Tag Archives: craft

Titles Are Hard—But We Can Make Them Easier

Posted by William Antonelli, GD Fiction Reader for 6.2

Over the past few years, I’ve participated and had my work critiqued in countless writing workshops, each one varying in both content and usefulness. There’s only so much that university students, most of them amateur or beginning writers, can comment on in half an hour. Yet, if there’s one thing that’s been constant in every workshop I’ve attended, it’s this: when the time comes to comment on the work shopped piece’s title, everyone goes silent. Or, if they do speak up, it’s just to give a non-specific “I liked the title” or “I didn’t like the title.” Continue reading

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Following the Golden Thread to Cats in a Bag: An Interview with Poet, Adjunct Professor, & Geneseo Alum Albert Abonado

Posted by Joohee Park, GD Poetry Reader for issue 6.1

College is often described as the time to take risks and step outside our comfort zones and usual circles, but it is also a time of burgeoning anxiety about the looming, unpredictable future.

Confronted with the question of what to do with our lives, we may wonder how to trust our own instincts. Often, this uncertainty can manifest itself in one’s writing as self-editing, self-censoring even before one has confronted the page. In this interview, I pose some questions or anxieties we may have as budding writers and participants in the literary world in the context of poetry. Continue reading

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Laying the Groundwork: The Importance of Opening Lines in Crafting Atmosphere

Posted by Morgan Staub, GD Creative Nonfiction Reader for 5.1

Not a wasted word. This has been a main point to my literary thinking all my life.” 

                        —Hunter S. Thompson

“Call me Ishmael.” “124 was spiteful.” “Mrs. Dalloway said she would buy the flowers herself.” The literary nerds out there, such as myself, recognize that these opening sentences set the tone of the story to follow. Used to express tension, style, or character, these opening lines raise the bar of expectations for the narrative. While these lines are novel openings, the same can be said for short story openings, with the difference being that in the latter medium, there is less room to expand. When we write short stories, it is even more vital to use the first few lines of the story to set the tone for what will follow. Continue reading

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This Angel on My Chest: a Book Review

Posted by Erin Duffy, Public Relations Manager for issue 4.2 and CNF Editor for issue 4.1

2015 Drue Heinz Literature Prize winner Leslie Pietrzyk

2015 Drue Heinz Literature Prize winner Leslie Pietrzyk

It might be somewhat hyperbolic to suggest that Leslie Pietrzyk’s newest collection defies literary classification, but there are few, if any, categories into which it seamlessly fits. This Angel On My Chest is a collection of unrelated short fiction pieces that read like a cohesive novel, and each story borrows so heavily from Pietrzyk’s personal experiences that it’s impossible to tell fact from fiction. It’s an oddball of a book that nevertheless elicits myriad emotions from the reader. Though at times emotionally draining, each piece – the whole book, in fact – is a masterwork of craft and an utterly raw exploration of grief. Continue reading

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