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Summer Reading

Posted by Rachel Hall, GD Faculty Advisor

Ok, Gandy Dancer 3.2 was fat and juicy, but now what? I asked some Gandy Dancers and FOGD (Friends of Gandy Dancer) what they are reading or planning to read this summer. I also asked them about their best summer read ever as well as what might surprise us about their bookshelves. Here’s how they responded:

3.2 Managing Editor, Amy Bishop, plans to read in three genres!  She says, “for non-fiction, I really want to get my hands on Yes Please by Amy Poehler and Bad Feminist by Roxane Gay. I’ve read a lot about both books and friends have highly recommended them too. Poetry-wise, I NEED to read Danez Smith’s new collection [insert] boy and finally get around to reading Richard Siken’s Crush. As for fiction, I never got around to A Spool of Blue Thread by Anne Tyler, which was on my book stack at school and The Bone Tree by Greg Iles, which just came up on the NYT Bestseller’s List and looks fascinating.”

Our new PR specialist, Jenna Colozza is tackling BIG books this summer: The Pillars of the Earth by Ken Follett and Les Miserables.  She also plans on reading the several issues of Slice magazine she received during the semester and couldn’t get to because she was reading for her classes.

Slice Magazine

Slice Magazine

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A Semester in Review: Launching Issue 3.2

Posted by Anna Watson, GD CNF Reader & Art Curator for 3.2

Hey, all of you wonderful fans!

Yesterday was the launch party for our spring issue of Gandy Dancer. I’ll try not to be too overly sentimental about the whole experience; however, as a first-time Editing and Production Workshop student—and a soon-to-be alumna of SUNY Geneseo—I feel like I learned a surplus of invaluable knowledge regarding all the hard work and communication (between readers, editors, and writers, alike) that goes into producing a literary journal. Continue reading

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Teaser Trailer: Issue 3.2

Posted by Christine Davis, GD Nonfiction Reader for 3.2

The time has come readers, writers, and lovers of words. Gandy Dancer 3.2 is almost here, ready for consumption! After months reviewing wonderful submissions in the categories of poetry, fiction, art, and non-fiction from students all over New York State, we have whittled down our numbers and emerged with a collection of some of our best work yet!

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Introducing Our Featured Artist for 3.2: James Mattson

Posted by Britina Cheng, GD Art Curator & Fiction Reader for 3.2

In our upcoming issue of Gandy Dancer, we are proud to introduce James Mattson, junior biology pre-med major at SUNY Geneseo, as our featured artist. His photography captivated the art editors. One, “Bridge to Fall” will grace the cover of our Spring issue, fitting with its bright and welcoming colors. He appropriates color differently in each of his photographs. “Bridge to Fall” emanates an Alice in Wonderland playful and curious tone. “Glow” a gentle photograph of a dock, has a deep everlasting glow that contrasts the bright lights of a city on the right. In contrast, the lack of color in “Nevermore” supports the ominous presence of a lone raven and silhouetted tree branches. Here, Mattson answers questions about his interest in photography and some of his influences.

Nevermore

Nevermore

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Editing as a Writer: What I’ve Learned

Posted by Christie Tiberio, GD CNF Reader for 3.2

After many weeks of deliberation, the student editors of SUNY Geneseo’s Gandy Dancer have narrowed down submissions to our final selected works for the upcoming Spring issue! We are excited to present our sixth issue, particularly because of the extended effort of time, energy, and creative problem solving that was needed in order to bring the magazine to completion. As a writer, I learned a lot about the selection and editing process. It was interesting to see how a piece would or wouldn’t work in the context of the selected submissions, due to issues of style or format. In some cases, small revisions were needed—the placement of a space break or description, a more precise title. Once these small edits were made, the piece was ready for copy-editing. Continue reading

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Everything You Wanted to Know about Gandy Dancer But Were Afraid to Ask: An Interview with Faculty Advisor Rachel Hall

Posted by Rachael Kelly, GD CNF Reader for 3.2

Creative nonfiction reader Rachael Kelly chatted with GD’s very own Rachel Hall to get an in-depth look at the past, present, and future of Gandy Dancer.

Rachael Kelly (RK): What are three of your favorite things about being the faculty advisor for Gandy Dancer?

Rachel Hall

Rachel Hall

Rachel Hall (RH): There are so many things that I love about teaching the Editing and Production Workshop and being the Gandy Dancer faculty advisor. It’s great to work with the class and staff to build something together. As a writing teacher, I’m often in the position of critiquing students’ work, slapping grades on their efforts, so that it can feel as if we are on opposite sides of the enterprise: Critic versus writer. But with Gandy, we’re working together to build something and I love that collaborative work. And I get to see talents the students have that might not show up in a regular classroom, skills like social media savvy or an eye for design. I also love seeing the journal come together—each semester, it feels a bit magical, though, of course, there is lots of hard work involved. That may be four things, but all are important! Continue reading

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GD 3.2 Preview: Featured Author Karin Lin-Greenberg

Two reviews of Karin Lin-Greenberg’s Faulty Predictions by GD staff members Sarah Diaz & Chrissy Montelli (see below). 

Written by Sarah Diaz, GD Poetry Reader for 3.2 & Poetry Editor for 3.1

A Review of Faulty Predictions: Stories by Karin Lin-Greenberg

As a self-proclaimed poet, I often find myself reluctant to read fiction. When I picked up Faulty Predictions, the genre ‘short fiction’ eased my concerns slightly, though I remained somewhat skeptical. The opening story of the collection, “Editorial Decisions” employs the first-person plural point-of-view and just like that, falling into the 2013 Flannery O’Connor Award for Short Fiction winner was easier done than said. The collection was published by the University of Georgia Press. Karin Lin-Greenberg received her MFA from University of Pittsburg, an MA from Temple University and an AB from Byrn Mawr College. Her work has appeared in literary journals such as Epoch, Kenyon Review, Bellevue Literary Review, Five Chapter among others. She is currently an assistant professor in the English Department at Siena College in upstate New York. Continue reading

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On the Influence of the Internet

Posted by Brendan Mahoney, GD Poetry Reader for 3.2

There’s a website that has a URL with sixty ones in it. Not the phrase “sixty ones.” The number one sixty times. Upon arriving at 111111111111111111111111111111111111111111111111111111111111.com, you’ll be asked to “go to Rupert Murdoch’s Myspace page to be my friend.” The entire website is just one page, as far as I can tell. One page plastered with Arnold Schwarzenegger’s face superimposed onto the bodies of what I think are Sailor Moon characters and phrases in both English and Korean. If you take the time to hover around the website you’ll find a few other treats, like .gifs of ‘90s Arnold and other Korean and English phrases like HOLY PLASTIC BEEFY, which flash onscreen when you mouse over certain sections of the page. The best part about this page, in my opinion, is that this whole display that I just described takes up about three-eighths of the browser.

Arnold Schwarzenegger Superimposed

Arnold Schwarzenegger Superimposed

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As You Read This, I’m Already Dead: Writing and Video Games

Posted by Robbie Held, GD Poetry Reader for 3.2

As far as I can discern there are three kinds of video game writing: “In,” “About” and “For.” “In” and “For” deal directly with the production of a video game whereas “About” takes video games as inspiration and creates a separate object such as a poem or essay or story. Although writing in video games, that is, writing the text or dialog that actually appears in the game, is part of the process of writing for video games, the two are distinct enough to deserve separate attention. Continue reading

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Zen and the Art of Rejection

Posted by William Hess, GD reader for 3.2

I am, like many other writers, more intimate with rejection than I am with my own family. I know rejection’s cold sting, its metallic tang, its false adrenaline rush in the moments before reading the slip. Each time my writing is rejected, I recognize these familiar feelings. My family member’s birthdays? Those I fumble.

As a species, we loath rejection—whether at the bar by a potential pseudo-lover or on the job market. But being told that your writing isn’t good enough, or “isn’t right for this issue” hurts so much more than, say, watching your date sneakily slink out the door. Writerly rejection is that much worse because it feels as if it is you—your self—that is being rejected. You work and sweat and bleed and hope, and in the end, it still isn’t enough. Blame for other rejections might be placed on any number of facets, all tangential to you. In matters of literary rejection I, for one, seek solace in my mother’s wisdom: sometimes your best just isn’t good enough. A comparatively jagged pill to swallow than, say, “A+ for effort!” Continue reading

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