Tag Archives: Best of Gandy Dancer

Caroline DeLuca

Child Protection

Across state lines. The words glared at Ramona, and sprung up to pounce and handcuff her. She was too quick, though: she crumpled up the social services packet that had been hiding amongst her T-shirts, and chucked it. Those words had nothing to do with her. She wasn’t taking Joey; she was taking care of him. Like a mother should. She took a breath and folded another shirt into the duffel bag. Then she stilled, the hairs on her arm awake to the wispy exhale of the packet unfurling against the walls of the wastebasket. Maybe she should take the papers. Better than leaving them here for anyone to discover after she was gone. She tiptoed over and pinched the packet out of the trash. The words leapt out at her again—across state lines—and she flipped the pages away from her. She flattened the packet and crammed it deep in the belly of the bag, underneath her clothing and the couple things of Joey’s that were here, and not at the Bensons’. She planted her hands on top of the clothes and pressed down hard, creating more breathing room for her belongings and less for that accusation on the page.

A tinny version of an Erykah Badu song erupted from somewhere. Ramona scrambled for her purse, grabbed her phone and checked the tiny screen. Aisha.

“Hey, girl,” Ramona said. She sat down on the mattress. Stripped, it felt waxy.

“Hey. I only have a few minutes, but I just wanted to check you know how to get to the house, once you get off the bus. You have the directions, right?”

“Yeah. Walk east to North Charles, then take the 3 to 28th street, right?”

“Right. 340 East 28th. The one with the blue porch and the plastic flamingos. You saw the pictures. You can’t miss it.”

“That porch does seem pretty unmissable,” Ramona said. The porch was really what had convinced her this new chapter was possible and necessary. Sure, the fact that it was Aisha, and a house of sober, responsible adults in the other rooms helped, as did the cheap rent and raised minimum wage in Maryland—practically double Philly’s. The cozy look of those overstuffed armchairs, the improbable robin’s egg blue of the posts, and the silliness of that flamingo family cemented the deal. Did Joey have anything in his life right now that was purely silly? Purely sweet? Deborah Benson, his foster mother, had never once laughed in front of Ramona, and her smiles were all Splenda. From what Joey said, the pack of kids running around the house sounded half feral. Ramona would give Joey goofiness again. Give him safety. Love.

“I’ll get Anderson to set up the air mattress for Joey in your room,” Aisha said.

“Thanks,” Ramona said. “I really appreciate it. And I can’t wait to meet him!”

“Yeah, it’s been too long,” Aisha said. “I’m just so glad you’re coming, and that the custody hearing went well. You must be thrilled to pieces to have Joey back!”

Ramona glanced down. A crack in the linoleum had gradually zigzagged into a delicate web, over the course of these months. Ramona wasn’t going to stick around for the whole floor to cave in.

She and Aisha always told it to each other straight, but she had to think of Joey. She pictured them sitting on that porch, cocooned in blankets and drinking hot cocoa with cayenne, while the sun sank somewhere beyond their concern. Her throat constricted.

“Yeah, you have no idea,” she said. “I don’t even know what to do with myself.”

Soon, they’d be in Baltimore. They’d lie low for a little, and then it wouldn’t matter anymore; it’d be just like she had won back custody, all official. It had been too long: thirteen months of visits only every other week, in neutral places. And now, this six-month delay on the reunification hearing! It made no sense. She had clawed out over a year of sobriety (well, with one lightning flash of a slip-up, but just one), she had a job at the Gap, and a secure public housing unit…she’d even taken that parenting course. What did they want, her left leg? A letter from the president? Ramona couldn’t just throw her hands in the air and leave this up to the fates of bureaucracy. Joey needed her.

“You’re awful quiet,” Aisha said. “Are you feeling nervous?”

“Yeah, a little,” Ramona said. “I’ve never even been to Baltimore. I’m excited, but there’s a lot to figure out. Getting a job, getting Joey in school…”

“Oh, I’ll help you out with all that. And everywhere will be hiring for the holidays; you should have no problem. I was going to save this for when you got here, but I actually know about an office job I might be able to get you an interview for.”

“Oh, Aisha, that’d be amazing. You’re too good.”

“Well, we’ve gotta have each other’s backs. You kept me sane back in rehab.”

“I’d say you kept me sane, too, but I don’t think anybody could’ve back then.” Ramona said. Aisha laughed. “You’ve done it since, though. Better than a sponsor.”

“Oh, honey. Yeah, you were some hell on wheels. A nice hell, though! Look, I’ve gotta go, but keep me posted about the bus, okay? Bye!”

Ramona hung up, and resumed folding clothes into the bag. Would Joey remember Aisha? She’d last visited when he was only four, just a few months before they’d lost the apartment and moved into Tyler’s. Ramona had been sober that time for two weeks, and even speaking was like swimming through swamp mud. Leaving, Aisha had squeezed her and said, “I think this’ll be the time you make it stick!” But Ramona only lasted another month. It took losing Joey for her to stay sober. From the moment she woke up in the hospital and he was gone, she was rabid for him, volcanic; her pores plugged with seething magma. Once out of rehab (this time in-patient), she focused every cell into leaping through any hoop social services suggested.

But nothing was enough. She saw that now. Despite everything, Joey’s social worker still brought up the needle on Tyler’s floor from her first visit, a year and a half ago. The needle wasn’t even Ramona’s, or Tyler’s. It must have been one of Tyler’s roommate’s customers, leaving shit behind. God, she would never have even brought Joey there if she could’ve afforded the rent on their lease renewal. She had made it nice for him, though. The room Joey slept in might have been tiny, but it was a sanctuary. All clean light and fluffy stuffed animals and Christmas tree smell. Christmas tree smell because she’d bought eight of those dangling air fresheners meant for cars. The whole rest of the building reeked of all manner of fumes, but her boy’s room smelled like Christmas, like the only needles lying around were pine.

The Bensons would never do something like that for Joey, Ramona thought, tucking his favorite racecar in the bag. And they didn’t really know him, or the warning signs for magma rising. They weren’t teaching him how to stand up to bullies, or when it was right to help someone in a mess, or better to run away and get help. They were just plain weird. They spoke in tongues! Joey told her so during his most recent visit. It wasn’t like Ramona dragged him to confession every week, but that didn’t mean she wanted him getting mixed up with possession and speaking in tongues. A god that slithered into your soul, and swam around until your head rolled back and your body bucked, and poured out ropes of sound, ecstatic and gelatinous—that wasn’t a god she wanted. No more out of body. No more lightning.

She pulled the sides of the bag together until the teeth of the zipper clenched. A siren seared through the static of traffic outside. Her head snapped up.

Kidnapping, hissed the papers from the belly of the bag.

Rescue, she corrected. Necessary. She yanked the zipper closed.

Ramona stood outside by Joey’s school playground now, the grainy strap of the duffel bag digging into her palm. She’d taken extra care to remain unobtrusive. She painted herself beige. She blurred her presence. A huge Goodwill sweater bagged over her blouse, and her brown hair tucked beneath an Orioles cap.

Joey wasn’t outside yet. It was 3:27 p.m. He got out at 3:30 p.m. She glanced around and saw a security guard. He nodded at her. She nodded back. He nodded again. She nodded back. He nodded yet again. How many nods did he need? Who was going to keep this from going on forever? Did he have a tic? Would he be more likely to remember her if she ignored him or if she kept nodding into infinity? She wished she didn’t have the duffel with her. She wished she had a car.

Maybe the view of the monkey bars could save her. Ramona did the thing where she became a painting. This time she became a painting of a woman gazing at a playground. She’d had a several-month stint as a security guard at an art museum a few years ago: Each week they rotated to a different room, a week in each different room, with just a few paintings to stare at. She thought she’d crawl out of her head. Instead she crawled into the paintings. Once she moved to the Modernist wing, though, it got to be too much. She was becoming splotches and nightmares. Zigzags, splatters, and twentieth-century shell shock. Even humming didn’t help; the music escaped her control, and thinned into screeching violins. That was when she started bringing gin in a Poland Spring water bottle. One day she got weepy though, and her breath smelled, and that was the end of that. Vodka would have been safer, but a particularly sour night in high school had ruined the stuff for her.

Nowadays she kept to the Impressionists. Let her be blurry when she needed to be. Blurry, and prettily pastoral harmless. It worked: the security guard was looking the other way. Dude needs a hobby. Or meds. Then again, all he had to look at was the playground. If she weren’t hiding, she’d have gone over and shot the breeze with him.

Joey burst from the gym doors in a clump of kids, one organism with many wriggling legs. Two kids were flashing Pokémon cards. Joey and a boy were arguing, “uh-huh!” and “nuh-uh!” He sprung onto the jungle gym and scrambled up to crouch atop the plastic monkey bars.

“See?” he yelled down to his friend.

Ramona shook her head and knew she was doing right. She had to get him back now, away now, while he was still young and elastic. They were both like this, scrambling higher and quicker on dares—or not even on dares: Ramona and Joey were walking dares, dares and desperation and away, away, away. She had to divert his route before the ground got to know his name. All her potential energy for disaster was coiled, and ready to spring from his DNA. Only Ramona, reformed, could feed him the antidote.

They would get on the bus and become fresh, become possible. They would have to lay low for a couple weeks, use cash, work off the books—but she would get a job and get him in school. She would learn to cook with fresh vegetables instead of canned. She could teach Joey, make it fun: ingredients in a potion. He should learn too. They would play in the little yard, and eat on the blue porch. She could make life a humming, solid thing for him. She could do that now. After this getaway.

“Joey!”

Ramona whirled around.

Deborah Benson walked towards her. “Ramona?” Shit. How? Why? Joey took the bus home. Could she have guessed this?

“Mommy?” Joey called. Did he see her, or—Ramona’s organs knocked around inside—was he calling Deborah Mommy? She clamped her jaw shut. She tried to become a painting, casual, beige—no, not beige. Now was the time for straw hats, for smiles all around, blue umbrellas on the beach. She looked up and aimed some sunshine at Joey. She brought him into the painting too.

“Hey, buddy!” she said. He waved, and she winced. “Use both hands!” He made a face, brought his waving hand back to the bar, and kept climbing. She used to make fun of hyper-vigilant parents. But during the few days in the shelter, the months at Tyler’s, and all the time apart, a pulsing dread had hatched in her chest; a dread with tentacles that squeezed her lungs and reached outward to protect Joey.

Deborah was approaching from behind, so she probably had already seen the duffel. She turned and stepped in front of it, just in case. Shit, why was Deborah here?

“Joey, come down!” Deborah yelled and then asked Ramona, “What are you doing here?” Joey groaned but inched his feet down. It was always harder coming down.

“I needed to see Joey.”

The duffel practically shouted, across state lines. Ramona smiled, smiled, smiled.

“But you can’t, you don’t have a visit scheduled today.”

Oh, please, Deborah, tell me more about everything I can’t do. Ramona prepared possible excuses for the duffel bag: picked it up for a friend, carrying groceries, just came from the Y, work uniform…

“I really need to talk to him. There’s been a…I need to tell him some bad news.”

“So sorry to hear that,” Deborah said. “You know how this goes, though. You have your scheduled visits, and we don’t want him confused. Stability, you know.”

Joey finally had both feet back on the ground. He picked up his backpack and began running over to them. Ramona wanted to say, Stability? I’m his mother. She knew, though, that this most bedrock of boulders, this floor of her world, carried no weight here. Christ, the blinders on these people. Forward march, no looking around or back, no wiggle room for blurry reality. Ramona tried to imagine Deborah speaking in tongues, blurting holy nonsense, body spasmodic in spiritual ecstasy. She couldn’t. Deborah was like one of the people at the County Assistance offices, either sneering or so wrapped up in red tape they’d lost their claims to red blood.

“It’s an emergency.” She tried saying please, but she couldn’t do it.

Joey was there, and automatically she crouched and spread her arms, and he dove in, thank God: he was hers, no matter what Deborah said. She closed her eyes for a moment.

“Hi, Aunt Debbie,” Joey said, his face still buried in her shoulder.

Damn it, she would say please if she had to. She stood up, clutching Joey’s hand.

“Debbie, it’s my mother,” she murmured, softening her face until she was a mourner: one of those Greek paintings, or maybe a Jackie O portrait. “I’ve really got to tell Joey. I just need to take him out for ice cream or something so we can talk about this.”

“What do you have to tell me?” Joey piped up. “What about ice cream?”

“Joey,” Deborah warned.

“Hang on a sec, buddy,” Ramona said.

“What’s in the bag?” Deborah asked.

Ramona resisted snapping her fingers as the last pieces of this lie clicked into place. “Some clothes for the trip home. I just wanted to see Joey before I head there, in a couple hours. You know, have to settle some affairs…”

“Oh dear,” Deborah said, but her face didn’t move at all. Maybe she had Botox? Was that what she was spending the foster parent allowance on? Or was she just a robot?

Ramona tried to think in Deborah-speak, system-speak. “You know, I’ve got real respect for the stand-up job you’re doing here, all the rules you keep track of, everything you’re doing to take care of Joey. We all want the best for him. I know it’s hard. I know you’re just trying to do what’s right. Just…two hours, ice cream at Sonny’s. I want to talk, give him time to process. Stability through these…bad circumstances.” Ramona hoped that last part wasn’t too much, throwing “stability” back at her.

“Are we getting ice cream?” Joey said. “Because I don’t like pistachio anymore, did I tell you that? I want cotton candy flavor.”

“Hang on, Joey,” Ramona said, still watching Deborah, whose lips were pursed.

Ramona went for broke. “Please,” she said. “Debbie…”

It paid off. Deborah blew air out from the side of her mouth. Definitely a smoker.

“I don’t like this,” Deborah said. “You should have called. But this once. Okay? I’ve got to get my son to the dentist. I’ll pick Joey up at Sonny’s when we’re done.”

“Thank you,” Ramona said. “I appreciate it. I can drop him back off at the house if that’s easier. Not a problem.” Cleaning, cavities… How long did they have? The bus wasn’t until 4:45 p.m., and they still had to take the city bus to the transit hub.

“I’ll pick him up at Sonny’s when we’re done,” Deborah repeated. She narrowed her eyes. “See you then.” She walked toward the older kids. No parting words or reassurance to Joey. What did Deborah do when Joey got hurt playing, or upset trying to do math homework? Did she make up good dreams for him at bedtime? Did her face ever move? Was anyone caring for him this whole time, or just coldly doling out the basics?

Well, Deborah could melt in hell. The important thing was, Ramona was getting them gone. They’d bought time.

“Okay, buddy, hurry for ice cream time!”

“Why hurry?” Joey asked.

“Why hurry?” Ramona repeated. Tell him now? Better wait until they were truly safe. He talked too much, that was always his problem. Like her. “So we have plenty of time to eat all the cotton candy ice cream they have!”

“I can eat more than you.”

“I don’t think so,” she said. “Can you eat fifty gallons of ice cream?”

“I can!”

She pulled him to the bus stop. Ten minutes until the next one. Why was everything so far apart? Who planned the layout of this city, and how shitfaced had they been? Should she take a cab to the station? No, that costs too much, and wouldn’t make the Bolt Bus leave any faster, which was the real hurdle. They needed to be away, STAT.

Joey asked, “What do you need to tell me?”

“Don’t worry about it. Uh, what toppings do you like? Grasshoppers? Worms?”

“No! Sprinkles and chocolate syrup, and gummy bears, and…and M&Ms…”

A few minutes later, the bus wheezed up to where they stood. They boarded, and Ramona managed to resist knocking the driver out of the seat and whisking them straight to Baltimore.

At the transit hub, Ramona raced to the man in the orange Bolt Bus vest, Joey in tow.

“Two standby tickets, please,” she said, digging out her wallet.

“Nope, nope, nope,” the man said, swinging his head back and forth.

“What?”

“What are we doing?” Joey asked. “I thought we—”

“Hang on, Joey, I just have to talk to this man for a minute.” She turned back to him. “What do you mean, nope?” Saying it out loud felt ridiculous. Who even said nope?

“There’s only one left,” he said.

“He can sit on my lap, he’s a little boy. We won’t be any trouble.”

“I am not little,” Joey interrupted. “Where are we going?”

“Joey, hang on.” When he was born, Ramona swore never to spank Joey the way her mother had spanked her. There were moments when her hand twitched, though.

“No kids on laps,” the man said.

“Is that official policy? We’ve really got to make this bus. I mean—I’m sure you know best, but is there any way?” It occurred to her that this might have gone smoother if she were beiger and less wild-eyed, if she weren’t wearing the giant sweater and Phillies cap, made a prettier painting or slinkier words. Maybe that ship had just sailed, though. The years of playing along for leering landlords and managers, and the couple months of pretending for Tyler had beaten the eyelash batting out of her. She was exhausted from all that survival. She wanted to be done. She wanted to be safe.

“It’s official, all right,” the man said. “One’a youse on, or both’a youse off.”

She blinked. Groceries, clothes, came from the Y…answers for the wrong crisis. Gin and tonic, please. No. She wished there were someone to talk to, that she could sit on the hospital courtyard picnic table with Aisha and smoke, vent, hash this out. A cigarette, at least. She stabbed her palm with ragged fingernails. Christ! Focus. Could she send Joey on the bus, have Aisha meet him at the station, and get on the next one? No. She couldn’t. What if someone took him? She wasn’t letting him out of her sight again.

“Where are we going?” Joey whined.

“Okay. When’s the next bus to Baltimore?” Ramona asked.

“7:30 p.m.” He looked at her. “’Scuse me, I’ve got to help the next person.”

“Okay. Okay,” she said, not moving.

“Mommy…”

“Okay,” she said. She pulled Joey away, walking backwards a few steps.

What could she do? The other bus lines to Baltimore were more expensive, and she didn’t know if they had earlier times. 7:30 p.m. They had to be gone before Deborah got back; they couldn’t just hide out here and wait. Why hadn’t she told her the name of an ice cream place across town? Why had she said one that was actually here? It made sense at the time. She should have bought the tickets in advance. Why hadn’t she done that? Right, she couldn’t; then it would be on her credit card, and if the social worker called the cops, they would know right away.

Did she know anyone with a car? Well, Tyler. The thought was like rotten cabbage. But maybe this was too big not to try it all; maybe she could play dead inside, waste into a pastel silhouette, just for today, and plead for one last thing. It might work. But no, he would take control of the plan; he wouldn’t want to take them to Baltimore. He would come up with a plan for them to stay in Philly, or hide away somewhere, together. No. She couldn’t risk it. She would go to the Greyhound window and hope.

“Mommy,” Joey yelled. He’d been calling her. Shit.

“Yeah, buddy, what? I’m sorry.”

“What are we doing? Why aren’t we at Sonny’s? You’re ignoring me, and Aunt Debbie is coming soon and we haven’t even gotten ice cream.”

She stroked his hair. “I’m sorry, I’m really sorry. We’ll get ice cream soon. I’m just trying to figure something out, okay? I need a few minutes to think.”

He ducked away. His voice rose in pitch. “Are we going somewhere? Why were you trying to get us seats on that bus?”

“Listen, Joey, I know you’re confused. I’ll explain everything soon. But you gotta give me just a few minutes. Just a few minutes of the quiet game so I can think. I’m figuring things out for us, for you, my special buddy, right? Just come with me.”

She started walking inside. Joey’s face was bubbling up to an eruption, his mouth a fault line. He held his hand out of reach, but he followed. Better to be inside, anyway. She scanned the area. No Deborah. Wait, was that cop looking at them? They needed to be away. No trace, no late buses, no run-ins before they were out of state.

The worst-case scenarios tumbled out of the duffel bag; sirens screamed in Ramona’s head. What if this didn’t work? If she were caught? Could she go to jail? Joey was her son, though. At the very least, he’d get taken back to Deborah, or someone else. Maybe someone worse. Some people in rehab had horror stories about the foster system. Some friends growing up, too—not good homes. And forget six months. If she got caught now, they’d never give her a reunification hearing. But were they ever going to as it was? If she couldn’t get him back by playing it straight, maybe there was nothing to lose. But what if they got caught? Would they cancel her visits, even? It just made no sense; she was his mother. He was her son. He needed her.

Her phone buzzed in her pocket, and she jumped. How’s it going? ETA? Aisha.

She stared at the screen, thumb frozen. What was she doing to Aisha? Ramona knew how cases went for poor kids, and was banking on the cops—if they even got involved—losing interest after a few weeks. But what if it didn’t work that way? Aisha would be so disappointed in her—and could maybe get in trouble, too. Aisha had stood by her these past five years, even though Ramona kept hitting ditches on the recovery path while Aisha walked on upright. Aisha worked so hard for her piece of solid ground.

So had Ramona.

She closed her eyes. What if she went to jail? This was a pretty bad purgatory, these twice-a-month visits, this answering to everyone and getting told to roll over and beg for slivers of hope. But forever apart, no hope left, jail…that would be sheer hell. That would be no life. People in rehab had stories about jail, too. And what if Joey got sent to someone worse? Deborah seemed soulless, and those kids ran wild, but so far, no one was hurting Joey. They were feeding him. He had a roof. Ramona hadn’t let herself consider all of this so as to hurtle forward with this plan, but she couldn’t stop now. What if he got sent to someone worse? What if Ramona’s attempt to get him back stuck Joey with someone who screamed or hit or worse—the chest of a boy in group therapy flashed through her mind, as he lifted his shirt to show white, puckered burn scars, Oh Jesus…she couldn’t do this.

She couldn’t play with those kinds of cards. She needed him back, but she needed him safe more.

Ramona looked up from her phone at Joey. There was no Joey to look at. Her head swiveled to scour every corner of the corridor.

“Joey!” she yelled, not seeing him. The duffel slammed into her calf again and again as she ran. “JOEY!” Had he made a break for the ice cream? That must be it.

She burst into Sonny’s Ice Cream Parlor, strands of hair sticking to her neck. It wasn’t very busy. She ducked to be sure he wasn’t under a table. He wasn’t. Ramona stood paralyzed for a moment. She looked around a second time.

“You seen a little boy? Six years old? Brown hair?”

The cashier blinked at her, chewing gum. “What?”

“A boy!” Ramona yelled. “Have you seen a boy?” The cashier shrugged. “Dumbass,” she hissed, and turned tail.

Would he go back outside? The bathroom? If he was lost somewhere, or hiding, or climbing… He loved toy trains. What if he got on a train and it pulled away? Would he? He would probably go outside first. How far could he have gotten already while she was looking in Sonny’s?

She was through the door, her pores welcoming a gust of cold air. She blinked. Her feet had kept running, her body kept carrying her through all these panicked machinations. “JOEY!”

He was there, standing so small by the curb where the bus employee had been. The strides to reach him felt slow, as though sloshing through soup or subconscious. Ramona’s muscles seemed to melt. She sunk to the ground and yanked him into her arms. Her mouth was moving in strange shapes. A gush of something more than air but less than words was trembling its way out of her, but she didn’t know what, and didn’t care. Her stomach hurt and the muscles around her jaw jumped.

“Mommy? What are you saying? I’m sorry. Mommy?”

A low, animal howl came from her. Knots of syllablesfrom thank God and why would you and my babyunsnarled and rushed out from her throat in ropes of garbled keening. Her chest bucked in dry sobs and her elbow buckled under the weight of the duffel. But she couldn’t let go of Joey: he was hers, he was here. She had them locked in a strange dance, in a possession, in a fervid love-fear—dissolved to clanging atoms, skinned to its most primal translation.

“Mommy?” His voice was sliding back in time. Five-year-old Joey, visiting in the hospital after they’d pumped her stomach. She needed to get it together. She needed to be okay for him. Clutching his shoulder still, she pulled back and drew in a ragged breath.

“I’m so sorry, buddy,” she said. “It’s okay. I was just so scared.”

“At first I was mad,” he said. “But then I came out here to fix it by myself.”

“To fix it by yourself?” Her body was still shaking. She knelt, and let go of the duffel bag.

“Yeah,” he said. “I was gonna convince somebody on the bus to give us their seat. But then they were gone already.”

“You were gonna—but you didn’t even know what was going on. You didn’t know where we were going.” Ramona realized she was speaking in the past tense. They really weren’t going. A gust of air unspooled from her lungs, and finally she was still.

“I don’t care,” Joey whispered.

She closed her eyes, and pulled him close again, her soul swimming in him.

“Listen,” she said, after a few minutes. “Do you feel safe with Aunt Debbie? Are she and the other kids treating you okay?” She asked this every visit.

“Yeah,” Joey said. “It’s okay.”

“Okay,” Ramona said. “Well, we’ve got to get you back, then. Ice cream then home.” She eased herself up.

“Not home home, though,” Joey said. “Right?”

“No,” Ramona said. “Not yet.”

“I want to go with you,” Joey said. He swiped at his eye with the back of his hand.

“I’m so sorry, buddy. I love you so much. Today was a bad thing. I’m so sorry. I almost broke the rules, and we’ve got to keep quiet about that. We’ve gotta follow the rules really good so that one day you can come home with me. Can we do that?”

Joey nodded. They began walking back inside, to Sonny’s. A painting of a mother taking her son out to ice cream. But blotchy faces, a gutted mother. She wanted to pick him up and carry him, but he was too big and probably wouldn’t let her besides. She settled for holding his hand, which he probably wouldn’t let her do anymore either, soon.

“MOM!” He yelled. “What? What?” Had they blown it? Was Deborah back already? What?

“It’s a Pikachu balloon! Up on the gate! Can you reach it?”

She knew before turning that no matter where this balloon was, she would find a way to get it. The ribbon was tangled in the gate against the wall of a side corridor, the end of the ribbon about twelve feet up. Ramona looked up. In the whole of the hall, there were seven or eight balloons slouched against the thirty-foot ceiling above. They walked over, and she set the duffel bag down. She breathed deep.

“Stay right here,” she said. “I mean it.”

Joey nodded. She hooked her foot through a space in the gate, and then balanced the other on a nail, grabbing at the first rail. She hauled herself up, legs dangling for a moment before kicking against the slippery bars with enough friction to push off, and onto the rail. She was crouched on the rail, now. She looked slowly behind her. Joey was still there, and no one was looking. She reached up for the next bar, and with the other hand seized the balloon’s ribbon.

“Mommy,” Joey said.

“Yes?” She asked without turning, scared to lose her balance.
“Use both hands.”

Ramona thought: No painting of this could exist. Slowly, she made her way down.


Caroline DeLuca lives in Brooklyn, NY and is pursuing her MFA at Stony Brook Southampton while working as a freelance editor. She has taught creative writing workshops at Stony Brook University, the New York Memory Center, UVA Young Writers Workshop, United Community Corporation, and Gaudenzia Substance Abuse Recovery Home, among other places. Her writing appears, or will soon appear, in publications including Shelia-Na-Gig, Snapdragon Journal, sirsee, Thesongis, Rat’s Ass Review, Local Nomad, Seven Deadly Sins, Accelerate Education, Greek Fire, and on her website, carolinedeluca.com.

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Filed under Fiction

Nilson Carroll

At Chelsea’s

And now me and Zac are starting the fire out back for everyone:

I have his flashlight app

and we hear death screams from within the house

and party music, a LAN party playlist playing,

but where’s Chelsea

and where’s my beer, where’s Warhol’s tombstone, fucked,

where is my SSD that Rob gave me with all my shit saved on it, broke,

and where the fuck is Jodorowsky right now

right

this fucking

second? I seek something clearer, “on the verge of tears.”

Hannah (?) says Zac and I look

epic in our new riot gear, and I’ve still got

his flashlight wrapped around my fist, full of pride.

In the antechamber, a rotating filter of phantasm ooze

zumbas outside the only bathroom in the whole neighborhood,

flickering voodoo masks winking and grinning and laughing and

cursing. Touch one, and you’ll be sent back to the first area…

I drink for them now and I drink to this as well.

Later:

All my friends ask if I need a ride back east

but I decline

and recline

back into this sofa

spilling shit all over myself,

mourning something stupid and “transgressive,”

cramped underneath old yearbook photos

of Chelsea beaming on the wall.

Crystalized, kind of blue,

etc, etc.

A Profound Valor

“I’m reduced to 15-year-old fisticuffs now versus

Mom’s hoary lodger, crabstick-skinned

Steven Howard Junior, over cable charges, over

Something called ‘Eat My Hot Bavarian Log.’

He says he never watched it, calls my mom

A parody of her former self.

I swear to the RNG gods I’ll

Knock his fucking block off

For lying to my poor mother.

I mean, shit, we’re

Practically the same

Height.”


Nilson Thomas Carroll studied playwriting and sculpture at SUNY Oswego where he earned a BA in English (creative writing). He is currently working toward an MFA at the Visual Studies Workshop through SUNY Brockport.

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Jay

Yeoman

I.

The early bright, I am my father—

wooden heron; shorn & streamfed.

Over yonder,         seeded loam.

The shallows.    An earth in layers.

Of the stable boy—absent—I will not

comment. A flask then, to seize the day.

Of the day: as any other—spectacle. All

things sundried. All things sketched bright.

II.

Lunchtime, a dying calf in my lap.  Feet,

sour.      With hands, the ending is quicker.

Of hands: to dig deep.      And by night?

I am homebound;             sleep is a friend.

III.

My cancers in wait for morrow.

This :: seasonal.   Interlude.

The Nudist

Wood to stoke this fire &

so a sea of trees at my feet.

Soon, a baby fennec.

The silt road to an aspen glade.

And just below the bend?

Wrapped in bramble leaves,

the girl from my dreams.

Mouth full of river

and fish for hair.


Jay calls the silent streets of Floral Park, NY, home. His newfound interests—appearing in his more recent poems—include the woods, fish, and the hidden dangers within small town settings.

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Maya Bergamasco

Absolute Pitch

“We assemble our personalities unevenly, piece by piece.”

—Tim Page

I was seven the first time I lost my mother. It was at a crowded art gallery, bright and loud, surreal and foreign as a nightmare. I kept grasping the hands of other women, watching with a mixture of horror and disappointment as they turned to face me. It was like turning over playing cards, one by one, to find that they were all blank. What if she left without me? I thought with panic. Eventually, I found her, and when I did her familiar scent washed over me like a balm, and with it the overwhelming sense of relief. She smiled down at me with crinkled hazel eyes, oblivious to my distress. Her hair, usually dark brown, took on a reddish tint under the gallery lights as she stood with me before a painting. I took her hand. She squeezed it once, as if she were transferring the journey of her pulse from her hand to mine.

As I got older, I noticed a tinge of discomfort when my friends interacted with my mother. They shifted in their seats, avoided her gaze, and tried to change the subject. It is, I have come to understand, something in her tone and attitude. She is too direct for them. Her eyes and her manner are so frank that my friends often mistake it for intimidation or anger. Her accent too, a mix of South African and British, often throws people off and distracts them. Conversations with her often take on the feeling of a police interrogation.

“How are you doing in school?” she asked my friend Victoria. We were nine years old. My mother was driving us to summer day camp.

“Doing okay,” Victoria answered. I cringed, knowing my mother would most certainly hate that answer. She was often frustrated by a lack of specificity. I was right; as her eyes met Victoria’s in the rearview mirror, I could already see a tiny line furrowing her brow.

“Well, do you have a favorite subject?” She fired back almost immediately.

“I’m good at math and science,” Victoria replied, although it sounded more like a question. She wilted a little in the seat next to me. That was another thing about my mother: the anxiety in searching for how best to appease her often left my friends a little drained.

“Good.” My mother made a tiny nod. Victoria had done what was asked, and had passed.

While I was accustomed to my mother’s demeanor, I also resented it. Her accent was invisible. I could read her face, judge her emotions, predict her actions. My father and my older brother, Oliver, could too. However, even with this predictability, she made us tense almost constantly.

“It’s always walking on eggshells with you, Emilia!” My father would often shout when they argued. It was not a single thing that set us on edge, but many things, because my mother was so particular and specific about everything and about the most peculiar things. For example, every time we wanted to eat food outside of normal meals, like a bowl of cereal or tortilla chips, we had to ask. Once, on vacation, Oliver and I were talking to a family friend about favorite foods, and we came to the topic of cereal.

“My mom hates buying cereal because we eat it,” I told him.

Our friend paused. “Isn’t that sort of the point?” he asked.

“No, no, it’s because we eat two bowls at a time,” I said. He stared back at me uncomprehendingly. “She wants us to space it out more so she doesn’t have to buy it a lot,” I tried to backpedal but only made it worse. Money, or lack of it, was not the cause either.

My brother fidgeted and looked down at his lap. Evidently, he was leaving me to do the explaining. At this point, the subject had become too complicated. I couldn’t explain to our friend that it was this kind of control that made my mother feel most secure. She craved it, and thus demanded it without question.

Our shoes were always lined up neatly at the front door. It was normal to walk into the kitchen and see her wiping the counter, or into the bathroom Oliver and I shared to find her rearranging the towels in the linen closet.

“See this?” she shouted when I walked in to brush my teeth one day. She waved a handful of wrinkled washcloths in my face. “These were all stuffed in here. This is sloppy. Did you do this?”

“No, it’s been like that for a while, Mom.”

“Why didn’t you fix it?” She was tossing the bath towels onto the floor. I knew she would refold and restack each one individually.

I shrugged. “I thought it was okay.”

“You thought wrong,” she said.

My mother grew up in a world very different from mine. She was born August 30, 1959, in Cape Town, to an upper-class Irish-Italian family, the second of four children. Her father worked as an architect. She and her sister went to an all-girls school run by nuns called St. Cyprian’s.

I gathered these pieces of information over the years. She was very vague about her childhood except when she talked about her grandmother, Albina Bini.

Albina seemed the center of my mother’s life, acting as a mother figure and role model. It was from Albina that my mother inherited her love of music. Beginning at the age of three, Albina taught my mother classical piano and opera. Later, my mother performed piano duets with her sister and lent her soprano voice to operas like Amahl and the Night Visitors.

It was this exceptional talent that led my mother away from Cape Town to London, where she was accepted to the Royal College of Music to study voice and piano when she was eighteen.

I was eight when my mother signed me up for piano lessons. I was excited. Some of my earliest memories are of my mother sitting at her piano in our old house playing Schumann, Chopin, Mozart, and Grieg. I wanted to play like her, and my mother knew it. Before the piano lessons, I sat at the piano and played random notes, looking up at her in confusion when they didn’t sound like hers.

To meet my curiosity, my mother did some research and found Pat, a kind old lady who gave piano lessons out of her home on the outskirts of Tucson. Thus, my mother drove me to Pat’s house once a week. Pat was a gentle guide, placing my little hands on the keys to form chords and scales, yet it was my mother who pushed me the most. Whenever I practiced at home and hit a wrong note, my mother would yell, “That’s not right!” from the other room. I would learn later that she did not just have a good ear, as I had assumed before, but that she had absolute pitch, which meant she could recognize and sing any given note at will.

Once, I was playing a particularly difficult piece from my lesson book. It had dotted quarter notes, which I had just learned.

“Don’t speed up!” My mother called, inevitably recognizing my worst habit. She stopped whatever she was doing and rushed to the piano.

“Stop, stop, stop.” She shooed my hands away from the keys. “Like this, see?” She played the measure herself, perfectly, unwaveringly. I attempted to copy her as she hovered over me, her finger tapping the beat against the wood of the piano. I made the same mistake.

“Look, you have to count. Get your shit together.”

As I continued to make the same mistake, my mother’s tapping finger became a slapping palm against the wood. She nudged me so she could sit beside me on the bench and mark the sheet music with a pencil, her voice insistent in my ear as she wrote out the beats one by one. No matter how many times I repeated the passage, it was not good enough. My mother’s voice became loud and urgent. She began to shout. I felt the weight of her disappointment and with sinking despair, I started to cry.

“Can I stop? Mom, I want to stop. I don’t want to do this anymore,” I pleaded.

“No, you can’t stop until you get this.”

When I was seventeen, my mother announced she was moving back to Tucson, the city of my childhood. It was the summer of 2013, marking our sixth year living in upstate New York.

My mother’s plan did not surprise my brother and me. Our parents’ relationship had become strained. They could barely agree on anything and keep the peace for more than a week. They had stopped sleeping in the same room together, and my dad had taken to the guest bedroom. Oliver had finished his second year of college, and I had just graduated high school. My senior year, I had become both the buffer and the anchor for my parents. I was the last straw. I tried to imagine my parents living together without me and failed. The house would undoubtedly become a morgue entombed in my parents’ silence and distance.

“I need the sun,” my mother said. “I’m tired of living in a place where it’s cold and dark half the year. Where I grew up, the weather was like California,” she reminded us.

My mother and father left with the horses and drove to Arizona a few weeks before I left for my freshman year of college. It was decided that my father would fly back and stay in New York. He would continue his job as a high school teacher in the neighboring town and take care of the house.

About a month after I started college, I talked to my father on the phone.

“How’s Mom?” I asked.

“She loves it out there, she’s doing great.” There was a pregnant pause. “You know what she told me? She said she left because she felt we didn’t appreciate the support she gave us.”

After our phone call, I sat in the common room of my dorm and stared out at the parking lot below. I imagined my mother in the sunshine, separated by a three-hour time difference, in a different season, in a different life. I might have missed her differently if she had remained at home. The stretch of country between us only made me feel her absence more keenly. Later, I would think angrily that she had abandoned us. Whenever we argued, she would yell, “Take a hike!”, meaning I should go to my room and think it over. If she noticed that I had spaced out during a conversation, she would wave her hand in front of my face and say, “Now’s not the time to check out!” That’s what she had done, I thought. She had taken a hike, she had checked out.

The scattered distance of my family became the impetus for reflection on my childhood. Since my brother and I lived in separate places, we talked less about the present and more about the past. We posted clips from old movies we used to watch on each other’s Facebook walls. We basked in our memories over the phone.

“Remember the time we hid from Cooper at Dad’s art opening for twenty minutes straight?” I asked.

“Remember the time we got food poisoning in Mexico and Mom and Dad went kayaking without us?”

“When Dad got pulled over and the cop thought you were a girl?”

“Do you think Mom has something?” Oliver asked me during one such phone conversation.

“What do you mean?” I knew exactly what he meant.

I pictured him on the other end of the phone, shrugging uncomfortably. “I mean, like, a disorder. She has the worst way of telling us stuff. And she can’t keep friends—she always says something that offends them and then they leave her.”

Oliver was right. Our mother had always been difficult because she had no trouble pointing out our flaws. After we hung up, I realized that I couldn’t remember a time when my mother had lied to me. She had always been painfully, hurtfully honest. And I knew that she had no other way of expressing herself. It was this stubborn directness that often resulted in her friends leaving her. She often said things that carried a ring of truth, things others didn’t want to hear.

“You’ve gotten a little fat since you’ve been at college,” she told me when we visited her in Arizona over winter break during my freshman year. She wasn’t wrong. I had gained close to fifteen pounds, and the comment stung.

I read an essay in The New Yorker recently called “Parallel Play,” by music critic Tim Page. Page describes his early life with undiagnosed Asperger’s Syndrome. After his belated diagnosis, at the age of forty-six, he describes his relief:

Here, finally, was an objective explanation for some of my strengths and weaknesses, the simultaneous capacity for unbroken work and all-encompassing recall, linked inextricably to a driven, uncomfortable personality. And I learned that there were others like me—people who yearned for steady routines, repeated patterns, and a few cherished subjects, the driftwood that keeps us afloat.

As I read Page’s essay, I aligned his experiences with my mother’s actions. The memories of my childhood were the only pieces available to guide me. What was I searching for? I asked myself, feeling ashamed. Was I misdiagnosing my mother because I was holding a long-standing grudge about my upbringing?

It’s so easy for us to forget the positives of those we love. I have been so quick to point out my mother’s flaws, what I perceive as gaping absences where her presence was needed. The celebration of my accomplishments did not include her. She stayed home for the spelling bees, the majority of the concerts, most of the track and cross-country meets, the cotillion, the prom, the essay contest. It’s so easy for me to hold this against her and even more easy to resent her when she offers her help.

In my sophomore year of high school, I took my first AP class, AP European History. Knowing it was an advanced class, my mother increased her pressure on me to do well in school.

“You need to study harder, Maya. You need to try harder,” she said at dinner one night. My brother got up from the table to finish his homework. “Don’t leave, Oliver, this is a family discussion,” she told him. My father looked on in sympathy. He knew better than to comfort me while my mother had the floor. She easily overruled him; academic affairs were not his realm of parental duty.

Miserably, I slumped in my seat and cried. Nothing I did in school made an impact on her. Her high standards taunted me as they hung just past my reach.

“Stop crying,” she scoffed. “Stop feeling sorry for yourself. Pull yourself together.”

Once, after one of her lectures, she seemed bewildered by my tears. “Why are you crying?” she asked me. Her question was so blatantly clueless that it only made me cry harder. She saw expressions of emotion as a show of weakness, something to be dealt with in the privacy of your own room. To cry in front of others meant admitting you didn’t have your shit together.

The dinner conversations became more and more frequent. I became unhappy. I began to talk to the school counselor about my stress and about my mother.

“Hm,” she said, looking at me over her glasses and legal pad. “It seems like your mother might have obsessive-compulsive disorder.”

I felt offended that she had suggested that. I didn’t see my mother in that light. It seemed that she picked her diagnosis suspiciously quickly. Did she draw from a hat when I wasn’t looking? It seemed that she didn’t know my mother at all. I stopped going to the counselor; I no longer trusted her.

According to the National Institute of Neurological Disorders and Stroke, Asperger’s Syndrome (AS) is on the autism spectrum. People with AS are described as possessing a “preoccupation with certain objects or subjects [and] inflexible adherence to specific routines or rituals.” Those with AS also experience higher sensory perception, and are extremely detail-oriented. Children with AS experience difficulty falling asleep and are often early risers.

What more could explain my mother’s obsessions? Her aptitude for music? Her amazingly accurate sense of smell and uncanny hearing? She constantly complained that the cars from the nearby highway kept her awake at night. Once, she claimed she heard a horse and buggy on our road at four in the morning, belonging to an Amish family on their way to town for the farmers’ market. After coming home drunk from my first party senior year, I was paranoid for weeks that she would confront me, convinced she would smell the remnants of my first cigarette in the mudroom and the hallway to my bedroom. That like a bloodhound, she would catch a whiff of the alcohol and smoke that clung to the sweater I wore that night.

At the same time, there are facts that are inconsistent with my diagnosis of my mother. For instance, people with AS are marked by lack of coordination and have trouble communicating with others. My mother doesn’t have physical tics, enjoys bike riding and swimming, and has never failed to make eye contact.

My mother taught me how to live by myself slowly. The changes were sly and subtle, and I did not realize how much she taught me until I was on my own for the first time. Oliver was living and working at his college for the summer. I was alone in the house with the dogs for two weeks when my parents left for Arizona. They stocked the fridge before they left, and I used my bike to ride to my job every day. I wasn’t lonely; I found comfort in creating my own schedule and making my own decisions without consulting anyone.

“I want to live in a single apartment junior year of college,” I told my mother.

“Did you do the research?”

“Yeah, I looked at some apartments and took some pictures. I’ll send them to you and you can tell me what you think.”

After I signed a lease on a single apartment, I called her again.

“Won’t you get lonely?” she asked.

“Not really,” I said. She seemed to understand.

As a child, the comment most frequently found on my report cards was “Good work ethic.” This I attribute solely to my mother. As grateful as I am that she instilled this trait, it comes at a price. There is a difficult burden in thinking that something is never complete. In never finding satisfaction in one’s work.

When I brought home bad grades—for my mother anything lower than an A minus—she would resort to her threats.

“If your next test isn’t picture-perfect, you’re off the cast of Vagina Monologues!”

When that didn’t work, she used the cold, harsh truth, which was the most difficult to swallow and the easiest to deny.

“This is plain laziness, Maya. You can do better.” Beyond the stark reality, I knew that she was right, though I would never admit it. The first thing I checked when I got home from school was my Facebook page. I would waste hours posting and messaging my friends from my computer. I got good at hiding the web browser in a separate window when I heard my mother’s steps on the stairs. In retaliation, she learned how to check the browser history, or worse, catch me in middle of deleting it.

“It doesn’t have to be perfect, you know,” my college piano teacher said, in reference to my upcoming recital piece freshman year. “It’s okay to make mistakes.” We were trying to break my habit of repeating passages when I made an error in the middle of playing. “You need to continue without fixing the problem, otherwise you’ll draw attention to your mistake.”

I talked to my mother about it after my lesson. “What if it’s not good enough? Should I have practiced more?” I asked her.

“Well, what if it isn’t good enough?” she responded.

I think about my mother often while at college. There are so many things that remind me of her. I realized quite recently that a lot of my friends remind me of her. Perhaps, upon meeting someone, there is something in the directness of their gaze, or their drive to do well that makes me stick around. It catches me at the oddest times, too. Once, my roommate was ranting to me about a boy she found annoying, and her anger, so reminiscent of my mother’s feistiness, gave me pause. Another time, someone was singing scales as I passed the practice rooms in the music department. The clear quality and confidence of the voice made me stop in the middle of the hallway, thinking for a split second that my mother was singing instead.

I haven’t been successful in my quest to find an answer for my mother. Perhaps there is no single answer to why she is the way she is, yet I remain unsatisfied. I want the picture to be complete. I want everything to be absolute. Even with all the information I have gleaned, whether it be from my family, my mother herself, or the Internet, there are still gaping holes. I think of the places we’ve lived so far: Arizona, New York, California. Every time we move to a new place, the idea seems to have originated with my mother. We are always a step behind her. She is always leaving without us.


Maya Bergamasco is a senior English (creative writing) major at SUNY Geneseo. She enjoys playing Ultimate Frisbee and petting dogs. Two of her poems are forthcoming in the 2017 issue of The Susquehanna Review.

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Sara Munjack

In the summer of 1982, as told by dad

Monday:

Take what I say with a grain

of angel dust. James Brown on the radio

in constant conversation. These are

the days the D train filled its bodice

with graffiti & tinny boom boxes.

Underneath the Williamsburg Bridge,

you were only buying your drugs—

the pop of a gunshot and the squeal

of reality’s response    interrupts.

Faith cannot exist on its own

// you go home to your cream

of barley soup and Al Green. Pretend

you did not see the universe shatter—

if only for a moment. (its seams will

reconstitute itself with heat waves

off the pavement) Watch your chest,

it still rises in breath like leavened bread.

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Sara Munjack is a sophomore English (literature) major at SUNY Geneseo. She grew up in Queens but also lived in Austin, Texas. She attended five different elementary schools in five years. She spends most of her time writing angsty songs on her guitar or writing poetry.

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Sarah Hopkins

Galatea in Blue

Elsie, on the beach, in a plastic yellow raincoat, soaked in salt water. Arms spread out, face turned toward the pale sun. I can see myself writing it. Sitting with my computer in bed, at work, or in the coffee shop down the street. Her paper skin. Her inky blood. Her curling, adolescent blue hair, bluer than the dreary sky, bluer than the slate gray ocean before her.

“Else!” I call out to her. I’m leaning against the hood of my car, arms crossed, eyes narrowed. “We should get back—I can see lightning!”

And I can. When she turns around and looks at me, I can see it in the space behind her eyes. She kicks up wet sand around her.

“Well, I don’t hear anything,” she teases as her hair blows out in front of her, her wet ponytail tangling and whipping around in the salt breeze. The front of her white dress is soaked through and I can see her neon green bra, her soft stomach.

It is all a mistake, really. It is always a mistake to do what Elsie wants. Things like that get people like me in trouble. When I woke up to a text message from her begging me to pull her out of class, I should not have listened. After all, I had been Elsie-free for a month and change. I should not have called in sick to work. I should not have gone to pick her up at her high school, if only to see her run out the front doors looking almost like she’s happy to see me. I should have deleted her name from my phone and rolled over and gone back to sleep and never thought of her again.

But I am too much of an idiot for that. And by ‘that,’ of course, I mean ‘Elsie.’

“I should take you back to school,” I say as we climb back in the car. Rain pounds down on the windshield like a drum. “Don’t you have SATs to study for or something? They must be coming up for you.”

Elsie pinches the front of her wet dress with both hands, looking down through it, and she shakes her head. “I think this violates the dress code. Come on, let’s do something fun! You never want to do anything fun with me.”

“I should just take you home,” I admit, turning the key in the ignition. The engine stutters for a moment before the beat-up minivan comes back to life.

“My mom’ll kill me if I come home early looking like this,” Elsie whines, hugging her knees to her chest. “She’ll scream her head off, David, doesn’t that make you sad for me?”

In truth, I’m happy that she’s putting up such a fight. I hate to be apart from Elsie, but I also hate having to initiate any interaction with her. It always seems wrong, like seeing a raccoon in the daytime. Fortunately, Elsie is the type who will often show up at one’s doorstep unbidden. She’s so bright-eyed and innocent. I shouldn’t interrupt that.

“Well,” I say, chewing my lip for a moment. I don’t want to let her go. I have gotten into the habit of milking everything I can out of an Elsie day. “I guess we could just go get something to eat.”

Her smile is twisty and young. Her teeth are crooked with a little gap up front, but white and charming. Her wet hair sticks to the back of her neck, brown roots growing long through the blue, down to her ears. The windows match the drapes. Her eyes are brown too. Her spindly fingers with their chipped black nail polish button up the front of her raincoat to conceal her wet dress.

I pull up to a diner and she tumbles out of the car before I can go to open the door for her. I hope the other patrons will think that I’m her older brother. Or, I don’t know, her dad’s friend or something. It’s always hard to go out with Elsie, to feel so many eyes boring into the back of my neck.

“We should go to the mall later,” she says over pickles and coleslaw. “Some of the guys want to meet you. And then maybe we can do something else after that. And I need you to buy me a new bowl.”

“What happened to your old one?” I ask, wanting to know what had become of my previous investment.

She laughs and goes on to tell a story about some person named “Bones.” I can’t remember who Bones is, really, but I know he’s a member of Elsie’s ever-increasing cast of characters. She’s behaving as though I know him. She’s probably introduced me to him once, pulled poor Bones to the side of a party or a concert or a rave to meet her famous friend. He might be tall, with black hair and even blacker lipstick. Or he could be the one with the bike leathers and the crossed-out tattoo of his ex’s face on his shoulder blade. They both seem like they could maybe be called “Bones.”

“They love your book,” Elsie says. A lot of people love my book. It doesn’t mean they understand it.

“Who? Bones?”

She laughs and replies, “No, the guys we’re meeting at the mall. Seth and Rainbow and Tyler and all them. They think you’re like William fucking Burroughs or something. It’s kind of hilarious.”

I grin at my waffles and demur, saying, “Well, that’s flattering. I’d rather be Jack fucking Kerouac though.”

“Rainbow wants to get you to sign her arm. Then she’s gonna tattoo it. She’s got a collection. She’s got all sorts of people.”

“People?”

“Autographs.”

“Oh.”

Elsie laughs again, putting her tongue between her teeth. “She like, jizzed herself when I told her I knew you.”

I want to ask her if that was why she had called me this morning, after nearly a month and a half of silence. So that her friends could get my autograph. I don’t say anything. I just tip the waitress a little less. It doesn’t make me feel any better, but I suppose it was worth a try. Sometimes you have to communicate frustration. But other times, in my opinion, it is more helpful to simply punish the universe around you for the crime of being unhelpful. Unentertaining. Unfulfilling. Get the sunlight to bend toward you instead of having to twist yourself toward it.

The fat waitress waves us off as we head back to my car. Elsie gets in front of me, walking backwards over the cracked asphalt of the parking lot. She squints at my stormy expression.

“What’s wrong with you?” she asks.

I skirt around her to unlock my door. “Your friends won’t like me,” I say. I know I’m falling back on my bad habit of self-pity, but I can’t help myself. “I’m not who they think I am. I haven’t written anything good since I was like, twenty. I’m a one-hit wonder.” If I actually put out what was in my head, they wouldn’t even understand it. My mind is a labyrinth, a puzzle box that not even I have the power to solve. No one could even imagine the complexity I possess.

“Oh my God, suck it up,” she says, laughing at my expense. “You sound like such a pussy.”

“I am a pussy,” I reply, and I smile in spite of myself.

We don’t talk much on the way to the mall. She puts her feet up on my dashboard, and I see that she has drawn all over her faded red sneakers with a ballpoint pen.

She’s just a kid.

“What a gross day,” Elsie says. “It was so sunny this morning, too, that’s why I wanted to go down to the shore. Augh, look at the sky.”

I simply nod in response. I don’t look at the sky. I look at the road ahead. It’s getting congested—a mixture of bad weather and the prelude to rush hour. I wish I had stayed in bed for a moment, but Elsie’s presence beside me is comforting. Even though I could never reach across to hold her hand, the physical possibility of interaction with her is good enough.

Elsie’s friends are waiting for us in front of the mall’s movie theatre, right near where we first met each other. The memory makes me smile.

A movie theatre is a temple. It is where we all gather to hold hands and examine our place in the universe. And it is where I go to sleep. My whole life, I’ve never been able to sleep without the television on, and for a long time after they turned my magnum opus into some god-awful romantic comedy, I found myself falling asleep in the back of movie theatres as well. It was like being hypnotized out of hysteria, it was like crying on the subway, it was sleep-catharsis. To say the least, it was a bad habit.

And a gateway drug to Elsie.

I had fallen asleep during an anniversary screening of Pretty Woman. I remember her thin, pale hand reaching down to my shoulder and shaking me.

Hey, wake up.

I wondered why she was alone too. Why she was like me. Like a teenaged version of myself that was somehow not horribly depressing. Or horribly embarrassing. I stammered out an apology and she said I could repay her by giving her a ride home. Her father was a cop and he was dead and her mother was a bitch and she was still at work.

I decided to repay her off-putting honesty with a truth of my own. I told her who I was, and she wrote my number on her arm with a pen that she borrowed from me. I hate those numbers. I hate that pen. I love that arm.

One of Elsie’s friends—the short one—scratches his own arm and throws his cigarette to the ground. The girl with red hair grinds it under her toes. The tall one is holding an umbrella.

Elsie introduces us.

The tall one is Seth. The girl is Rainbow. The short one is Tyler. I am David Fallow.

Nice to meet me.

“I can’t believe this!” Rainbow says as we get inside. The mall, a relic from the eighties, is mostly empty of people, even though it’s a stormy day. It’s made of concrete and dirt and linoleum, and it smells like perfume and sweat. “I’ve wanted to meet you like my whole life. I thought you would be older, I don’t know why. Maybe ’cause you wrote a whole book.”

I am old. Too old, that is.

Rainbow is much fatter than I anticipated, not as alluring as the girl that my mind had conjured up: the rainbow spirit who was lithe-limbed and rosy, with a sleeve of names on her arm. The kind of girl I imagined hung out with Elsie.

“I’m, uh, twenty-seven. I wrote the book when I was just a little older than you, actually. That’s probably why I’ve retained my, er, youthful glow.”

Rainbow laughs. Elsie doesn’t. She’s heard this joke before. And she’s never even read my book. I wouldn’t want her to, anyway.

Elsie is someone to be written about, not someone who should read.

“So what are you working on right now?” Seth asks eagerly. “Is it another book?”

Yes and no. I tend to think of all my interactions with Elsie as “working on another book.” But I haven’t managed to get much on paper.

“I’m a staff writer for Ace Crime Bot. On NBC.”

I can see the excitement fade from Rainbow’s eyes. I’m not some Aspergian hipster god. I sold out. I’m just like all the rest of them. Fuck, I’m not even the show runner. I’m just a guy who sits with twelve other guys around a table, saying, “Maybe there should be more crimes.”

“Do you work in the city?” Tyler asks.

“…Long Island City, actually.”

It goes on that way for some hours, with them gradually becoming less and less interested in me until I fade into the background. At one point, Rainbow pulls up her sleeve to show off all the names written all over her arm like spider webs.

“Oh,” I say, looking at an autograph on her fat upper arm, pink and bumpy like chicken skin. “I like Zach Braff.”

“Yeah,” she says, the timbre of her voice becoming bored and far away. All right. I guess she’s bored with me. I’m bored with her too.

“So, uh, did you want me to sign it?” I ask, unsure of how she wanted to go about the situation.

She shrugs, which is not very flattering, and says, “Yeah, whatever. Probably later.”

Elsie tries on a dress made of blue lace, like her hair. We all admire how it hugs to her slim, perfect body. The sheer sleeves, the gold zipper. One of her red tennis shoes turns in toward the other as she grins at her reflection in the mirror. I watch her soft white hands smooth down her front. She’s probably imagining herself older, at a grown-up party, with a glass of wine in hand. She’s being hugged to the side of someone smart and attractive. Laughing at his stories. Smiling and listening to what he has to say. Turning her head intimately toward his ear. Everyone else looking at him and envying the smartly-dressed young woman on his arm. Oh, this is Elsie Pierglass. Isn’t she charming? Even more charming behind closed doors.

“It’s too bad that it’s so much money,” Rainbow says. “This is why you can’t try on shit that’s over a hundred.”

Elsie nods, saying, “I know,” before biting her bottom lip and retreating back into the dressing room. I stand by a display of half-off tees and watch the gap between the door and the carpet. Her small socked feet slip out of her shoes and the dress slides down her body and then her legs before she has to bend and reach a slender, bare arm toward the ground to pick it up again. I set my teeth.

“Shit,” I say as we are leaving the store a few minutes later. “I left my keys in there. You guys go ahead, I’ll catch up with you in a second.”

Elsie waves me off as Tyler and Seth collectively shrug. They don’t even notice that I have another shopping bag with me when I catch up with them fifteen minutes later.

I go back and forth over when the best time to give her the dress would be, but I figure that I should do it when we are alone.

That’s more special.

“All right,” Elsie says, patting my arm and disturbing my train of thought. “Well, I’ll see you around, David!”

“Wait, you’re going off with them?” I say, and I take a half step toward her. I realize that I’m leaning over her slightly, but that’s probably just because of our height difference. “You don’t want me to give you a ride?”

Rainbow frowns. I realize that she has never actually asked me to sign her arm.

“I’m fine,” Elsie says. She reaches forward to pat my arm, like she’s calming down a wild animal. “Seth has a car. So I’m gonna go.”

“I, uh, wanted to drive you home, that’s all. I just…’cause I have a surprise for you.”

“Well, what is it?” Elsie asks, grinning.

Rainbow rolls her eyes and says, “We’ll just meet you in the car, Else.” She and the two boys make a quick exit. Elsie turns to me, her eyebrows raised.

I hold the bag out to her and she takes the paper loops in both her hands, looking inside.

“…Oh,” she says. I had expected her to pull out the dress and twirl around with it hugging the front of her body. Instead she closes the bag and looks up with the sort of sad smile that goes right through me. “Oh, David. You didn’t have to…you really didn’t have to do this. Um, why did you do this?”

“You just, I saw that you liked it so much, but you couldn’t, um, afford it. So I bought it for you. It’s not a big deal for me, or anything. It’s yours. That dress belongs to you, it really does. I didn’t want anyone else to, er, to have it.”

“Oh, cool. That’s…that’s very nice of you. I’ll, uh, see you around, Dave.”

I say goodbye to the back of her head.

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Bibi Lewis

In Jackson Heights, My Father Outsmarted Puberty

next to LaGuardia runways, spent his summers keel
against terminal shells, smoking

5 cent cigarettes while the bottoms
of his shoes melted to tarmac.

He flirted with flight attendants who drew giveaway pens
from the pocket of their uniform-mating call

to give him six-digit phone numbers scrawled
on grease stained peanut bags.

& at night he slumped over the shoulder
of the LIE, kept his eyes

fixated on polished stones in Cavalry
cemetery: a Queen’s response to her older sibling’s skyline.

Golem in the Backseat of Our Parents’ Blue Station Wagon

Facing behind, we stare into eyes too focused on rain
to see us: children with oversized scowls, my seatbelt
crushing  heather  green  wool  coat  (two siblings too
large),  his fingers pointed into fleshy laser gun.  Hips
calloused  to  collapsible  third  row,  feet  tangled  in
ripped yellow of old ikea duffel.  My good time is  not
interchangeable  Sunday  morning talk  radio  or mid
twentieth  century  architecture.  Stagnation  at  sixty
miles per hour: finding sand between creases of felted
velour seats in late December


Bibi Lewis is a senior at SUNY Geneseo, originally from New York City. When she isn’t writing, she can be found knitting or rambling about feminism. She was published in Gandy Dancer 1.2. She would gladly share a lemon bar with Gertrude Stein or Michael Chabon.

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Joshua Keller

Nursing Home

Would you believe that we found God on VHS?

Yes. It was after the chaplain resigned in the wake of his sex crimes. What were they? I wonder. No one at the home seems to know. And you should know that any good nursing home is rife with rumor, and usually rumors are lies at best or truths in the worst way.

The best case scenario, I think, is that the world will soon end. Helen and I both think so. Whether we live to see it or not: doesn’t matter. If the priests start calling it quits, you know you’re in trouble. They’re the optimistic ones. They close their eyes and smile when the organ plays out of tune.They ask us to shake the dust out of the hymnals when we open them and to pick up the pages that fall out even though it’s hard to bend down.

But anyway, Helen and I saw Him one night in the cafeteria on a ruined cassette of Pollyanna. We had tried to tape over it for our grandson’s little league game, but you know you can’t do that with the Hollywood ones. All you get is static. So we had taped over it and then forgot we had taped over it and then forgot to throw it away.

We put the tape in, and right when the star hits the ground on the other side of the Disney castle, that’s when we see Him. You can hear Him, too. He looks like static and He sounds like static. I know it’s Him, and Helen believes it’s Him—we are of different opinions on the matter.

So we grow old this way. We wait until it’s late and the orderlies go out back to smoke reefer. Helen helps me push a loveseat up to the screen. Then we just sit and watch. He tells us everything we need to know, and we know that once He stops talking, we’ll have lived enough.

 

Mobile

My father stitched his own Care Bears for us, seven of them, but we weren’t allowed to hug them. The insides of their wrists said radix malorem est cupidtas in curly black yarn. And the bears weren’t ROYGBIV, as I’ve since learned to call the rainbow. They were like when we mixed all the paints together hoping to get the best of each color but only ending up with mud. Shitty, greenish-brownish mud. On their bellies Father stamped the names of the vices that he warned us about every morning at breakfast and every night when he tucked us into bed. He’d list them off and point to each bear and it was like a bedtime song. I figured that the vices were the bears’ names, maybe. Like I said, we weren’t allowed to cuddle them, but Father hung them over our beds with fishing line so we could watch them twirl and tangle in the moonlight.

 

Wallball

Tim wore boat shoes to P.E. He forgot to say “ouch” when someone stomped on his feet. And it did hurt—guaranteed. Bob Michaels did it and Bob Michaels wore size eleven Skechers. So then everyone dropped their backpacks on Tim from way over their heads and Phil Steiner slammed his fingers in a gym locker door and the pinky got purple. My grandpa always told me that bullies hammer kids into the shape their lives will take. Tim wasn’t taking shape.

We put him against the brick wall in between the science modules. On the way out, everyone picked up a basketball. If you didn’t pick up a basketball, someone would push one into your gut really hard and knock the wind out of you. We pelted him big time. I could almost feel how the rubber must have scraped and pulled at his skin on impact. He didn’t try to dodge like he’s supposed to. We all pitched hard and fast until our arms hung loose, but Tim just kept standing there and standing there as the balls hit him and bounced back to our feet.

Through my tears, I could see Tim sinking into the wall. The hole spread as tall as a basketball hoop, but not at first. It started above Tim’s head and stretched up and down as he sunk in. And when he finally disappeared out of sight and the hole started to close, the last thing I saw—still peeking out of the gray stuff between two bricks—was the purple pinkie.

We stopped throwing and Dan Bradley and Eric Stambaugh ran back inside. They said they knocked on the shop department door until Mr. Harris let them in. They ran to the other side of the wall, but Tim hadn’t come through.

No one goes in between the science modules these days, but before biology my friends and I look out the back windows of the module and we can still kind of see it—the pinkie, I mean. Now it looks more like a caterpillar in mid-crawl or like an old piece of bubble gum.

Kids lie and say that they walk right up to it, but no one’s dumb enough to say that they touched it.


Joshua Keller is a Ph.D student in English at SUNY Albany. He was born in Seoul, South Korea but grew up in Red Lion, Pennsylvania. He loves to
travel and explore the local folklore of the places that he visits. If he could, he would sit down to tea with William Faulkner and offer to share a flask of whiskey under the table.

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Chloe Forsell

Water and Light

Trying on her rings is the most frustrating thing in your world. They never fit. You slide the tarnished silver band, adorned with a single deep red stone, over each of your peanut-butter-sticky fingers. It falls off. You slide it over your tongue, close your mouth, and the ring can’t escape. Its smooth surface, like her pale hands, glides over your tongue, your teeth, your fleshy cheeks; it glides so effortlessly in your mouth that it slips through the small space at the back of your tongue, down your throat, into your peanut-butter-sticky stomach. You half-smile: the ring is yours to keep.

You wish to swallow your mother. Her hair is as garnet red as the stone; translucent hands show lavender veins, pink cheeks, sapphire eyes. She is a rainbow. You are dirt, earth—brown, brown, and more brown. It’s not a matter of beauty, though. It’s distance. Impossible distance.

 

When you were too young to be left alone, you walked the streets of Buffalo together every day, hand in hand. Everything was simple and beautiful and shining. The streets were full of beautiful, shining people and you wanted to touch and meet them all. You ran from the curb of the sidewalk and just before your tiny foot touched the road, she grabbed your arm, spun you around, and enclosed you in a warmth that you would search for for the next fifteen years.

After the move, she starts working full-time. You decide to leave your new apartment and walk to Grandma’s all by yourself. You put on your determination boots and slosh through puddles all the way there. You cross a street without a crosswalk, and as your tiny foot touches the road you wonder where her pale hand is, why you aren’t being flung backwards into the safety of her freckled arms. You walk on, and the distance between the two of you grows greater with every step.

In school, you’re surrounded by rainbows. The teacher instructs you to draw your family portrait. You pick out four crayons: scarlet, apricot, cornflower, and sepia. Your classmate looks over at your picture and raises an eyebrow. He raises the same eyebrow when you walk in with your mother for open house. Everyone raises an eyebrow. “Were you adopted?” This question haunts your childhood, and you avoid it at all costs.

 

Your half-sister is born with amber hair, cobalt eyes, and coral lips. In the hospital, she is wrapped in distant yet familiar freckled arms, radiating on a spectrum you can never understand. The two of them are just out of reach; no matter how far you stretch your brown arms, you can’t touch them. Your stepfather hovers in the background, a quivering, terrified cloud above the double rainbow. You hardly see him, though. An intense blinding kaleidoscope flows from the infant to your mother and straight past you.

The three of you go grocery shopping and you learn to walk a few paces ahead of them. You don’t hold her hand. You don’t look at shiny surfaces that reflect the differences between you and your blood mother.

On a rainy day in February, you and your mother look through an iris catalog and decide to draw imagined gardens that someday (with enough money, enough time) you might plant. You gravitate towards the deep pinks, deep purples. She circles and highlights the whites, the sunset reds, the summer oranges. You compare sketches when you’re done. Her dreamy layout with swirling lines, bridges, pergolas, glass birdfeeders, and wild clumps of vibrant irises is enough to make you forget that it’s a rainy day in February. Yours is simply rows of flowers, separated by thin paths. Unsteady lines that should have been straight prompt another question that will haunt you: “I really can’t draw, can I?” She doesn’t have to answer for you to understand that there is no way to reach the end of a rainbow.

At your sister’s first grade open house, you get the same looks. She and your mother stand hand in hand, both round, dewed in freckles, glowing in ROYGBIV. “That’s my big sister,” she says, and she’s so proud of you she doesn’t seem to notice her classmates’ confusion. You walk over to the display of handmade pictures hanging on the wall. Your sister’s is beautiful, full of swirling crayon lines and steady strokes of color that your peanut-butter-sticky hands could never have made at that age. You feel ten thousand worlds away. She grabs at your hand, but you pull away.

You spend years pulling away. Teasing. Fighting. The damage becomes nearly irreparable, but wasn’t that inevitable anyway? No matter how close you get, you’ll never reach.

And meteorological phenomena sure do stick together. Everything is your fault. “You’re older, you should know better!” You resent the way their colors fade into one unified gleaming crescent of disappointment—disappointment in you.

During these years, you put up with your stepfather because you have to. He has exploded from that quivering cloud into a dark, desperate rain. He stumbles up and down stairs and slurs his words and your mother pretends none of it is happening. You’re afraid when she goes to work and leaves you with him, not because he will hurt you, but because you’ve never been surrounded by so much gray. “Why do you stay with him?” Your words pour as hard and unfaltering as a heavy storm.

 

Trying on her rings becomes something you don’t care to do. You ask for your own rings. You ask for your own phone. Your own room. You ask for a lot. And you get it.
Your mother sings as she cleans, kind of a ritual (she loves to clean; you’re so messy). Her voice is only ever half there; severed vocal chords mangle each note. “You’re tone deaf,” you mock over the buzz of the vacuum cleaner. You belt out a clearer version of “Moonshadow,” though you’ve grown to hate Cat Stevens (and your mother’s other favorites). She keeps singing, smiling. You roll your eyes, plug your ears, sing over her until her voice is crushed to nothing.

She tries to do some things for herself. Pilates is what sticks. She pops in Maury Winsor’s twenty-minute tape and lies her round body onto a mat on the living room floor. You are young, a dancer, athletic, you keep up, no problem. You laugh at her efforts until one day, you make her cry. “I just want twenty minutes for myself,” she sobs. You reach out your arms to hug her, but she slips right through. No matter how hard you try, she won’t stop crying.

Years later, you’re propped up on the corner of the kitchen counter while the heat from the oven warms your legs. You look around at your sixth and final home—the water stains on the ceiling, the puckering linoleum tiles. You ignore the impeccable design, the tireless hours of painting, the renovations that your mother could afford. You only see empty spaces, places that are lacking: her inability to cook a good meal, her hot temper, her shrill cracking voice, her favoritism, her lack of education, her poor choice in men, the ways she has failed you.

“Why don’t you just quit?” You interrupt her as she complains about her third shift job at the nursing home. Her voice breaks a bit as she explains that she can’t just quit. She wanted to go to art school. She wanted to move to Montana. She wanted, wanted, wanted. She wanted a lot. And she got none of it. You can’t help but carry a heavy question on your adolescent shoulders: Does she want you? Did she ever?

With each haunting question, you retreat a little farther into yourself. You build your wall a little higher—high enough to block the lighted arc that stretches its colors and (possibly) longs to be near you.

Trying on her rings begins to have a certain appeal again, but not because they are hers. Because she has nice jewelry. You’ve begun to define her by what she has. “Oooh, can I have this when you die?” You don’t even flinch when you ask. Digging through her boxes of vintage jewelry, you’re always attracted to the things that shine the most. A sterling silver band with a large colorful stone is what has caught your eye. “Yes,” she assures you. “It’s yours. You can have it now.” You slide it onto your finger and ignore the hurt in her voice. Still digging, she picks up one of her favorite pieces. It contains no stone, no shine, just a gold band; engraved on it, the name ‘Nancy.’ “Who’s Nancy?”

“I don’t know. I got it in a lot of random jewelry on eBay.” At this point, you don’t even try to understand her. Her rings never fit. It’s still so difficult, so frustrating. You know she hears your eyes rolling.

Adolescence is fading, and you are forgetting. Forgetting to tell your mother when you will be performing in school concerts. Forgetting to tell her that you’ve broken up with your boyfriend of four years, that your best friend is moving away. Forgetting to tell her about your pregnancy scare, about getting drunk for the first time—so drunk that you have only the memory of concrete and lips. Forgetting to tell her when you’re going out, when you’re coming home. Forgetting to tell her of your accomplishments, of your screw ups. She’s almost evaporated into the sky, completely forgotten.

 

Your family from Georgia visits for the first time in years. You hate these things. People pile into cars to meet at the cousins’ farmhouse and you join, of course. It’s the same as always—beer and barbeque, the parents reminiscing about their pot-smoking days (as if they are over), playing pranks on Grandma, watching all the rainbows, some ugly and some beautiful, all in incredible prismatic layers of generational similarity. “Doesn’t little Erin look just like her mother?” “Debbie sure has her father’s eyes!” “Oh, Connor got that spunk from Aunt Sarah!” You spend the day in a mist and the distance is greater than you could ever imagine—they are just illusions, tricks of the eye. You are here. Where are they?

In the fading light, a drunken aunt approaches you and whispers in your ear: “You’re so quiet and soft spoken, just like your mother.” You brush it off. You’re actually pretty loud, anyway. Certainly not soft spoken. Right? You’re just quiet around them because they’re practically strangers. You think. What does she know anyway? But the words linger like a fine dew stuck to your skin. Just like your mother. Just like your mother. Just like—.

Your mother decides it’s time to go and on the ride home, you let her sing uninterrupted.

 

When your stepfather gets too drunk for the last time, she tells him to leave. She’s done and she means it. You sit alone in your room and listen to your mother and sister cry through the thin floors when he finally leaves. You wish you could cry, if only to be closer to them. But you can’t. They love him. You can’t help but think it. You can’t help but hate yourself. After fourteen years of gray retreating in a single moment, you can’t help but realize you love him, too. And all of a sudden, you can. You can cry.

All at once, you’re almost an adult, and you’re sickeningly nostalgic. The sky is changing and you need to ground yourself. After all, you’re more made of earth than anyone you know. You pull out home videos from when your hands were still peanut-butter-sticky. As you sit on the floor, eyes locked on a world you’ve nearly forgotten, you don’t notice the holes in the wall of your old apartment, the faded carpet, the lack of furniture, where she tried as hard as she could not to fail you. You notice her voice. It was beautiful—deep, clear, vibrant. It flooded the room with unimaginable hues. “Before the surgery, I could sing, too. Like you,” she sits on the couch behind you and remarks. She can’t see you overflowing onto the carpet, but she can sense your awe. Like you.

You desire to know more, to see the other half. Old pictures and stories occupy months.

“You were such a rebel.”

“I was just passionate, stood up for what I believed in.” Like me.

“Why’d you end up going to nursing school? Your art is beautiful.”

“I had no support from anyone. Your grandma and grandpa didn’t help me.”

“Did you go because of me?”

“No, not in that sense.” She sacrificed for me.

You want to ask, you want to ask so badly. It’s on the tip of your tongue. She touches your head with a gentleness that you recognize from a million times before and you know the answer.

 

One day, you hate that ring you picked out. It’s gaudy, atrocious. You ask your mother if you can look through her boxes again. This time, you pick out a smaller silver band with a thin oval opal resting in its center. “That’s my favorite, you know. Opal is my birthstone.” As the words leave her mouth, you are overcome with a terrible sense of guilt. “Yes, you can have it when I die,” she jokes. Except it’s not even a little bit funny.

Trying on her rings becomes easier with time. You grow into them, into her. It only takes a few months to begin to fill in the gaps of whole years, the gaps where things can’t touch because they’re destined not to.
You stop searching for the end of the rainbow—it’s just reflection, refraction, the perfectly angled combination of water and light.

Just water and light. Earth and blood and bone. Lavender veins; pink cheeks; brown, red, amber hair. Particles of matter that are just as much alike as they are impossibly distant. You turn your mother’s ring over and over on your finger, and you’re flooded with a familiar desire. You clench your teeth to keep from swallowing.


Chloe Forsell is a sophomore English (Creative Writing) and French double major at SUNY Geneseo. She was born and raised in a small town about an hour south of Buffalo, where she grew into a cat-loving, bike riding, pizza fanatic. If Chloe were to become best friends with a fictional character she would befriend the tree from Shel Silverstein’s The Giving Tree, because who could ask for a better friend?

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Savannah Skinner

On the Ovarian Nature of the Mouth

There are little match girls striking the insides of all our ovaries.
Organs enamel & disintegrate in the sink like baby teeth
umbilical inside our skulls—digest us through an awakening
cathedraled & façaded,
a peristalsis like marbled malá strana.

Hips—the narrowness now waxing—rise so lethargic
from the damp menarche: ulcer a space as solemn.
We pendulum from doorknobs & clot drains with vacancies of incoming molars.

Down the hall, my sister’s mouth brims with cotton fields.

A young boy’s cuspids crown between her jawbones & they’re just bodies
inside bodies inside themselves:
a matryoshka so skeletal, a cavity
so filled & swollen.

O, how our thighs have gaped for them, as if curtains made windows
any less transparent. Rib cages replicate
& nest further within our chests.

We anticipate the hollows of bras to see
if all our areolas swell like first kisses
in some other family’s basement.
Like mouths inside other mouths.

Molars give way to more molars & molt—
removal as an expansion
of the borders of the body. Rust rings

in the satin & ceramic of the little coffins where
my mother cherishes our eyeteeth:

still-fleshed extractions strung up for thirteenth birthdays.
Our ovaries are mimicry, fresh-gummed & released.
As if organs incubating teeth were any less horrific.

On the Places We Have Lived, with Children Not Quite Born

Lust through doors & vibrate screens like humming paper nests.
Say you don’t believe in ghosts
of a before-life
though the bedskirts rustle, & I
have smelled you burning
sage beneath the windows. This is an old house
with no refrigerator
& we can hear them laughing in empty bedrooms.

Imagine life before kitchen cabinets:
My father chewing
jars of pig knuckles, brined & coaxed

sardines between his blunt teeth:
five sisters learning to honeycomb
the anatomy of the absorbed twin
sized beds where we slept—

I emerge from the mouths
of my sisters & become incarnations of all our mothers
: un-fossilization of a firstborn, crowning

of the wasp queen. A father marrows
in your baluster spine—waiting
& your ulnas, they vellum—filmy
as the pregnancy of radiator air,                of me:
Crystallize a hive in my abdomen
& I’ll fill the cavities of my sister’s molars.

You were the wasps living in our walls,
a welcome stinging—
a harvest of clover & carrion:
my ovaries staining the hardwood with a
we’ve been waiting for you.


Savannah Skinner is a student at SUNY Geneseo, and is probably a junior, but maybe a senior. She is currently studying English (Creative Writing) and European History, among other things. She declines to pinpoint her origins beyond “near Buffalo… sort of.” Were Savannah to befriend a fictional character, she hopes that it would be Piglet, an agreeable pal who would also fit nicely into a compact space.

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