Tag Archives: creative writing

Gandy Dancer Proudly Presents… Your 5.1 Managing Editors

Posted by Erin Carlo, GD Public Relations Manager and Fiction Reader for 5.1

Gandy Dancer 5.1 managing editors, Evan Goldstein & Oliver Diaz

Gandy Dancer 5.1 managing editors, Evan Goldstein & Oliver Diaz

First and foremost, we would like to welcome our readers and contributors to the fifth anniversary edition of Gandy Dancer!  We are delighted to welcome an entirely new cast of submission readers who are eager to discover what it means to produce a journal as well as gain new perspectives on literary journalism.  The start of the new semester also brings a brand new dynamic duo who will take the stage as Gandy Dancers managing editors.

 

I had the opportunity to ask our newest managing editors, Evan Goldstein and Oliver Diaz, a few questions about themselves and their new roles as managing editors, and I am pleased to share their responses with you.

When did you first hear about Gandy Dancer?

Oliver: First semester sophomore year. My sister was a senior taking the Editing and Production workshop, in which Gandy Dancer is produced, and she introduced me to the journal, told me about the process, and that it might be a good idea to submit to it.

Evan: I first heard about Gandy during my freshman year, when I was in the intro to creative writing class. I was thinking of applying to the creative writing track, and I wanted to look at Gandy to see what kind of writing I should aim for. I think I looked at issue 2.1, the one with the photo of the guy in the forest as the cover. I remember I was impressed and scared by the poetry, and I wanted so badly to be able to express myself on that level. Continue reading

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Senior Readings: An Exploration of Past and Future

Posted by Maya Bergamasco, Poetry reader for issue 4.2

Here in Geneseo, spring is not only a time to lounge on the campus green or celebrate the return of famed Geneseo sunsets. For English students, spring heralds the annual senior readings, where every graduating senior in the creative writing program reads their work for their peers, professors, and family. For me, this is a bittersweet time. As I listen to my peers share their poetry, fiction, and nonfiction, and hear their plans for the future, I am both excited and saddened. Excited that they will do such amazing things: become a teacher, earn an MFA in creative writing, or join the world of publishing. Yet, I am saddened that I will no longer laugh with them in class, or receive their feedback in workshop, or simply have the privilege to read rough drafts fresh from their thoughts. The seniors, too, seem to share this bittersweet feeling.

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The Importance of Literary Citizenship

Posted by Klarisa Loft, Fiction Reader for issue 4.2

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As a student who is currently taking a senior seminar in creative writing as well as the editing and production workshop in which we create Gandy Dancer, I’ve been hearing a lot of discussion on what it means to be a literary citizen. I feel like this is an important topic to tackle outside the classroom as well. The literary community is a small one, especially in a modern world where the study of humanities is confusing to many since it doesn’t lead to a particular job.

In other words, we need all the support we can get.

This is where that literary citizenship comes into play. Writers have our love of reading and writing in common, so how about we fuel each other with that positivity? Don’t lurk in the literary shadows. Come out. Attend readings near you; help promote your friends’ literary accomplishments through social media. Subscribe to a literary journal you enjoy. Buy books! And when you read something you truly like, let that writer know. Every writer deals with a fair amount of rejection; it comes with the territory. But, as accustomed to it as someone might be, it never hurts to know that there are people out there who genuinely like and believe in our work. This is what spurs us to keep going. In her book Making A Literary Life, Carolyn See suggests writing charming notes to the writers whose work you enjoy and appreciate. She says that a notecard is all you really need for this; it takes a few seconds and has to power to drastically improve someone’s writing confidence.

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The Leslie Pietrzyk Experience

Posted by Shayna Nenni, Fiction Editor for Issue 4.2

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Leslie Pietrzyk, author of This Angel On My Chest. Photo courtesy of John Hopkins University.

Geneseo was incredibly privileged to have writer Leslie Pietrzyk visit our campus, Thursday, February 29th, to give a reading from her book, This Angel on My Chest. Channeling the intimate, personal experience of losing her first husband at the age thirty-seven, Pietrzyk greeted us with humor, sadness, hope, and creativity, reading one of her sixteen short stories. Not only were we lucky enough to hear her read from her marvelous collection, she conducted a workshop (which I was lucky to participate in), and attended classes on campus. I envy students participating in the Converse low residency MFA program where she’s a member of the core fiction faculty, and John Hopkins University’s MA Program in Writing where she teaches because of their chance to learn from and work with her so closely.

Listening to Leslie Pietrzyk’s reading of “A Quiz” from her collection of stories, This Angel on My Chest, was inspiring. She captivated the audience while reading a story about a young widow. The quiz format of her short story is innovative and strangely funny as it reveals how her narrator handled certain social situations after her husband’s death. The repetition of the cause of the husband’s death and his age also convey the obsessive nature of grief. Continue reading

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New Kids on the Block: Meet Your Managing Editors for 4.2!

Have no fear, your new managing editors are here! As the spring semester murmurs to life and the windy Geneseo weather welcomes us all back it’s time for your new managing editors, Courtney and Christy (C2), to sit down with some coffee and ask each other the questions that matter:

Let’s get this party started:

The Dream Team: Ready for Action!

The Dream Team: Ready for Action!

How did you first get involved with Gandy Dancer?

Courtney: One of my friends recommended the class to me, actually. I was looking at courses for junior year and wanted to know more about it. My friend was in the class at the time and told me about how it was a really hands-on class where you got to put together a literary magazine full of prose, poetry, and visual art from students all across the SUNY system. The publishing industry is so multifaceted and is something that has always intrigued me as well so I decided to give it a go. I’m so glad I did though because I fell in love with everything about Gandy Dancer (GD) and kept coming back to it. As an avid reader and writer, being involved in this class has exposed me to so many fascinating aspects of the literary world that I never knew about before GD.

Christy: In the middle of my junior year I was perusing the course list on KnightWeb in a sleep-deprived-registration-is-tomorrow-morning-frenzy when I happened upon this gem of a class. I, somewhat nervously mostly excitedly, decided to sign up and I’m so glad that I did because it ended up being an incredible experience. At the start of the class I knew virtually nothing about literary magazines, literary magazine culture, or how they functioned and survived. It was, not to quote Aladdin, a whole new world! Not only did it widen my horizons within the creative writing/literary universe but also getting to read through and edit submissions from other young writers really helped me to grow as a writer and as a poet. I’m so excited to be back! Continue reading

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Wendy Corsi Staub and Lucia Marco Spark Creativity at SUNY Geneseo

Posted by Erin Carlo, Nonfiction Reader for Issue 4.1

Wendy Corsi Staub, the wildly successful and prolific author of over eighty novels, visited Geneseo on Thursday, October 22nd.  As an avid reader of Ms. Staub’s many works, I was delighted to have the opportunity to hear her speak about her writing life, her inspirations and motivations, as well as the adversity she has overcome along the way.

Accompanying Wendy was her editor and friend, Lucia Marco, the Vice President and Executive Editor at Harper-Collins Willian Morrow Books.  Attendees were able to ask questions about writing, editing, and publishing. Wendy and Lucia were exceptionally knowledgeable, and remarkably approachable.

A few of Wendy’s accomplishments include:

  • Named New York Times Bestseller
  • Has appeared on USA Today, Amazon, Barnes & Nobel, and Bookscan bestseller lists
  • Won the Westchester Library Association Washington Irving Prize for Fiction for Nightwatcher in September, 2012
  • Finalist for Simon and Schuster Mary Higgins Clark Award for Sleepwalker in October 2012
  • Won the 2008 RT Award for Career Achievement in Suspense
  • Won the 2007 RWA-NYC Golden Apple Award for Lifetime Achievement
  • Translated into over a dozen languages worldwide

Corsi Staub WWhen asked how she was possibly able to produce over eighty novels before the age of 50, Ms. Staub responded, “I walk fast, I talk fast, I write fast.  Once I’m in the groove, the stories just come.”  Furthermore, when asked how to write successful fiction, fiction that will attract readers and keep them coming back for more, Wendy chuckled, gazed at the ceiling thoughtfully and said: “Give yourself permission to have bad days. Sometimes, you’re going to write crap.  What’s important is to keep writing anyways.  Sit down at your computer, do your pages, and then the next day, go over what you wrote and see what you can do with it.”

As an aspiring writer, I felt empowered by this advice. Wendy Corsi Staub and Lucia Macro are tremendous role models for the creative minds in college classrooms everywhere.

For more information, please visit www.wendycorsistaub.com.

 

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An Interview with Monica Wendel

Posted by Amy Elizabeth Bishop, GD Managing Editor for 3.2

Post Script began in the fall of 2013, as a way to connect writing alumni back into current student work. Our first Post Script contributor was  a creative nonfiction piece by Rachel Svenson, SUNY Geneseo, class of 2010. Since then, poetry by Emily Webb (SUNY Geneseo, class of 2013) and Nate Pritts (SUNY Brockport) have been featured in Gandy Dancer. This semester, we’re proud to feature three of Monica Wendel’s poems in the Post Script section. Monica is a SUNY Geneseo alum, class of 2005. One of our Managing Editors for Issue 3.2, Amy Elizabeth Bishop, sat down with her for an interview about writing advice, creating a literary life after college, and her own writing success.

Amy Elizabeth Bishop (AEB): What started you on the poetry path and how did you maintain your literary life after leaving Geneseo and your MFA program at NYU? You’ve published two chapbooks, one collection, and numerous poems online and in print.

Monica Wendel

Monica Wendel

Monica Wendel (MW): The good part about staying in the city where I did my MFA—well, there were a lot of good parts—but pertinent to that question, I made a lot of really good friends at NYU and we stayed friends. My social life includes going to poetry readings, having dinner and workshopping, and other things that sound pretentious when I write them like this. Hmm. The best way of explaining it is that there’s no distinction between my life-life and my literary-life. I don’t ever feel like I’m taking off one hat and putting on another; writing is simply part of how I function in the world.

To go back to what started me on the poetry path, there are a few answers. The idealistic answer is that poetry is fulfilling, connects me with others, is beautiful and meaningful, etc. And that idealistic answer is true! My best times at Geneseo were spent in creative writing classes. But there’s another, less tactful answer that’s also true, which is that I like being good at things, and even better is to be the best at something. I like winning contests. I like seeing my name in print. Those things happened the more I devoted myself to poetry.

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Editing as a Writer: What I’ve Learned

Posted by Christie Tiberio, GD CNF Reader for 3.2

After many weeks of deliberation, the student editors of SUNY Geneseo’s Gandy Dancer have narrowed down submissions to our final selected works for the upcoming Spring issue! We are excited to present our sixth issue, particularly because of the extended effort of time, energy, and creative problem solving that was needed in order to bring the magazine to completion. As a writer, I learned a lot about the selection and editing process. It was interesting to see how a piece would or wouldn’t work in the context of the selected submissions, due to issues of style or format. In some cases, small revisions were needed—the placement of a space break or description, a more precise title. Once these small edits were made, the piece was ready for copy-editing. Continue reading

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Everything You Wanted to Know about Gandy Dancer But Were Afraid to Ask: An Interview with Faculty Advisor Rachel Hall

Posted by Rachael Kelly, GD CNF Reader for 3.2

Creative nonfiction reader Rachael Kelly chatted with GD’s very own Rachel Hall to get an in-depth look at the past, present, and future of Gandy Dancer.

Rachael Kelly (RK): What are three of your favorite things about being the faculty advisor for Gandy Dancer?

Rachel Hall

Rachel Hall

Rachel Hall (RH): There are so many things that I love about teaching the Editing and Production Workshop and being the Gandy Dancer faculty advisor. It’s great to work with the class and staff to build something together. As a writing teacher, I’m often in the position of critiquing students’ work, slapping grades on their efforts, so that it can feel as if we are on opposite sides of the enterprise: Critic versus writer. But with Gandy, we’re working together to build something and I love that collaborative work. And I get to see talents the students have that might not show up in a regular classroom, skills like social media savvy or an eye for design. I also love seeing the journal come together—each semester, it feels a bit magical, though, of course, there is lots of hard work involved. That may be four things, but all are important! Continue reading

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Poetry, Language, and Learning: How I Came to Love Words

Posted by Christy L. Agrawal, GD Poetry Reader for 3.2

“Led by language, led by intuitive leaps of thought, a poem does not presume.” – Kazim Ali

When I was younger my mother and I used to play something we called ‘the poem game’ every night before I went to bed. There were two versions of the poem game, the mom’s-tired version in which we would take out a Shel Silverstein book, place it between us on the bed like a sacred object, and take turns closing our eyes and pointing to random pages, delving into poem after poem and reading them aloud in an unspoken competition to draw the most laughter out of the other.

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