Tag Archives: fiction

Supporting Developing Artists with Italics Mine

Gandy Dancer's Review of SUNY Purchase's literary journal, Italics MinePosted by Gabi Garcia, GD Poetry Reader for 5.1

This semester as I was editing for the Gandy Dancer I got the opportunity to review the literary magazine from one of our sister schools, SUNY Purchase, the art school of the SUNY system. The phrase Italics Mine refers to using italics in a paper to emphasize a word or phrase in a quote to bring the reader’s attention to your point. I think I’ve overused this tactic a few times when I was a freshman, so I was pretty excited to see there were other folks who share my enthusiasm for emphasis. What I think is wonderful about this title is that it expresses that there are moments, words, images in our lives and environments that are emphasized by artists and are defining for them as artists (emphasis, much like this entire blog post, mine). Continue reading

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Why Don’t People Submit?: The Fear of Rejection

Posted by Cassidy Brighton, GD Creative Nonfiction Reader for 5.1

After intense publicity, and posters tacked to every corkboard on campus, emails sent to every English department across every SUNY, and personal texts, emails, tweets and more to promote the journal, you’d think the submissions would be flowing into Gandy Dancer. This is the first semester that I’ve worked behind the scenes on the creation of Gandy Dancer, but it’s obviously not the first time I’ve heard of the journal. For years now, I’ve been seeing and hearing the promotions for Gandy Dancer, but why haven’t I ever found myself drawn to the Submittable page before? Now that I have a new relationship with the magazine, I wonder what stopped me from submitting my work in the past and if the same thing is stopping other writers. Continue reading

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Writing and Cultural Appropriation

Posted by Joshua DeJoy, GD Creative Nonfiction Reader for 5.1

Lionel Shriver photo by Daniel Seed for The Guardian - Writing and Cultural Appropriation

Lionel Shriver photo by Daniel Seed for The Guardian

Can fiction authors write outside of their own experiences? To ask the question is to answer it: Of course! It’s fiction, isn’t it? 

At least, that’s what American-born novelist Lionel Shriver argued at the Brisbane Writers Festival on September 8 in her keynote address, “Fiction and Identity Politics,” which deals extensively with the concept of cultural appropriation.  I think her speech is worth reading in full, but I’ll attempt to summarize it: fiction writers have to use experiences outside of their own in order to write compelling fiction. “This is a disrespectful vocation by its nature—prying, voyeuristic, kleptomaniacal, and presumptuous. And that is fiction writing at its best,” Shriver says. Continue reading

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Introducing Gandy Dancer’s Section Heads for Issue 5.1

Posted by Marley DeRosia, GD Fiction Reader for 5.1

It’s that time of the year! The new Gandy Dancer staff is starting to pick up speed as our submission deadline draws to a close, along with the dying rays of summer heat (thank goodness!) As we all settle in with our warm mugs of coffee or cider, we’ll begin reading and assessing the quality and craft of the pieces submitted. For those of you considering submitting, we’ve extended our deadline to October 8th! To get us ready to read, I asked the section heads some hard-hitting questions. This year’s fiction editor is Sarah Steil, the poetry head is Robbie Held, and the creative nonfiction editor Alexis Sammler. Here’s what these clever individuals had to say about their goals for Gandy Dancer and their reading interests:

Marley DeRosia: Sarah, what do you hope to accomplish as the Fiction Section head for this edition’s issue?

Sarah Steil:  I hope to feature different voices/writers that offer stories so powerful I need to go take a walk after reading them. There are always some poems/stories that move me so greatly that I think how did they do that?, and then, how can I do that, too? I want every fiction story featured in Gandy Dancer to, metaphorically, punch the reader in the face.

MD: What made you want to be the fiction editor this semester? Have you had experience writing or publishing fiction in the past? Continue reading

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This Angel on My Chest: a Book Review

Posted by Erin Duffy, Public Relations Manager for issue 4.2 and CNF Editor for issue 4.1

2015 Drue Heinz Literature Prize winner Leslie Pietrzyk

2015 Drue Heinz Literature Prize winner Leslie Pietrzyk

It might be somewhat hyperbolic to suggest that Leslie Pietrzyk’s newest collection defies literary classification, but there are few, if any, categories into which it seamlessly fits. This Angel On My Chest is a collection of unrelated short fiction pieces that read like a cohesive novel, and each story borrows so heavily from Pietrzyk’s personal experiences that it’s impossible to tell fact from fiction. It’s an oddball of a book that nevertheless elicits myriad emotions from the reader. Though at times emotionally draining, each piece – the whole book, in fact – is a masterwork of craft and an utterly raw exploration of grief. Continue reading

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Senior Readings: An Exploration of Past and Future

Posted by Maya Bergamasco, Poetry reader for issue 4.2

Here in Geneseo, spring is not only a time to lounge on the campus green or celebrate the return of famed Geneseo sunsets. For English students, spring heralds the annual senior readings, where every graduating senior in the creative writing program reads their work for their peers, professors, and family. For me, this is a bittersweet time. As I listen to my peers share their poetry, fiction, and nonfiction, and hear their plans for the future, I am both excited and saddened. Excited that they will do such amazing things: become a teacher, earn an MFA in creative writing, or join the world of publishing. Yet, I am saddened that I will no longer laugh with them in class, or receive their feedback in workshop, or simply have the privilege to read rough drafts fresh from their thoughts. The seniors, too, seem to share this bittersweet feeling.

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Gandy Dancer 4.2 Preview!!

Posted by Emily Peterson, Poetry reader for issue 4.2

Here's a sneak peek at our cover for issue 4.2! Artwork by Lei Pen Gan

Here’s a sneak peek at our cover for issue 4.2!
Artwork by Lei Pen Gan

As the cruel month of April comes to a close and the beginning of May is within sight, Gandy Dancer issue 4.2 is nearly ready for launch. With contributions from students across ten different SUNY schools, issue 4.2 delivers a wide range of poetry, fiction, creative nonfiction, and art that encapsulates SUNY’s literary skill. The Gandy Dancer staff has worked all semester long to curate a magazine that celebrates diverse voices and unique creative expression.

We are proud to publish six different works of fiction in this issue of Gandy Dancer including Sarah Hopkins’ haunting piece, “Frontierland,” which is a story set on a bleak and dusty oil well that captivates the reader with its strong sense of place. We are also pleased to publish Abigail Allen’s “Love is Lemons,” a quiet story that highlights the subtleties and frustrations of young love. Issue 4.2’s poetry selection offers poems from eighteen different authors. These poems range dramatically in theme, tone, and structure. Michal Zweig’s “Happy//Over” commands the reader’s attention with its shifting typeface, strikethroughs, and a spliced in quote from a US Supreme Court justice. Jay’s two poems, “Winning the Lottery, 1969” and “Cannon Fodder” employ an economy of language which is concise yet powerful. Christine Davis’ deeply personal essay “Onliness” explores the complexity of family dynamics and the role of only children. “What Are You Laughing At?” by Brendan Mahoney is a humorous work of nonfiction that delivers poignant commentary on modern day comedic discourse. The Gandy Dancer staff is proud to publish original artwork in a variety of mediums—peppering photography, painting, collage, and even sculpture throughout the magazine. Issue 4.2’s Featured Artist is Lei Peng Gan whose three paintings “Untitled No. 17,” “Muar: Jalan Meriam No.2,” and “Intersection No. 5” feature rich colors and distinct lines.

We hope you join us for the official release of Gandy Dancer issue 4.2 at the launch party on Wednesday, May 11 at 9:00 AM in the College Union Hunt Room.

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Introducing Our New 4.2 Editors

Posted by Kate Collis, Creative Nonfiction Reader for Issue 4.2

It’s that time again—the cut-off date for submissions to Gandy Dancer for 4.2 has come and gone and we’re happily reading away. As always, a new semester means a new set of editors who have fresh outlooks. In light of this, I’ve spoken to all four section heads to give readers a chance to get to know them and their ideas about their genre.

Shayna Nenni, Fiction Editor

ShaynaKate Collis: What constitutes a good short story?

Shayna Nenni: A good story will be grounded in a particular place, a place that readers can connect to. Along with that, well-developed characters and compelling situations that illustrate their relationships to each other, to their past, and themselves. I think it’s important to understand where our main character and secondary characters stand with themselves.

KC: What would set a story apart from the rest and make it publishable to you?

SN: I love a good plot. As simple as that sounds, there is nothing more thrilling to me than reading a good piece, skimming ahead because I’m so excited to see what comes next that I literally can’t wait to get to the next line. That, or really connecting with a character. Not necessarily the main character, but any character. To physically feel a connection from reading a piece, that is what sets one apart.

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Our Small Universe Expands: Literature & Ice Cream at the Rochester Fringe Festival

Posted by Evan Goldstein, former contributor and Poetry Editor for Issue 4.1

The Rochester Fringe Festival is an annual ten-day multi-disciplinary arts festival, with performances and visual installments spread throughout Rochester, featuring “fringe” arts outside of the mainstream. Fringe festivals like that in Rochester and many others around the world give audiences to many isolated and otherwise cut off artists. Like a large, dispersed literary journal, fringe festivals provide a community for artists and audiences to come together and experience arts on the fringe of the mainstream community. Today was Geneseo’s day at the Lyric theatre, an old church recently converted into an opera house for performances and readings. Geneseo’s day at the Lyric theatre was the first ever reading that Geneseo students have given as part of the Fringe festival, and the first strong showing of Geneseo talent as a whole at Rochester Fringe. We had performances ranging from a capella to improv, to film poems and, here at the “Stories a la Mode” event, a fiction reading complete with ice cream.

The usher was French, and I know that because I heard the soft throaty nasal vowel—ahhsss—and one hard choked consonant—krèm—as he, quietly insistent, led me to the far chamber door and held it open, gesturing to a bar in the

MayaBergamescoReads@LyricTheatre

Maya Bergamasco reads at the Lyric theatre. Pictured in the background: ice cream bar.

back of the small hall. Maybe he was French-Canadian. I, playing reporter (press pass and all), got my camera out and crouched in front of the bar, watching the audience, cups of ice cream and little spoons in their hands, watch the writer read her story. A glance up at the barman’s shirt: Hedonist Ice Cream. Yes, I thought: the perfect blog post story. The hands at the tables holding the little cups of ice cream, I’ll take their photographs and interview them about free ice cream, our community hub, come up with a clever “Gandy Dancer as Ice Cream of SUNY System” blog post title, make it home in time for dinner, maybe a night cap—ice cream for dessert, yes. Good plan, delicious plan. The audience leaned toward the stage at the front of the room. Continue reading

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An Inside Perspective: What Our Editors Look For

Posted by Jenna Colozza, Media Specialist and Fiction Reader for Issue 4.1

Today marks one week until Gandy Dancer’s Fall submission deadline on October 1. One of the unique qualities of Gandy Dancer is its ever-changing staff—each issue has a whole new crew of readers and editors, all with different perspectives on the literature and art they love. I spoke with Issue 4.1’s genre editors to find out what they look for in a piece of writing. Read on for an inside perspective on what the Gandy editors hope to read and publish this season:

Sarah HopkinsSarah Hopkins, Fiction Editor, hopes for stories with sharp focus. She says, “For fiction, we are looking for pieces that are engaging, immersive, and character driven. We like to read pieces that have a sense of time and place, pieces that try something new and succeed. A short fiction submission should have an organic voice and precise language. Make us laugh, make us cry, but most importantly, make us interested.”

EvanFrom our Poetry Editor, Evan Goldstein: “As for poetry, we would like to feature original, finished poetry, detailed in its nature and broad in its reach, with vivid imagery, and themes based in the particular and personal experience, but expanding beyond as well. We’re looking for poetry that is unafraid, searching, evocative or narrative—poetry that speaks loudly or whispers, speaks clearly or in many voices, and does all with sincerity. We encourage you to send us experimental, non-traditional poetry, to push the limits of the form or break it up completely, but we could never turn down a good villanelle or pantoum—as long as form is not more than an extension of content.”

Erin Duffy4.1’s Creative Nonfiction Editor, Erin Duffy, says, “What I look for in a CNF essay is honesty, personality, and above all, freshness. A truly successful CNF piece takes the everyday and infuses it with evocative language and originality. We look for writing that is able to transcend the page and leave a lasting impact on the reader’s heart or mind. As the saying goes, life is stranger than fiction.”

HermanOur Art Editor, Alex Herman, says, We’re looking for art that’s not only original and pleasing to the eyes, but also evokes a deeper thinking from the reader. Photography is, of course, always popular, but we also love (pictures of) other art media like paintings, sketches, and sculptures. SUNY’s artistic talent is limitless, and we try to reflect as much in Gandy Dancer.”

There you have it—an inside look on the minds of our editors. Well be awaiting your submissions!

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