with a permanent, painful limp. Several doctors said that she was lucky to be alive. Lucky that the head trauma hadn’t put her in a coma, lucky that the neighbors called the cops before her husband murdered her like a dog out in the street.

She’d raised hell every time someone mentioned pressing charges. Threatened to get out of bed, to rip her stitches out. She once grabbed a scalpel and placed it to her wrist, eyes red and wild, spittle flying from her mouth as she wrestled with nurses and security staff.

Coming home from college to the situation, Russ only chuckled and slapped a hand down on Andy’s shoulder.

“You want to know how to keep a woman? You keep her fucking guessing, bud.” He laughed again and watched their mother slumped over in bed, sedated at last. “Bet you he’s got the dogs on her. She’s not fucking him over now, I tell you what.”

The county held Red for about three days before he was released on bail, and no one in the Ward family ever heard from him again.

Once he did make it to New York.

He drove ten hours and got sober on the way. He stopped for gas and snacks. Newports, just like his daddy smoked. He remembered smoking for the first time with him out on the front porch, the way Red had handed one to him silently, without either even asking. Andy had lit it and sucked too hard, coughed like a bitch, almost to his knees. When he was done he looked up, scared. Red only nodded.

“Gotta breathe it in, boy. Don’t waste what’s mine,” he’d said, and Andy had felt almost proud even with his neck out, his hands trembling, still holding the cigarette even with the smoke burning in his eyes and lungs.

He drove three hours more in circles until he saw her car parked at a Day’s Inn on the edge of town, barely lit even in the rising dusk. He got out the baseball bat and wished he’d stopped for liquor but knew he could, just after. He got out of the car and knocked on multiple doors until she was the one who answered. He forced his way inside and shut the door behind him, and then he just looked at her. Beautiful, even in hysterics, makeup running down her face, frantic and afraid.

He was ready, and then he suddenly wasn’t. He could have done it, could see the bruises still on her face, the evidence that he had before and wouldn’t need to work that hard this time. That she was already half-done, exhausted from the running. But then her daughter stepped out of the bathroom, young, so young. When they’d met she was only seven and now she was a runt of a nine-year-old, thin and haunted looking. She looked up at him with an expression so blank and brave it struck him like a blow.

He remembers the time she let him up even though he was drunk and out of his mind. She said the kid was asleep and to be quiet. He stumbled and knocked into the side table by the entryway cluttered with angel figurines looking up at him faceless and demure. He let three of them clatter to the floor and break solidly into eleven different pieces, like some slaughterhouse’s nativity scene. When he looked up bleary and confused, the girl was there looking at him. Suddenly, he thought it must have been God that brought him to his knees, hugging her to him and crying.

“I love you,” he’d said, simple, drunk. Bewildered, she’d said it back, automatically like children do when their parents say it a little too often, trying to make a point of it, and he knew it wasn’t real but still he tried to feel cleaner, somehow. Forgiven. He tried to believe it.

That night, he stayed. This other, darker night, he looked at them both and he left.

“Do you know where that old box is, Dad’s old stash?”

Andy looks up from his desk to see Russ in the doorway of his childhood bedroom, grinning.

“Why?”

“Thinking of passing it down again. Gabe’s getting to be that age, you know.”

Andy pauses and thinks for a moment. He tells him to check the attic. Otherwise, it’s long gone.

When he dreams tonight he makes a point of finding the door, of looking at it. The doorknob is trying to turn, but he stills his hand and turns himself instead, placing his back on the solid wood. He slides down and wraps his arms around himself, placing his head on his knees. Waiting.

He hopes there will be something. Some peace offering. A note slid beneath the door, or a smooth stone, something from the creek he can cling to. He imagines the door creaking open to the bedroom lit in white, the little girl waiting for him, not saying a word but looking. He imagines she tells him she, too, knows that it hurts to be left.

He doesn’t know what he hopes for, but he waits.


Jay Green is a writer, reader, and avid napper. After graduating from MCC in the spring, he hopes to continue on to a four-year and receive his bachelor’s in creative writing with an emphasis in creative nonfiction. His favorite book as a child was White Oleander by Janet Fitch.

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Martin Dolan

Shelter

The three boys drive in silence.

It’s March, the ugly part of the winter when the snow on the sides of the road is brown and spiky and refuses to melt. Late enough that the darkness beyond the cone of their headlights is black and heavy and seems solid enough to lean against. The boys’ eyes are forward, avoiding each other, studying the night. They’re dressed for job interviews—rumpled baby blue button-downs with ties that don’t quite match—because they’re too young to own funeral clothes. Or to know that wakes don’t serve much more than cheese and crackers. Their groaning stomachs echo in the otherwise silent car.

Max is in the backseat. He catches a glimpse of his face, thin and pale, in the rear-view mirror and wishes that he hadn’t. He can’t shake the image of Wyatt’s dad in the open casket. Dressed smartly, in a suit, but the face had been all wrong. Bloated, like they’d pumped him full of something. Flesh colored makeup caked between his hair and his ears. Max hadn’t known him well, but Wyatt’s dad was a loud, boisterous guy. A presence in every room. The type of person that you could not see for months and still practically hear his voice in your head. Seeing him like that, stuffed into a box, made Max nauseous. At the wake, after hugging Wyatt and his mother, Max hovered at the far edge of the room, staring at the ceiling. Hours later, he’s still antsy. For the first time in his life, he’s uncomfortably aware of the fragility of his body. Just a sack of skin keeping everything in place.

Aidan, in the passenger seat, tries to fall asleep but can’t. He’s thinking about the wake abstractly, less about Wyatt’s dad in particular than about death itself. He and Wyatt had been in a car accident the month before. Aidan had been driving. They’d hit a patch of ice on the highway’s shoulder, skidded across two empty lanes, and ended up in a snowbank. The front of Aidan’s car crumbled, totaled, but he and Wyatt were completely fine. After the shock wore off, they’d laughed about it, leaning side by side against the folded metal as they waited for a tow truck and the cops. They’d felt invincible.

Now, driving home from the wake, Aidan does cosmic calculations in his head. Had their dumb luck cost Wyatt his dad? Aidan feels guilty, then ridiculous for having such a self-important thought in the first place. He doesn’t mention it to the others. Instead, he watches the beginning of a snow flurry on the other side of the windows, terrified, for the first time since his accident, of the road. It’s as if every rumble beneath their feet is the car losing traction. The start of a slide. Their dumb luck from the month before finally running out.

Chris, behind the wheel, is too exhausted to feel much of anything. Nearly three hours, with traffic, to Westchester that morning. And two more till they’re back home. The snowfall has him on edge. The roads aren’t well lit. His eyelids droop during the stretches of dark road and are jerked open again by the rush of light from each passing car. Chris knows he needs to stop, rest his eyes, or get a coffee, if he wants to make it home. Still, he can’t bring himself to stop. He’s thankful for the distraction of driving, of having something to do with his hands. Anytime he made the mistake of relaxing, letting his guard down, his thoughts would wander back to Wyatt’s family, to Wyatt’s brother in particular, fifteen and suddenly fatherless. Standing last in line at the wake, shell shocked.

It makes Chris think of his own family, his own brother. Ten years older than Chris, almost thirty now, with Down syndrome. Living at home with Chris’s parents because all the group homes and inpatient services are a crooked mess. The brother who, in an unspoken understanding, everyone in Chris’s family knows will be the first of them to go. Then it will be Chris’s turn to shake hands at the wake. Letting his friends watch him grieve in real time.

Chris focuses on the road. On reality. On now. The stress of driving in the snow keeps him sane.

A blip of yellowish light pokes through the trees. The boys, stomachs growling, round the a turn in the highway and the light grows, comes into focus. Tucked between an exit ramp and a wall of barren trees is a little two-road town. Most of the buildings are dark and abandoned looking. But close to the exit ramp, a few building lengths away from the others, is the source of the light. An old-timey diner with reflective metal walls and an empty parking lot, clashing like a bad joke against the dead winter night.

Lorena eyes the boys as they walk inside. She doesn’t like what she sees. Three of them, college aged, overdressed in boat shoes and loose ties. She sets down the glasses she’d been hand drying to keep busy and intercepts them by the front door.

“Can I help you?” She stands between them and the bar.

The boys squirm, steal glances past her. For a moment, Lorena is embarrassed—for her empty dining room with its scuffed tabletops and reruns playing on the TV. For running the type of place where she, the owner, was pulling triple duty as hostess and server and kitchen help, too. For how pathetic it was that any through traffic, any customer, might make the difference in affording the lease.

“It’s just the three of us,” says the tall one. He’s at the point of their triangle. The only one looking Lorena in the eyes.

She leads them to a table by the window, overlooking the parking lot, far away from the kitchen. They sit down without a fuss. There’s snow still caked to the bottoms of their shoes.

Behind the kitchen’s double doors, Oscar, the only other employee working, shoots her a look. “What’s up?”

Lorena just shrugs. “Guess you should fire the flat top back up.” After the week they’d had, she’d told most of the kitchen and wait staff not to come in. Things were slow. Losing-money-each-night-they-kept-the-lights-on slow. Telling-Oscar-not-to-prep-anything slow.

She walks back to the boys with a handful of menus, preparing herself for whatever bullshit they’re about to pull. Fake IDs or made up allergies or any of the other issues that the highway traffic Lorena depends on inevitably drag up. But the boys just thank her quietly and stare at their menus, seeming glad to have something to do. Lorena leaves them alone.

As Oscar fiddles with the grill, Lorena watches the boys over the lip of the kitchen window. The tall one is playing with a paper straw wrapper, absentmindedly shredding it into smaller and smaller and smaller pieces that Lorena knows she’ll have to pick up later. The small one is just sitting there, blankly. There are dark, deep bags under his eyes. The third is typing furiously on his cellphone. Then he stands up, walks out the restaurant’s front doors. Through the smudgy glass window, Lorena watches him pace the length of the parking lot, cell phone to his ear. He talks with his hands, looking frustrated, and hangs up aggressively. When he comes back inside, his cheeks are red from the burn of the wind.

“They look sad,” says Oscar. Lorena blinks. Oscar’s English isn’t great but, for once, it doesn’t have to be. Lorena turns back at the boys. They really do look sad, she realizes. Their eyes trained on the ground instead of each other. Their slouched backs. She feels antsy, uncomfortable with how she’d misread the situation. She feels like she should go say something to them. Apologize for her earlier gruffness.

Next time she comes out of the kitchen, she greets them properly. “Did you guys just get into town tonight?” She knows her tone is too chipper. She hopes her smile isn’t too pushy. The boys look at each other, uncomfortable with her attention.

“We’re just passing through,” says the tall one. “We have a long drive.”

“Well, stay as long as you need,” Lorena says. “It’s getting nasty out there.” She gestures out to the half-inch of snow already covering the parking lot. As if they hadn’t noticed.

The boys thank her, but Lorena can tell they’re eager to eat and get out. To get home. She takes their orders with a cheeriness she hopes comes off as comforting. The first two boys order the cheapest entrée on the menu. The sick-looking one just asks for a cup of soup.

Oscar hums as he works, matching the melodies of the oldies playing out of the restaurant speakers. The music reminds him of his grandmother’s house—songs with lyrics he can’t understand, but the melodies that had once struck him as old timey and quaint are suddenly lush with memories. Good memories. He hopes that, even forced, his cheeriness can cut through the tension in the restaurant’s air.

Next to him, prepping the vegetables with an untrained knife, Lorena is flustered. Well, Lorena was always flustered—had been every day for the eight months Oscar has been working for her. Longer, if the other chefs were to be believed, constantly in the middle of one crisis or another—but something about the boys in the dining room had set her off even worse than usual. She’d been almost angry when they’d walked in, as if they’d ruined the illusion of her empty restaurant as something other than what it really was. And once Oscar had built up the nerve to say something, her sudden hospitality was just as overbearing. In English so fast that Oscar couldn’t decipher any of it, she’d lingered at the boys’ table with questions that they didn’t want to hear.

Oscar flips the chicken over in its pan and sprinkles more seasoning over the half-cooked flesh. To his right, there’s a dull thud of metal on wood as Lorena fusses with the vegetables. Oscar’s fiancée teases him about Lorena, saying the only reason she keeps him around on slow nights was in the off chance he’d sleep with her. But Oscar knows Lorena isn’t like that. After so many shifts like these, selling so few entrées that the entire night was a loss, he feels bad for her. Middle-aged and childless, mad at the world for the dying restaurant dragging her down with it. And she was the one paying him, wasn’t she? Eighty bucks out of the register at closing time, untaxed cash. Eighty bucks the restaurant hadn’t earned. Lorena knows about Oscar’s baby, knows about the second one on the way, and kept giving him shifts when she could barely keep the lights on. That had to count for something.

Spending night after night with this sad woman his mother’s age, an entire language barrier between them, Oscar wishes he could do more. He feels a guilt he can’t articulate that, after everything Lorena has done for him and his family, all he can do for her in return is cook her a meal with ingredients she’d paid for. A meal they’d split in silence, standing side by side at the otherwise empty bar.

Lorena sweeps the peppers she’d been cutting onto the grill. They sizzle in the oil, harmonizing with Oscar’s hums.

“I love that sound,” says Oscar, in English. At first, it seems like Lorena doesn’t understand what he means. Then she shakes her head, snaps back to reality, and turns to him.

“Me too,” she says. “The smell, too. It reminds me of cooking with my mom.” She talks slowly and articulates enough that Oscar can make out every syllable. He smiles but focuses back on the grill. Lets the sound of dinner cooking say what he can’t.

Oscar watches as Lorena brings the boys their food. They have a quick exchange that Oscar can’t make out. But after, Oscar is glad to see, she leaves them alone. The boys take giant bites of their food, even the sick-looking one. They’re finished in a matter of seconds. The snow outside is still falling, and no one seems eager to pull his coat back on and march into the cold. Then, so subtly Oscar almost doesn’t notice, there’s a hint of a smile on the quiet one’s face. Color in his cheeks again. A little bit of warmth.

And then, stomachs full, fingers thawed, the boys start talking.

The five of them are like a diorama, frozen in time, backlit by the restaurant’s yellow light. Outside the storm picks up. A half inch of snow covers the parking lot and the tops of the cars. Their footprints have long since filled in. But inside, protected from the wind by a thin layer of glass, the five of them huddle for warmth and for food like animals in a cave. The young man watches the old woman and the old woman watches the boys and the boys watch each other but really, it’s not important who’s watching who. They all watch each other. They’re an unlikely pack just trying to make it through the night. All they can do is eat, rest, and be together. Maybe, if they can muster up the strength, howl at the moon.


Martin Dolan is a writer from Upstate NY, currently studying at Binghamton University. His work is available online at www.dolanmart.in.

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Kashi Bakshani

Love Like Damocles

The coffee pot lilted a low gurgle as I hooked my keys by the door. Imara was washing up the past night’s dishes; the sleeve ends of her beige sweater stained darker by the sink water. As I removed my off-white sneakers by the entrance, I noticed a smudge of crimson trailing up the front of my left shoe. I feared it was my landlord’s blood, a remnant from the lobby.

“Good morning, love,” she said.

“Hi there,” I smiled. “Morning.”

I placed the mail from downstairs in a kitchen drawer.

“There were cops in the lobby,” I said.

“Cops?”

“Yeah, it was fucking insane. Our landlord fell down the stairs, they said he died. Accidental death.”

Earlier, three police officers had been chatting in my building’s tight lobby. The hardwood flooring was cleaned of its usual layer of dust. The gleam of its bright clarity felt more invasive than the police, disturbing my meticulous familiarity. An officer informed me of Miller’s recent death; the elderly landlord had fallen down the first floor staircase. Bled out post-mortem by our main doorway.

“I heard. Saw him too.” She shut off the sink, drying her hands with a kitchen towel.

“Fuck, you saw the body?” I pictured Miller’s strewn out corpse, his loose marionette limbs posed like a sick, sleeping dog beside a bed of rich red. There was a quick pang of instinctive sympathy, followed by a conscious retraction. Miller had referred to me almost solely as “cunt” with the occasional slur sprinkled in. My apathy was karmic, a cyclical redistribution of his apathy towards our black mold, prior bed bug infestation, and failing A.C.

“I saw him die.” Imara chose two mugs out of the cupboard: sage green stoneware and a white ceramic with blue paisleys.

“You saw him—” I said.

“I pushed him,” Imara said, nonchalant, but not without eye contact. Her words placed magnets on opposite ends of my esophagus, airflow slowing quickly.

Imara laughed, “Jamie, Jamie, I’m fucking with you. God, your face!”

“You’re a piece of shit,” I breathed out. My face flushed again, for a different reason.

“Sorry, sorry,” she said, biting the inside of her cheek to stop a grin. The switch light on the coffee pot went off. “Never mind that, I wouldn’t have pushed him down the stairs. Dumb way to kill someone.”

“Oh, and how would you have done it?” I went to sit at our kitchen table. I had found it at an estate sale a few years prior, a small square of mahogany littered with natural scratches of well use.

“Nails in the floorboards. I would add a few extra nails, high and loose and unexpected, so he’d trip. His fucked old-person balance and our shit staircase would handle the rest.” Imara poured the coffee as she continued, “Can’t imprison a nail. No cameras in that hall either. It would be his fault too, we told him those stairs were dangerous months ago. He had the money to fix them, but not the empathy.” She placed the pot back on the counter.

“That is horrifyingly detailed,” I said.

Imara often wrote of well-executed, ingenious crimes. Her literary work was contained to the genre of psychological thrillers, crime, and horror, brewing a pensive psyche laced with abnegation. Her success was unsurprising to me; I’d always felt that Imara was born for a singular purpose: to write. Her writing was stitched into the double helix of her DNA, threads of her work pooling to every waking aspect: her dialogue, bedroom, appearance, mannerisms, and so on.

“He’s been torturing us for months, you can’t blame me for thinking about it. Although the coincidence is a bit insane. You never know, maybe God was listening in, loosened a nail Himself as divine intervention.” She grabbed milk out of the fridge, adding a splash to her coffee. I took mine black.

“Are you calling yourself God?” I asked as she returned the milk.

“Fuck you,” she scoffed. She sat across from me, placing the hot mugs between us. Her hands tightened around the handle, brows furrowing above fogged eyeglasses. She took a sip, and relaxed.

“Accusing me of murder before breakfast?” she joked. The fog on her glasses receded.

“No.” I smiled. The coffee burnt my tongue slightly. The drink’s simple bitterness framed the conversation with the comfort of routine. “Maybe.”

She frowned. I’ve had my curiosities, as her writing required her to empathize with humanity’s most evil. I read an article last month, about a writer who committed a murder depicted in his debut novel. I pictured the author as Imara, out of sick interest. I went through each motion of the crime within this thought experiment, detailing her expressions, duplicitous actions, and reckonings with guilt. I wanted to see if my love would persist after such a thorough betrayal.

“Would you sleep beside me, if I killed him?” Imara said. She took a sip, leaning back. “Would you feel safe? With the consistent threat of new evidence, or worse, of the constant doubt?” Her fingers drummed against the ceramic. “Signing your life away to indeterminable years of uncertainty. Say ten years pass, and your friends ask you in the end, how could you not have known?”

She grinned, slow. “You’d stay? Is it possible that you’d still love me?”

The coffee between my palms was warm. “Yes.”


Kashi Bakshani is a queer, South Asian poet from New York City. She is an undergraduate university student pursuing a Bachelor of Fine Arts in spatial experience design at FIT. Her work explores multidisciplinary intersections of the arts and sciences. Her writing has been published to Columbia University’s State of the Planet and W27 Newspaper.

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Mollie McMullan

Curse of the Ninth

Virginia is born in 1947 in the middle of a blizzard when the storm of snowflakes are so dense that the hospital room is coated in a film of blue shadows. Her mother curses the entire night, red-faced, and sweaty. Even after Virginia appears from between shaking legs, her mother refuses to let her husband into the room. Virginia hears this story later, how her mother was too afraid to tell her husband that the child they prayed for was a girl. Virginia wonders why her mother didn’t just leave her father then.

Virginia’s father is absent for the majority of her childhood. After a series of miscarriages her mother suffers through, he moves into the bedroom at the other end of the house, only appearing at six o’clock for dinner before turning the radio back on and drafting up blueprints for his current project. He never says what he’s working on and she never asks, nor does her mother.

When Virginia is seven, her mother hires a piano teacher and retires to the main bedroom, where she smokes Chesterfields and watches the walls yellow while her daughter learns to elongate her fingers, to make mistakes without crying, to smile without teeth. Virginia knows the ins and outs of every music sheet before she knows her mother’s favorite color. It’s purple, but exists nowhere in the home. For Mother’s Day, she makes a card with pressed and dried purple anemones and presents it to her mother with a proud grin. Her mother places it on the windowsill, allowing the light to leech seemingly impenetrable color from the construction paper, which exposes the numerous passes of the glue paste that had dried to the card.

Virginia has fourteen summers before her father dies from a sudden heart attack. In a rare moment of honesty, her mother says that they’re better off. They spend her fifteenth summer up in Maine, where the two rent a bungalow for the week and lick identical ice cream cones before they can melt down their chins. For a week, Virginia wakes smiling and immediately shucks on her bathing suit before breakfast. She swims in circles in the ocean, waiting for her mother to dip a toe into the foam that gathers on the shoreline. Her mother never swims, though she bathes in sunlight in an area where she can keep an eye on Virginia despite her daughter being old enough to swim on her own.

Her junior year of high school, Virginia falls in love with a tall boy named George. He’s a year older, and by their first anniversary is already in college pursuing an engineering degree. She makes scrapbooks for him, borrows lace and glitter from her best friend, Ruthie, and stains blank pages with kisses using her mother’s Avon lipstick in the shade “Wild Honey.” She finally understands the other girls who squeal over the half-baked boys in the hallways. She wants George’s eyes on her all at times. She wants to search the planes of his hands until she can read them like braille. Virginia graduates from high school as valedictorian and credits George in her speech for being her guiding light. Her mother scowls in the audience, arms crossed over her chest.

Virginia moves into Willimantic State College when the viridescent leaves burn to orange. She decides to study education, figuring she can make a living being a music teacher. One day, while navigating through the hallways in the arts building to avoid her roommate, she hears a melody of clarinets and trumpets, a sound so bright she can see their conjoined resonances gleam. She gains the courage to make herself known to the artists before her nerves tell her to turn and run, and finds a group of five people who all look at her like they’ve been caught red handed. Virginia fumbles through an apology, telling them she heard them and they sounded simply magnificent and she’d love to play the piano with them sometime but if they say no that’s okay too. The leader, a pretty red-haired girl, laughs and says being discovered was inevitable and she’d love for Virginia to join them on a trial basis. Virginia leaves with a smile on her face, and comes back that Friday with a book of sheet music. She plays with that same group every week—with the exception of the week she was sick with the flu—until she graduates.

George proposes to Virginia when she graduates from a college twenty miles from her childhood home–though he promises she’ll never use her degree in education. She finds a lacy cream gown with long, ballooned sleeves and wearing it, understands what it’s like to feel supremely beautiful. In a short veil, Virginia marries George in the courthouse on Main Street in front of a small audience and together they move into their first home in Windham Center, a nice county in which to raise their future children. They buy a beautiful sage green house on a corner lot that welcomes the couple inside and promises to never let them go. Virginia spends a lot of time outside in the garden, stroking the wilted stems of her daffodils. George never mentions the flowers, though the neighbors have a lot of positive things to say. The women coo at the hyacinths and offer advice about the best type of soil to plant hydrangeas in. Virginia likes what they have to say, though sometimes she wishes the women would talk about something other than their married lives.

Virginia gets pregnant within the first year of their marriage when she’s twenty-four. She gives birth to a daughter on the cusp of spring, and when her daughter takes her first real breath, Virginia vows to teach her how to play the piano, or perhaps pay for string lessons. She wants her to be soul-beautiful, not just pretty. Her daughter is destined to be better than her. Virginia sees the entire world in her daughter’s wrinkled palms. She finds a grand piano at a music shop downtown and tells George she’ll never ask for anything else in the world. Just this one thing, just this one time. Monday through Saturday, while George is at work, she sets up her daughter in a bassinet behind her and interrogates the piano keys until she is certain her daughter knows every note, every chord.

Virginia has two more children with George before telling him she’s done having his children. Her marriage starts to crumble after her youngest is born, though it doesn’t collapse completely. The baby wails all night and disturbs the older kids, and George most of all. More often than not, George sleeps at his office, slumped across the coffee-blotched sofa he found on the side of the road. Virginia picks at the stains on her shirt, smoothing over her hair as she shuffles through the darkness of early dawn in the bedroom. When she walks into the bathroom, she finds a towel and covers the mirror. She longs for George to come home, to wrap his arms around her the way he used to at night. Virginia has shriveled underneath the lens through which George looks at her. She gets back into bed and stares into the dark walk-in closet until the sun scorches her dry eyes through the window.

When her children are all old enough to be unsupervised, Virginia plays Beethoven on summer weekends, fingers feverishly probing the piano keys, never fumbling, while her children play in the pond out back. Her husband comes home from work, but she pays him no mind just as he does her, navigating the first movement of “Moonlight Sonata,” bent over the piano in prayer. When night falls and the children are back from their adventures, she wrestles them into their beds, smells the cherry-scented detangler on their scalps, and tells them to dream of birds. As she brushes back her son’s hair, she tells him to imagine a hummingbird nestled in the shell of a giant honeysuckle, its belly full. Imagine the absence of hunger. Imagine being able to fly. Her son giggles, bookended between a dream and consciousness.

“People can’t be hummingbirds, Mama. You know that!” he exclaims. Virginia smiles.

After George leaves her in ‘89, she finds a job working at an art supply store where she is paid five dollars an hour. She unloads the truck with her coworker, Irene, breaking pink nails on boxes and boxes of oil paints and brushes and colored pencils. One day, while sorting the display of art portfolios, she accidentally scratches one. Her manager does not fire her, but takes from her pay until he’s reimbursed. It takes two weeks of shifts to pay off the damage. She can’t find it within herself to apologize to her son about the lack of birthday presents, but bakes a cake using leftover ingredients from the thinning pantry. As she watches her son blow out the birthday candles, waxy smoke in her face, she imagines her home going up in flames. She feels guilty later for the way the image of her charred body brings relief.

Virginia reconnects with Ruthie—who goes by Ruth now. The two share vodka tonics at the dive bar in Storrs, leaning together in a two-man huddle to drown out the college students stumbling through the fifth karaoke rendition of “Friday I’m in Love.” They laugh until they cry, gossiping about their old choir teacher and their children, falling out of their chairs when the alcohol turns coherent thought into giggles. Ruth closes out their tab before they spill into a shared cab and wind up at Ruth’s place. When Virginia wakes up the next morning, she eats breakfast with Ruth in silence. The cornflakes stick on her too-dry tongue, which the tang of orange juice does nothing to solve. Their friendship has been dulled by sobriety. Virginia wonders when it became so hard to have friends, or perhaps when she became so unlikeable.

Most of Virginia’s children have families now. Her daughter has two children who seem to never leave their mother’s orbit, circling her as though she were the sun. Her son adopts a beautiful little boy with his wife, and Virginia can tell from Facebook that they’re happy. Her youngest son comes back home to live with her after a series of what he calls “uninformed” financial decisions. For three years, she watches him leave for work, though he never manages to leave the bedroom in her basement. The selfish part of her is happy. She feels her tether slip from her fingers every day. Virginia figures that if her son’s here, if he always has a room here, then, at least someone needs her in some way. Every night, the two share a bottle of the cheapest vodka, sitting across from each other among the hum of the T.V. static.

Years bleed into one another and Virginia begins to forget the notes of the piano. She spends an afternoon fumbling over flat keys and slamming on the pedals of the piano. She knits until her fingers atrophy into a stiff mess and the scarves unravel. She stops visiting her grandchildren, having nothing to offer except herself. Virginia can’t stand her daughter’s husband anyway, so she decides that it’s for the best. She watches cooking shows and shouts into a sour glass of chardonnay when the chef adds too much spice. It’s the most she talks all day. At night, Virginia stumbles into bed and pulls a pillow to her chest, trying to soothe an ache that doesn’t seem to have a remedy. She listens to the crickets haunt the night outside her bedroom window, how they scream until the birds wake.

Virginia can’t leave her recliner anymore without help, and dispatches her son at 7:30am every day to make a screwdriver and microwavable Jimmy Dean breakfast sandwich. She eats half every morning and requests that her son leave the other half outside for the black cat that slinks around behind the trees in the front yard. Virginia won’t eat again until the next morning. The process repeats itself until she falls three times in one day, and the paramedics tell her she has to come to the hospital. When she says no, they refuse to listen.

All of her children come to the hospital at varying times. Her daughter is the second to arrive, though she comes all the way from the West Coast. Virginia can’t look at her from where she lays in the bed, fluorescents surrounding her daughter’s head like a halo. Virginia wants to scream. She wants to get violent, wants to spit on the nurse’s face and demand to be transported back to the safety of her worn recliner. But she does nothing. Virginia closes her eyes, ignoring the ways her children gasp after hearing about her liver, how it’s a miracle she’s lasted this long despite the drinking. Somehow, however, she finds her way home.

When she’s seventy-six, the hospice nurse turns on Mozart. Virginia yells at her daughter to be quiet, silencing her oldest’s farewell. She turns her head, good ear pressed away from the flat pillow. She raises a limp, yellow arm and slowly wiggles her fingers to the tempo. Violins whine and dip in the bedroom air, coming to an impressive and devastating crescendo before ceasing completely.


Mollie McMullan is a junior at SUNY Geneseo. In her spare time, she enjoys chasing her dog around in circles and cutting up magazines for collages she’ll never complete.

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Leah Beecher

Dish Pit

The dish pit is the bottom of the barrel. However, “from here, you can only go up!”

This last light-hearted phrase is the type of thing that Carlos’s Gramma Lewis likes to say. Her favorite is: “Money ain’t everything, but it sure helps.” He notices people like little sayings. His favorite teacher in school was his second-grade teacher, Miss Anderson. “Friends listen first, talk second,’’ she would sing out at least nine times a day whenever the twenty-three children inside room number forty-eight at Frederick Douglass Elementary School would clamor to tell her something wildly interesting about themselves or their pet. In Carlos’s memories, Miss Anderson is always in a polka-dot green dress, her blonde hair gathered in a floppy bun on the top of her head. When she smiles her teeth are gleaming white and luminous.

Here in the brightly fluorescent-lit kitchen of Lakeview Restaurant, catchy little phrases are not how the line guys talk. Unless you count “what the fuck!” which is spat often in the kitchen since everyone is always in a bad mood and a hurry. In the kitchen, you need to be fast. Carlos has no problem with that in the dish pit. He is fast with his hands, but clumsy when he has to leave the sink. Also, you don’t complain that it’s hot. Carlos doesn’t complain. Ever. On his first day, the manager, Chloe, told him three things:

First, “Mark, the owner, is a cheap bastard and buys dollar store dish detergent that won’t work and will dry your hands out like crazy, so most dish guys just buy Dawn themselves. But you know, whatever.”

Second, “Do whatever the line guys tell you.”

Third, “If you have any questions don’t ask Dave, the head chef.”

Then she left. She has never spoken to him again. That was over a year ago when Carlos was still in high school and only had a puny couple hundred dollars saved.

It’s a Tuesday afternoon and the back of house staff has just survived Labor Day weekend, the busiest weekend of the season. Carlos, returning from his late lunch break, stumbles a bit navigating his body through the kitchen’s employees only back door. The door is permanently open during business hours and has heavy black plastic curtains that act as flapping screens, suspended and sweeping to the ground, to keep air moving and the bugs out. It’s always awkward for Carlos to step through the swaths of netting. The open door doesn’t help the oppressive heat in the kitchen. It read ninety-two degrees on the big digital clock outside Community Bank that Carlos passed on his bicycle, pedaling quickly on the way to Biggies to get smokes. That means it is over one hundred and ten degrees, easy, in the kitchen. The dish pit, the back-back of the house, is even hotter. Only a few pans await in the gray water. The stainless steel counters on either side of the sink are shiny and clean because Carlos meticulously scrubbed them down before he clocked out for lunch. He always does this, despite how much his leg aches by lunchtime. Dave thinks it’s crazy.

“You’re not saving yourself any time, come closing,” he said the first time he witnessed Carlos wiping long, methodical strokes on the counter with a small scour pad.

With a smirk, Dave had noted the concise falling of sudsy liquid and wet food particles from the counter to the drain where Carlos was working intently. This drain sink was at the end of the counter, bolted against the dingy side wall where they store empty gallon jugs of mayo, ketchup, mustard, ranch, tartar sauce, Italian dressing, odd-sized lids, and wooden spatulas that no one uses since they are unsanitary, but no one will throw away, either.

“I know,” Carlos had said. Then, finishing his last wipe so the metal shone wet and beautifully blank, he added, “It will make me feel better when I clock back in.”

“Huh,” Dave had grunted, taking a drag from his Marlboro even though smoking inside the kitchen wasn’t allowed.

Today, Dave isn’t around. No one is at the moment. The heat hangs heavy with the smell of grease and onions. Two servers’ heads can be seen through the round windows of the kitchen’s swinging doors, which connect to the short hallway that spills into the main dining room. Carlos can tell the servers are on their phones and having a conversation at the same time, even though the mounted ceiling fan and the speaker currently playing Metallica make it impossible to hear. The brunette head of the new girl, (Kaley? or Kiley?) and the reddish-blonde head of Gretta, who has worked here as long as Carlos, are both bent down. Their faces will suddenly rise, somewhat reluctant, turn to the other and say something in just a flash, before their chins tuck down into their neck and their eyes narrow in concentration. Like smoking, being on your phone while on the clock isn’t allowed. That’s why the servers are huddled like fugitives by the swinging doors. Suddenly, the familiar sound of silverware clanging rings out. A busboy, who is actually a grown man with a receding hairline and a kid of his own, has just dropped the dish tub onto the scraping board a few feet from the girls on their phones. Kaley/Kiley laughs out.

“You scared me!” she shrieks, laughing. She doesn’t look down at her phone again. Carlos can’t hear the rest of the exchange, but he can guess. The new girl is very pretty and laughs at everything. Even the Dad Joke of the Day calendar that hangs in the break room. Kaley/Kiley always laughs out loud at the puns, then repeats it to whoever is in the break room with her.

“Why are piggy banks so wise? They are filled with common cents!”

“Common cents,Kaley/Kiley muses with an affectionate head shake. It’s kind of lame, but it’s nice to be around a person who laughs a lot, Carlos thinks. He has yet to admit to himself that he likes Kaley/Kiley. Knowing her actual name will help.

With nicotine in his bloodstream and gleaming stainless steel in front of him, Carlos is feeling good despite the humidity in the kitchen which makes him sweat the second he walks through the plastic screen curtains. Prep for dinner rush will start soon. The servers love the dinner rush. The back of house hates the dinner rush because they don’t get any tips; they get yelled at more. Carlos is not really impacted that much; he’s marooned with a wet T-shirt in the dish pit. No tips, no getting yelled at. Just gray water, fuzzy bubbles, and smears of food that must go. The dishes stack up faster during the dinner rush, but Carlos knows he can get through them fast. His job is always the same. His pay is always the same. Now that he has finally graduated from high school he can work doubles, meaning he can save even more money. He has become obsessed with his savings balance. Smiling to himself, he recalls the last time he rode his bicycle to Community Bank to deposit his paycheck. (Carlos always bikes, never walks.) The small, gray-colored, typed number on his last bank deposit slip read:

$2,553.17.

Halfway there. Only up from here! This is what he thinks in his head, but it’s in his Gramma Lewis’s voice.

His mom’s ex-boyfriend’s cousin promised Carlos to sell him his 1999 Softail Harley Davidson for five grand the summer before he went into eleventh grade. That was two years ago. Carlos Blue-Booked the value: ten grand. Its black metal and shiny chrome body is as sleek and perfect as glass. Its two burnt-orange fins curve in a luminous gleam, large in the back, hovering over the back wheel, smaller in the front, protecting the gas tank. It’s downright sexy.

“Classic old school,” is how Bear described it.

Bear named it Marilyn, after some old-timey movie star, apparently. Carlos can’t remember her full name, but he does remember Bear’s surprise that he’d never heard of her.

“Oh man, I am getting old,” Bear laughed. Bear only laughs at himself, never at others. That is what Carlos noticed right away.

Regardless of the name, the Softail is fast. So fast. Carlos was a freshman in high school when he met Bear. Unbelievably, it is thanks to his mom’s then boyfriend, Kyle, that Carlos stumbled on what would be his ticket out of his depressing, stunted life. Like all her boyfriends, Carlos had hated Kyle, but was grudgingly grateful that Kyle slid into their lives for a few years, or he would’ve never met Bear. He wouldn’t be halfway to freedom, finally a man. Kyle and his mom had been together for about a year then, and he was living with them, not Gramma Lewis, during this stint of time. The warning signs of their impending break up were flaring up like a bad rash. It was a nervous time for Carlos. He hated all the boyfriends, but “without a man, the bottle is her boyfriend.” This is the only cheerless phrase Gramma Lewis ever uses. While Carlos couldn’t stand his mother’s boyfriends, at least when she had one she stayed sober. Held down a job. When the boyfriend left, she fell apart. Stopped going to work. The fridge dwindled to condiments and Mike’s hard lemonade. Then Gramma Lewis would show up. “You’re just gonna stay a week or so until your mom finds a new job,” turned into Carlos living with her for a year, or more.

Bear was about forty, skinny, always smoking, and had a longish, thin ponytail. He looked nothing like a bear, which surprised Carlos the first time he met him. He looked remarkably like lots of other white guys around that age who lived in the trailer park side of Ontario County. The nickname was unique, but having one was not. No, the reason why Bear is one in a million is because of his garage. Twice as long and wide as his single-wide trailer. His garage is permanently crammed full of motorcycles and motorcycle parts. The walls are covered with old motorcycle license plates and a few yellowing Harley Davidson posters. Like the kitchen restaurant, it has a permanent smell: motor oil and cigarettes. Unlike the restaurant, no one ever yells, unless something catches on fire. But that’s to be expected. The “Meeting Bear Day” as Carlos has come to think of it, was when he was fifteen years old, and he had no idea why Kyle dragged him and his mom there. Turns out, they were not even there to see Bear. Some other guy was there, and the two men started to use tough guy talk, saying “dough” instead of “money.” Whatever. Bear was just standing there, smoking and looking bored, like the teachers’ aides who had to watch the students in the cafeteria. Except for the cigarette, of course, the teachers usually scrolled on their phone, observing nothing, especially not any middle-school cruelness. Carlos was genuinely startled when Bear asked him if he wanted to check out the bikes. The bikes? Carlos’s initial thought was that this guy was way too old to be riding bicycles. He remembered mumbling, “No thanks,” while looking around the front yard, at the fence, at the plastic chairs, at the folded gold and tan umbrella sticking up crookedly from the round plastic table. Everything was covered in grass clippings; someone had weed whacked the brick patio edges recently. Carlos looked at anything except the guy who wanted to show him the bikes. Kyle started to yell at his mom,

“Why the hell didn’t you grab the damn check book, Tam!”

Kyle apparently owed some money to the other guy and, of course, this was now his mom’s problem.

“Why don’t you go with Bear, Carlos.”

It was not really a question. It was his mom’s tight voice; half annoyed and half nervous. It was a request to leave the scene. Carlos decided it’d be less hassle dealing with some old guy making awkward small talk. Some adults did this. Carlos just wanted to be left alone most of the time. He shrugged and shuffled through freshly mowed grass, not looking at anyone.

The rest, as they say, is history. A door opened in Carlos’s world. One of greasy metal parts, bruised and bleeding knuckles, and shiny tools of mysterious function that were no longer mysterious, but more like faithful friends. Within the first two minutes, the feeling that Bear pitied him drained away like greasy water down a sink. It was replaced with a light, airy wonder that such a place existed and let him, Carlos, in. He knew that it was no exaggeration that the past four years had changed his life. He can’t even fathom what he’d be doing with his pathetic existence if not for meeting Bear and spending his evenings in his motorcycle garage. There were a few evenings where they never got around to picking up a single tool; instead they just talked about what he hated about school and what confused him about his mom. Bear always listened, and gave only a little advice.

He usually ended with, “Have patience and try to forgive Tam.”

Carlos never made a reply.

So many changes in four years. Hot water running, steam rising, lunch pans soaking, Carlos is shaking his head thinking about how ninth-grade Carlos had yet to go through all of puberty. Now, graduated-from-high school Carlos has a full-time job and is an almost-owner of a vintage Harley Davidson Softail. Soon, he would never have to pedal up that stinking, long Sunnyside Hill Road to Gramma Lewis’s house again. He would fly up there.

Gramma worries about him on his kid’s bicycle. He knew she was not a fan of those loud, dangerous machines, but she didn’t forbid him from saving up to buy the Softail. Even if she tried, it wasn’t up to her anymore. When he was little, she forbade Carlos from doing almost anything except going to school and sometimes visiting Mom on the weekends. He couldn’t go to the park a block away by himself until the sixth grade; the grade that kids stopped going to the park because “it was for babies.” Soon though, no one would be able to stop him from going anywhere he wanted. Wherever he went, people would notice the sleek machine under him first.

Carlos turns the huge Dawn container upside down, squeezing the last of the blue liquid soap into a white, frothy foam of hot clean. The kitchen door slaps open. Craig, the man busboy, walks through. A large gray busser bin, filled to the top with silverware leads the way; Carlos will have to sort through the bin and then run it through the industrial dishwasher. Craig smirks at Carlos.

“What’s up, bro?”

Carlos doesn’t reply because Craig isn’t really inquiring. Carlos knows this. “What’s up, bro?” is basically Craig’s filler.

“That Kaley is hot,” he announces, exaggerating the word hot.

“It’s Kiley,” says Carlos with conviction, even though he has no idea if that’s actually her name. He hopes to God he’s wrong.

“Oh, yeah, that’s right,” says Craig with the faith of a child.

He does a weird quirk with his mouth, the top lip going up and to the side, which Carlos assumes to be part conspiratorial, part ironic, all bro. He saunters out, pushes the door open, and says very loudly in mock surprise, “Kiley, you are still on your phone?”

A giggle and, “It’s Kaley,” is all Carlos can hear before the door swings shut with a bang.

Carlos smiles into the billowy white suds and the perfectly smooth gleaming stainless steel counters, mooring him, to his left and to his right.

It was a slow night and the dishes were done before 9:30 p.m., which makes the night feel like a vacation compared to the holiday weekend. The dishwasher is almost always last to leave. Carlos wipes down every stainless steel surface one more time and walks out of the kitchen towards the breakroom. He’s surprised to hear laughter coming from it. It’s high and female, so, a server. Usually, the servers are gone by the time he clocks out. The door is half open and Carlos’s frame is small so he just slips in. He sees Craig’s backside first and Kaley’s laughing face, hand covering her mouth, trying to stifle her giggles, shaking her head, and saying through her hand,

“You’re so bad,” to Craig who is doing something strange.

In that first second Carlos, for some reason, thinks of the Dad Joke of the Day calendar, and feels a stupid laugh bubble, despite not even knowing the pun. Then Craig drags his left leg with an exaggerated limp and Carlos goes cold. At the same time, Kaley’s eyes go wide, she stops laughing, and stands up straight. Carlos says nothing and takes a very slow deliberate step to the left, where the punch-out clock is located.

“What’s wrong? Oh, shit,” Carlos hears Craig say.

Carlos’s back is turned. His heart is thudding, erratic, and uncomfortable. He can feel his face burning red. He can’t remember his employee number to clock out, even though it’s his birthdate.

“Have a good night, bro,” Craig sings out before leaving the silent break room, Kaley trailing behind like a puppy, her head down.

Of course, the dishwasher with a limp is an easy target. Carlos graduated from high school that June, thus ending four years of predictable hell. It is easy to simply shrug it off, lie to himself, say, “I’m used to it. It doesn’t matter.”

The restaurant’s back of house men are all gruff, foul mouthed, and show zero sympathy, but they never mock him. Once on a smoke break, Carlos with his menthol lights, Demitrie with his vape had asked him how he got the limp. No sarcasm. No sympathy. Just a question.

“Car accident,” is all Carlos replied.

A normal story.

“Fucking sucks,” was Demetirie’s reply.

A thing he said about everything.

“Yeah, sure does.”

After finally punching his employee numbers in correctly Carlos walks as fast as he can to reach his bicycle in the narrow alley behind the restaurant. It’s dark here and smells of rotting garbage. He hitches his leather backpack with its Harley Davidson patch a bit and gets on the grungy bicycle he’s had since ninth grade. It takes a moment to kick the rusty kickstand up for some reason. His leg hurts. He finally manages to get a good push-off and pedals slowly down the alley that cuts to the north end of Main Street, which will eventually lead him to Sunnyside Hill Road, then home. Gramma will likely still be up and watching recorded episodes from the History Channel or cooking shows. Emerging from the dank alley and into the pretty, warmly lit up Main Street, Carlos can clearly see his hands gripping the bar handles. Dry from all the dishes, but sweaty from the humidity. He can count on what his hands can do, in a way he can’t ever count on his feet.

An image flashes, unprovoked, as he pedals north—fuzzy mittens. Specifically, the fluffy red mittens his second grade teacher, Miss Anderson had bought him for Christmas. He never wore mittens to school and after a while, his teacher stopped asking where they were. All the students got a book and some candy but Carlos had a little extra present; those mittens. Bright red and definitely not from Walmart. He can still see the neat, green stitching at the bottom cuff that spelled out L.L. Bean. He had never heard of it and thought it was weird it was named after food. Thick red mittens, white fuzzy lining, green stitching. Perfect Christmas colors. It was the last day before the long Christmas break. Students and teachers alike were relaxed and in a good mood. His mom was the opposite: uptight and sad. She’d had a bad break up the week of Thanksgiving. It was the first time he heard Gramma use the phrase “without a man, the bottle is her boyfriend.” That same Friday night his mother pulled into the parking lot of some local dumpy bar just as the evening was turning purple. Seven-year-old Carlos, who was still so short and weighed next to nothing, was forced to be strapped into a booster seat.

Twisting around from the front driver’s seat she had told him, “I’m just gonna pop in to say Merry Christmas to Rachel.” Rachel was her best friend. She came over a lot and they got very happy and turned the music up loud and danced. Carlos doesn’t remember much after he watched his mom walk towards a windowless building. He remembers reading “L.L. Bean’’ over and over. He remembers trying to unlatch himself out of the booster seat, but for some reason, he didn’t want to take off those mittens. With them on he couldn’t get the seat belt buckle unlatched, and gave up. He was tired and fell asleep. Then it was black outside. He remembers being cold. So cold. Then, a lot of pain. Lots of lights. Red and blue with snow shooting between them. Not really Christmas colors, but close. He was in the hospital for a long time. He didn’t see his mom again until he was ten. He didn’t return to school again until Saint Patrick’s Day. The festive day he finally returned back to school, unbeknownst to him, was also known as “naughty leprechaun day” in Miss Anderson’s second grade classroom. The students had been preparing and looking forward to it. Carlos knew none of this, of course. Upon arriving that morning, he was greeted by his fellow classmates whom he hadn’t seen in three months, jumping, pointing, and laughing, at something just inside the room. Very confused, Carlos was finally able to peer inside the classroom and saw that all the tables had moved to the center of the room and a few chairs were even upside down. Green crepe was paper drunkenly strewn all over it. Carlos burst out crying, thinking something horrible and unexplainable was now happening at school too.

Miss Anderson had taken him to the hall, and kept saying over and over, “Honey, I’m so sorry. I’m so sorry.”

His Grandma Lewis had made the comment, just once, that it was too bad that Carlos had those fuzzy mittens on the day her daughter forgot about him and left him locked in the car for six and a half hours. His grandmother insisted he would have been able to unbuckle himself and figure out the locked back door with bare freezing hands. Then Carlos would not have lost three toes on his left foot and the pinky on his right from frostbite. Carlos used to wonder about this too. But now he knows the truth: it was a miracle of Saint-like proportions that he had those mittens. He probably wouldn’t have figured out the buckle or how to unlock the door, and even if he did, he would’ve been too scared to walk into the bar at night looking for his mom. He would’ve still fallen asleep and lost some fingers, too. Without fingers, he really would be completely worthless. Bear would’ve never been able to teach him to drop a tranny, to make a bike ride and sound new. He would be mocked by some because he was the kid with a limp, but those mittens, saving his fingers, meant soon, he would be the guy with a Harley, who was fast. Carlos, lost in his fantasy, has forgotten about the man busboy, about Kaley laughing at him. He’s forgotten how much he hates pedaling up stinking Sunnyside Hill Road. All he sees is himself hugging the curvy, paved State Route 21 that runs the entire length of Canandaigua Lake, leaving it all behind in a cloud of dust.


Leah Beecher lives in the beautiful and secluded little corner of New York State known as the Finger Lakes. While the region is famous for its wines and lakes, Leah seldom drinks New York State wine or swims in lakes, preferring Italian red wine and oceans. She is a mother of four daughters and has been married for over twenty years. Ever since she finished reading The Secret Garden, the summer she turned ten, she’s known she had to write stories.

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Ailie Kinnier

 

Foie Gras

I own a sixty-acre goose farm forty miles north of Rock Springs, Wyoming. The town is called Eden. Most of my property is gray dust; I give the patches of grass to the animals. I feed them acorns and dried corn and leftovers. The corn smells like the inside of an old dresser. When I let the pebbles go, I watch the sided eyes glare out as their gray siphons pick them up like cards. I know my birds aren’t robots because I raise them myself. And I know the weather isn’t engineered over here because I watch my own water evaporate from their drinking buckets.

The acorns fatten the liver. The finished product is a burnt buttery yellow. Thirty geese at a time, and I do it all myself. It’s not what they do in the factories. It’s nothing like that moral upchuck. You treat an animal like an animal before you kill it. Otherwise it’s already dead. That’s what most people are consuming. The livers of molested birds.

“Don’t you know how much you could sell those jars of fat for?” That’s what Casey asked me last night while straddling my bare stomach. She’s twenty years younger, and we met via a dating app. She messaged me first. Casey is always regurgitating business tips; she goes to school somewhere.

“I’m sure with the wrong mind I could be making enough to get you all the pricey garments you always ask for.”

She smiled and undid one of three of her jeans’ buttons. “I read on the internet about a man selling half the size of the jars you sell for three times the price.”

“Is that so?”

“Don’t you see there’s potential?”

“I like how I’m living.”

“We could travel.”

“I couldn’t raise geese if I traveled.”

She frowned and buttoned. “I’ve been living a fucking goldilocks narrative.”

“What’s that mean?”

“It means, well, the last guy I saw was too gentle,” she said with strands of her hair stuck to her cheek. I grabbed at the back of her head, grabbing fistfuls of silk and scratching her scalp.

“It was always so slow and so polite.”

“Polite is good,” I told her.

“Polite is good,” she affirmed, “but polite is boring.”

She didn’t shave her thighs. I was rubbing those as she spoke, the hairs barely detectable.

“I was seeing this nasty fellow before that one—he would slap me down if I even thought about taking control.”

I nodded and continued fidgeting, remaining silent. I didn’t like talking about other lovers.

“You think I’m gross.”

“Not at all.” I squeezed her in reassurance. I don’t normally choose wild girls like Casey. They accumulate dirt. Ironically, Casey’s sneakers are as white as they were when she picked them off the shelf. I watch her tie them every morning. My ex-wife lost it to me. That’s the kind of woman I was used to.

It’s difficult for me to relate to Casey; I don’t always get her words. She’s usually talking about the internet or trying to convince me that I’d enjoy electronic music. Once, she came home after her night class, hopped on the bed, kissed me with her soft lips, and the first thing she said was, “You know that fucked up commercial where a pop tart is running from his suburban house which is really a giant toaster?”

“I can’t say that I have.”

“It’s funny. In the car I was thinking, what does that say about the American home?”

Casey tells me I’m the porridge that’s “just right.” Sometimes I have to pretend I’m tired to avoid her libido. She doesn’t realize how sexual our relationship is. She hasn’t been with someone long enough to find out there’s more to do than fuck.

One night, I dreamt of what was supposed to be her former lover. I saw him in our bed. He had her turned over and the bed moved as if it was floating in water. I saw lily pads in the dark surrounding the mattress, beneath a white moon. I heard the sounds of suffering geese, geese being force-fed. I saw them screaming inside silver cages, the metal rods scored into their feet. Their eyes were wild and untrusting, moving rapidly. Then the image of the floating bed returns and I get desperate. Suddenly I’m trawling my shins through the water, my entire might against the tide. The lily pads turn into gray garments. Where I saw seaweed, I got old wires. Water bottles, loose bandages and half dissolved-paper. Then I was waist deep, and I felt truly cold. I looked up and distance looked at me like a man standing a mile away. I saw it anyways and heard it just as clear, the atrocities that kept on the convulsing bed which belonged to me, floating farther away and getting louder.

Then I woke up and walked to the kitchen. I looked out the window to see thirty geese a few yards away, asleep like dogs. I realized soon that the sounds in the dream were meant to be Casey’s sounds. I stood in my kitchen for a while. Not eating or doing anything. Just standing straight. When I came back to bed, I found her asleep, naked, the blanket kicked onto the floor. I never met a woman so comfortable.

In the mornings I drink black coffee and stare at the kitchen table. Casey put a red and white checkerboard tablecloth over it. She laughed when she said, “It makes sense. For your country home.”

I found a dark glossy stain on the side of one of the kitchen chairs. It was nail polish. One night I asked her about where the stain might’ve come from, and she pretended she didn’t know what I was talking about. It was the night I made mashed potatoes and a roast chicken and string beans. She complained I used too much oil, and I got a call from my brother—my nephew was in trouble.

“Who is this?” Casey asked, moving her food around in a childlike manner.

“My nephew, Jerry’s son. Kyle. Said he might get kicked out of college.”

“Did he say what he did?”

“No, he wouldn’t tell me. But he said he didn’t do it.”

“He probably fucked with some girl.” She tried to push her plate to the center of the table to signal her miserableness, but the table cloth bunched up around the porcelain preventing its movement. Her fork fell. I looked out the window while she fetched it. A black square.

I never asked myself where Casey came from. Then I found the purple stain on the kitchen chair. I was less attracted to her. Even though she was blond and skinny, she talked too much, and she talked to seem smart or to provoke me. It made my teeth stick together. But her long golden head was there heavily sinking into the pillows when I left to feed my soldiers in the morning, and it was there when the birds were asleep, when they let the sun leave. When they manifested into the shapes of a bunch of fat rowboats she was there, crawling on the sheets like an insect on the water. Sometimes you say a thing to a woman and it becomes like a hollowed out tree. Still full of life, to them. It goes back to their younger dreams about fairies and playing with worms. Making soup out of dead leaves, little berries, and damp dirt. But you don’t mean to say it. And perhaps you say it because you know what it’s going to mean to them. Even if it’s not true.

You know they’ll look at you a bit deeper which’ll make them feel a bit warmer. The voice in them will hold more sound. All four limbs will tighten around you stronger, like they’re dangling at a fatal height. Sometimes, I tell her because I feel that I have to: “I don’t want you to love me.”

But she is silent when I say things like that. Maybe she’s smarter than I know. I reckon though, that women are more wary about saying the wrong thing when they find themselves in bed with a good man. Or even a nice one. Someone who works. Not just labor but sheer functioning. I still dream repulsive dreams. I asked her about the men she’d been with. She was more than glad to share it.

When she finished, I asked her, “So you like being pushed around?”

She was silent again. She was still. Wouldn’t look at me. From what she told me, she did things I’d never pictured until then. Things not natural to me, though maybe things I wanted. But I knew she wanted those things. If she wanted them before. I showed her she wanted them.

In each group of geese that I raise, I suspect a secret agent. One goose that is aware of what I mean when I come out before sunrise, the usual feeding time, on a particular day in fall. My parents used to joke that it’s called Fall after a guy who couldn’t pronounce the word fail.

The man meant that he failed to do certain things when it got cold.

Outside, I walk slow but deliberately punch my feet into the frozen grass among the sleeping crowd. They get up. I’m still looking. Looking for one goose. One goose whose heartbeats faster than the others when I shine the big light slowly. Like I’m warning distant mariners. When I sing like a broken bell, and I do, and I bellow low so my mouth resembles an O trembling, they will collapse soon after. But I search quickly. In the crowd for a pair of eyes full of fear not hunger. Eyes wondering why no one else is flying away. I look for, even hope for it, my stomach sharp and raptured at the image—of a hesitated flap of black wings. But they all collapse when I’m finished. They all get harvested.

I kept seeing Casey and our intimate moments became more experimental. For her it was like rewatching an old, favorite movie, something we also did. One of them was a black and white movie with a famous man and an Indian. Though she said that’s not what I ought to call them. But that’s what they look like to me. Either way, the both of them, traveling to die already dead.

We were half way through it but I stopped watching. The dying man laid himself down next to the dead fawn. Someone shot it. Right through the eye. I looked at Casey, and her pallid skin looked, almost glowed blue in the TV light. And I started kissing her and kissing her. I moved her clothes out of the way so they caught at the ankles and the wrists. She let me pin her down. I told her I knew what she wanted. I told her a few times. And I heard it again, from the dream, except this time reverberating off the blue flickering walls, that sound. Like a suffering animal.


Ailie Kinnier is a senior at SUNY Purchase studying literature. She lives with her mom, her younger sister, her two cats, and dog. She would like to someday visit all fifty states, but until then, she loves Arizona because of the giant cacti.

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12.1 | Fiction

Foie Gras
Ailie Kinnier


Dish Pit
Leah Beecher


Curse of the Ninth
Mollie McMullan

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