Tag Archives: SUNY Geneseo

Chloe Forsell

We as Bird & Branch

I unwanted wings unfilled

and marrowless. You

hollowboned twisting

limbs and trunkrot,

echo from empty

ashen bark. Wasted days

wreathing into holes,

rooting in each other.

Wasted away, wanting

deadleaves or anything

closer to the ground.

<< Berenstein/Berenstain 
 
 
 
 
 
 
 
Things we remember years later in our dreams >>

Chloe Forsell is a junior at SUNY Geneseo, double majoring in French and English (creative writing). She hails from a town that, if drawn to scale on a map of New York State, might resemble a fingernail hugging the edge of Lake Erie. Chloe likes to spend her time making Spotify playlists and cooking foods that she doesn’t really know how to cook. Her post-grad plans are largely undetermined.

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Meghan Barrett

Sunleaves

harvesting, the huntingmoons

struck lore of ill

and reached for brittle-leaves;

curl dry, narrow and spilt

marrow: birds, hallowed

bonefrosting

longer, longer

the deepnight sits on the leaves

confides in their ashen,

halted chloroplasts sun

thirsting and witheraway leaves

break down their fill

stare at a lone

rising star

they are caught up in dying;

anthocyanin burst as

greenpulp fades, and the care-

otenoids tend these agingwisps,

steady firegold revealed

in soft stormspots caressing,

lingers on lovingly,

the weakengrasps

of hard fallen sunleaves

<< i am the stone 
 
 
 
 
 
 
 
The Minoans >>

Meghan Barrett is a senior biology and English (creative writing) double major at SUNY Geneseo. She hopes to attend graduate school in the fall of 2016 to earn her Ph.D, likely in neurobiology. Meghan is fascinated by the interplay of science and creative works, which has inspired much of her poetry. Her honors thesis is a project on scientific rhetoric in drama.

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Rachel Colomban

Berenstein/Berenstain

Many of us speculate that parallel realities exist, and we’ve been ‘sliding’

between them without realizing it.

—From the mandelaeffect.com Frequently Asked Questions page

 

I’m sliding on Long Island ice, Ma, trying to grit the ground

so I can walk on kilter for the first time in months.

“Berenstain or Berenstein?”

“Berenstein, always.”

I look for cracks, misplaced letters, mistakes in history texts,

ask my friends how they spell a children’s book.

“Berenstein or Berenstain?”

“Still Berenstein.”

Mirrors haunt me twofold, since I see your carbon copy, 21 years

young, separated by a glass, a world, a letter, maybe.

“Berenstain or Berenstein?”

“You know the answer.”

I just—I need someone to answer the other, just once, because maybe,

I’ll come home, and you’ll be there, reading it to my nieces,

and I’ll stop stepping on cracks

because I’ll have you back.

 

<< c i n g u l u m 
 
 
 
 
 
 
 
We as Bird & Branch >>

Rachel Colomban is a senior English (creative writing) major and anthropology minor at SUNY Geneseo. She’s about as organized as a group of irate toddlers and half as productive. If there isn’t a deadline, she isn’t getting it done. Her fictional best friends would probably be the Weasley twins. Well, at least one of them if we’re talking post-series, anyway. Rachel apologizes profusely for that statement.

 

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Christine Davis

Onliness

Own-lee-ness | \’Ōnlēnə̇s\

When I was in elementary school, I had an imaginary brother. He wasn’t so much an imaginary friend as he was an imaginary accessory, something I felt I had to have since everyone else had one, like those awful Skechers with the brightly colored stripes on the sides and foam bottoms. I viewed having a sibling as a sort of privilege that I hadn’t earned, or that I wasn’t right for—like my fifth grade feet that were too big to fit into those shoes. Apparently I hadn’t done the right set of things to warrant a sibling, so instead I made one up.

His name was Warren, chosen because we often received mail at my house addressed to a “Warren Davis,” as if the post office, too, couldn’t fully believe that I was an only child. I sympathized with the post office; I could hardly believe it myself. None of the members of my family had ever been named Warren, nor had the previous owners had any connections to a Warren. He was probably a result of some data brokers getting a hold of our information for junk mail purposes and inputting the wrong name, but whatever the case, Warren was born. Warren was in college and went to the University of Florida, partly because it was close to where our grandparents lived, but mainly because their mascot was an alligator. That was part of the deal, too: Warren had a pet gator that he kept in his room, and he had gone through several roommates until he finally found one who could handle living with his ferocious pet. I never went as far as to pick a major for Warren, but I know that he was an incredibly super senior with little hope of ever graduating, and that at some point in middle school, I made him gay as a show of support for my developing liberal ideologies.

Of course, when I would look through the photos of my earliest years, trips to California for family reunions or Easters at my grandparents, his absence was duly noted, because he obviously couldn’t leave his pet gator alone or miss his classes. No, he was absent because he never existed, except in the minds of my very gullible neighbor and myself. I convinced my neighbor on multiple occasions that Warren was really real. I used to pick up the mail after we got off the bus and then show it to Douglas, inventing tales of how Warren would have loved to tour the vineyards on the East End if only he could come up for the summer, but it was hard to find someone to watch the gator. Doug would stare at me with wide eyes and an open mouth, and I would laugh to myself and run inside to tell my mother how I had convinced Doug again that I had an older brother. She would shake her head and sort the mail, throwing away the catalogs and the postcards addressed to Warren, my only proof, my only vestige of hope. But there was no sandy haired boy to hold me when I was born, no tall and lean and scabby-kneed ten-year-old to hold my hand as I fed ducks by the pond near my house, no rapidly growing teenage trickster to pull my ponytail at my elementary school moving up ceremony. All of these pictures exist, they just lack his presence.

My mother is also an only child, but I don’t tend to count her in the same category as me. Theresa Ann Gorman, often affectionately called Terry Ann, grew up in Rosedale, a neighborhood in Queens, surrounded by activity as a child. Her mother, the darling Annette, everyone’s “Honey,” spent the summer she was sixteen volunteering at a children’s hospital in the Bronx where she contracted polio at its height in 1952. She began the next part of her life as a quadriplegic after three years in an iron lung, and married her childhood sweetheart, Herb. Due to the nature of my grandmother’s condition, there were always people around to help: my great-grandmother and great-grandfather, who I affectionately referred to as Granny and Grampy; their son, my grandmother’s brother and my mother’s uncle, Johnny, who was only fifteen years older than my mother; and a flurry of nurses and home healthcare helpers. There was never a shortage of people in their household, nor pets, as my mother owned ducks and German shepherds, birds and exotic fish. It was like having a small farmhouse in the middle of the borough, bursting with people who were constantly moving or doing.

From a young age, my mother never wanted to have kids. The concept just never appealed to her. It wasn’t that she’d had a bad childhood or that something had happened along the way to deter her. She just wasn’t interested. This was quite different from what my grandmother had envisioned for her daughter. After my grandmother had my mother, one of her kidneys had been removed, and this combined with the effects of polio made it unsafe for her to have more children. Annette had expected that her daughter would want to have lots of kids, considering that she’d missed out on growing up with anyone else, but she wasn’t too upset that my mother felt this way. It seemed just as well. When she was nineteen, my mother was diagnosed with a severe hormonal imbalance, which at the time was a fancy way of saying, “it’s going to be near impossible for you to have kids.” This was something that went over without much fanfare for my mother, who felt that if anyone was going to be diagnosed with something like this, it might as well be her, given her inclination toward not wanting kids. This now seemed like a pretty stable out for never having to try.

When she and my father got really serious, she made this point clear to him, and he said he was okay with that, even though he really wasn’t. In a great show of love and devotion, as grand gestures and romantic moments are not the hallmark of my parents’ relationship, he loved her despite the fact that she could never have any children, and he married her without hesitation. Somewhere along the way, though, as my parents attended countless weddings and saw all of their friends beginning to start families, my mother could tell that this small clause to their happy life might have been more of a deal-breaker than either of them had originally anticipated. While sitting through another wedding, on Valentine’s Day of all days, my mother decided, without much basis of truth, that my father was going to run away with an imaginary blonde nurse named Cathy and have a billion kids, because nurses always seem to have a ton of kids, and she was not okay with this. She still didn’t really want children, but she would at least make an attempt if it meant she got to keep her husband. So she told him they should try.

My mother’s condition was given a name in 1990: polycystic ovary syndrome, or PCOS. Women with PCOS have high levels of androgen in the body, which accounts for supranormal levels of testosterone. There is no cure, and women with PCOS often have great difficulty getting pregnant. It took my mother five years and several rounds of ferility treatments and hormone therapy before she was finally able to conceive. By around year four, she decided that she actually really wanted to have a child, and after that, the various treatments her body was undergoing began to stick.

I was a turkey baster baby, a description my mother hates. “Isn’t there a better way to say that? Is there like an acronym for artificial insemination or something? Uck,” she makes a noise on the other end of the phone, and I laugh a little at her discomfort. Sure, a turkey baster isn’t the most clinical language, but it paints the right picture. The easiest and most common insemination technique, artificial insemination takes place when a syringe filled with semen is injected into a woman’s cervix. While my mother seemed to have quite a few problems when it came to getting pregnant, it turned out my father had his own issues as well, due to weak swimmers (“oh God, are you going to write that? And people are going to read this?”). This treatment eventually did the trick in 1993, and I was due to be born nine months later, on April Fool’s Day. My mother despised this, and, as if in agreement, I grew to be an enormous baby, forcing my mother to have a cesarean section, scheduled for March 30th. Almost immediately following my birth, my father had a vasectomy, and it was solidified that I was to be the one and only child of Bob and Terry Davis. After years of expensive, painful treatments, they finally had their miracle baby.

In comparison to my mother’s vibrant upbringing, my father’s was as Leave it to Beaver, apple pie Americana as it comes. His parents were blonde and blue-eyed, tall and well-off, and they had two children—my father, the oldest, and another boy, Scott. They lived in a house with a white picket fence and a dog, and the family took road trips and camped, and the men liked to fish. They could have been on the cover of Life or featured in a travel brochure, they looked so perfect. But looks aren’t everything. My father was a good student, a Boy Scout, a “man’s man,” an almost exact replica of his father, but Scott was softer, funnier, and most importantly, younger. My grandmother adored Scott, and he got away with everything, while my father was expected to play the part of the hardened older brother. Scott took after his mother, and Bob took after his father, and they began to resent one another for the things they had to be in the eyes of their parents.

I don’t think my grandparents ever intended to have their sons grow up to hate each other. I don’t think any parent imagines that for their kids. But time and circumstance and expectation pushed them away from each other. They passed their views on to their children, influencing their decisions. I was five when I started to see cracks in my family, the way my father and uncle stood when they were in the same room together, shoulders back, hands clasped in front of them, faces devoid of emotion, as if they could never let down their guard. I hardly ever got along with my four cousins, who we never see or speak to since they moved to Virginia a few years ago. The other half of the Davis family doesn’t really exist to me, at least not in any positive light. I’m sure Scott never imagined he wouldn’t be able to rely on his big brother, never thought they would hate each other so much. They had all the makings of a happy family. Would Warren and I have suffered the same fate?

If you were to ask me how many kids I would like to have, the answer is a hard and fast two. I’m adamant that I would never put one child through the experience of growing up alone, of having no one else to play with or talk to or fight with. It wasn’t that I had a bad childhood or that something happened along the way to make me feel this way: I’m just unwavering on the fact that I will have more than one kid. While my mother grew up in a house that was teeming with activity, my upbringing was as quiet as quiet can be. Never interested in video games or the great outdoors, my mother and I spent my younger years in separate rooms in our small house reading books, waiting for my father to come home from work. While I have always been happy for my deep-rooted and early love of reading, it was the lack of interaction of any kind that often left me feeling lonely, as if I was missing something. It became clear when I entered school that what I had been missing were other people.

While this could have greatly stunted my interactions with others, I’d grown up the center of everyone’s attention, lovingly looked after by my parents, my mother’s parents, and a wonderful godmother. I was slightly spoiled and everyone’s favorite, with bright blue eyes and curly corn silk hair, and I always seemed to be smiling, laughing, dancing. I was—and am still—excruciatingly tall, which garnered attention without much additional effort on my part. I adjusted moderately well to sharing the spotlight with others when I entered grade school, and I have only rarely gotten the, “Oh, you’re an only child? That explains it,” comment thrown around when it is revealed I have no siblings. I imagine, however, that this discussion of my easy adjustment to school and my central role within my family may elicit some kind of knee-jerk reactions about only children. It wasn’t until I realized that most other households had more than one kid that Warren began to make appearances in my mind, and it wasn’t until I was much older that I realized the significance of his non-existent existence.

“Are you going to want to visit our graves after we die?”

My mom and I are sitting on our separate couches in the den, watching Bravo’s barrage of bad reality TV, when she interrupts the Febreeze commercial I’m clearly engrossed in to drop this unrelated bomb into my Friday night festivities. I plant my spoon in the pint of Ben and Jerry’s we’ve been passing back and forth, and give her a strange look. “What?”

“Well, after we die, do you plan on visiting our graves? Or do you think you’re not going to care?”

I swallow and shake my head, confused by her cavalier tone. “I don’t know, I guess I figured I’d visit, but I haven’t really given it much thought.”

“I ask because your father and I are looking at a plot out east, but if you don’t stay on Long Island then you’ll have to fly up to visit us, so I don’t really know if it’s worth it.”

“Are you asking me to figure out where I’ll be living when you two finally bite the dust? You’re going to need to give me a more thorough timeline if we’re going to pinpoint exactly where I am.”

“Well, that’s what I’m saying, should I just wait to see where we move?” She flips the ice cream over in the small pint, scooping up big gobs of the softer ice cream on the bottom, an action I detest. The void I sometimes feel for sibling interactions is often filled by my mother, who is a terrible sharer in all aspects of her life, but especially when it comes to food.

We? What is this we? And stop flipping the ice cream, you know that I hate that.”

“Christine,” she says, finally breaking eye contact with the not-so-real housewives to look over at me. “You’re our only daughter. Do you really think we’re not going to move if you leave the Island?”

Of course, I have thought this. This may not be something that every child has considered, but it makes the most sense for two people whose entire lives revolve around mine to follow me wherever I go in life. Their social lives and personal interests ceased to exist after I was born. My mother even quit her job, while my father got a second one to offset the cost of a third person, with the stipulation he be off every Saturday to spend it with me. I became their sole focus, their only amusement, the epicenter of their lives. I don’t like acknowledging that reality, so I brush her off. “Mom, I’m gonna move to Florida, and you hate Florida, your air conditioner will never be cold enough, and you have like three months left of payments on the house, why would you move?” She seems hurt that I hadn’t assumed she’d be joining me wherever I land, so she shrugs and turns her attention back to the TV.

“Just something to think about.”

It is something I think about, and about the fact that there’s just me. At moments like these, Warren creeps into my thoughts, reminding me that things could’ve been different, that my life might have played out in a different way.

There’s a certain pressure to being an only child, especially one so greatly fought for. I’ve always felt this. Before I got to college, I was a good student, a good kid, partly due to the kind of person I was, and partly due to the expectation that I be good. I was involved in all the right things, like school plays and track and field, and none of the bad things, like drinking and dying my hair. I was constant, dependable, a reliable child my parents counted on for eighteen solid years. When it came time to pick a college, I broke their hearts by picking one eight hours away by car. My mother begged me to look at schools in and around Poughkeepsie, as it was the perfect distance for her to drive up on Sundays to get brunch with me or for me to go home on Friday nights to have dinner with her and my dad. Instead, I picked a remote and distant college in the middle of nowhere with spotty cell service, and it seems my version of rebellion really began here, with the distance I created between my parents and me—both physical and emotional.

My first year at college was far more difficult than I had expected it to be. Yes, being an only child meant I was indeed fond of my parents and greatly attached to them, but I hadn’t thought it would be so difficult to be far away from them. I called them every night, getting great reception in the basement by the laundry room. I would tell them about my roommate and my classes and my first college party. As the year went on and life upstate continued to disappoint, I began to make plans to transfer back to Long Island. My parents’ glee was audible over the phone, making the idea of returning even more appealing. That summer, as I toured colleges close to home, I began to feel the tug of the umbilical cord holding me back, and I put an end to the tours and the talk of transfer. I realized it would be easy to run home and be welcomed back with eager, open arms, but I had to try harder to be on my own. If I didn’t at least give this necessary distance a shot, I feared I might never leave Long Island and my parent’s house and the things with which I was most comfortable. And while comfort is a wonderful thing, it was becoming less and less appealing to me as I realized there was so much more going on outside of the small sphere of life I had grown up in.

This understanding came readily to me during a semester I spent in Florida. I took a job at Walt Disney World that I ended up loving, and it seemed that being somewhere I liked and doing something I enjoyed was all that it took for me to be able to live a happier life. I had made a commitment to work until the first of August, giving me a single week at home before I returned to school. While I was happy with where I was and what I was doing, my parents could not say the same. The frequency with which I updated them on my life was lessening, and they worried about all of the little things I’d have to get done during my one week at home. By mid-May, my mother began to demand that I come home, a request that was virtually impossible to comply with, as getting time off was a difficult task.

My happiness away from them seemed to be causing a great deal of anguish for all parties involved. I felt my parents couldn’t be happy for me though I was actually enjoying myself, and I felt an immeasurable amount of guilt after each conversation we had on the subject. I tried to talk to them about their reaction to my happiness, and how it felt like they preferred my previous misery at school, and were unaccepting of the joy I’d found that didn’t actively involve them. My father’s sad reply was simply that they missed me, that this new chapter away had made them feel like they weren’t a part of my life anymore. Feeling guilty, I faked a medical leave of absence from work with two and a half weeks to go, and went home to see my parents.

The three of us went to the beach, got dinner, watched TV together. Nothing spectacular, considering the lengths I felt I had gone through to get home. I did my best not to act as if I resented being home, that I was there out of obligation, a child trying to please her parents. I thought often during my visit about how I need my mother and father, but not nearly as much as they need me. I had made it through the summer without feeling desperate to see them, but they couldn’t make it. I didn’t know how to handle this level of devotion, as I don’t think I return it quite as powerfully. Maybe it’s different because I’m not the parent, or because I’m young, or because I’ve never had children of my own. I wonder if I will want to love someone this intensely, this fiercely. Right now it seems stifling. I flew back to Florida after six days and finished up with my job, thanking everyone for their concern about my wisdom teeth being removed and assuring them I was doing really well. I still haven’t gotten them taken out.

My friend Michael is repeating my father’s life. With a mother and a father and a younger brother and a dog, Michael’s only difference is growing up upstate rather than down. He tells me his brother is funnier, better looking, has more friends, is even smarter. He says he kind of feels like a disappointment, not measuring up to the expectation of a big brother, not paving the way enough, but it doesn’t seem like Jason needs it. The lines are already starting to be drawn, too. Michael’s connection to his mother is clearly stronger, while his father seems to be most proud of Jason. Soon Michael will come home from college and will do something stupid, maybe dent the car, and his father will rip him apart. The next month, Jason will do damage much worse to, say, the kitchen; ruin the stove, smoke up the wallpaper. They’ll need to remodel. But no one will really bat an eye at that. It seems like an unlikely story, but it’s happened before.

I’m fascinated by Michael’s family dynamic, and I draw the comparisons between Michael and my father as if their situation is so unique, that the likelihood that I would know two people with similar upbringings and parental alliances and expectations is statistically impossible. But people repeatedly point out the holes in my theory. Lots of siblings are like this, friends tell me. “My sister is clearly my mother’s kid, and my dad likes me way better,” my best friend simply states one day, as if this is not uncommon in families. Maybe it is just uncommon to me, because I have no experience with it.

The more people I ask, the more I look into the sibling dynamic that I’ve been so desperate to experience and that I’m now desperate to understand, the more I realize that the connection that I thought I’d found between Michael and my father is actually a rather common one. Lots of siblings take a liking to just one parent, or resent their brother or sister for being better at something they both do. While the hope in having more than one child is that siblings will one day grow up to form a close bond, and that they will develop necessary skills in the process of growing up that will help them be better communicators and more understanding of others, this is not always the case. In fact, this seems like the rarity, like the Hollywood version of sibling bonds, the kind of relationship I use to conjure up in relation to what I wanted from Warren. But this doesn’t seem to appear in nature as often as I thought it would. If Warren and I had played out exactly as I’d imagined it, we would have been an anomaly.

I’ve come to realize that I had very idealistic notions of what a sibling would do for me. I needed Warren to take some of the pressure off myself. I needed someone to have gone before me and seriously fucked up, so that when I finally got caught for everything stupid I’ve ever done, I wouldn’t be such a failure. There would be some sort of understanding, like “Warren did worse,” or “What can we expect, she learned it from Warren.” There’s no bar to measure me against when I’m on my own, no person to blame, no finger to point. No one else with whom to share the weight of parental pressure and scrutiny.

But on the flip side of that coin, I don’t truly know if Warren’s presence would have benefitted me. What if Warren had been great at everything he did, and instead of being a weird slacker with a pet alligator, he was an Ivy League grad working at a law firm? What excuse would I have then for my failing grades, my lack of motivation, my insecurities? Perhaps my parents’ comments would take a turn for the worse: “Why can’t you be more like Warren?” or “When Warren was your age, he never did this!” What if my fantasized version of Warren was wrong and he let me down? I guess there’s no real way of knowing what kind of person Warren would have been, but I do know what my mother and father are like. I love my parents, I really do, but it can feel suffocating to be their only child. It’s a lot of pressure on a person, one who often feels as if she has to make life decisions that not only benefit herself, but her parents as well.

This summer I’ll be home, working at a summer camp, and in the fall I’ll stay on Long Island to student teach, ringing up a grand total of eight months spent at home in 2015. I don’t think I spent eight weeks at home in 2014. This elongated stay is my apology to my parents, as well as my going away gift. After college I’m moving to Florida, and they most likely will follow within a few years. It’s an indisputable fact, a sort of cosmic pull. We can never be too far apart from one another. Maybe while we’re all down there we can meet up with Warren, and he can catastrophically fail or piss off my parents in an attempt to make things easier on me. But I know in reality it will just be me, doing my best to be the daughter they worked so hard for, the daughter they love so much.


Sonder >>

Christine Davis is a senior English (creative writing) major who is finishing up her secondary education certification at SUNY Geneseo. A native of Long Island, she enjoys baking, reading, and watching obscure movies on Netflix. After college, Christine will be returning to her happiest place on Earth to work at Walt Disney World, where she hopes to make magic for a very long time.

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Filed under Creative Nonfiction

Evan Goldstein

Standing at the Sill, the Sun is Weak & Dropping

we need to clean the window

there are specks

on the trees

grasping dusk light settles

on the windowsill

snowmelt rushes storm drains

and the grass,

greening tailpipes still vapor

                                                                    to the road,

and crows turn

                      in hyacinth light

                                                    on the ceiling

come lay down

                      before warm light leaves

                                                   the mattress.

 
 
 
 
 
 
                                          
         
8:00 Mass >>

Evan Goldstein is a junior English (creative writing) major at SUNY Geneseo. Evan served as Gandy Dancer’s poetry editor last semester, and sometimes when it’s foggy he goes for walks (not in an angsty way, he hopes) but then gets scared on the darker roads. Warily, Evan would be best friends with Stephen Dedalus.

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Sarah Hopkins

Frontierland

I swipe my gas card through the machine, and it makes an awful crunching sound, displaying a “DOES–NOT–SCAN” screen. I don’t want to go inside. I want to get to work and get the day all over with already. I turn around, leaning my arms over the bed of my pickup truck. Standing on the tip-toes of my oily work boots, I can squint into the smeared windows of the little shop connected to the gasbar.

“Mornin’ Miss,” the woman behind the counter says as I come inside. I nod at her, and I go over to lean my elbows against the counter, my ragged card in hand. There’s a circular, fish-eyed mirror in the corner of the ceiling, stretching out my body and making me look even stranger than I already feel, bending me sideways into a swirl, distorting my oversized coat, my muddy freckles and my long brown braids like tangled ropes. I look away from it.

“Heya,” I say, “My gas card isn’t reading. So, I came in here to see if you could just punch in the numbers or something.”

“Oh yeah, we can do that for you,” the woman replies, “Where’re you parked?”

I point out toward the window behind her.

“I’m in the pickup by eleven.” My truck is tough and red and beautiful, even though it’s filthy and is stuck with a bright orange buggy-whip on top. That’s just to make sure none of the big tankers or dump trucks flatten me by mistake. A work friend of mine, Johnny Angle, got one for me almost as soon as I moved here. He’s lived up here all his life, and he knows too many people who’ve been run down on the highway like accordioned safety cones.

“Aw, eleven’s been having some troubles with the cards,” the woman says. “Dunno why. You work in the tar sands? Over at PetroCorps?”

“Oh yeah,” I say, putting my hands in the front pockets of my jeans so that my wrists are leaning out of them.

“It’s kinda a boys club over there, isn’t it?”

I shrug my shoulders and reply, “Guess so. I mean, I work in an office mostly now. That’s where a lotta the girls wind up. You know how it is.” I used to work in an outpost of the Equipment House with Johnny, but I transferred out of it after he did. I didn’t like the way the new guys tried to look down my flannel shirts.

“Sure do. Those’re some tough wheels you got, though.”

“They’re good for driving in the snow, when winter really sets in. Not yet, though.”

“No, not just yet,” she says, ringing me up. “You have a good day, now.”

“Okay, then. You too.”

It’s a long drive from my hotel to the sands, almost forty minutes, but I keep the radio up, even though the music gets grainy and warbly after a while. It’s newly winter and everything looks dead. Everything at PetroCorps always looks dead, but everything everywhere else looks dead, too. The trees are reaching their spindly black fingers toward the murky white-gray sky. There’s frost on all the empty fields. I see a dark smudge on the horizon, and that’s how I know I’m going the right way. I follow that smog like it’s the North Star.

I drive straight through the front camps, made of shiny aluminum trailers, and I pull up to a gate to have my ID scanned. It’s on a lanyard around my neck, and I have to lean out of my pickup slightly so that the man behind the wicket can see who I am.

“Okay, then. Have a nice day, Miss Saunders,” he says.

“Will do.”

I park my truck outside a squat, lopsided building and I climb out. My hand jiggles a little bit as my wrist tries to balance the tray of coffee I bought on the way in. The naked piece of wooden pulp-board that ramps up to the door creaks as I walk over it. The office space is tight, with two metallic desks cramped into the receiving area, smashed between the wall and the windows.

“Morning, Peg,” says a woman behind the first desk.

“Morning, Donna,” I reply. Donna isn’t paying attention. She’s squinting at some sort of spreadsheet on her dusty, beige computer monitor.

“Come on now, finish up with that. I got Timmies,” I say, and I put a cup of coffee on her desk.

“Aw, thanks, Peggy,” she replies, “What would I ever do without you?”

I laugh politely. “Dunno.”

I circle to my own desk, which is backed up against the white plastic Venetian blinds. My fingers sweep over the surface, making clean furrows through the fine, black dust. The stuff is always on everything.

“Did you open the windows before I got here?” I ask, even though I know that she didn’t. The dust is always there, waiting for me whenever I return to the office. No matter how many Windex wipes I use, my desk never stays clean for longer than an hour. The dust comes in through the door, I’m pretty sure, with the people coming in and out. It was the same at the Equipment House. Those dark particles that Donna and I and everyone else swim in and swallow and breathe all day. Donna shakes her head no.

Before I can sit down, Harry Crain opens his adjoining office door, banging it against the shredder bin. He’s ten years older than Donna, and maybe twenty years older than I am. He must be in his early forties, with the salt-and-pepper stubble on his head and his face. He’s one of the Health and Safety Coordinators for the site.

“Health, Safety,” he says, pointing at each of us in turn. “Who wants to come with me to get some fresh air?” He bit those words and chewed them like a steak or a good joke. “I need someone to take notes on my walkabout today.”

“I’ll go,” I say, and I shrug my big, blue winter coat on. “I gotcha some coffee if you want, Crain.” I take a hardhat and an orange safety vest from the coat hooks near the door. “Where’re we headed?”

“Gonna take one of the golf carts up to the north side,” Crain replies, “Take a lookit some of the rigs, some of the tailings ponds. Wednesday stuff. You sure you don’t wanna come along, Don?”

Donna smiles from behind her computer monitor and says, “Thanks, but I’ve got some work to get done on my end. You need at least one secretary to hold the fort. Collect complaints.”

“Hah! That I do.”

Crain and I go back out the door, down the creaky wooden ramp again.

“Nice day out,” Crain says, putting his plastic safety goggles on even before we’ve taken ten steps. “Cold, but nice. Not gonna be very many nice days left no more.”

“Nope.”

“But you’re headed home soon, aren’t you? For your two weeks?”

“Sure am,” I reply. It’s about four hours to the airport in Edmonton, but soon afterward I’ll be sitting in my childhood home in Thunder Bay, eating peanut butter and jelly and staring out over Lake Superior. That’s the way it is at PetroCorps. Four weeks on the job, two weeks off. Over and over again. I told some people back home about it, and they acted like I got some big holiday every month. It’s not like that, though. It’s a shit way to spend two years of your life.

“It’s a good thing,” I say, “Because I’m getting sick of driving all the way out here every morning.”

“Aw, please, won’t you move to the camps?” Crain says, “It’ll make your life so much easier. I mean, not those trailers on the way in, but a nice camp. There’s a new one now. Looks like a brand new motel, sitting out there on the edge of the pine woods. Got a cinema and a bar and everything. Even an indoor pool.”

“It’d just be me and three hundred smelly guys,” I reply. “And I don’t wanna live right next to the sands. It’d depress me too much.”

“Don’t depress me,” Crain says.

I laugh. “Well, you’re morbid already.”

Crain grins, and he says, “Besides, it’s a good break from the wife. And the money I’m saving don’t depress her neither.”

“PetroCorps gives me a stipend to pay for some of the hotel,” I point out.

“And they pay for your gas as well,” he replies. “They’re just throwing cash out the window, can’t spend it fast enough. Dunno what to do with it.”

“I like the gas card.”

“I like the money.”

Riding a golf cart through the PetroCorps oil sands is like riding on the back of a white mouse around the feet of a massive, metallic Rube Goldberg machine. It’s a gigantic, sprawling jungle gym of bars and barbs and pipes and tar. At night, it looks like a city, with all the yellow and green safety lights turned on. The Cronenbergian contraptions and industrial machines are suddenly skyscrapers, and the dump trucks and construction vehicles become rush hour traffic, buzzing around at the bottom. When it gets dark, I can squint and pretend that I’m in New York City, or Los Angeles, or Toronto. Or at least home in Thunder Bay. But it’s only midmorning now, and there’s not much fantasy that I can bring to cold sunlight and the grinding of dirt and black sand.

“It smells like shit,” I grumble as though that’s news, and I hold up one of my braids to my nose, trying to cover up the smell.

Crain spins the wheel on the buzzy, little golf cart, maneuvering it so that we narrowly miss a passing bulldozer. I clutch my empty Styrofoam coffee cup as though it’s my heart.

Uff-da, that was a close one,” he laughs. I try to laugh along with him as best I can.

We zip through the central processing facilities, which look like big, round silos, but are stuck through with pipes and cranes and workers in blue coveralls and coats, shouting instructions to one another. Crain catches me staring at a man who is wriggling through two different pipes near the top of one of the contraptions. Looking at him is like having that dream where you’re suddenly falling, over and over again.

“Had a man take a fall from there, few nights ago. Maybe you saw the paperwork?” Crain asks, his voice gentler than usual.

I’m not sure what to say for a moment, but I force a shrug and reply, “Didn’t read much. I glanced at it while I was handing it on. A First Nations guy, right?” Lots of Aboriginals work at the plant, since they’re about the only people who actually live in the area. PetroCorps loves to put them on the covers of their diversity pamphlets.

“He was,” Crain says. “I knew him. His son works here too. You ever met John Angle?”

My stomach twists, and I turn to look at Crain once more. “Yeah, I know him. He’s my age. I used to work in the Equipment House with him. Jesus H. He never said that his dad worked here, I don’t think. Should I…? I dunno what to do. Do you get him flowers or something?”

Crain shrugs. “Depends on how long it’s been since you last talked. Dunno if it’ll give him any comfort. Old Mr. Angle was stabbed. Impaled right through the chest. Wasn’t any sort of clean death, neither.”

Men in gray jumpsuits are shouting out to each other. I imagine their bodies being stuck through, skewered. I blink my eyes. “I don’t want to talk about it anymore.”

Crain nods as we go around a bend, and I hold the legal pad tight in my lap so that it won’t fall out.

“I’m sure John Angle doesn’t want to talk about it neither. Best to let him get on with his work, I think.”

Crain knows that it’s a slippery slope. I look down at the legal pad. You talk about one accident enough, and suddenly you’re talking about all the others.

We arrive near the northern open-pit mines. The open-pit mines at the oil sands look like the Earth, but turned inside-out. The north pit is massive, spreading like a dry ocean all the way to the grim horizon. It’s black and rocky, filled with construction vehicles grinding their gears and scratching at the gooey, dark scabs on the ground.

“This used to be all forests and lakes and stuff,” Johnny Angle used to say. I can remember it so well. The two of us in that little shack; him leaning his chair back at a dangerous angle to stare dreamlike at the pockmarked ceiling. “Not when I was a kid, but when my parents were kids.” He was wrong. It’s been like this forever. For longer than I’ve been alive. For longer than Crain’s been alive, even. The pits just yawn wider and grow older.

“We’re reclaiming them, though,” says Maxon Rhodes, the Sustainability Manager. Crain and I are standing on the edge of a pit, in the rocky ridge between the mine and its tailings pond. The tailings pond is a swamp full of poison, a wide lake of waste and ooze. Lumps of sand and tar residue float in the black water, and there are scaffolds built out over one of the banks from some halted construction project. The golf cart is parked far off, and I miss it. Every time I pull a foot up, the earth tries to suck it back down.

“Reclaiming the pits?” I ask. My face must have looked quizzical. Rhodes points over my shoulder.

“No, the tailings ponds. Not these ones, of course, but the ponds to the south and east, they’re about thirty, thirty-five years old. And they’re ready to be…you know, natural land again.”

“That’s nice,” I say, sticking the legal pad under my armpit and stuffing my hands into the pockets of my coat. “Are they gonna be, like, parks or forests?”

“I think the company wants to put more camps on them, actually,” Rhodes replies. Crain laughs.

Rhodes nods over his shoulder, and he says, “Come and walk to the other side of the pond with me. I wanna show you the new radar machine. Keeps the birds away. I think it’ll work this time. And it won’t be annoying, like when we had those cannons.”

“Hated those cannons,” Crain replies. “Safety nightmare.”

The cannons always gave me nightmares. I would imagine these big, white birds being shot out of the sky, landing and sinking in the sludge. Even as we walk around the lip of the tailings pond, I’m winding one of my braids around my hand, trying to distract myself.

Rhodes takes us to a lopsided gray structure on the edge of the pond. I suppress a smile. It looks like it’s sending out a signal to any intelligent life forms floating above us in outer space. Rhodes points to the spinning blades on top, and then to the three flat, circular speakers. They’re quiet right now.

“But when a bird pops up on the radar, this speaker starts up and it makes the sound of an enemy bird. Like a falcon, or an eagle. If the bird doesn’t go away, it makes the sounds of a shotgun or the cannons or something. Then, if the bird still doesn’t go away, our third speaker plays a distress call from a similar bird, so that it thinks there’s something really dangerous here.”

That doesn’t sound entirely correct to me. I lean forward and say, “But if it hears another bird in trouble, wouldn’t it just try to find the bird and help it?”

Rhodes and Crain pause, staring at me, until Rhodes says, “Birds aren’t like people.”

Right.

We jump as the radar machine starts grinding out a cawing sound. Crain puts his hands over his ears. Rhodes lifts his head to the sky, looking for birds. He wants to show us how the machine can work. When I look up, I don’t see a bird. I see a man, standing on the edge of the four-story scaffold, right on the other side of the tailings pond. I see him hanging onto the bars. I see his arms shaking. It’s John Angle.

“Jesus Christ!” Crain says.

I drop the legal pad in the mud, but Rhodes scrambles to pick it up.

“What do we do?” he asks, looking at my scrawly notes as though they have the answer. “You’re Health and Safety, you two. What do we do?”

I am certainly not Health, nor Safety, but I turn away from Johnny for a moment to look at the two other men. “I gotta go get him,” I say, and the words feel like vomit as they come out of my mouth.

“What?” Crain says.

“I’m, I’m, I know him, you know. There’s no time…”

Crain looks out over my head and shouts out, “Don’t do it just yet, Johnny boy! Don’t you dare move a muscle!”

“You know him?” Rhodes says.

I wish we still had the golf cart. I hear Crain hiss out a curse as I start sprinting through the dirt. My hard hat is jostled from my skull and it falls into the tailings pond, getting sucked into the greasy slime below.

“Shit! Shit!

The automated, grainy falcon noise is screaming behind me, as I run in my puffy coat, the cold slapping my face. I close my eyes against the freezing wind, but all I see is the white bird, being slammed through by the warning cannon. I reach the bottom of the scaffold, and John Angle is looking down at me, confused. The falcon has morphed into the sound of gunshots. Soon it will be the wailing, injured distress call.

Peggy?

“Yes…Hello!” I have to shout at him over the sound effects. “Can I come up?”

He pauses for a moment, then says, “No. Of course not.”

“I’m sorry. I have to.”

“…Okay, then.”

I reach into the pockets of my coat, and I put my leather gloves on. I don’t want to touch the metal scaffold with my bare hands in the rough cold. Johnny’s hands are uncovered, and they look almost blue. I think about his dad, squeezing through the two pipes flights above the ground, as I shimmy through the shaky scaffolding toward him. What is it like to fall from that far? To be the bird plunging into the grimy pond?

“Don’t come any closer,” Johnny says as I reach the platform below him. “I don’t want you to grab for me and fall. Get outta here, Peg. Come on.”

“Which is it? Get out or come on?” I ask. “This is…this is my job. I work for Health and Safety now.” He’s not an idiot. He knows that this is definitely not in my skill set, let alone an aspect of my job. I do paperwork more than anything else. And I’ve never seen any paperwork about an attempted suicide at the sands.

“If you work there, you’re shit at your job, then,” he says, and he kicks some splinters down at me.

“Look, I didn’t want to bring this up, but I read about your dad—”

“This isn’t about that! Even if he hadn’ta got killed here, this place still woulda ate his life up. It’s eating mine up too. I want to go home. I want to go home.”

I don’t know what to say. This is his home. Johnny never lived at the camps. He only ever lived a half hour away, in a little house with his girlfriend and his mom. I wonder where they are right now. I remember a picture of them, stuck through with a thumbtack on the old corkboard.

“You can go home,” I say eventually. “It’s close. You can quit your job.” But where else could he get a new one? I could go home to Thunder Bay. Crain could go home to Edmonton. Johnny lives in PetroCorps’s backyard. “Please calm down, Johnny.”

He looks away from me, and he sets his jaw, saying, “No.”

I think I scream before he even jumps, and then he’s tumbling down into the tailings pond. Crain jumps in after him. By the time I’ve raced down to the bottom of the scaffold, Crain and Rhodes have pulled Johnny out of the pond. They’re all filthy with tar and mud, up to their shoulders. Johnny is screaming and writhing as Crain tries to hold him still. I see a part of his bone sticking out of his shin, and I feel even more nauseous than I was already.

“He broke his leg!” Rhodes says as though I can’t tell. “That’s okay. That’s okay, the emergency responders are already coming. I called them while you were running over, Miss Saunders.” His hands are shaking almost as much as mine are.

After the EMTs show up, and pull John Angle in a stretcher into their little PetroCorps ambulance, Crain and I stagger back to the golf cart. Crain takes his hard hat off and puts it on my head.

“You did a good job,” he says.

“Don’t,” I reply. “I coulda killed him. You’re the one who saved his life. I didn’t stop him from jumping. I didn’t know what to say. I’m not used to…talking about feelings here. You know? You spend so much time trying to bury stuff that—”

“Gonna be a hell of a lot of paperwork. And a hell of a long shower.”

I am quiet for what feels like a long time, before I give him what I know he’s looking for, and I force a strained, weak laugh. “Yeah. Listen. I think I’m going to take the rest of the day off. Early Release? Is that okay?”

He nods. “That’s okay.”

Crain tries to hug me when we get back to the bungalow, but it’s awkward and weird. I give him the hardhat and my orange safety vest to hang up inside.

“I’ll see you,” we say at the same time, before I turn and get back into my truck.

When I shut the door, I look into my rearview mirror and claw my hooked, dirty fingers through my two braids, unplaiting them and pulling them apart. They were giving me a headache anyway. I try to turn the radio on, but it’s all static by now. The gates open right up for me to drive out onto the long, wide highway back to the hotel. I steer around the trucks and bucket-wheel excavators like they are mountains, like I am the only one who’s moving in the whole world. After a half hour, I see the gas bar again, and I remember the chilly-looking beers in the freezer. Gotta be better than raiding the minibar in my hotel room.

“Oh, you’re back, Miss…” the woman behind the counter closes her eyes, like she’s trying to read my card from memory. “Margaret!”

“Call me Peggy, thanks,” I reply, putting a two-four box of Molson Dry between us.

“Rough day? I feel like I only saw you a few hours ago,” she says.

As I am nodding, I feel my head dip down, and I lean all of my weight on my elbows and the saggy two-four. It feels as though I am standing in the middle of a carousel, and the gas bar lady is spinning and spinning around me. She reaches out to touch me, and her hand is as cold as a brass ring.

“Kinda. Kinda rough,” I say. I pull out my tatty wallet and dig my fingers around in it. Johnny’s words are going around in circles too, spinning around me and spinning inside of me.

“I want to…I’m going home.”

“Time for your two weeks, then? That’s exciting.”

“No, I’m just…going home.”

She looks at me sideways, but she still smiles, and she even offers to help me carry the case to my truck.

“No need,” I say, “Strong arms.”

“See you!” she calls after me.

“See you,” I echo before I even realize I’m doing it.

I had intended on stopping back at the hotel, on getting the rest of my clothes and things, but it passes on by and I don’t even pause to look at it. I imagine the bottles of beer clinking in the bed of my truck as I speed along, away from the smog-stain in the sky. I’ve got twenty-four hours ahead of me, and nothing at all behind.

Flickering >>

Sarah Hopkins is a senior English (literature) major at SUNY Geneseo. Sarah served as the fiction editor for Gandy Dancer issues 3.1 and 4.1, and her work appears in issue 3.2. In her spare time she loves to read, write, and rock out to podcasts. If she could be best friends with any fictional character, it would be Jean Valjean, bread thief.

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Filed under Fiction

Elizabeth Pellegrino

8:00 Mass

Sniffed snot & incessant coughs. Hanker-

chief hymns as homily drones. Snippet

whisperconversation. Snorts drown outside summer

shouts. Revved sedans on Sunday morning.

Burned incense. Overdosed elderly perfume.

Expired lily petals. The room is filled with stained

glass sunrays and parishioners

nodding themselves to salvation.

<< Standing at the Sill, the Sun is Weak & Dropping 
 
 
 
 
 
 
 
Expensive Taste >>

Elizabeth Pellegrino is a sophomore at SUNY Geneseo. She studies creative writing, geology, and linguistics, runs MiNT Magazine, and watches cat videos in her down time. She is a passionate consumer of Icelandic landscape photography, London Fog lattes, notebooks with grid paper, and Disney music written for the harp.

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Filed under Poetry

Sarah Steil

Flickering

Her hands trace figure eights on her lower stomach, and at three and a half months pregnant, she fantasizes about a baby with small, tightening fists. On a lazy Sunday morning, Adam is still asleep beside her, and Olivia places her palm to her skin, as though she can feel the baby’s heart beating, a reassurance and a promise: I am here, I am here, I am here.

In her bones she knows she’ll be the mother of girls: she pictures a child with long, wavy hair that mirrors her own, and dark, confident eyes that could fell her at the knees.

She can envision a life where it’s just the two of them: the baby at her hip, chubby and mewling, hands curious and knotting themselves in her hair.

In little more than three months, she has found a love that she has not felt for anything or anyone before—an instinctual, heady kind of love, immense and consuming.

Beside her, Adam shifts, and she watches him for a moment. She wonders if the baby will have his eyes, lighter than her own, or his tall, skinny frame. She loves Adam as the person who has given her this small being that grows within her, who will raise this new life with her.

He grumbles, “I can feel you staring at me,” before opening his eyes and resting a hand on her belly. “I should shave,” he sighs, pulling her closer to him and burying his prickly beard into her neck. She laughs and moves to push him away, but he holds onto her and nuzzles his chin against her skin.

She shoves him. “We should get out of bed before it’s time to go to bed again.”

He turns his forehead into the pillow. “Soon we’ll have a screaming kid and you’ll regret saying that.”

She smiles. “What do you mean, soon? I already have you.” He laces his arms around her waist, but she moves to unbuckle them, and asks, “Why don’t you ask me to marry you?”

He speaks into her upper back, “Good question. Will you marry me?”

She laughs and shakes her head. “Are you crazy? Of course not.”

This is a running joke; they are the children of divorce. They believe they have discovered a formula for love that their parents couldn’t master, as if not being married would make losing one another simple.

Baloo, their English Bulldog, jumps with a thud onto the bed, and Olivia twirls her finger in his fur. He’d been a gift from Adam, a year after her graduation. She’d found her first job as a veterinary technician, shortly after they moved in together in a small city apartment. Adam had lifted the puppy up to her and said, “He’s all yours, Doctor.”

Now, she rests her head on Adam’s shoulder and Adam pats her knee. “Okay,” he says, “time for breakfast.”

Adam takes off work for her ultrasound that week, grips her hand as they wait. The technician offers small talk as she applies gel to Olivia’s stomach, and Olivia attempts to absorb it, but giddiness rises in her lungs, distracts her.

“And right there,” the technician finally says, with one pinky pointed at the screen, “is the baby’s heart beat.”

There’s a pulsing, gray and white, and somewhere amongst these things, Olivia can see this small organ pumping, small but persistent. It flickers like wings flapping, and she wonders how such a tiny thing could have such force. She nods and feels herself swelling.

“Do you want to hear it?” the technician asks Olivia, and she looks to Adam and nods. The sound closes in on them like a stampede, like a drum beating underwater.

“She’s so strong,” Adam says to her, and she wants to save his words, squeeze them into her palm and carry them with her—a gift. Against the baby’s heartbeat, she steadies her own. When she leaves with Adam, she will think only of that powerful beating.

Later that week, Olivia stretches across a tearing leather couch in their small living room, her feet in Adam’s lap. Her fingers circumnavigate the globe of her stomach.

Adam’s fingertips brush against her calves as he stares at the television screen across from them. “You know, when I was young and I’d get a paper cut or whatever, I’d show my dad my finger and he’d go, ‘This looks pretty serious, Adam. I think we’re gonna have to take off your whole hand.’”

She smiles at him, places one arm lazily behind her head, lets the other drift from the couch to rest on Baloo’s head.

He continues, “I hope I’m like that with our kid. You know, like I’ll know how to make him laugh.”

“The earlier we can traumatize our kid, the better,” she jokes.

He shakes his head. “That’s what I mean. Like he knew what would upset me and what would make me laugh. I wanna be able to do that.”

She admires the seriousness in his eyes, his intent, and smiles. “I think you will.”

He nods quietly, his face calm, and when he turns to the television screen she watches his face, picturing him with a crying toddler at his hip, a smile on his face.

She comes home late from work one night when she is five months pregnant, scrubs dirtied. When she places her keys on the table, she finds Adam boiling water on the stove.

“How was work?” he asks, turning to her.

She considers him for a moment before answering. His eyes point downward, so that they’re at a slight angle, sloped like they might melt from his face. His eyes have always made him seem sad, even when he’s smiling, and when they started dating a few years earlier she would tease him about this feature.

They’d met at a bar the night of her college graduation. She had drunkenly laughed, “Your face looks so sad,” while pointing to her own face, now contorted in a sorrowful expression, “like this.”

He smiled but didn’t respond, and she shook her head in frustration, “Oh, man, I’m sorry. That was like really rude of me. I’m really drunk, I’m sorry. Do you go here? I mean, the school. Did you just graduate?” she focused on him, eyes wide.

He stared down at his feet. “Uh, yeah, I majored in produce science. ”

She laughed and turned her head. “Sounds intense.”

He shook his head. “No, I, uh, I dropped out? My sophomore year,” he grimaced. “I work at a grocery store. I’m a manager, so you could say I’m going places.” She nodded, serious, and he stammered, “I don’t even know why I’m here. Mark, my friend, made me come out and I don’t even drink. I’m rambling, I’m sorry.”

She watched him, smiled at his blushing. She knew she made him nervous, and liked the softness of his voice, the calmness of his features.

Now, she laces her finger through the key chain loop and spins it around, “Someone brought in this stray from the side of the highway,” she sighs, head shaking. “She must’ve just had puppies and was all torn up and lactating…I’ve never seen a dog look so sad.”

Adam twists his lips to one side of his face. “Well, we should keep her then. Baloo could use a girlfriend.”

“Oh, no. The last thing she would want or need is a boyfriend. Especially one as dopey as Baloo,” she says, clapping her hands. “Isn’t that right, Baloo? C’mere.” Leaning over the dog and scratching him behind the ear, she watches as Adam empties a box of dry pasta in the pot, and says, “Oh! Look what I bought, I gotta show you.”

She brandishes two small white mittens from her bag and walks over to the stove. “So, how cute are these? She’ll be here February-ish, and I keep picturing her hands in the cold…” She kneads the mittens in her palm.

He looks at them and smiles at her. “Very nice. And gender neutral! I see you’ve accepted it may not be a girl.”

She sticks out her tongue. “No, I just liked the color.” She taps at her temple with an index finger. “She’s a girl. A woman just knows these things.”

He raises his eyebrows and turns to the pot. “Whatever you say.”

She balls the mittens into her scrubs pocket and looks to the dog, who stares up at her. “Who do you think is right, Baloo?” When the dog wiggles his body under her gaze, she nods. “Yeah, I thought so.”

Adam shakes his head at Baloo and says, “Okay, she can be a girl. But promise you won’t find out without me next week?”

When Adam first told her he couldn’t get off work for her next ultrasound appointment, she had bristled against him. But after a week of his apologies she’d grown excited to be alone with the baby, to see her heart, hear it. “I promise.”

The next Monday, the ultrasound technician, a younger woman with light brown eyes and platinum blonde hair, applies cool gel to her stomach and asks in a high pitched voice, “Are we trying to learn baby’s gender today?”

Olivia dislikes how this woman speaks in a singsong tone, as if addressing a toddler. “Yes. I mean, I think I already know. But Adam, uh, my partner, he wants you to write if she’s a boy or girl on a piece of paper, so we can find out together later.”

She wonders if she’s said too much, as the technician seems to have stopped paying attention to her, and she waits for a response that doesn’t come.

The technician glides the probe around her belly in wider and wider circles, pursing her lips and squinting her eyes at the screen.

Olivia, watching the stiffening face of the woman next to her, half jokes, “Well, she’s gotta be in there somewhere, right?”

The technician offers her a small smile but avoids her eyes. “Can you excuse me for just one second?” She leaves Olivia alone in the room with her heart racing, confused. Somehow the air in the room feels tighter, and she waits for this bubble of time to burst and the technician to show her that flicker of life again, that small beating.

The doctor enters the room with her fine hair pinned tightly back, brown eyes blank. Olivia searches her face for some warning of what’s happening, some smile that will loosen the air in the room and make it easier to breathe. The doctor travels the same winding loops that have already been traced on her stomach, and shakes her head at the monitor screen so slightly Olivia wonders if she imagined it. Exchanging a look with the technician behind her, the doctor sighs and her eyes meet Olivia’s.

“We’re not detecting a fetal heart rate.”

Olivia’s head has condensed inward and through the ringing in her ears the doctor’s words enter messy, disordered. In the spinning room everything slows—she locks her eyes onto the doctor’s face. She can’t understand the swelling in her chest, this sense of foreboding. Olivia shakes her head. “I don’t—”

The doctor speaks calmly, with the finality of someone who is used to delivering bad news. “There’s no heartbeat,” she says, pausing, head shaking. “I’m sorry.”

Olivia doesn’t breathe for a minute, and she thinks that the doctor is discussing her own heart, paused in its churning. Some part of her knows they’re discussing the baby, and she wants to tell them that this doesn’t make sense, because she had seen it and heard it beating herself, only a few weeks earlier.

Her lungs refuse to inflate but somehow her voice whispers, “It was just there.”

The doctor nods, smiles sadly. “I know. Sometimes these things happen, and we don’t know why.”

She thinks the doctor is speaking to her, but distantly, far away in a place she used to be. Loss charges through her body, and she trembles as she tries to hide her face. Her stomach is hollowing. She feels herself halving.

The doctor is telling her that she will have to come back and they will induce labor, and she wants to tell them they can’t, that it’s too early, that at twenty weeks the baby wouldn’t survive. She wants to tell them they’ve made a mistake, that she feels the life within her, and that she has never felt so sure of anything in her life. She’s still here, she wants to say, I saw her heart myself.

She loses what the doctor says to her, the sorrow in the eyes of the technician. Everything feels slower, sticky, and when she enters the waiting room again, she wonders if the other women can smell the loss on her. For a moment she thinks she can see them pulling away from her, retracting—whales moving out to sea before the storm hits.

Her hands shake as she calls Adam’s number, and when she hears his voice on the line, her throat ignites. “Please come get me. I need you to come get me.”

He tends to her like a baby bird pushed from its nest too soon. When they leave the doctor’s office, he guides her to their car, leads her to the passenger seat, buckles her in. They drive in silence and she presses her cheek to the cool window, lightly knocking her temple on the glass again and again. He rests his hand on her thigh, but she starts and pulls away.

Once Adam parks the car in the street outside their apartment, he reaches for her hands. “Olivia.”

Her face collapses, and she turns to him finally, folding in on herself, pulling her knees closer. The crying chops up her words, makes it hard for her to breathe or speak. “I feel like I did this,” she heaves, patting at her chest with her open hand. “I feel like this is my fault.”

“You know that’s not true,” he says, closing her hands within his.

“I don’t want to do this. I can’t do this.” Her face reddens, blisters. “I shouldn’t have to do this.”

He leaves the car, opens the passenger side door, helps her out of her seat. He leads her across the street, up the stairs, into their apartment, into their bedroom. He braces her body against his as she cries. He pulls her to him when she struggles to breathe. He waits until the shaking stops, until she’s fallen asleep in the empty belly of their silence.

At work a few days later, Olivia runs her hands along her stomach as she stands next to Caroline, her closest friend, a veterinarian at the hospital who was hired at the same time. She laces her fingers through the cage of a sedated cat, and when Caroline speaks, she starts.

Caroline, a heavier woman with thick red curls of hair, often confides in Olivia about her husband and her brood of children. She was the first person Olivia told about the pregnancy, only a couple weeks after she had found out. Olivia wants to tell her about the baby, about carrying two stilled hearts within her body, but when Caroline asks if she’s okay, the words stick to the sides of her throat. She nods. “I’m fine, I’m fine.”

The next week, she dresses herself, stares in the mirror early on a Monday morning. She notices the creases around her mouth, feels removed from her body, her suddenly aged face, fuller from the pregnancy. Her hair, fine and dark, falls down her back in waves, and her eyes wander unfocused. She tells herself, “I’m going to have my baby today.” She places her hand to her womb, closes her eyes, and pictures the baby kicking.

Adam drives her to the hospital in a now familiar silence, hand to her knee, smiling weakly. He turns on the radio, but she reaches over and gently turns it back off.

At the hospital, they give her a pill to help induce labor, wash out her insides. Contractions rip through her abdomen, steadily rise in intensity until she thinks she will break open, and then die down again.

She cries during the first hour and Adam holds her hand through the current. As time passes, she closes her eyes and waits for when the pain grips her so tightly that she thinks her heart stops.

The doctor, the same woman with the tight ponytail, encourages her through the pain. Dr. Karen, Olivia thinks to herself, remembering the woman’s name now. Karen Tutunik.

The doctor checks in on her between hours, but at the very end, she waits with her. When the pain has receded for the last time, Dr. Karen asks, “Do you want to meet him?”

Olivia stares at her blankly for a moment. The doctor seems to sense her confusion and confirms with a small smile. “It’s a boy.”

Olivia turns to Adam with wide eyes, sure that the doctor has misspoken, but she nods.

And then, suddenly, there he is: tiny, still, the skin of his belly translucent, his insides dark. They wrap his body in a small cloth, and he’s so small Olivia can fit him in the palms of her hands. “Hi, baby,” Olivia says to him, Adam leaning over her.

The doctor tells them to let her know when she should come back for him, and as she walks from the room, adds softly, “You should name him.”

They speak to the baby in the hospital room for a few hours. They name him Luca. Olivia lightly touches her finger to the baby’s hands, his toes. She blinks for a moment and thinks she sees him breathing, but the baby is so still, so small, Olivia knows this can’t be true. She remembers listening to his heart beating only a few weeks earlier, and tries to picture this sound within his chest. She closes her eyes and imagines her life with her baby, her son.

When they leave the hospital, they leave with a small box. They leave with pictures of him, his small footprints in ink on paper. When they leave, they leave without their son.

That night, Olivia places her hand to her empty womb, aching for her son like a phantom limb. She will have to tell people that she lost the baby, and she considers the insufficiency of the word lost—as if her son is hiding, waiting to be found; as if he slipped away when Olivia’s back was turned. The word doesn’t convey the feeling that she’s been broken open and picked clean, her insides raw and bare.

She thinks the word implies blame—and in this way it may be fitting, because doesn’t she feel like she failed somehow? Doesn’t she feel guilt?

She holds Luca’s white mittens, tries to slip them over her fingers. Her thumb runs along the smooth stitching on the inside. She imagines kissing the mittens, the warmth of the baby’s fists rising through the stiches, and longs for the pressure of his hands within hers.

When Adam touches her, she recoils, lost, thinking of the baby between them.

“Why are you shutting me out?” he asks after a month of her pulling away from him, inching to the edge of the bed.

She wants to tell him that she’s sorry, that she doesn’t want to feel like this, that she doesn’t know where she stopped and this part of her life began. She wants to tell him that she thinks of Luca’s small, curled hands at night long after he has fallen asleep, that she wonders what his voice would sound like. She wants to tell him that she can imagine his hands within the mittens. She hopes that he wasn’t cold, even for a second.

She wants to tell him that she has never felt a love so strong as when she held that baby in her arms and imagined him in a high chair, laughing, eating Cheerios. That when she is alone, she pictures Luca at her hip, his baby belly round and fat.

Her grief is dense, settling to the distal areas of her body like acid, eating through her skin. She wonders if she is allowed to call herself a mother to a child she will never know.

Now, she thinks of work, of the stray dog, scarred and growling at anyone who goes near her. She wonders if the dog searched for her pups, wonders if she still feels just as hollow, just as rotted out.

Her own words swell but her mouth doesn’t open and she shakes her head at him and turns away.

One month later, Adam reaches for her when they are in bed together. Initially, sleeping with him had helped her fall in love with him—he is patient, yielding with her body. He kisses her, and she kisses him back for a moment, but sours at his body on hers and quietly pushes him off of her.

He sits at the edge of the bed, head in his hands. “You know, I lost a baby, too.”

She curls away from him, places a pillow to her stomach. “You weren’t there.”

He stares at his feet for a moment and shakes his head. “I wasn’t there for what?”

Olivia drags her hand down her scalp, feels her throat tightening. “You weren’t there when they told me. I was alone.”

His eyes focus on hers. “About the baby? You’re gonna punish me for the rest of my life because I missed the appointment? What do you want me to do?”

She hears his voice rising and turns from him, placing a hand to her chest, wanting to slow her racing heart, resting her other hand against her eyes. She tries to speak, but her throat won’t open, and she shakes her head and whispers, “I don’t want to feel like this.”

Adam leaves the bed to kneel before her and says quietly, “I don’t want to feel like this either. I’ve lost him and now I’m losing you.”

She shakes her head. “I’m sorry. I’m sorry.” He holds her against him and she feels herself being absorbed into his warmth and steadiness.

At work a week later, Olivia laces her arm around the neck of a German shepherd, holding her steady as Caroline places a stethoscope to the dog’s chest. “Okay, she’s all good,” Caroline says, and when Olivia doesn’t look at her right away she places a hand on her shoulder. “Are you okay?”

Olivia nods, smiling. “Yeah, just thinking.”

Two months ago, when Olivia finally told Caroline about the baby, the words had forced themselves from her mouth, sour and angry. When Olivia told her of the loss, they’d sat with their knees touching, Olivia’s face bowed while Caroline’s hands reached to steady her.

Now, Caroline tells her, “You know, when I was younger my grandpa would always say, ‘you can’t dry in the same place you swam.’ You should get out. Go on a trip with Adam or something.”

Olivia laughs. “I’m definitely tired of swimming.”

Caroline’s mouth straightens. “I’m serious, Olivia. Even if it’s just for a day.”

Olivia nods. “Okay, okay.”

When Olivia comes home to Adam, who has already made her dinner, she says, “We should go somewhere. Anywhere in the world.”

He smiles, and with a fullness in his voice, he says, “Okay. I’m ready.”

When he turns to the stove, she admires the furrow in his brow, watches him, her companion in grief. She still feels the water in her lungs, but she nods at him, smiles, and helps him set the table.

<< Frontierland 
 
 
 
 
 
 
 
Love is Lemons >>

 


Sarah Steil is a junior English (creative writing) and pre-vet major at SUNY Geneseo. She loves spending time with her five crazy siblings and four crazy dogs.

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Carrie Anne Potter

Instructions for the Ranger

Divvy the common surface into tarns.

Subdividing the skim of freshwater over

swallowed things, you will hear the distance

to the nearest trailhead. When charcoal

smears above, recognize chaotic sky.

When the ripples steady, recognize kingfisher.

Larch needles must be gathered by moonlight. Know

this is a strange and solitary occupation. Units of trust

are rare here, but salt deposited at tired feet should

be taken as a sign of regard.

<< The Minoans 
 
 
 
 
 
 
 
Happy//Over >>

Carrie Anne Potter is a sophomore at SUNY Geneseo, where she majors in English literature and French. She is from Potsdam, NY, and consequently considers herself at least half Canadian. When she’s not furiously debating the geographical boundaries of “upstate” and “downstate,” Carrie can be found writing poetry, playing her violin, rewatching Portlandia for the hundredth time, or drinking way too much coffee. This is Carrie’s first publication.

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Carrie Anne Potter

Uncommon Stereo: A Review of Carey McHugh’s American Gramophone

All poetry is indebted to sound, and all sound must come from somewhere. American Gramophone, Carey McHugh’s first poetry collection, explores the origins and vehicles of sound in its many timbres, intensities, and motivations. Across its three sections, the book introduces us to sounds as familiar as musical instruments and as unfamiliar as “what the nearly dead hear.” Familiarity, however, is only relative in these poems, as they also evoke a nostalgia for something we might never have experienced, but something that nevertheless “paces, presses inward” on our peripheries.

The somewhat odd image on the front cover is worth some consideration. It shows a man, crouched down, plugging a cord into a jack on the side of what appears to be a cross-sectioned, wooden piglet. To the right of the piglet is another wooden pig, this one full-grown and also sliced in half, equipped perhaps with speakers. We can almost hear that sudden buzz of electricity, brace ourselves for the squeak of feedback, the initial moment of amplification. This is where all sound in American Gramophone seems to originate, first and foremost—from these phonographic swine.

In the book’s first poem, which prefaces section one, we imagine sound trickling to a start between the wide-set brackets which serve as the poem’s title. Something has “come as expected,” and the speaker promises, “you will find me armed.” This is the calm before the storm, “the silent approach”—the old gramophone warming up, crackling to life—and the quiet is foreboding. For when we dive into this world McHugh has built, we get the feeling that “there is something not right / in the farmwives,” or in anyone, for that matter. There is an electrical tension in the air, the kind that makes the hair stand up on the back of one’s neck. Our ears anticipate the opening chord of a sorrowful song. With the title poem, the music begins, and the premonitions come. Here, they are birds—“Crows returning in large flocks to rearrange / the body of a tree” or “The sound of something black / and sharp flying into its own reflection.” Incantations are spoken, and “new wood growing / full of holes” is unquestionably the most dependable thing around. Even the animals have gone haywire, as all day long the “horses / drag their shadows the length of the field and back.” We know we will be haunted throughout this book by such uneasy sensory details as “The sickness of violins” and “the weathervane spinning in rehearsal.”

“American Chestnut Blight” introduces us to this agrarian landscape where diseases of trees and crops are always one step ahead of our prudence, and where “winter is a shinbone on the ridge.” While an infestation is in abundance, everything else has gone, leaving a “new / vacancy.” The speaker has no choice but to “leave the front wicket open at an angle pioneered / for [someone’s] return.” Water refuses to fill the creek, and in a particularly dismal business arrangement, “the slow mules have been gifted / to the soapworks.” In short, the absolute destruction of this terrain is anticipated to last through the spring, and “We are calling it ruin.”

These are poems that test the bounds of our perception. In “The Undertow,” human anatomy is the limitation. Rabbit ears perk up at some portentous sound on the horizon while sound for the human ear is silenced, as the speaker prefers “the piano’s back against a load-bearing wall,” and “The song, smothered.” The body’s greatest impediment is the rip current inside “[which] cannot be surgically redirected,” leaving it stuck “on loop with alternatives.” Visual ability is reduced as well, since the speaker must rely on others to tell her or him that it’s wintertime. Location, rather than the body, is what hinders perception in “Instrument for Oversight.” We can only see what is visible from the hayloft—cattle roaming the nearby fields and “the persistence of this lamplit, inclement year.” Left to look at the world as the barn frames it, the speaker wishes for “an instrument for oversight,” something to clear away this ocular fog, such as “a partial dissolve of sadness.” In all of these scenes, “possibility [is] visible but moving steadily away” while adversity nears.

Internal strife is also sounded in the collection, with some poems tackling the knot we have all felt in our stomachs at one point or another. In “Self-Portrait as Shedding,” this knot is “a heron / under [the] lung, winging up / openmouthed.” In “And Now, the Educated Hog,” it is a feeling “Like being bricked up / in a silo.” The omens looming over so many of these poems have taken their toll on those affected, creating insomnia, turning regret into something that “[reinvents] tempo, punishment, apprehension,” and encouraging bitterness in a speaker who “[doesn’t] want whatever you want most for me.” Loss is everywhere, and we are asked emphatically to “Consider the devastation at the height / of a swarm!” Sleepwalkers, former sharpshooters, and people especially fond of owls are just a few members of the large and varied community which populates this “snowbound” and dismal countryside.

No matter how far McHugh’s poems may carry us, they are always aware of where they come from: the porcine means of sound-delivery depicted on the front cover, dubbed the American Gramophone. But their origin does not limit them. McHugh may focus her hazy rural visions through a somewhat atypical stereo, but nothing gets filtered out. On the contrary, these poems teach us that from the darkest recesses of the body, and likewise from the harshest landscapes, issues forth the broadest and most brilliant diapason of voices. The speaker-fitted farm animals serve to amplify scenes already brimming with a quiet fortitude. For, while this is a setting home to people “on the verge of losing something vital,” there is no retaliation on anyone’s or anything’s part. The realization is that maybe “One delinquent sprig” doesn’t mean spring will never come again. The inhabitants of these poems know that “We are held up in the body we arrived in,” whether fortunate or “tucked and unlucky,” and that we must make the most of that. Indeed, though winter is “a slow fail,” its cold creeping in to numb even those places we thought would keep us safe and warm, it also “creates an entrance.”

Like a song playing through grainy speakers, each poem in American Gramophone also has an awareness of what is to come—“the stirring / low of swallows banking and impossibly / flown,” a buzzing at once placid and disconcerting. Together, these poems make “Music to leave the body / windblown.”


Carrie Anne Potter is a sophomore at SUNY Geneseo, where she majors in English literature and French. She is from Potsdam, NY, and consequently considers herself at least half Canadian. When she’s not furiously debating the geographical boundaries of “upstate” and “downstate,” Carrie can be found writing poetry, playing her violin, rewatching Portlandia for the hundredth time, or drinking way too much coffee. This is Carrie’s first publication.

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