Tag Archives: SUNY Geneseo

Christina Mortellaro

An Efficient Remedy Is to Be Alone

A migraine: loose change jangling inside a balloon—muffled
copper flicks I-I-I: an attempt to speak. Across the forehead: flop
like a cat chasing traced feather-pressure. You can apply a soft vice,

two cold pillows, to block out sporadic pennies clanging—florescent,
light bulbs unscrewed, packed in cardboard & bubble-wrap
to reduce throbbing—etch-a-sketch it away. Draw empty

faucets to wash down tylenol & swallow, pills like rosaries—
beads sticking half-way, make goldfish gulps: rhythmic peristalsis,

push them down. Lay alone, ignore the knuckled morse taps—
Better yet? Tighten pillows, maybe carousel your summer, anything quiet

to induce sleep: butterflies inside picnic blankets, knitting your Christmas gifts
months in advance, reading science textbooks—lysosomes hammer-smashing cells.


Christina Mortellaro is a senior English (Creative Writing) and Communication major at SUNY Geneseo. Christina has been previously published in Gandy Dancer and her poetry has been presented at the Sigma Tau Delta 2014 International Convention in Savannah, GA. In her spare time, Christina likes to cross stitch and eat peaches. Christina has been best friends with Jo March from Little Women since first reading the book when she was ten years old.

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Amanda Coffey

Half-Truths

I am sitting next to him at a desk in his darkened room, the blue light from his computer screen reflecting off both our faces. “Listen to this,” he says. He recorded it last weekend after spending a few hours fooling around with the equipment. The guitar sounds lovely but his singing voice is only okay. Though I’ve never heard the song being covered before, I say it sounds better than the original. “It’s getting there,” he says. I do a small (and what I think looks like an interested) smile. He turns and looks at me thoughtfully, as if deciding on something. I look right back at him with equal intensity. Then he pauses the music and leans over towards me.

I am anticipating this, so when he kisses me I’m thinking more about how I won than the actual kiss itself. I don’t remember if it was long or short or if he tasted like toothpaste or chapstick or if I was brave and put my hand on his neck or shoulders. I don’t remember what I was wearing or what he was wearing. All I remember is that at that moment, I got exactly what I had been chasing after.

 

This is not a story I want to tell.

I guess the first reason would be because I am not sure what my point in telling it is. Every story should wrap around itself and create a cocoon of security for the reader. It should cave inward and break heavily on its own weight to reveal some truth. Ah, I see what you mean. I get it now. Epiphany.

I haven’t had an epiphany yet. It’s been six years, two months, and nine days since this story began and a different version plays out in my head every time the memory is brought back.

I guess my other point should be that I’ve never told this story aloud in a normal state of mind. Maybe in a vulnerable or drunken moment I’ve mentioned certain details to my closest friends, but it never goes beyond that. Some defense mechanism inside me tells me to shut this part of myself off from the outside world. The words will start to come out but then my throat closes in and turns to sandpaper. They shrivel up inside my mouth and I swallow them back down, safe.

 

I have a vision sometimes about the day that I’ll finally tell the truth. It goes something like this: I’m outside sitting on a grassy hill with someone I love—it’s not a family member—a best friend, maybe someone I’ve slept with. It’s midday, bright and sunny. The air is so clean that my city lungs feel like they’re breathing oxygen for the first time. Wow this air stuff is great, he says. We’ve been missing out. Anyway, I’m sitting on this hill with a loved one getting high off the air and suddenly I realize he needs to know this thing about me. He has to know it or he won’t know me. So I tell him. I maybe cry a little bit. He makes eye contact with me for the entire duration of the story, occasionally nodding his head and putting a consoling hand on my hand. When I’m finished he is silent for a while. Then he says something like….Well, I haven’t figured out that part of the story yet. But the most important thing is that once I tell the truth, it no longer plagues my thoughts. Like someone sucking the venom out of a snake bite, I’m healed.

Of course, I realize that this will probably never happen. This story has to come out in pieces for now. That’s just the way it is.

 

It’s like that feeling you have when you want something so bad that you think about it all the time. Every minute, every hour of the day, your mind is focused on that one thing. It goes beyond songs on the radio or lovers embracing on television. The act of brushing your teeth in the morning or taking out the trash brings the thing back into your mind and it stays there. Even though you don’t have what you want, in that moment the memory is almost as good. It colors your days, heats up your face, makes you smile to yourself like a fool. “What are you smiling about?” Your mom asks. Nothing. Always nothing.

This is a story about getting what you want. You get it and it’s in your hand and holy shit it’s fucking great. It looks, feels, tastes, and smells beyond anything you’ve ever imagined. This is it, I’ve finally got it! You say. And in that moment it’s wonderful. What comes next is up in the air.

 

I’m fourteen years and eight months old the day I first kiss a twenty-four-years-and-two months-old man who also happens to be my music teacher.

Something you should know about me is that I hate sad things. When I feel sad things I put them somewhere I don’t have to look at them. I think it’s partly because I hate when people confide in me about their problems. I feel as though I can’t give them what they need from me as a friend. I try to ask all the right questions and give advice, but it all sounds wrong to me. My friends know this about me and keep away unless it’s a last resort. Truthfully speaking, I think it’s best to keep these things out of sight.

 

I’d come home on school nights with swollen lips and tousled hair and she never said a thing, only eyed me as I wordlessly entered my bedroom and shut the door. The next day she would ask about how my friend’s house was. “Fine. We did homework and then watched Teen Mom. Nothing crazy. Can you pick me up from school at five? I have a late orchestra rehearsal.”

I don’t know if she knew what I was up to. Certainly she was suspicious of the idea that I was with a friend for all those hours. I didn’t have any close friends back then. I had have-to friends in high school: our only time together was during free periods and bus rides home. After school, most of my free time until that winter was spent alone in my room, devouring books from the library and listening to music. I preferred time alone more than time spent with people.

Maybe she was just so overjoyed by the thought of me having a close friend that she couldn’t see the truth. Or maybe she knew that I was lying, but about something more normal, like smoking cigarettes or having a junior boyfriend. The sort of things teenagers lie about in after-school specials and real life. The kind of lies that are easily forgiven with no gray area for what is right and what is wrong. The teenager accepts her mistake with some grumbling as the parent sighs in relief that it isn’t a pregnancy or hard drugs.

 

My mother taught me to never take shit from anyone.

I’m ten years old and sitting at the vanity in my parents’ master bathroom. The mirror across from me is warped and drips condensation from my shower. I wipe a space clean to see my face clearly. I’m waiting for my mom to finish whatever she’s doing so she can brush my wet hair. It’s a little ritual we have that started when I was old enough to have hair longer than a few inches. She brushed the snarls out of my hair carefully, something I never quite got the hang of. When I brushed my hair it sounded like a shovel scraping ice off asphalt. I’d do it in a rush, ripping out follicles in the process and littering the carpet with strands of the stuff. My mom took her time, starting at the bottom of the hair and then working her way up, effortlessly getting out all the knots. While she did this, I would tell her about everything going on in my preteen life.

On this day in particular, I am telling my mother about how a girl in my class, Kimberly, punched another girl, Theresa, because Theresa had stolen her prized Beanie Baby and hid it in a bush during recess. At this point, my mom stops brushing my hair. She looks me in the eye through the reflection of the mirror and says in a serious tone, “What would you have done if Kimberly hit you?” I am caught off guard and say, “I don’t know.” Still serious, my mother answers her own question. Picking up the brush, she says, “You hit her back harder.”

 

I don’t know what first attracted me to my guitar teacher. Well, no. That’s not entirely true. He was funny and kind, qualities that I didn’t see in myself back then but desperately wanted to. We shared a love for music. We both agreed that the Misfits with Glen Danzig was a waste, Lou Reed was underrated, and Morrissey, despite have a reputation for being an asexual asshole, was a wonder. He told me that he admired my desire to learn so many instruments. I was a violinist and a cellist up to that point, and I often complained that the two extra strings on the guitar were going to be my downfall. He taught me patiently—my fingers got callouses. He wrote music and made me listen to it before anyone else. I was flattered by his attention, and my own admiration towards him grew into a full-out crush within a few months. I thought about him constantly and wondered if he thought about me, too.

I can picture the line in my head, thick and white, and the day that we crossed it. Sitting side by side, our legs almost touching, he watched me play the opening notes for Radiohead’s “Fake Plastic Trees.” I was aware that his eyes were not on my fingers, but on my face. I knew he wasn’t paying attention to the chords, or if my form was correct. My awareness made me mess up a chord, and I immediately looked up at him. He looked away quickly. “That was good,” he said. “Really good.” And right then, I knew I had him.

 

It didn’t last the winter.

I am in the shower when my mom knocks on the door and tells me she needs to talk to me about something. Immediately. She says it in the tone of voice that used to scare me as a kid. It’s the voice that made me beg for forgiveness for whatever I’d done, even if I wasn’t sure what that was. Now that I’m older, the trigger word “immediately” doesn’t scare me as much. “Immediately” to teenage me means whenever I’ve finished doing what I’m in the middle of.

In this case, it’s conditioning my hair. When I’m done, I turn off the water and wrap myself in a towel. I open the bathroom door and she’s not standing right outside like I thought. I walk to her bedroom and find her sitting in near darkness with only the flickering blue light from the muted TV flashing across her face. She says nothing.

She is holding my cell phone.

The moment I see it, my heart doubles its pace. I know what has happened.

She’s read my text messages from him. She knows everything.

The lie starts to come out of my mouth but she cuts me off before it can escape. She asks me how long this has been going on for. I say nothing. She asks again, this time with the don’t-lie-to-me tone in her voice. I am mute. In this moment I am simultaneously humiliated, enraged, guilty and, most of all, terrified. I don’t want him to get into any trouble. I don’t want him to be angry with me. I don’t want him to think that I did this on purpose.

My mother is still waiting for the truth.

I lie and say that nothing has been going on—that she doesn’t know what she’s talking about. I tell her that she shouldn’t have been going through my text messages in the first place and that I will never be able to trust her again. As I continue to lie, my voice becomes louder and my throat constricts. By the time I finally stop yelling, I’m a crying mess.

The pain I feel in my chest is like running into a brick wall without stopping. I feel like my rib cage is collapsing in on itself as my lungs struggle for air.

My mother doesn’t try to argue with me. She accepts my lies and puts them somewhere else to deal with another time. For now she just lets me stand before her, a crying child.

 

I don’t know why my mother decided to snoop through my text messages that day. Maybe she heard my phone buzz while I was in the shower and couldn’t help but take a look. All parents snoop, whether they’d like to admit it or not. It used to be diaries, cracked open silently during the night; now a concerned parent just has to swipe a screen to see what their child is really up to. I don’t remember the exact details of the texts themselves, but I imagine that the content, combined with the name of the sender at the top, was enough to tell her all she needed to know.

Eventually, half-truths did come out. Call me selfish, but I think the whole truth belongs to me and me only. It doesn’t belong to the therapist who I silently sat with for weekly forty-five minute sessions. It doesn’t belong to the detective who condescendingly asked me if I knew what certain sex terms meant. It doesn’t belong to my have-to friends, who didn’t know how to act around me now that I was “that girl.” I wasn’t going to let anyone bully me into talking about my business. They pushed me and I pushed right back with more force.

I don’t think the truth belongs to my mother either, despite her deserving it. She knows this. It made her crazy for a while. Then angry. Now, she’s over it. Though sometimes we’ll be together, driving in the car or eating at the dining room table, and I’ll catch her looking at me with the saddest look on her face. She blames herself.

My mother’s guilt haunts me. She thinks this was her fault. No, no, no, no. I want to shake her and yell it in her face. She wants so badly to take my problems and make them her own. It’s like when I was little and had to go to the doctor to get a shot. She’d hold my hand as I squeezed my eyes shut and tried not to cry. The pain was never excruciating, but the anticipation of the needle always made me anxious. Give me all the hurt, she would say. You won’t feel a thing. I nearly dislocated her fingers.

 

The guilt, in addition to the whole truth, is mine. I’ve claimed its rights.


Amanda Coffey is a junior English (Creative Writing) major at SUNY Geneseo who enjoys cheap wine and the occasional night of debauchery. She would like to teach high school English if they’ll let her. She would be friends with Raskolnikov because if anyone needs a friend, it’s that guy.

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Chrissy Montelli

[Astrophilia: When We Cosmologize as Seedlings in Root,]

refract through me like photons speckled against dark

matter gardens, expand while atoms’ lean electron-
muscles pulse into what we see:

floaters phosphened over lenses like telescoped dust,
tracking flight in spaces between stars—

through pollen-nebulae where we orbited parallel—
dandelion florets squalling against gravity.

What preceded the Big Bang?—Maybe we’re epilogues, subatomic

reactions daisychained in fractals, splitting
like cells—infinity: unit for layers & layers of dermis

greenhoused into planetary bodies. Red
giants flare quickest so I drink rust-hot

watering cans & you miracle-gro, spiral-arm me easy
until we collide:—galaxies roped end to end

come into bloom: I supernova against your stringbean cilia, black
holes vacuum nerve endings in sunspots where we don’t.

Instructions for Reconstructing a Phoenix Skeleton

[1] Kindle the body, monkeywrench open ribs & [2]
invite beach-children to bucket together her gravel-

joints. Collect shells—[3]—stitch into bone [4] with shrapnel
sanded off at the vein. Knot [5] with matches—wait [6]

for the moment embers tremble through ventricle
into atrium:a-gain, a-gain—[7]—& when she becomes

aware of the beating, her bivalves will mollusk
the cage around it. [8] Let heart float exposed:

[9] tissue shoots back through her marrow
frame—once-beak coiling slow, into conch.


Chrissy Montelli  is a student of creative writing and anthropology at SUNY Geneseo. She grew up in Mastic, New York, a quaint-yet-quirky Long Island hamlet. Her writing has been published in The Adirondack Review, Axe Factory Press, and Contraposition Magazine. She hopes to pursue an MFA in poetry after graduation. Her fictional BFF/twin would be Bubbles from The Powerpuff Girls.

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Lucia LoTempio & Kathryn Waring

Documenting Desire: A Review of Erika Meitner’s Copia

41jTafyf1oL._SY344_BO1,204,203,200_ (1)Erika Meitner’s latest collection of poems, Copia, is tied together with the common theme of desire. Although the collection is divided into three sections—which focus on our materialistic desires, the need for home, and an exploration of Detroit (which serves as an extended metaphor for infertility)—Meitner’s collection is surprisingly cohesive. Because Meitner relies on recurring images to explore both personal and cultural identity, reading her collection feels like reading a particularly enthralling story: there is a careful attention to narrative arc, character, and setting within the pages of Copia.

“Objects around us are not strangers/They are the ruins/in which we drown,” the speaker of the first poem in Meitner’s collection (“Litany of Our Radical Engagement with the Material World”) proclaims. Thus begins Meitner’s examination of our desire for the material. When Meitner visited Geneseo in October, she discussed her decision to write about the most un-poetic subject she could think of: Wal-Mart. The resulting poem, “Wal-Mart Supercenter,” showcases Meitner’s ability to take the banal—the trips to Wal-Mart people take everyday—and turn it into the poetic: the memorable. In this poem, Meitner grounds vignettes of parents trying to sell their children and women being carjacked with commentary on consumerism: “Which is to say that the world/we expect to see looks hewn from wood, is maybe two lanes wide,/has readily identifiable produce, and the one we’ve got has jackknifed itself/on the side of the interstate and keeps skidding.”

In a world where things are so present, so unyielding, it is complicated and devastating to lose the intangible, Meitner suggests. Throughout the collection, Meitner’s collective speakers seem to desire two things above all else: familial connection and a place to call home. When Meitner’s grandmother died, her family’s access to Yiddish did as well. In her exploration of her Jewish heritage in “Yiddishland,” she states in the opening lines, “The people who sang to their children in Yiddish and worked in Yiddish/and made love in Yiddish are nearly all gone. Phantasmic. Heym.” Here, Meitner’s connection to her family, and thus her familial history, is the disappearing intangible: as her speaker says in “Yizker Bukh,” “Memory is/flotsam (yes) just/below the surface/an eternal city/a heap of rubble…” Within her speakers’ struggle to maintain connections to their families and cultural heritage, another struggle arises: finding a place to call home. In this regard, geographic borders are a recurring theme within Meitner’s collection. “Everywhere is home for someone,” the speaker states in “Apologetics.” “We are placeless. We are placeful/but unrooted. We are boomburbs and copia. We are excavated/and hoisted. We are rubble. We are,” the speaker in “The Architecture of Memory” continues. From suburban Long Island to Niagara Falls to the rubble of Detroit, Meitner skillfully combines physical location with vivid, unexpected images and sounds to explore location and what it means to call a place home.

The title of Meitner’s collection, Copia, means ‘abundance,’ ‘fullness.’ But in the third part of the collection, we travel alongside Meitner to a place that is the opposite of ‘copia’—a place that is empty, in need of being re-filled and rebuilt: Detroit. Meitner’s decision to use Detroit as a metaphor for infertility and the desire to rebuild comes across loud and clear: “Inside me is a playground, is a factory,” the speaker of “Borderama” proclaims. “Inside me is a cipher of decay./[…]Inside me is America’s greatest manufacturing experience.” “Inside me is someone saying we will/rebuild this city,” the speaker seems to conclude. Meitner describes Detroit as a modern-day ghost town: in “And After the Ark,” the speaker describes a section of the city where artists have transformed the rubble of a largely-abandoned neighborhood into an open-air museum: “what was left behind was astounding:/dead trees wearing upside-down shopping carts on their hands/conference call phones, black and ringless, resting on a park bench.” Perhaps because of the poem’s setting in a neighborhood that creates art from the detritus so prevalent in Detroit, there is also a physicality, a sense of responsibility and call to action that arises within the poem (and the collection, as a whole): “And You Shall Say God Did It,” the speaker of “And After the Ark” continues, “but really it was racism/poverty/economics/inequality/violence.” How did we allow this happen, the speaker seems to be asking readers. How could we have prevented this?

The third section of Copia also presents a fascinating commentary on the blurred borders that exist between poetry and creative nonfiction: Meitner wrote the section of documentary poetry after traveling to Detroit with photojournalists Jesse Dukes and Kate Ringo to give voice to the people, the buildings, the graffiti through poetry. In “All That Blue Fire,” Meitner reconstructs, verbatim, an interview with a Detroit automobile factory worker: “they lay the motor down,/they put the heads on,/the spark plugs in.” In other poems from the section, her speakers become part of Detroit itself, as in “The Book of Dissolution,” in which the speaker is “a house waiting to fall in on/itself or burn.” On the whole, these poems feel honest, even hopeful about the future of Detroit. By traveling to Detroit to experience the city herself, Meitner, in some ways, transforms from a poet into a new journalist: responsible for reporting the facts, she delves into the personal—gives life to the city by documenting the lives of the people she meets and providing them with a space to tell their own stories. The investigative approach of Copia’s third section offers new possibilities for both Detroit as a city and poetry as a genre.

Meitner’s poems rarely provide concrete answers, but her sharp, evocative language invites readers into an important conversation on the hollowness of the American dream—the common desires that go unfulfilled everyday. Grounded in the objects that surround us, in the desire to have strong connections with family and heritage, in Detroit, Copia hooks readers into an important debate on the role of desire in everyday life, but also encourages us to enjoy the ride with its unexpected imagery and masterful use of sound and cadence. Meitner is skillful; she does not blame, but calls to action, “[b]ecause though this world is changing,/we will remain the same: abundant and/impossible to fill.”

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Rachel Svenson

Continents

In November, I tried to recreate Western New York snow over the phone for Amadou Bah, who had never touched it. He had seen snow on postcards, or on the film sets behind Arnold Schwarzenegger on village movie nights, but the Gambia never experiences winter the way it hits New York. Listening to his voice, I could almost picture him on the campus sidewalk next to me, suffering the cold like he would suffer biting animals, muscles pulled tight inside someone else’s coat.

That afternoon Geneseo’s academic buildings towered over a row of salt- stained SUVs parked on the road, which tilted down into acres of snow-covered valley. I walked slowly from class with my cell phone, lodged halfway between seasons and continents, trying to pretend I was Amadou seeing it for the first time.

“It’s like pieces of icy cotton,” I explained finally into the phone, breath clouding. “It tastes like the water we drank at the marketplace this summer. Everything feels like the inside of a freezer, and the snow is everywhere, sort of like white sand on the beaches where you are. It almost blinds you when you first step outside.” As I spoke the snow melting on my boots morphed into something foreign and mystical, and I held the image in my head as if to transmit it telepathically.

“Yah, okay, very nice,” Amadou stammered uncertainly. In transit around me, the bundled students took on puppet-like qualities. I barely registered them as I approached my apartment. There was still something painful about communicating with Amadou over the language and distance barrier, as if we kept closing in on the cure for a disease then losing everything in the last crucial seconds. I desperately wanted to give him an image of my home, like the thousands I had taken back from his, but my serious thoughts were cut off by his sudden laughter.

“Rach,” Amadou managed, and then lapsed into giggles again. I could picture him doubled over slightly on the concrete wall of his family’s veranda and shaking his head against the phone. Though the joke was a mystery to me I laughed with the pleasure of hearing him laugh. Because sometimes, it was funny. Laughter was our way of compromising, meeting in the middle with something we both understood. Even that summer, face to face, humor had been our best language.

By that month in Penyem, Amadou’s village, the star Wadar would have been high on the horizon, a portent for the end of the rainy season. The harvest would be nearly complete, and the fields would be dotted with women bent against the weight of their babies, knocking peanuts from the roots of the plants. Aicha, the baby girl who was born on July 24 while my group of volunteers slept a few yards away, would be learning to smile at three months old, and choking dust would have begun to plume behind bikes and cars on the roads.

August, four months before the snow hit New York, had marked the middle of West Africa’s hot, rainy season. My group of volunteers, had accomplished our goal of building a chain-linked fence around the community garden in Penyem. We boarded a plane home from Dakar on the morning of the ninth. That afternoon, I found myself in my home city, staring through the Buffalo airport window at my father’s parked grey Sonata.

Except for a few quick, static phone calls through the African Gam-Cell company, which allowed even some of the poorest families in Penyem to own a cheap cell phone, I hadn’t had contact with my mom and dad in two months. Their faces behind the windshield looked unreal until my mom got out of the car and motored toward me, leaving the passenger door wide open.

The familiarness of her, rounding the revolving doors in black Teva sandals and half-rimmed glasses, unraveled me. We were both laughing by the time she got to me and we stood like that, locked together and swaying, as my dad waited behind, grinning and breathing like a wrestler in his hiking boots and a “Life is Good” T-shirt.

I don’t remember crying, though I must have; I remember the relief and weightlessness as my dad hoisted the purple monster of a backpack from my shoulders into the Sonata’s trunk. My mom took the African drum I’d bought for my brother from my hands, smiling at me like I was going to disappear. I grinned helplessly. My skin felt travel-thin, and I had forgotten how good it felt to have my parents lift my burdens, at least for a little while.

“Did you just get this cleaned?” I marveled, running my hand over the seats of my dad’s car. The vehicle seemed an impossibly tidy after two months of crowded African bush taxis with ripped upholstery.

My dad grinned and tapped the new air freshener dangling from the mirror. He looked both exhausted and relieved in the reflection as he buckled into the driver’s seat, his balding hair sporting a few more grays than I re- membered. “I can’t believe you’re home,” he said honestly. “Mom and I have just been talking about this day for so long, coming to pick you up—it’s kind of unreal.”

My mom got in the car silently. She kept glancing at me over the seat, the corners of her mouth twitching, and then squeezing my hand and turning away in tears. I remember feeling moved but muted, unable to figure out how to convince her everything was actually alright. It was my father who slid his finger under my mother’s L.L. Bean wristwatch, as if to remind her of the here and now, and held it gently hooked there as we drove.

I thought of Amadou then, as I had every mile over the Atlantic. He had professed responsibility for everything that summer; for me not stepping in puddles on the road, for the hardest labor at the garden fence project, for his huge family’s well-being. He was capable, there was no doubt about that, and as a man and first son from his culture he wore responsibility like a God-given weight. My independent, feminist side balked at his self-importance, and yet I had needed his hand on my back to guide me away from scorpion grasses, and his effortless categorizing of the complex African family system, and his quiet reminders not to use my left hand for eating. It was the way things were. When on hot nights his mother and father curled up outside on their concrete veranda with the younger children, Amadou would sit up late like a watchdog, guarding them from something I didn’t understand and calculating his life, as he once put it, like math.

Part of me wanted to be guarded by my parents back in the States, to curl up in their familiar asparagus and rice dinners and doze on the front porch for hours while they held up my life for me. Coming home from Africa was strangely similar to coming home from college—I felt both carried by my parents and responsible for protecting them, retroactively, from the loss of a daughter to an unknown world.

Perhaps partly for this reason, the one burden I couldn’t unload on them that day was that of missing Amadou: his company, his lean body, his tight smile. His loving declarations.

My mother knew our relationship had gotten romantic. I’d told her one night on the phone, pacing between the latrine and the kitchen, just desperate for someone to make sense of what I’d allowed to happen. Shaking with nerves, I described our friendship, Amadou’s overtures, my uncertainty and growing trust. After a silence that had nothing to do with the phone connection, my mom took a deep breath.

“The best love can be the kind that you never expected,” she had said.

It had surprised me, this weird new love—it was like an electric shock. That night I had latched on to my mother’s words like a prayer, but in the car with her I could barely think of Amadou. I focused instead on the concrete things around me, on telling my parents about the spicy food, the women who lifted their arms like aggressive birds when they danced in circles in be- tween chores. I talked about the fence, a definable project. A large part of me was desperate for my trip not to become a silent stereotype or boxed-up love story, as people crave it, or perhaps as I did.

The fence had been the daily routine, the discussion topic, the meeting point of the village. Every morning, before the day’s heat could burn our lungs or get into the ground, we would gather up shovels and water bottles and walk the hundred yards to the garden, scattering clusters of goats and chickens. Three American girls, four boys and our Gambian counterparts, all men, pulled up the old, rotting fence before mapping out the new one. I loved the hand-hardening, skin-darkening work, even though our African helpers could effortlessly carry six iron posts to my two. It became a given that the men took the harshest work. The girls and I accepted our gentler tasks with resentment, carrying water and untangling wire as the men sweated.

Amadou was one of the Gambian team, slighter and quieter than the other men. He wore a red baseball cap and a sleeveless blue jersey and ducked his head in deference when he laughed. Once, on a digging day, he came up behind me and gently removed the shovel from my hands.

“Like this,” he corrected seriously, and I bit back my protests, stepping back over a bed of pungent, rotting mangoes to watch him dig the hole with fantastic efficiency.

“Thanks, I get it now,” I cut in finally.

He handed me the shovel and grinned. “Don’t strain yourself,” he advised, paternalistic.

I rolled my eyes. “I’m fine.” Amadou watched me keep digging, slowly but better. You work hard, Rach,” he said.

I looked in his face for the joke, but there was none, and I smiled back at

him, surprised by the strength of my gratitude. He picked up another shovel and worked next to me in silence.

In the U.S., my dad’s car passed a co-ed construction crew, two McDonalds, fleets of semi trucks. They gleamed like bars of gold against rows of summer trees, gorgeous and manicured; I’d never noticed how many of them lined the highways, or how smoothly the pavement hummed under the car. I thought with amazement, I can slur my English here and still be understood. I can look a man in the eye without appearing brash.

When I got home, I took a real shower with heat, and tried to stop com- paring everything around me to its equivalent in the Gambia. I didn’t want to be obnoxious about the contrast, even though I felt it acutely. I was already hoarding memories as if preparing for a hellish, mind-erasing blizzard.

A week after I got back, I got a call from Marissa in Michigan. Of our set of eight volunteers she had been the first to split off during that exhausting return trip from Dakar. After we waved goodbye at her connecting gate, the rest of us had stood awkwardly in our African garb, amidst the business-suited airport rush, for a long time. “And then there were seven,” murmured Will.

We’d all been thinking the same thing. Now that we were splitting up, I wasn’t positive anymore if I’d ever see them again.

It was Marissa who had seemed to organize and epitomize the oddities of our group, with her high-pitched laugh, springy dark hair and collection of hemp and glass necklaces. When I picked up the phone from home, I leaped up at the sound of her voice, squealing my African name.

Jainabaaaaa!”

“Manga—kasumai! Benu kine?” I reverted to Jolla automatically. The African sounds solidified all the memories instantly—the communal dinners, the card games under mango trees, the clogged, colorful marketplaces—in a way English conversations could not.

We babbled our way through our African languages and then reverted back to English as I knelt, shivering with nostalgia, on my bed. I had been practicing not to lose those speech patterns, the vividness of the trip—my room was covered with African fabrics. I clutched the phone like a lifeline.

“I miss African fruit,” Marissa groaned. “And bush taxis, those death traps. And the kids, and building the fence.” She paused. “You must miss Amadou a lot.”

I didn’t reply. It was both mortifying and thrilling to remember that she had witnessed our romantic relationship. It was a relief not to have to start from scratch to tell the story, but picturing Amadou waiting for me halfway across the world tightened my chest. I felt thin under the weight of his expectations, my expectations, and those of my family and friends.

 

When I found the Operation Crossroads Africa program online and spontaneously applied the fall before, I had longed to seek out these strong connections. I wanted to challenge myself with cross-cultural relationships, do something that scared me. I had pictured running with local kids in the rain, holding their hands, forging close friendships over cultural barriers— but I hadn’t planned for what would happen after I left.

Amadou had dreaded that separation visibly, and expressed it often. I hated to hear the listlessness and lack of hope in his voice because it mirrored mine. I remember insisting almost angrily that new adventures were a certainty, that of course he wouldn’t be bored out of his mind forever.

That day in July we sat on our bench outside the day-care center, my group’s makeshift compound, trailing our sandaled feet in the dust while kids thudded past. My group’s approaching departure filled the hot air.

“Everything changes,” I said, groping for some big-picture concepts. With two weeks left I could still talk about leaving in the abstract. “You’ll grow peanuts and get a new radio and see your friends, and I’ll see my family and go to school and learn some amazing things…”

Amadou interrupted me. “Fuck-shit,” he said softly, more like a reaction than an insult, and I stopped, realizing how stupid I sounded.

Amadou’s elbows were propped on the knees of his favorite jeans, his eyes on the running kids. The jeans, embroidered with the name of a rapper I didn’t know, he wore even in the heat. His toes poked out of ripped Adidas sandals, rough and cracked just like his hands. The marks on them were from accidents with the machetes he used to clear brush in the fields. On his family’s cattle and peanut farm, he had told me, there was no shortage of work to build hard hands. He had stopped school after sixth grade because of his family’s money issues.

I picked at the hem of my wrap skirt, throat closing. “It’s so strange, Ams,” I managed. “I can’t imagine not being here, not waking up to cows and goats and the call to prayer, visiting your compound every day. Your family is like family to me.”

Amadou nodded. “They are your family now, you know. You are very close to me now and they know this, they are very happy.” He chuckled a little. When he laughed his cheeks made smooth, nut-colored hills and his eyes softened from their normal reserve.

“I will miss everyone,” he said, biting his bottom lip and looked at me. “It will be a long time missing, Rach.”

My heart kicked like a donkey, like a girl’s heart, as it always did when he said my name. He’d always called me by my true name, and was the only person in Penyem to ask for it. When we met at the fence, I introduced myself as Jainaba, the name I’d been given on the first day, but Amadou shook his head. “No, your American name,” he said. My name had sounded strange on his tongue, sharpened into a hard Rruh-chel, but I craved hearing it, to be reminded daily of who I really was under the African clothes, the stumbling local languages and plaited, sun-baked hair.

He shortened it to Rach later. It was these small things that I fought for so hard when I came home, battling the bad phone connection, time difference and culture shift to get in a five-minute phone call to Amadou’s cell phone. When the connection went through we reminisced almost desperately, about our group members and their absence in our lives, about fresh, dense cow’s milk, which he had presented to me in a plastic bag. We talked about the weekend trip to the beach at Gunjur where the two of us walked for hours by the fishing boats and seagulls, talking about Gambian marriage and religion. He had stopped in the waves then and peered out at the water, which he was afraid to swim in, as if looking for something.

“Ruh-chel. Where is your home?” he had asked.

I thought about it and pointed out and slightly northward to some imaginary point on the horizon. “It’s right about there. Buffalo, New York. My parents are probably starting breakfast right now.” I fought a wave of home- sickness by digging my toes hard into the sand. Amadou was still, letting the bottom of his shorts get drenched by the waves.

“That’s the U.S., right there?” He pointed, and I nodded. He squinted as if he could see the Statue of Liberty. “The U.S,” he repeated, as if he were pronouncing, paradise.

I remember reading much further into his tone, too: reverence and resignation and bitterness and disgust and understanding and misunderstanding. I stepped back to give him space for something I couldn’t, or perhaps didn’t want, to interpret. So many Gambians thought the US had everything, and I wanted to tell Amadou that lots of people lost their dreams in that paradise he talked so much about. Instead I was silent and we walked on. Later he showed me a childhood game he played with his brothers, where they pushed their feet into the wet sand to build little compounds, and drew lines for roads with their tiny fingers.

 

Months later, in New York, my house seemed filled with people. Neighbors stopped on the porch to see how my trip had gone, and my friends wanted to see pictures, which I flipped through so many times I memorized the order. My aunts called, eager to hear how the traveler was. I had become the family poster child for world travel, and felt smothered by the role, convinced I was fulfilling some awful stereotype and that the trip would be cheapened by their assumptions. Everything, it seemed, made me cry. My brother Eric, a year younger than me, sat up late with me going through my pictures again and again, listening to me tell him how Amadou had told me he would never joke with a woman, and how when he used English incorrectly he seemed to hit poetic truths I hadn’t considered. The tears seem wasteful, now, boxed up by time.

My parents, like my brother, were overly gentle. They were conscious, I think, that their daughter was going through something they could only guess at. They forgave my long silences, my excessive comments on the absurdity of our luxuries, the dishes I left out on the table. I had repeated for them the reminder I’d heard in my volunteer group, and from the Operation Crossroads orientation—that “return culture shock” would be more intense than in the other direction. My mother gathered this information up grate- fully and ran with it, telling friends and family over the phone that I was “adjusting.” I was grateful for the buffer, but didn’t understand the process myself. My own house felt like an inn, there to house this transitory version of myself temporarily.

With only a week left before my senior fall semester would start, I was driven home from my friend’s house with a high fever. I recognized the signs of malaria immediately—intermittent waves of fever, chills, and full-body aches—from the symptoms of my group members on the trip, and my mom skipped school to take me to the hospital the next morning.

In the same waiting room we’d sat in months before, for immunizations against the disease it seemed I’d gotten anyway, we sat in front of the televisions. My mom read her book diligently, her way of keeping calm, and sat up when a nurse approached us.

“You’re lucky,” the nurse said. “We only have one foreign diseases doctor in residence, and he’s in today. He’s one of the best doctors we have.” Her look was one of unmistakable pride. Dr. Kumbo, we learned, was famous for his intelligence, skill and also for the compassion and personality that made the resident nurses stand straighter behind their clipboards and say his name as if he, himself, was the cure.

We waited longer than we wanted without complaining in the little examination room. I clutched the exam table, grateful for my mother’s sol- id presence in the room, and fought foggy waves of nervousness. When Dr. Kumbo opened the door, he apologized for his lateness and shook our hands before leaning gracefully on a stool. He was shortish, younger than I had expected, maybe in his thirties with a full head of blond hair and comfortable eyes.

“You’ll probably have a lot of interested people coming in to ask you the same five questions,” he said apologetically. “We don’t get a lot of African dis- eases in here. But this is a private discussion, just so you know, and they don’t have to know anything we don’t want them to know. They’re just curious, as good medical professionals should be.” As he spoke, the waves of fear and sick inconsequence subsided.

“Will you give us a moment alone?” he asked my mother. My mom looked at me and raised her eyebrows, but left the room. I can only guess at what she was thinking.

Dr. Kumbo sat on the stool again. “I’ll be concise here,” he said kindly. “And I need you to be as honest as possible with me. Did you have sex while you were in Africa?”

The room was suddenly dislodged from the continental world, floating in some landless space and containing only me in my sweater and jeans, the exam table, the cabinets full of medical supplies, the man in front of me. I nodded, unable to speak. At that crossroad in my mind, Dr. Kumbo had ceased to be a doctor, and had become instead my only guide to surviving the next indefinitely long section of my life, with its own scorpion grasses and strange growths and unmarked roads.

Dr. Kumbo was nodding acceptingly.

“Were you safe?” he asked.

“Yes!” I was defensive. “We’re still in close contact. I talk to him every couple of days.” We agreed to give it a shot, I wanted to tell the doctor. I told Amadou that I would come back to the Gambia to visit when I got enough money. I needed to defend our relationship from something I couldn’t define, partly because I had a good idea of what Dr. Kumbo was going to say to me next.

“I ask you this because there are some things we have to rule out,” he said kindly. “You probably just have malaria, or something similarly non-life threatening, but there is a slight risk that you may be HIV positive.”

Shame washed over me like a cold bucket shower. I covered my face with my hands.

“A very slight chance,” Dr. Kumbo emphasized. “But it’s my responsibility to inform you of it. Okay?”

I nodded dumbly. My muscles felt shredded; the fever pounded at the backs of my eyes. You got yourself into this, I berated myself. You got yourself into this.

Dr. Kumbo studied my face gently for a second before taking off his gloves.

“I traveled a lot when I was younger, about your age,” he said. “I traveled to India, the Philippines—all over the place, anywhere I could go, I just wanted to go.” He tossed the gloves into the trash from his seat and rested his naked hands comfortably on his thighs. His gaze was steady, and by the way his voice changed I could tell he was uncharacteristically off the record. Empathy lifted my head. A central part of me understood the desire he described: to bust outward, to send your mind out before your body to all corners of the globe.

“I did some things I regretted,” he said. “With girls. We were young, I was stupid, far less prudent than you were. And there was no love there, as it sounds like you had.”

I cried to hear someone say it out loud.

He went on, “My experience from then on ended up being the catalyst that brought me here, to sit in front of you, to be a doctor of travel-borne diseases. I guess what I want to say is,” and he took a deep breath, searching carefully for words, “Travel brings out parts of you that you didn’t know existed. It changes your normal systems. You end up making decisions you wouldn’t expect of yourself in a million years.”

We looked at each other and I let out a laugh of relief or absurdity or nerves or all three. Dr. Kumbo closed his eyes as if to say, “I know, I get it.”

For a few minutes my mother, the hospital, the approaching semester, all were completely forgotten. What was left was an acute awareness of my solitude; I was suddenly inside a body I didn’t know or understand, a new physical landscape. The Rachel I had known was now polluted by an unknown toxin, overrun by outcroppings of guilt, pride, and longing, and ravaged by the strain of trying to fall asleep and wake up in another country. As I waited for my mother to come back into the room, I understood instinctively that my only destination from then on would be health. Not college, not Penyem, not Amadou. With the retreat came an overwhelming and surprising sense of peace.

The hospital performed some tests, and I stayed the weekend at the hospital, propped up in an otherwise empty room because my quarantine forbade roommates and discouraged visitors. This didn’t seem to bother my parents. My mother smoothed my forehead and brought me tupperware containers of strawberries. I kept the possibility of HIV a secret from her, and everyone, ashamed and determined to ride it out by myself; I wouldn’t receive conclusive tests until six months had passed. I fought my fever and slept. There was no room to imagine Amadou’s face as it would look if he were here, standing dwarfed by endless walls of chilled sterile tools, or tasting the relative luxury of hospital food, or staring down from the fifth floor of this brick and steel palace.

He called me that Sunday on my cell phone, breaking into my reverie of repair.

“Rach,” he said, his voice muffled by the bad connection. “I haven’t heard from you. You okay?”

“I really am,” I said, astonished at how easy it was to talk to him suddenly. His voice had changed for me; he seemed farther away even than he had before. The IV machine hummed peacefully next to me. I assured him I was well taken care of, that the malaria was under control. The HIV threat stayed lodged in my throat. I could tell Amadou was worried, but he subsided at the peace in my voice.

“Rach,” he sighed. I imagined him sitting on the edge of his straw bed, staring out past his door curtain into the afternoon courtyard, where chickens and goats scratched the dirt.

“Amadou,” I answered.

It was the start of a ritual we would establish in the next months of phone

contact, a cycle of repeating one another’s names, asking after the other’s parents and siblings, comparing our weather patterns as New York dipped into snow and the rains stopped in Penyem. The things that connected us now were few and simple.

That winter, November, I woke up with a shiver that had nothing to do with snow. I had dreamt that I was at a barbecue in the suburbs and felt a twitch in the air behind me. When I turned, hotdog in hand, I saw that Amadou was ripping a hole in the air, and through the hole I could see the red dust of Penyem.

“We are having a race,” he told me, his face blank with assumption. “Come and watch—I’ll win it for you.”

I called him that day. My brain hurtled ahead to marriage and moving to his village and growing peanuts, or flying him here to the cold, lonely de- mands of American capitalism, and I chilled at the thought of being trapped together in the wrong climate. I realized I was falling in love with New York— as irreversible and unexpected a love as I’d ever experienced. In the release, I felt again that familiar suspension between continents, rooted in both and neither.

“I thought I could do it,” I told him on the phone. “I really did.”

“Rach,” Amadou replied, voice shaking a little, “S’okay, you know. You are in the U.S, it’s very difficult.” I nodded as if he could see me, and he said, “You know I keep always on the good side, don’t worry much about me.”

It was what I needed to hear to pull out of Africa and root myself on that New York slope; Amadou knew this, I think, and granted me that leave as a parting gift. Navigating my campus that semester, searching out African clubs and classes and aesthetics, I protected and sometimes hated the weight and weightlessness of his gift, bursting as it was with sacrifice, and empty of accusation. Evidence that he was somewhere turning away with his own set of gifts, facing a familiar country made foreign.

 


 

Rachel Svenson is our first contributor to Post Script. Svenson graduated in 2010 with a degree in English (concentration creative writing). After graduating she moved to Brooklyn, and waitressed for a few months before being hired as a teaching assistant at VOICE Charter School, an elementary school in Queens. She is currently working odd jobs while submitting applications to MFA programs in New York City. Her advice to graduating seniors would be to carve time for creative projects, even if the choice is a tough one.

 

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Lucia LoTempio

The Heart as an Autoclave

He says you smell as warm as elevator buttons
& set a precedent for fertilizing
sealed mason jar orchards,
predicated upon flooding basements
with cement. He had tired of love

being your partiality for tops of gas station muffins
& his bottoms—barbers catalog their daughters
with bulk cigarettes & pepper-spray. Count

on eyelashes the times his mother saturates
his steam, flaring the mechanism’s pressure,
& hemingways her will. Overwhelmed

by drowsy mumblings between sliced waves
of overall tags & clouded VCR chronicles,
he startles at your bacteria
buzzing in the autoclave: his blood & foam
congeal, cake down leg hair—split
grainy scab pockets off
to stick your teeth, bottom to top

 

Rolodexed Apologies for My Ex-Girlfriends

(f) I’m participating in electroshock therapy to not look for you in the clumps
of smokers outside our building—withholding so I can savor the runs
in your nylons & how your swollen pencil circles close & open from the bottom.

(g) Kindergarten: my addiction to the coat closet, hiding to scare all the girls—you piss steady-
quick on your stirrup pants, darkening like elephants getting hosed down at the zoo.
It smells onto a lunch box & the linoleum. I steal my sister’s Mickey Mouse watch
for you, his tangled arms windmilling—how dad candyboxes mom.

(h) I decide to watch the cursed Atlantis VHS with you: every girl who has potatobug-curled
on my lap as it starts has dumped me the next week. I fuck you over the couch arm
while it rewinds.

(i) On the subway you thumb your pill through the foil with a soft pop
& drop it. At dinner you take it calm with their cheapest shot. You say, I try to take it
every day.
I say, Try?

(j) We are banned from that Whole Foods—caught in the women’s restroom, sink-washing
parking lot bird shit out of your hair with paper towel crumbs & coke-fizz handsoap.
You were Coney Island: a place I’ve never been, but imagine abhors being written about.

 


Lucia LoTempio is a junior English Literature major at SUNY Geneseo. She was born and raised in Buffalo, NY. She is obsessed with Marquez (but who isn’t?) and posters that are still up and advertising events that have already passed. She hopes to pursue an MFA program post-grad.

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Dean Tripp

The Poet Imagines Himself Leaving Home

The Hopi have a word for–
you don’t care. I’ve told you this
a thousand times. I bled
a cactus, picturing my father.
I got an erection. I sniffed at what
he leaked. It was a familiar smell:
green, sad. Who do we think that we are
deep down? Man’s no ocean. No orchid.
Painters tired of their human portraits:
lying mirrors. I’m bored of writing them.
The cactus will cry and sputter if you cut
it when it’s dry. I loved that thing.

 

Absolution

These days the wind utters slack-jawed diatribes on every small town. We
are sick of ourselves yet we don’t wear condoms. Instead we equate loneliness to

symptoms like varicose veins—vomit white prayers
into every survival story. Our homes no more than sad testaments

to cruel ingenuity: relicked frugality. Our children drink from green hosiery
as it anacondas the perimeter—they hold their noses to the blood-smell of it,

the rust it drags across their palates. Graffiti patrons watch documentaries on
Caribbean earthquakes, send as much as they can. Vaguely remember a history

lesson As soon as coin in coffer rings…From their limousines and Escalades
they crone through cracked windows Get well soon and Gentrify yourselves.

My father’s keepsake: a line from Titan’s daughter reads One day we won’t
fear you, I promise. Your monster will wind away. I can love you then. It can’t kill you all.

 


Dean Tripp might be a senior at SUNY Geneseo. He’s studying creative writing when he’s not at home in Argyle, New York ignoring nature. He plays too many video games and binges Netflix ad nauseam. While he has never been published, he hopes that one day he can so that he may get into the exclusive club in Heaven that Kurt Vonnegut sits in, drinking whiskey and being sad. He doesn’t drink tea.

 

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Pam Howe

The Truth Chair

His apartment is about a forty-minute walk from yours—up Santa Monica, over to Hollywood, down La Brea—but you don’t mind the heat. Who needs an expensive gym membership, you tell yourself. Besides, these long walks between your apartment and Lenny’s give you time to think, to analyze, and you’ve needed that lately. Something’s been different these last few weeks. You’re not quite sure what it is or what it means but you better figure it out—this friendship means too much to you.

You cut up Third, anticipating the automatic doors of that store Fancy Pants for Men (or something) where you will walk a little slower than normal, stop, taste the sudden blast of air conditioning as it shoots you in the face, arms, chest, legs. The thin wisps of hair covering your body stand in formal gratitude of the sudden chill. Imagine yourself a modern-day Marilyn, posing in your ex’s army green cargo pants, your cotton camisole, flip-flops. The cool air loosens you from your sticky skin.

On Detroit, a bright red electric sign winks the word GARAGE and you can’t help but notice that first two neon letters have blown out. The flashing R-A-G-E pleases you, as if some secret message was being sent from someone, somewhere, who has more information than you—someone who knows the whole story. It’s just like the time someone shot out the S in the Shell station across the street from your apartment. An old prank for sure, but for weeks that first summer in Los Feliz—when you fought insomnia and hadn’t made friends yet, when you’d climb out onto your fire escape and smoke cloves all night—the glowing H-E-L-L beamed steadily at you like neon smoke signals of some shared understanding.

Then again, maybe your fondness for neon is just simple nostalgia for the dancing hula girls of the Midwestern motels of your youth, or the fleeting promises of Nevada’s Gold-For-Cash shops of someone else’s. The flash of a long lost face sparks in your mind, but you push it all away. You move forward with only a backwards glance as the RAGE flashes, thinking: if only I had a camera.

If only you owned a camera. Well, if only you owned a camera that works. There are four somewhere in your apartment. Not one of them actually takes pictures, but other than that they’re perfectly good. Seems a waste to throw them away when someday you’ll meet someone who fixes them and wish you still had all those almost-perfectly-good cameras. You think of your Canon callback this morning. Cross your fingers; you could use a national right about now, the residuals from your Eggo have dwindled to less than SAG dues. You need a good pharm commercial, something for blood pressure or mood disorders, those commercials run all the time—set you up for life.

You’re still fantasizing about all the things you’d buy with a decent erectile-dysfunction gig when you see it: an elegantly handsome black leather Eames chair. It’s precariously posed on the curb with a sign duck-taped on its back, the word FREE scrawled across a piece of lined yellow legal pad shaking in the breeze. Your heart flickers for a second, the way it would if the MegaMillions lady pulled your lucky numbers, but you hold back because you’re not that kind of girl—lucky, that is. Upon closer inspection you notice a crack in the chair’s base, but that’s what they invented Krazy Glue for, or Gorilla Glue, or was hot glue? Well, there’s that Home Depot off St. Andrews, right on your way home; they’d know for sure.

Next to the chair, in the grass, is an old empty birdcage, a toaster oven with no door, a dusty old black-and-white, a rolled oriental, and a heavy metal filing cabinet. There’s a couch and a steamer trunk and the old end table and, yes, as a matter of fact, you have seen this all before. You wonder why he’s throwing out all his stuff. Is Lenny moving? Did Lenny move? Did he win the lottery himself and buy all new stuff? Is he even okay? Could he have hurt himself? You started to worry the minute you started to wonder because he’s not always—what’s the term—“emotionally stable.” But at the same time, you have always loved that chair of his. Should you leave the chair then come back when you discover he’s fine, just being—what’s that other term—“eccentric?” If you wait, it might be gone.

Then again, do you really need another chair?

It’s the free that gets you, every time. The sign may say free but the words you read are limitless potential. You’re crafty, you can rewire, refinish, re-whatever anything. You imagine yourself at the next dinner party you throw (the first dinner party you throw) saying, “Oh that? Found it on the street, all it needed was a little re-working.” The problem is that even the best intentions don’t make things right, and that night stand next to your bed is still not fixed. The one with one leg that’s slightly shorter than the others, barely noticeable (except when you set a glass of water down at night and wake up with a wet pillow). Yeah, you gotta fix that. You have swatches of delicate fabric for the someday when you get a sewing machine, old records for the someday you get a record player, vintage ties for the someday you get a boyfriend, the list goes on. Let fate decide it; if it’s still there when you leave, it’s a sign.

Buzz yourself in. The door code hasn’t changed in the three years since he first gave it to you. Take the stairs but stand outside his apartment before knocking, work out a game plan to inquire about the furniture outside. Do not just come out and ask, because that’s what he wants. You’ve been friends long enough to know that. He’s like a child that way—his erratic behavior only encouraged by concern. Listen. He is crooning a Chet Baker song behind the door and it makes you smile. You picture him holding a wooden spoon to his mouth like a microphone, an intentionally blurred memory.

Lenny opens the door with a smile that crinkles the sides of his face. The smell of crisp duck skin rushes at you. Sizzle seeps from the kitchen, the sound of melting fat from fowl bubbling into a shallow baking pan of lemons and rosemary. It hits you—the singing, his smile, his cooking, his mood—he must’ve signed on for another season. He was worried he’d asked for too much, but his agent assured him, you assured him. Everyone loves the show, they love his food, they love his insane antics and impromptu songs about Loch Ness Monsters and sleepwalking sloths. People love to laugh in the kitchen. People love to laugh.

You want to congratulate him, but wait until he tells you. Don’t ask, in case you’re wrong. His moods are so fragile. Change the subject in your mind. You scramble for your clever opening remarks but your stomach beats you to it with an audible longing for duck fat-fried fingerlings. You’re embarrassed. You might be blushing, and that’s definitely not cool. Quick, say something, cover with an insult.

“Damn, Lenny, you cookin’ a dead hooker in here?” Perfect, not only did you insult his culinary abilities but you may have also suggested he’s a murderous perv. Score one for you.

Lenny jokes, “Found some three-day-old Bandicoot breasts behind Trader Joes. Can you believe how many delicious endangered species go to waste in this town?”

“You just wanted to use the word Bandicoot,” you say.

He shuts the oven door and stands. “I saved the Styrofoam trays ‘cause I know how crafty you are,” he winks.

Damn. Something about the way he delivers the word crafty conjures images of mom-jeans and home perms, scrapbooking infomercials, and crockpot cookery, and that one word shines a florescent light right onto the very person you hope to god you’re not becoming.

Say, “I’m surprised you didn’t put the Styrofoam on the curb with the rest of your shit.” Gesture toward the almost empty living room with your eyebrows, waiting for him to elaborate. But he doesn’t. He kisses your cheek and takes the groceries.

“Man, whatchu got in here?” is his only response. And then, “I asked for sage, are these Skittles?” The groceries slide onto an island between the kitchen and the living room. The bag falls to one side, scattering limes like chubby children fleeing station wagons at a highway rest stops. Some of the limes make suicidal leaps to the linoleum, one anti-climatic thud after another.

Lenny doesn’t have enough hands (or coordination) to catch them all, and yells in a falsetto voice, “Oh no, save the children!” proving once more his uncanny ability to read even your most abstract thoughts.

Whenever he does that you say, “Get the hell outta my head,” even though it’s the last thing you really want. You rescue the limes, laughing. He turns to check on the bird. “Duck?” you ask.

“Duck,” he answers.

“Goose!” You yell, as you pull a liter of Grey Goose from the bag. “Ahhaha, get it?” Show him the label on the bottle of vodka, wait for him to appreciate your clever quip. True, usually if you have to say “get it” after making a joke, it’s not much of a joke. And maybe that’s the case here, too, but it was clever; he’s going to have to give you that, at least.

He rolls he eyes and shakes his head, and makes some sound like you just sucker-punched him, but it’s all the acknowledgement you need. Try not to smile too big. Unpack the bag. Pull out the two DVDs, a pack of Skittles, then the beer. One of the Coronas catches the small yellow box, and a dozen or so cigarettes erupt like hot lava from the sack, onto the counter.

“Forget the children, save the cigarettes!” You shout. You’re all thumbs shoving them back into the box, breaking half of them. Grace is not one of your attributes.

“You bought top shelf?” he asks while motioning toward the Grey Goose. Shrug one shoulder. Shrug the other shoulder and lift both hands, then cock your head to one side, as if you’re the last laugh before the shot cuts to commercial. Cue the canned laughter. Len ignores your ridiculous pantomime. “Seriously, what’s the occasion?” he wants to know.

“You tell me?” You wait for him to say they’ve signed him for another season. It’s amazing timing, you’ve created the perfect set up for his big announcement. Smile knowingly, wait. But something flashes from him that you can’t quite figure out. It’s fear, or nerves, or something else, and you realize maybe they haven’t renewed his contract. You do your best to cover, “How ‘bout just ‘cause it’s June and we’re both still single?”

“Right,” Lenny nods. Then, “Stop, Jameson.” He calls you by your full last name when he’s exasperated; normally he shortens it to James or Jamie. He hasn’t called you by your first name since, well, back when you were both different people. “You’re breaking all the cigarettes. Jesus. Go sit down, I’ll get these,” he scolds, shooing you away.

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Christina Mortellaro

Chipped Polish and Hidden Cigarettes

There was a knock at the door: two loud thuds and after a pause, three small consecutive hits. John opened the door to discover Prudence. His ex was anything but. Today her constantly-changing hair was a shade of aubergine that reminded him of her old vegetable garden. Her stockings looked new but were still (slightly) ripped like the strong muscles beneath the fabric. He thought about how she kicked a hole in the apartment wall with her Doc Martens during their last fight.

But today, today she stood there, eggplant hair and cardigan-clad, with a loaf of French bread underneath one arm and a bottle of wine in the other.

“Bonjour, mon ami!” she exclaimed amicably. She drew in closer with strawberry lips and left the juices on both of his cheeks.

“Hey…it’s such a surprise,” he said, rubbing the lipstick off his stubble with the back of his hand.

“I know, right? Who would have thought you’d see me again?” She paused and waited for a response. There was none. “Anyways, I brought libations.” She walked past him into the apartment calling out in the other room, “Where’s the corkscrew?”

This is it, he thought. I’m going to die. Prudence is going to get me drunk, break the empty bottle of cabernet—or was it pinot…

“Found it!” The sound of the cork blasting off sounded like a gun. Her singing voice was so flat that even “Frere Jacques” changed to a menacing minor tone as it wafted through the apartment. John watched her hips swing as she strode into the kitchen. He contemplated leaving his own apartment but he thought about how he couldn’t very well leave Prudence here by herself, especially if Jill came home sooner than anticipated. He watched her lean over the sink to wash her hands, remembering the last time she was bent over in that spot. He turned around and shook the thought from his head.

“Hey, Jack,” she said, popping up behind him holding two full glasses. He jumped. “Why are you still standing there?” She tilted her head to the side.

He gathered courage and asked, “Why are you here?”

She opened her mouth but before she could reply, he stalked away to the bathroom. In the re-designed sea scape room, he lifted the window. Searching behind the towels in the closet, he found his pack of cigarettes and lighter. It had been six months since his last drag. As he flicked off the smoldering ash off of the second floor, he knew that if Jill caught him, she would bitch because she was allergic to the smoke and could smell “everything, Johnny.”

But, these were desperate times. He hadn’t seen Prudence in a little over than a year when he broke up with her and felt this constant aimless feeling. What was he doing with his life? Four years out of college degree and wasn’t even remotely working in his field. His student loan debt weighed down on his wallet. He needed to pay the bills but in order to do that without having a steady career, John accrued multiple part-time jobs: bartender, cashier, toll booth guy, custodian, etc. During one point in their relationship, he held three jobs down at once, never saw Prudence, and the void he felt only grew larger.

John figured that if Prudence could just get her shit together, maybe he could too. Maybe they could move in together, save money on rent, search for ‘real’ jobs, eventually get married—just do anything that would stop him from feeling so confused. And he had tried to tell Prudence in so many words what he felt. During their last fight, he only broached her part first—how he wanted her to be more serious. She started crying and said that John sounded like her parents. What was he going to say next? That she was wasting her potential too? She wouldn’t stop talking to let John tell her why he felt that way, why he needed to feel grounded, so in the middle of her hysterics, he said, “Prudence, I can’t do this anymore.” In response, she kicked the hole in his wall.

He took one last drag after he thought about her leaving that last time, threw the cigarette out of the window, and put his pack and lighter back in their hiding spots. Then he sprayed the room with Jill’s air-compressed lavender and gardenias.

He found Prudence looking out of place sitting on his new, solid couch, looking at a photo album of a picnic in Central Park. Last time she was at the apartment, the only furniture in the living room was a beaten-up orange-plaid couch from the ‘70s with broken springs and mysterious green stains, a couple of TV-tables, and a 16-inch television on top of a bookshelf (both were found on the curb to be thrown out). Now there was IKEA furniture, a new paint job (“Sun Shower” to be specific), and equally-spaced out paintings of giraffes. Prudence’s hand lingered next to the photograph that showed a couple clinking their water bottles together like champagne. She didn’t notice him nearby but he saw the muscles in hand tense up on the page. He cleared his throat and she looked up.

“Why are you here?” he repeated. “What do you want? Okay, last time I saw you, you told me—let me quote you—to ‘fuck yourself, you fucking fuck-face.’”

Prudence took a sip of her wine. “Hm. I think I do remember that. I probably could have come up with better insults—stuff about goblin toenails, unsightly back hair, and that stupid expression you make when you’re insulted. Yeah, that face you’re making right now. I just want to put a Popsicle in there or something.” She laughed to herself.

“You need to leave.” John closed the photo-album on the table.

“God, it’s just a joke. And no. Not until we clear the air,” she said as she waved the air with her hand. John realized it wouldn’t be easy to make her leave. “I want to move on. Clearly, you have based on the picture of you and that tiny, tan blonde holding the Evian. First thing first—when did you start drinking water out of plastic bottles? Your eyes almost literally shot daggers at me when I brought in a Dasani one day. And second, what’s her name?”

Ignoring the first part of her question, he said, “Jill.”

“How cute. Jack and Jill. Aren’t they brother and sister though? Creepy.”

“I think you mean Hansel and Gretel,” he said.

“No, I mean Jack and Jill. I know Hansel and Gretel are siblings.”

“Please, Prudence. Stop with the jokes. I go by John now anyways. You’re the only one who called me Jack.” He straightened his shirt, and she picked at the dirt underneath her fingernails. He sat down on the cushion next to her, unsure of where to look. He bit down on one of his hangnails and looked at the floor, noticing for the first time that there were carpet lines from Jill’s vacuuming. He felt uneasy seeing the neat carpet against Prudence’s scuffed shoes so instead he looked at Prudence’s hands. Once upon a time he had them memorized—the mole on the side of her middle finger when she flipped him off, the callouses from gripping her pen too tight, the small curve in her pinky finger (“It’s artistic!”), the constantly-chipped clear polish on her nails that created depth even in shallow nails beds. But now, he looked for the mole and he couldn’t find it in her fidgeting hands. Today there was light purple nail polish on her fingers.

“You’re different,” he said.

She looked up and slightly smiled. “Aren’t we all now? I don’t remember you ever wearing those stuffy button-downs before.” She pointed to his pressed shirt and then raised her hands.

“Or drinking out of plastic water bottles! Crazy! I guess you did get more serious.”

“Yeah, work clothes. I’m actually doing some ad-design work with an agency.” He half-smiled, unsure if Prudence would judge him and think he sold out to corporate. Well, she’s probably already thinking that just from the looks of this place.

Prudence rested one hand on her chin and said, “Well, I’ve got this job as a secretary—excuse me, an ‘administrative assistant,’ at this up-scale tattoo parlor.” John’s eyes widened and she smiled. She touched his forearm. “It’s pretty great. I take client appointments and write down what sort of tattoo they want. The guy’s a genius. You should see his work,” she pulled up her sleeve to reveal a small but intricate willow tree on her forearm. “Isn’t it beautiful?”

John looked up at Prudence who was looking at her arm. He nodded even though she couldn’t really see it.

“Jack, you said I’m different. So what did you think was different about me?” she asked as she rolled down her sleeve.

“Where’s the mole?”

“I thought you were going to say my bangs. What mole?”

“Yeah, I guess the purple hair. The mole on your finger.”

“Oh, that.” She swatted the air and her hand landed on John’s hand. “Fate decided to slice it off.” She gulped her wine. “I’ll be right back,” she said and patted her stomach.

His hands started to itch. The memory of his body touching hers made his muscles ache for her contact. He pictured his fingers laced with hers back on his old couch and how it led him to think what they looked like laced above her head in his bed…. The toilet flushed and he shook those thoughts aside by stretching his hand. He closed his eyes and sighed. When he opened his eyes, Prudence stood with a cigarette dangling from her mouth as casual as a kid with a cherry Blowpop.

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Ethan Keeley

Half

She didn’t think much of him when she first saw him standing on the other side of her street that morning, facing her house but not exactly looking at it—she didn’t think much of him other than he was inadequately dressed for the weather. He was wearing a light brown jacket more suited for early fall, tattered jeans that were not only too tight but too short for his lanky legs, navy blue flip flops, and no gloves to cover his large hands. The neighborhood was completely quiet except for the ghoulish moans of January’s coastal winds. The holidays had passed and the younger people—save for this man—were either off to school or work for the day. It was just her, curiously staring out her window, and him: the world’s most absurd-looking statue.

Her first thought—or rather, her hope—was that he was probably waiting for someone or something to take him away from the stabbing wind she could now hear thrashing outside her home. A man’s attire, no matter how unfit for the conditions, meant little to her in terms of his character, so despite his appearance he must have had somewhere to go, someone to see, something to do other than endure the North Atlantic’s harsh winter air just across from her house. Tea in hand, she would peer out her window every now and then to see if he had gone. He had not. It had been one hour. He had not moved. He was a scarecrow a season too late.

The woman removed two heavy coats from the downstairs closet and put on the smaller one. The larger coat was the exception to her rule of not judging people based on their clothing. Her husband’s coat, a pitch black, wool pea coat, had been his favorite thing to wear—and her favorite thing to see him wear—as long as she had known him. They, too, had met in the winter some fifty years ago in Cape Elizabeth, back when her hair was long and blonde and captured the falling snow like a thousand golden tongues. She was walking her dog through the thick snow at the bottom of a hill where her future husband, adorned in his pea coat, was taking two boys sledding. They could have been his sons but turned out to be his nephews—something about him just exuded “Father.” He was just below average height but had perfect posture and stood tall for his lack of vertical advantage. He readied his nephews’ sleds with vigor and caution, never once losing the unfaltering smile spread across his face. While descending, one of his nephews must have hit a lip or a rock buried under the snow and veered too far to the left. The boy and the sled came within a foot or two of her and the dog. Everyone was screaming and barking as soft powder exploded all over them and the boy’s sled escaped from underneath him, bound for the woods a good distance away. But they all came out unscathed, and the pea coat man had frantically raced down the hill, nearly stumbling three times before reaching the bottom, blurting apologies and “Jeepers!” to her all the way down. She didn’t know then that Howard, this handsome figure toppling before her had just returned from The War in Europe. It didn’t show on the terribly human expressions bouncing all over his face, nor did it show in the clumsy halt he almost managed just before knocking her over as the slope suddenly ended. Judging by his weight for the split second he was on top of her she should have assumed he was a soldier, a man’s man, a patriot—even if she had, at the time she would have loved him all the more for it.

 

The man outside hadn’t budged, though the wind was now teetering his frame back and forth to the effect of an indecisive domino on an uneven table. The woman reached for the door and walked against the dagger wind as fast as her bony, aging legs could carry her to the frozen man. As she approached, his eyes remained staring at everything and nothing as they had been an hour before and God knows for how long before that. He seemed not at all distracted by the pea coat being carefully lowered onto his still and lopsided figure. At this distance she could see a prominent scar between his right cheek and eye, brown and protruding, made all the darker by the shallow, pale skin that surrounded it. His long, blonde, unkempt hair that covered both his head and most of his distorted face glittered with the thick ocean snow and vibrated furiously in the wind as if in an attempt to detach itself from his poor visage. It was strange to see a young man out there during the day in January, stranger still to see one so disheveled and ill-prepared, and strangest of all to see anyone but her husband in that coat. It automatically made the bearded man look more dignified as his arms were still at his side and by default he wore it as a cape.

“Oh, you poor thing! What on Earth are you doing standing out here? You’ll freeze to death! Here, come with me, come with me. That’s it.” The woman spoke slowly and as softly as she could, lest the force of her words finally topple him over. She felt guilty that she had let him stand out there for over an hour. Half embracing this total stranger half dressed in her husband’s coat, she slowly walked him across the street to her front door. With her hand on his hunched upper back she could feel the deteriorating strength that must have resided in him not long ago. She asked him to come inside but led him in herself.

It had been two months and fifteen days since she last had a guest. Her two sons lived down south, the older one, Gary, in Texas for a broadcasting job, the younger, Mark, in Florida for the warmth. Gary had called her and Mark a week before Christmas to set up a family get-together. Gary wanted Mark to pick her up in Maine, then come back with her to Texas, stay for a few days, then bring her back North. Mark had a fit and said he had this and that to do and so-and-so to see and wouldn’t have time to even drive one way. So Mark reversed the proposal, asking everyone to have Christmas in Florida. Of course, this debate all happened behind her back, the way they always did after Howard died, and she didn’t find out until three days before Christmas that everyone was on their own that year. She suggested, sensibly, that the two of them just come up to Maine with their wives and kids. It was hard enough for her to travel in her age anyway. “No snow in those parts either,” she argued, hope in her voice. She spent that Christmas alone.

 

The man looked slightly less ridiculous now that he was inside her living room, but only slightly. His hair was matted and drooping like a dog’s that just took a bath. She walked to the bathroom to grab a towel for him as he gently removed the pea coat from his back. He hadn’t said a word. She started to wonder if he was a mute, and fought back her fear of what this strange, stoic (or possibly crazed) man was capable of doing. But something about him was unthreatening. His motions were slow and beneath the mess of hair on his face she could picture a timid, boyish face. And being accustomed to talking to the television and herself and the wind most days she figured she should attempt a conversation while she had an audience.

“My name is Grace.” She failed to say more for a few moments. The man’s eyes ricocheted about and he nodded subtly in a way that could have meant: “Yes, your name is Grace,” or, “I can’t easily reply to that.” Grace’s house was normally so barren she nearly forgot the rules of being a decent hostess, but her years of experience with having her husband’s brothers from the war over for dinner and drinks soon kicked in.

“I have tea if you’d like.” Trying her best not to stare at the pitiful figure before her, she took the coat and hung it back in the closet where it had lived uninhabited for quite some time. “Or coffee?”

The man was cautiously patting his beard with the towel, and his mouth quivered as if on the verge of speech. Nothing. Nothing but that look: a peculiar mixture of awareness, fear, and perplexity.

“Here, sit down. I’ll bring you something warm.” She gestured somewhat nervously to the love seat and started some coffee. She didn’t know an adult soul other than her who disliked coffee. It made her mouth dry, her breath bad, and her anxiety worse. But Howard had basically bled it. His pupils were black coffee floating in the brown mugs that were his irises. If there wasn’t a pot on in the house back when he was living she knew something had gone wrong, or gone worse. One morning when they had just recently bought the house in Maine, before they had the kids, she made a pot for him but deliberately used decaf. It was a cruel and loving prank, and it only took him fifteen minutes to find out he had been duped. With a groggy smile he chased her around the house until their legs failed them and they both stumbled safely, gently—he was always so gentle with her—onto the kitchen floor, embracing each other, still in their underwear.

 

When she returned from the kitchen with a mug in one hand and a creamer in the other she noticed the man gazing with great intensity at a frame on the coffee table: a black-and-white family portrait taken just after Mark was born. Grace always had to remind herself that the young, bright woman in the photograph was indeed her, long before her hair shrunk and thinned and grayed, before her posture slumped, before her bones showed through her loosened skin; Her hazel eyes, though gray in the picture, were one hint—perhaps the only one—that this young mother and proud wife was also Grace, and would somehow become the woman now staring at her ideal self.

In the photo, the four of them were standing in front of the newly painted, yellow house (also gray in the image) that Grace and the young man were now sitting in. Howard held Gary on his shoulders as she held baby Mark in her arms. Her husband was still whole then—she remembered how his ears would shift a few inches back on his head whenever he saw his boys. He had wanted nothing but peace for them. Soldiering was his burden to bear, not a legacy to pass on.

“That’s my husband and kids. He’s gone now, they’re all grown up, have kids of their own.” She placed the coffee and cream before the man and pulled up a chair to sit across from him. She couldn’t tell for sure but his mouth bent in a form probably equivalent to a smile. He directed his attention to the mug and his large hands encompassed it, embracing its warmth. She couldn’t help but stare at his scar when he wasn’t looking. It was shaped and colored like a gluttonous worm: long, pinkish-brown, glossy when it hit the light the right way. Considering the man would not or could not speak, she felt no harm in asking of the mark’s origin, though she knew she would never know. But to her surprise:

“War,” he said with rocks in his tone, not rudely, just in the way anyone would sound devoid of human contact for God knows how long.

“War,” she echoed, nodding slowly. “I’d ask which one but they’re all the same, aren’t they?”

His eyes stayed fixed on his black, still un-sipped coffee. He returned a somber nod.

“My husband was a soldier.” She pointed faintly at the family portrait. “World War Two and Korea.” She said it with mock pride and glanced at the corner of the ceiling while giving a slight unsmiling chuckle of reminiscence and pain. Korea was the one. If you’re lucky enough to escape one war alive you’d better not push it, loyalty be damned. But that was her husband: Mr. Loyalty. Never cheated on her once—hardly ever looked at another woman. Never missed his kids’ concerts or games. Never lied or stole or envied. He might have killed. She knew he killed. But he was at war, and he was fighting the bad guys, and the bad guys got killed, and the good guys did too but as long as the bad guys’ death toll was higher it all meant something. Mr. Loyalty was loyal to his family and his country, and she never knew which took precedence or if they were one in the same to him.

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